The Whitney Museum of American Art raised $6.3 million at its annual benefit gala on Tuesday night, honoring artist Julie Mehretu, Board Chair Fern Kaye Tessler, and Director Emeritus Adam D. Weinberg. The event drew a crowd of artists, actors, musicians, and arts leaders, with a performance by Grammy winner Shaggy and a seated dinner at the museum's downtown flagship.
Actress and performance artist Tilda Swinton will stage a performance titled 'House of Gestures' at the Guggenheim Bilbao on June 5 and 6. The work, a collaboration with fashion historian and curator Olivier Saillard, is commissioned by Dom Pérignon as part of its 'Creation is an eternal journey' series. The piece explores gesture, presence, and transformation, set in the museum's atrium, and is free and open to the public with advance registration.
The British Museum has revealed its plans for displaying the nearly 1,000-year-old Bayeux Tapestry when it arrives on loan from France later this year. For the first time in recent history, the 230-foot-long embroidered narrative of the Norman Conquest will be laid flat in a bespoke case, allowing visitors to view all 58 scenes in a single unbroken display. The exhibition, supported by a £5 million pledge from WorldQuant CEO Igor Tulchinsky, will also feature loans including the Junius II manuscript from Oxford's Bodleian Libraries and silver coins from the Chew Valley Hoard. Tickets for the ten-month show, opening September 10, cost £25–£33.
Cultured magazine asked 12 European collectors how they discover new talent, timed to the 61st Venice Biennale. Collectors like Nicole Saikalis Bay, Amélie du Chalard, Belma Gaudio, and Laurent Asscher share their personal approaches—ranging from emotional resonance and dialogue with existing works to long-term obsession with an artist before acquiring a piece. The responses reveal a diversity of methods, from instinct-driven buying to conceptual and technical evaluation.
Multi-disciplinary artist Jordan Roth staged a performance on May 7 at Palazzo dei Fiori in Venice during the Biennale preview week, where he tore apart vinyl prints of Renaissance painter Irene di Spilimbergo and reassembled them into collages within a gilt frame. The event, presented with Performance Space New York’s Visionaries Circle, was attended by Whitney Museum director Scott Rothkopf and dealer Kristin Hjellegjerde, following Roth's earlier appearance as a "living sculpture" at the Met Gala.
Diana Campbell, Chomwan Weeraworawit, and Paris-based art advisors Samy Ghiyati and Nicolas Nahab of NG Partners organized a pizza party called Pizzalo Mundo during the Venice Biennale. Each artist contributed an ingredient from home: Rirkrit Tiravanija brought a Penang coconut base, Precious Okoyomon added flowers, Daria Kim wild honey, Tarek Atoui za'atar on hummus, Miet Warlop artichoke hearts, Tori Wrånes self-grown potatoes, and Alexa Kumiko Hatanaka fig leaf oil with yuzu salt. The event drew a crowd of curators, directors, and collectors from institutions including Tate, Musée d'Orsay, Guggenheim Abu Dhabi, MoMA, and Centre Pompidou.
Minnesota-based interdisciplinary artist Rosy Simas opened a contemplative installation titled "A:gajë:gwah dësa’nigöëwë:nye:' (i hope it will stir your mind)" at the Walker Art Center on the same day that Trump-appointed border czar Tom Homan announced the end of Operation Metro Surge, a federal immigration enforcement operation in the Twin Cities. The installation features salt bottles made from woven corn husks, each honoring one of Simas's relatives, and is inspired by the teachings of Handsome Lake (Ganyodaiyo’), her fifth great-grandfather’s half-brother, who promoted the Seneca concept of a "good mind." The exhibition, on view through July 5, is part of a two-part project that also includes performances in May. Simas, known primarily for choreography, has increasingly gained recognition as a visual artist, recently receiving a Creative Capital Award.
Congolese choreographer Faustin Linyekula is staging "The Galeazze Project," a performance in a 16th-century shipyard complex in Venice that has been inaccessible since World War II and never open to the public. Commissioned by the nonprofit Scuola Piccola Zattere, the work will bring up to 500 people into the 32,291-square-foot open-air ruin for two nights during the 2026 Venice Biennale preview week. The rental fee from the performance will help stabilize and restore the floors of the historic Galeazze site.
Yu-Chi Lyra Kuo, an entrepreneur, investor, and Harvard-educated lawyer, is profiled for her pioneering work at the intersection of frontier technology and art. A former Princeton academic and one of the youngest board members of the Shed in New York, Kuo began collecting art as a child with a jade gourd from her grandfather's museum of Asian carvings. She was an early entrant into blockchain in 2011, co-founded OpenSea 2.0, and now advises frontier tech companies like Orchid Health. Kuo believes technologies such as AI and robotics can enhance human creativity, enabling individualized artworks, autonomous creations, and robot performances, rather than replacing human cultural meaning.
The Russian Pavilion will be closed to the public for most of the 2025 Venice Biennale, opening only during the pre-opening vernissage (May 5–8) for live performances tied to the exhibition “The Tree Is Rooted in the Sky.” After May 9, the pavilion will remain closed, with digital documentation displayed in the windows. The compromise follows weeks of pressure from European cultural and political figures—including Italy’s culture minister—to shutter the pavilion due to Russia’s ongoing war in Ukraine. Plans were confirmed via email correspondence between Biennale Foundation president Pietrangelo Buttafuoco, general director Andrea Del Mercato, and Russian Pavilion commissioner Anastasia Karneeva, as reported by Italian outlets Open and La Repubblica.
On Monday evening, the New Museum held its 2026 gala at Cipriani South Street, honoring outgoing Director Lisa Phillips, who led the institution for over three decades. The event featured a performance by Blondie's Debbie Harry, a live auction with works by Jack Pierson, Billy Sullivan, Rashid Johnson, and Cindy Sherman, and remarks from John Waters, Maya Lin, and Whitney Museum director Adam Weinberg. Notable attendees included artists Hank Willis Thomas, Derrick Adams, Marilyn Minter, and Anne Imhof, as well as arts leaders Thelma Golden, Yvonne Force Villareal, and Noah Horowitz.
Since 2024, the nonprofit organization Artists & Mothers has been addressing a critical gap in the art world by offering grants for nine months of childcare to New York-based artists with children under three. The organization was founded by Julia Trotta and Maria De Victoria, with board members including Camille Henrot, Bridget Donahue, Maia Ruth Lee, Sarah Goulet, and Elizabeth Karp-Evans. In a Q&A format, the group discusses their motivations, influences, and hopes for a more equitable art world, highlighting works such as Lea Lublin's 1968 performance "Mon fils" and anticipating Ei Arakawa-Nash's Japanese Pavilion at the Venice Biennale.
The article profiles Katherine Brinson, a curator at the Guggenheim Museum in New York, known for organizing major exhibitions for artists like Alex Katz, Danh Vo, and most recently a mid-career survey of sculptor Carol Bove in the museum's iconic rotunda. In a Q&A format, Brinson discusses her curatorial philosophy, her deep connection to the Frank Lloyd Wright building, and her introverted nature, while revealing plans to make the Carol Bove show more welcoming with seating areas and daily tea service.
Carol Bove, the Swiss-born, California-raised sculptor known for transforming steel into malleable, seductive forms, has opened a major career survey at the Guggenheim Museum in New York. The exhibition fills the museum's iconic rotunda, marking the largest stage of her career to date. The article also features a Q&A in which Bove discusses her influences (including filmmaker Stanley Kubrick), her love of driving, and her desire for more 'pointlessness' in the art industry.
The Aya Kese, a massive 16th-century northern European brass basin, is currently on display at the British Museum while its complex history remains under scrutiny. Looted by British officer Robert Baden-Powell in 1896 from the Asante kingdom’s royal mausoleum in present-day Ghana, the object was long sensationalized by colonial accounts as a vessel for human sacrifice. Recent scholarship and historical records from Asante King Prempeh I contest these claims, asserting the basin’s sacred role as a spiritual repository for the souls of the Asante people.
MoMA PS1 has launched the sixth edition of "Greater New York," a quinquennial survey featuring over 50 artists living and working in the city. Coinciding with the museum’s 50th anniversary, the 2026 iteration focuses on artists in the formative stages of their careers, emphasizing a gritty, raw aesthetic over the polished, market-driven surfaces often found in major biennials. The exhibition highlights photography and installation work that reflects the city's complex immigrant narratives and evolving urban identity.
YoungArts hosted its 2026 gala at the Metropolitan Museum of Art's Temple of Dendur, honoring actor Marisa Tomei with the Arison Award and featuring ballerina Misty Copeland and artist Glenn Ligon as honorary co-chairs. The event drew a crowd of notable arts figures including Mikhail Baryshnikov, Anne Pasternak, Max Hollein, Cecilia Alemani, and artists KAWS, Taryn Simon, and Camille Henrot, with performances by YoungArts alumni directed by Caleb Teicher.
Artist Katya Granova discusses her creative practice within her studio at the Spinnerei, a massive former yarn factory in Leipzig, Germany. Granova details her daily routine, which is dictated by natural light and a soundtrack of rock and metal music, and explains how the industrial scale of the space allows her to create large-format works that blend painting with physical movement akin to dance.
Two trustees of the prestigious Djerassi Resident Artists Program, Alexander Maxwell Djerassi and Michael Molesky, were identified in recently released Department of Justice files as visitors to Jeffrey Epstein’s private island in 2011. The pair attended the "Mindshift Conference," a gathering of academics and professionals held two years after Epstein’s first conviction. The residency program, located in California's Santa Cruz Mountains, clarified that the visit occurred years before either individual joined the board and emphasized that neither Epstein nor Ghislaine Maxwell ever had any formal ties or donor history with the institution.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is hosting "Theresa Hak Kyung Cha: Multiple Offerings," a comprehensive exhibition that draws from the artist’s complete archives. The show highlights Cha’s multidisciplinary practice, spanning film experiments, performance documentation, and her signature linguistic explorations. By pairing finished artworks with archival materials and personal ephemera, the exhibition reveals a playful, puckish side of the artist that is often obscured by the tragic circumstances of her death and the heavy themes of exile and dislocation in her work.
Cultured magazine profiles legendary 80-year-old artist Paul McCarthy during his Paris exhibition at Hauser & Wirth, titled “SS EE Saint Santa Eva Elf.” The article follows the journalist's three-day pursuit of McCarthy, covering a screening of his films *A&E Adolf & Eva/ Adam & Eve Cooking Show* (2022/2023) and *A&E Adolf & Eva/Adam & Eve Mother* (2022/2025), which feature psychosexual themes referencing Adolf Hitler and Eva Braun alongside Adam and Eve, co-starring actor Lilith Stangenberg. The exhibition includes large raw drawings created during improvised, multi-camera performances with Stangenberg, where they play twisted Santa and elf characters. McCarthy also has concurrent shows at The Journal Gallery in Los Angeles and SOLO contemporary art space in Madrid.
Humberto Moro, deputy director of program at the Dia Art Foundation, discusses his role in expanding the institution's focus to include Latin American artists such as Liliana Porter, Delcy Morelos, and David Lamelas, whose major survey he curated. The interview, published by Cultured, covers Moro's career path from his early painting pursuits to positions at Museo Tamayo, Museo Jumex, SCAD's Museum of Art, and the Park Avenue Armory, and his current work at Dia alongside director Jessica Morgan. Moro also shares his personal interests in science fiction and literature, citing authors Ted Chiang, Cixin Liu, and Mariana Enriquez.
The New Museum in New York has reopened after two years with a major expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas, doubling its size to 60,000 additional square feet. The inaugural exhibition, “New Humans: Memories of the Future,” curated by Massimiliano Gioni, features over 800 objects by more than 200 artists, scientists, and designers across three main floors. The show explores how concepts of the human have evolved in response to technological innovation over the past century, with thematic chapters such as “Reproductive Futures” and a site-specific sculpture by Klára Hosnedlová in the new Atrium Stair.
Hamburger Bahnhof in Berlin celebrated its 30th anniversary with a landmark benefit gala titled "A Night in Berlin," gathering over 500 cultural leaders from art, film, music, fashion, and philanthropy. The evening launched four new awards: the Studio Award to artists Abdulhamid Kircher, Monilola Olayemi Ilupeju, and Jonas Roßmeißl; the Lifetime Achievement Award to Mona Hatoum; the Global Arts Patronage Award to collector Kiran Nadar; and the Changemaker Award to the Delfina Foundation. The gala featured performances, spatial installations, and a red neon sculpture by Monica Bonvicini, with actor Cate Blanchett presenting and Alice Sara Ott performing.
Italy's Culture Minister Alessandro Giuli has demanded the resignation of Tamara Gregoretti, the government's representative on the Venice Biennale board, accusing her of failing to alert the ministry to Russia's planned return to the 2026 exhibition. Russia announced it will reopen its national pavilion for the first time since 2019 with a presentation titled 'The Tree Is Rooted in the Sky,' curated by Anastasia Karneeva and featuring over 30 artists.
Brooklyn Museum director Anne Pasternak sparked a critical conversation at the Making Their Mark Forum in Washington, D.C., highlighting a gendered disparity in museum leadership exits. Pasternak observed that while male directors are typically permitted to retire with dignity, female leaders are increasingly being fired or forced out, calling on the press to investigate the lack of formal data on this trend.
how nada next generation of collectors salons
The New Art Dealers Alliance (NADA) has launched a new initiative called NADA Collects, a series of salons and educational events designed to demystify the art-buying process. Through gallery walks, dinners, and informal Q&A sessions, the program addresses the intimidation factor that often prevents potential buyers from entering the contemporary art market. By fostering a space where "no question is too dumb," NADA aims to bridge the gap between galleries and a new generation of collectors who may feel alienated by the perceived elitism of the art world.
Isaiah Zagar, the visionary mosaic artist behind the landmark Philadelphia’s Magic Gardens, died on February 19 at age 86 due to complications from heart failure and Parkinson’s Disease. A Pratt Institute graduate and former Peace Corps volunteer, Zagar transformed Philadelphia’s South Street neighborhood over five decades, creating more than 200 public murals and a sprawling, immersive environment of tunnels and grottos made from glass, tile, and found objects.
Cultured magazine asked 10 art collectors to recommend books that changed how they think about art. The responses range from John Berger's "Ways of Seeing" (Matthew Harris) and Sarah Thornton's "Seven Days in the Art World" (Paola Creixell) to Peter Brook's "The Empty Space" (Brandon John Harrington) and Calvin Tomkins's "Off the Wall" (Francis J. Greenburger). Other collectors cite exhibition catalogs, biographies, and personal collection books as transformative reads.
In mid-December, Abby Jones, acting chief of protocol at the State Department, suggested during a tour of the Smithsonian’s National Portrait Gallery that the museum create a dedicated gallery featuring multiple images of President Donald Trump, in addition to his official portrait. The White House later noted it regularly receives artworks depicting Trump from supporters and proposed displaying some at the museum, though no formal request has been made. The discussion follows the gallery’s recent replacement of Trump’s official photograph with a more flattering image and the removal of wall text referencing his two impeachments, which the museum described as part of a broader exhibition update.