Renowned Durban artist Grace Kotze will present a self-curated stand of her work, including her favorite piece 'Darwin's Perch', at the Art in the Country 2025 fair in Hilton from May 22 to 25. The fair, held at Harrington House, features 62 of South Africa's top artists and includes live music. Kotze, who recently showed at the Clarens Arts Festival, draws inspiration from everyday life and cites influences such as William Kentridge and Rembrandt.
A free exhibition of Bob Dylan's paintings, titled 'Point Blank', opens at the Halcyon Gallery on Bond Street, London, on May 9, 2025. The show features 97 original paintings on paper created between 2021 and 2022, based on quick sketches that were later painted over. This marks Dylan's latest collaboration with the gallery, following previous exhibitions including 2021's 'Deep Focus'. The 84-year-old Nobel Prize-winning songwriter has been working with Halcyon for nearly two decades and has also exhibited internationally, including a major 2019 retrospective at the Museum of Modern Art in Shanghai.
Bonhams will auction museum-quality works from the collection of legendary New York gallerist Holly Solomon during its Post-War & Contemporary Art daytime sale on May 15, 2025, and its 20th/21st Century Art Evening Sale on May 14, 2025. The lots include pieces by Robert Rauschenberg, Nam June Paik, Christo, Gordon Matta-Clark, Claes Oldenburg, and Richard Pettibone, among others, many of which have rarely been seen.
Winterthur Museum in Delaware has opened a new exhibition titled "Almost Unknown: The Afric-American Picture Gallery," which brings to life a fictional gallery imagined in 1859 by Black writer and schoolteacher William J. Wilson, writing under the pseudonym Ethiop. In a series of columns for the magazine "The Anglo-American," Wilson described an imaginary museum of Black history and art, featuring works like a depiction of a slave ship, a bust of poet Phillis Wheatley, and images of Crispus Attucks and Haitian Revolution heroes. Curator Jonathan Square has transformed Wilson's fantasy into an immersive, haunted-attraction-style exhibition using objects from Winterthur's collection, with dark lighting, sound effects, and false walls that evoke a carnival ride inspired by Jordan Peele films and "The Shining."
Pop star Robbie Williams opened his new exhibition "Radical Honesty" at the Moco Museum in London on May 2, 2025, featuring his latest sculptures and paintings. The show was attended by celebrities including documentary maker Louis Theroux, artists Chris Levine and Daniel Lismore, and comedian Leigh Francis. Williams's works incorporate his trademark sarcastic and self-deprecating humor, with one painting bearing the text: "To be completely honest I’m not sure if we are friends or we’ve just been in the same room a lot in the last 15 years." This is not Williams's first art venture; in 2022 he presented 14 large-scale works at Sotheby's London co-created with Ed Godrich under the name Williams Godrich, and he is also an art collector with pieces by Banksy, Peter Blake, Christopher Page, and Morris Wade.
The Sara Hildén Art Museum in Tampere, Finland, opens a major retrospective of Finnish painter Heikki Marila on February 8, covering thirty years of his career. The exhibition features both new and previously unseen works, tracing Marila's evolution from early 1990s paintings critiquing power, Finnish national identity, and social structures—such as *Parliament house* (1996)—to later series inspired by the Isenheim Altarpiece, 17th-century Dutch flower paintings, and Baroque celestial imagery. Highlights include his Carnegie Art Award-winning flower paintings from 2011, the *Jacob’s Wrestling* triptych (2014), and recent works like *The Bolt series* (2024) that address contemporary violence.
A coalition of UK arts organizations, including Contemporary Visual Arts England (CVAN) and the Design and Artists Copyright Society (DACS), has presented a new report titled 'Framing the Future: The Political Case for Strengthening the Visual Arts Ecosystem' to parliament. Written by Eliza Easton of the Erskine Analysis think tank, the report calls for a £5m grassroots visual arts fund to address the shortage of affordable studio spaces, a UK Cultural Investment Partnership Fund to encourage philanthropic donations, expanded funding for the Art & Design National Saturday Club, and reinstatement of high-cost funding for creative subjects in higher education. Artists including Tracey Emin and Larry Achiampong have voiced support, warning that arts are disappearing from state education.
L’indagine sull’intimità al centro di una mostra in una galleria di Parigi
French artist Guillaume Valenti (b. 1987) presents his solo exhibition "Système domestique" at Parliament Gallery in Paris, exploring how personal identity can be conveyed through intimate domestic spaces rather than traditional portraiture. The show centers on repeated depictions of the artist's studio bookshelf, captured from the same viewpoint and proportions, which serves both as a subject and a structural grid. Valenti's paintings investigate the interplay of light, color, and abstraction, with works such as "Grise" (2026) and "Bibliothèque blanche" (2026) using overexposure and artificial coloration to deconstruct realistic representation. Other pieces like "The florist" (2026) depict views from the studio window, further examining the boundary between interior and exterior perception.
Local artists from west central Minnesota will display their work across numerous regional galleries this summer, with rotating exhibitions and artist receptions at venues including the Appleton Art and Culture building, Barn Theatre Art Gallery, Bluenose Gopher Blue Tin Gallery, Bird Island Cultural Centre, Dassel History Center & Ergot Museum Gallery, Greenwater Garage & Gallery, Hutchinson Center for the Arts, Java River Cafe, Kandiyohi County Historical Society, KK Berge Gallery, Lac qui Parle County Museum Gallery, and Little Theatre Auditorium Gallery. The article provides a directory of addresses, hours, and contact information for each participating venue, along with photo captions highlighting specific works such as Julie Schweiss's "Pumpkin Harvest" and Jamie Kalvestran's exhibit "A Melding of Art vs Design."
Colm Dillane, designer and artist behind KidSuper, co-hosted an intimate dinner with CULTURED magazine at his 10,000-square-foot Williamsburg studio during New York Fashion Week. Guests toured the brand's headquarters—featuring a recording studio and rooftop soccer field—before enjoying an Italian dinner prepared by Eric Madonna of Bar Madonna. Attendees included fashion tastemakers, gallerist Hannah Traore, curator Zoe Lukov, and musician Gashi, and each received a tote bag with the inaugural CULTURED at Home interiors issue and KidSuper's new book with Rizzoli, *The Misadventures of KidSuper*.
The Earlville Opera House Art Galleries in Earlville, New York, will open the second round of 2026 visual artist exhibitions on Saturday, May 9, from 1 to 3 p.m. The series features three artists: Bruce E. Webster with his retrospective "A Legacy in Wood" showcasing over 40 years of fine wood furniture; Linda Kays-Biviano with "From Clay to Character: Featuring Woodland Spirits," hand-sculpted fantasy figures in polymer clay and resin; and Lawrence Kinney. The exhibits run through July 2, with free admission and an Artist Talk at 1:45 p.m. on opening day.
Artist Janet Fry discovered a 150-year-old pocket diary belonging to her great-great-grandmother, Caroline Currey Kelso, which had been stored in a nightstand drawer for nearly two decades. In May 2024, Fry decided to create an exhibition titled "The 1875 Diary Project" at Storage Space Gallery, opening October 17. The show features recorded diary excerpts read by 12 women artists, enlarged reproductions of the diary pages, and Fry's own artistic responses. Fry transcribed the diary using a magnifying glass, revealing Kelso's experiences as a 19th-century Illinois housewife, including her loneliness, daily chores, and repeated pregnancies.
Il paradosso dell’arte contemporanea: il mondo è violento, ma le opere sono corrette e inoffensive
The article examines a paradox in contemporary art: as the world grows more violent and chaotic, art has become increasingly 'correct,' morally irreproachable, and inoffensive. The author argues that over the past fifteen years, artworks have been judged primarily by their moral and identity credentials, with curators acting as moral gatekeepers and censors. This shift coincides with a period when geopolitics, history, and public behavior have spiraled out of control, creating a strange compensatory dynamic where art is expected to be perfectly controlled and polite while reality grows brutal.
Roma e le sue visioni nella fotografia contemporanea: da Carbone a De Angelis, fino a Hervé Gloaguen
The article critiques a recent trend in contemporary photography of Rome, exemplified by a 2020 exhibition at the Mattatoio (Nuove produzioni 2020 per la collezione Roma) that presented black-and-white images reducing the urban landscape to a dark, lifeless mass. The author contrasts this with a personal photograph of a horse taken during the Covid-19 pandemic, which captures Rome's periphery with warmth and specificity, and praises the 2024 exhibition "Roma 1975, città, volti e storie dell'anno giubilare" featuring photojournalist Fabio De Angelis's rediscovered work as a vital counterpoint.
Mexican artist Elina Chauvet has accused Romanian news anchor Alessandra Stoicescu of plagiarizing her famous installation, "Zapatos Rojos" (Red Shoes). The dispute arose after Stoicescu organized a public intervention titled "Dragostea poartă pantofii roșii" outside the Romanian Athenaeum to mark new femicide legislation, featuring hundreds of red shoes in a manner nearly identical to Chauvet’s long-running global project. Chauvet claims this is the second time Stoicescu has co-opted her work without authorization or credit, following a similar incident in 2018.
Sachsen-Anhalt has enshrined support for art and culture as a state objective in a new law, passed by the state parliament in Magdeburg with the exception of the AfD faction, which abstained. Culture Minister Rainer Robra (CDU) framed the law as fulfilling a promise from 1989, defining what constitutes art and culture in the state, including their roles in education and as an economic factor, and aiming to make cultural structures resilient against future attacks on artistic freedom.
The Northport Arts Association is hosting its ninth annual Northport Photo Exhibit, launching Memorial Day weekend with a free opening reception on May 23, 2026, at its gallery in Northport, Michigan. The exhibit runs through June 14 and features over 100 framed photographs from professional and emerging photographers across Michigan and beyond, with categories judged on impact, lighting, storytelling, and technical quality. Awards include Best of Show, a new anonymous donor award called 'Dem Der Eyes,' People's Choice, and four category prizes.
The F.E. McWilliam Gallery & Studio in Northern Ireland has opened a new exhibition titled "Threads of Time: Industry, Ecology and the River Bann," presented by Shore Collective, an artist-led group based in Lurgan. The show features work from twenty local artists across painting, textiles, photography, and performance, exploring the River Bann's historical role in Irish linen production, its agricultural significance, and its evolving environmental story. The exhibition runs until July 2026 with free admission.
A new contemporary art gallery, kumalo | turpin, has opened in Johannesburg's Parktown North neighborhood, housed within the Nine Yards precinct. The gallery launched with an exhibition titled "gender/genre," featuring works by women artists across sculpture, painting, and photography. Co-founders Zanele Kumalo and MJ Turpin, the latter formerly co-director of the Kalashnikovv Gallery, aim to showcase emerging artists from the global majority. The opening attracted a crowd of local art-world figures, collectors, and creatives, including Marc Lubner, Niki Judelman, and photographer Trevor Stuurman.
Indiana Heritage Arts has officially opened the call for entries for its 2026 annual exhibition, a long-standing tradition that showcases regional talent. Artists specializing in traditional styles are invited to submit their work for consideration in this juried show, which typically features a variety of media including oil, watercolor, and pastel.
SOLO CSV, a new art venue in Madrid, Spain, has opened as part of the international SOLO arts project led by Ana Gervás and David Cantolla. The space, located near Parque del Oeste, was transformed from a 4,000-square-meter former printworks by Spanish architecture firm Estudio Herreros into an unconventional art labyrinth. Its inaugural exhibition at the Bowman Hal gallery featured William Mackinnon, followed by Aaron Johnson's current show 'WE ALL SHINE ON.' The venue also houses the SOLO arts incubator, including the ONKAOS digital arts initiative, a conservation lab, and the newly announced Movimiento 37 program.
The next Wilmington Art Loop, a free citywide art exhibition, opens on Friday, June 6, 2025, from 5–9 PM. Now in its 38th year, the event is a partnership between the Mayor’s Office of Cultural Affairs and Out & About Magazine. Participating venues include The Delaware Contemporary (featuring RADIUS and ARC 25 exhibitions), Wilmington’s Redding Gallery (hosting the City of Wilmington Employee Juried Art Show and a display on the Tubman-Garrett statue), The Mezzanine Gallery (showcasing Jen Hintz Eggers), MKT Gallery (presenting Troy Jones’s “Ancestral Echoes: Masks We Wear”), and Bridge Art Gallery. A free shuttle, provided by the City of Wilmington Parks & Recreation Department, will run from The Delaware Contemporary parking lot, with riders voting on additional gallery stops.
Shrewsbury Library has opened a new community gallery curated by Shrewsbury Arts and Crafts, founded by Jess Richards. The space features work from 24 local artists, a mural by Emma Williams, and was created after Richards faced the possible closure of her shop in Perches House. A collaboration with library manager Katherine Berry turned a small concession idea into a full gallery wall, enabling workshops and year-round creative programming.
The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.
The French Parliament has definitively adopted a framework law on the restitution of cultural property that was illicitly acquired. The Senate unanimously approved the conclusions of the joint committee on May 7, following the National Assembly's approval on May 6, after an agreement was reached on April 30. The law establishes a general mechanism for returning objects from French public collections without requiring a specific law for each case, covering items acquired through looting, theft, forced sale, or other illicit means before the 1970 UNESCO Convention. It creates a permanent national commission and a bilateral scientific committee to assess claims, with restitution ultimately decided by government decree subject to legal review by the Council of State.
Finland-based artist researcher Sheung Yiu presents his long-term project "(Inter)faces of Predictions" at C/O Berlin, exploring how faces have been used across cultures and the implications of facial reading technologies. The exhibition examines the shift from spiritual to economic imperatives in facial interpretation, highlighting the progressive deterioration of human agency.
Chefs Lucho Martínez, Elena Reygadas, Gabriela Cámara, and Tyler Henry share their personal recommendations for navigating Mexico City's food scene during Zona Maco week. The article covers best breakfast spots, chilaquiles, bakeries, quick bites, tacos al pastor, and other tacos, with specific restaurant names and dishes highlighted by each chef.
Mariah Nielson, director of the JB Blunk Estate, reflects on growing up in the Blunk House—a home built by her father, artist JB Blunk, in the 1950s from salvaged materials in Point Reyes Station, California. She describes the house as a living sculpture where art, craft, and daily life merge. Today, she runs Blunk Space, the estate's gallery, and currently presents the exhibition “100 Candleholders,” featuring works by artists connected to the Blunk legacy. Nielson shares how her father's philosophy of functional, un-precious art shapes her collecting and curatorial practice.
Filmmaker Joshua Charow premiered his short documentary *Echoes of the Past* at the Miami Beach Edition, offering an intimate look at Kid Cudi's painter alter ego, Scotty Ramon, as he prepares for his first solo exhibition in Paris in 2026. The screening, attended by collector Larry Warsh and other art-world figures, showcased Cudi's experimental paintings and marked a new creative chapter for the musician-turned-visual artist.
Louis Vuitton is honoring its long-standing creative dialogue with Japan through a series of cultural initiatives timed to the 2025 World Expo Osaka Kansai. The LVMH-sponsored French Pavilion features an immersive narrative designed by OMA architect Shohei Shigematsu, including Rodin's *The Cathedral* among 85 wardrobe trunks and a video work by artist Daito Manabe. At the Nakanoshima Museum of Art, the exhibition "Visionary Journeys," curated by Florence Müller, presents archival materials tracing the Japanese influence on Louis Vuitton's monogram canvas. Two new publications—*Fashion Eye Osaka* by Jean-Vincent Simonet and *City Guide Osaka* with contributions from food critic François Simon and artist Verdy—further celebrate the connection.