The High Museum of Art in Atlanta honored artist Alison Saar with the 2025 David C. Driskell Prize, a national award celebrating contributions to African American art. The gala featured a live performance by musician John Legend, a bespoke award designed by David Yurman, and drew Atlanta tastemakers, arts leaders, and cultural figures. Saar joins past recipients including Amy Sherald, Mark Bradford, and Rashid Johnson.
Daniel Humm, the chef behind Eleven Madison Park, has curated a selection of artworks for Sotheby's Contemporary Curated sale, drawing parallels between composing a meal and assembling an exhibition. In an interview with CULTURED, Humm discusses his approach, which was influenced by a transformative encounter with Claude Monet's Water Lilies at the Musée de l'Orangerie in Paris, and his selections include works by Roni Horn, Alex Katz, Keith Haring, and Sarah Crowner.
Raúl de Nieves, a queer Mexico-born artist based in Williamsburg, Brooklyn, is preparing for his latest institutional exhibition, “In Light of Innocence,” opening September 12 at Pioneer Works in Red Hook. The show features 40 new stained glass assemblages made from tape, acetate, and inexpensive materials, installed above a single floor-bound work—a departure from his typically maximalist style. De Nieves, who has exhibited at the ICA Boston, the Baltimore Museum of Art, and the Cleveland Museum of Art, and gained prominence after the 2017 Whitney Biennial, describes the exhibition as a valediction, stating it will be the last time he creates this kind of work.
James Frey, the controversial author of "A Million Little Pieces" and "Bright Shiny Morning," opens his home in Pound Ridge, New York, to discuss his personal art collection. The collection includes works by Rashid Johnson, Robert Colescott, Nate Lowman, Richard Prince, Andy Warhol, Jeff Koons, and Auguste Rodin, among others. Frey describes his art-buying philosophy as driven by emotion rather than market trends, and recounts purchasing his first pieces—a Picasso drawing and a Matisse drawing—for cash in 1994.
Artist and Pioneer Works founder Dustin Yellin discusses his annual tradition of attending Burning Man in the Nevada desert with journalist Sophia Cohen. Yellin, who first attended the festival in 2012 despite initial skepticism, describes the transformative experience of biking through the Playa with its lights and large-scale artworks. After this year's Burning Man, he will return to New York to complete *The Politics of Eternity*, a 10,000-pound sculpture debuting at the Armory Show.
Site Santa Fe has announced its 12th International exhibition, titled "Once Within a Time," opening June 27 and running through January 2026. Curated by Cecilia Alemani, who previously curated the 59th Venice Biennale, the show draws its name and dreamlike logic from a 2022 film by Santa Fe artist Godfrey Reggio. Featuring over 70 artists and more than 300 works—including new commissions, archival interventions, and contemporary selections—the exhibition uses 20 figures with ties to New Mexico as narrative catalysts, among them Navajo code talker Chester Nez, novelist Willa Cather, and the Fire Spirit from local folklore. For the first time, the International will be fully embedded within Santa Fe's urban fabric, activating sites such as a historic foundry, a toy store, and a dispensary alongside traditional cultural partners. Participating artists include Simone Leigh, David Horvitz, and Dominique Knowles, with contributions from writers Tommy Orange, Lucy R. Lippard, and Estevan Rael-Gálvez.
The Museum of Contemporary Art, Los Angeles (MOCA) held its annual gala, presented by BVLGARI, at the Geffen Contemporary space in Little Tokyo. The evening introduced a new format called MOCA Legends, honoring artist Theaster Gates, architect Frank Gehry, and philanthropist Wendy Schmidt. Guests included actors Jane Fonda, David Alan Grier, Sarah Paulson, director Ava DuVernay, and artists Andrea Bowers, Charles Gaines, Henry Taylor, and Olafur Eliasson, whose exhibition OPEN was on view. After a performance by the TAIKOPROJECT Japanese drum ensemble, House Speaker Emerita Nancy Pelosi surprised attendees by introducing Gehry. Rapper Tierra Whack performed during dinner, and the event raised $3.1 million for museum operations.
Art critic David Rimanelli reviews Willem de Kooning's exhibition "Endless Painting" at Gagosian's 555 West 24th Street location, curated by Cecilia Alemani, running through June 24, 2025. The show spans de Kooning's career from 1944 to his final phase, though notably omits his black-and-white oil-and-enamel paintings from the late 1940s. Rimanelli expresses ambivalence, finding the show dreary and pointless despite the high caliber of individual works, and critiques the press release's focus on fragmented body parts. Separately, Johanna Fateman reviews Cosey Fanni Tutti's exhibition at Maxwell Graham, highlighting her controversial 1970s series "Magazine Actions" (1972–80), on view through June 28, 2025.
Artadia, a nonprofit grantmaker, held its third annual tennis tournament at the Los Angeles Tennis Club in May 2025, moving the event from its traditional pre-Frieze slot in response to the year's wildfires. The fundraiser, co-chaired by Charles Gaines, Jennie Lamensdorf, and Rafael Flores, gathered over 130 guests including gallerists from Gagosian, Hauser & Wirth, and David Zwirner, as well as curator Mia Locks and artists Ally Hilfiger, Todd Gray, and Roksana Pirouzmand. Forty-five participants played in a rotating doubles format, while others socialized; Locks gave remarks and won the tournament.
The Hammer Museum in Los Angeles held its 20th annual Gala in the Garden on Saturday night, raising $2.4 million for the institution. The event honored artist Lauren Halsey and actor-activist Jane Fonda, with speeches from director Zoë Ryan, Studio Museum director Thelma Golden, and actors Ted Danson and Mary Steenburgen. Attendees included LeBron James, Dustin Hoffman, Will Ferrell, Stormzy, Ed Ruscha, Catherine Opie, Mark Bradford, and Andrea Bowers, with a performance by singer Griff.
Alison Saar has been named the 2025 recipient of the David C. Driskell Prize by Atlanta’s High Museum of Art, recognizing her significant contributions to the African American art canon. The announcement was made in New York at a celebration held at the Fifth Avenue Hotel in partnership with CULTURED, with a formal gala planned for September featuring a performance by John Legend. Saar, a Los Angeles native known for her commanding sculptures and mixed-media works exploring race, gender, and spiritual identity, joins past honorees including Naomi Beckwith, Ebony G. Patterson, Amy Sherald, and Rashid Johnson.
The Guggenheim Young Collectors Council (YCC) hosted its 2025 party at the museum's New York rotunda, honoring Korean artist Ayoung Kim as the recipient of the LG Guggenheim Award. The event featured a multisensory experience with tarot readings, motion-capture avatars, a performance by YCC Artist Collaborator LaJuné McMillian using LG OLED technology, and a DJ set by Kito, drawing a crowd of artists, curators, and collectors including Naomi Beckwith, Ella Emhoff, Tschabalala Self, and Moses Sumney.
Pioneer Works founder Dustin Yellin celebrated his 50th birthday with a fundraiser called Village Fête, raising $1.4 million for the nonprofit arts and sciences center he founded 13 years ago. The event featured a cocktail hour, seated dinner, performances by Annie & the Caldwells and David Byrne, and an afterparty co-hosted by CULTURED, with attendees including Claire Danes, Moses Sumney, Maggie Rogers, and Darren Aronofsky. Speakers included lead sponsor Gabriela Hearst, artist Nate Lewis, artist Azikiwe Mohammed, and founding team members Gabriel Florenz and Janna Levin, who highlighted the institution's impact on over 450 artists.
Emma Safir, a former fashion designer and printmaker, creates beguiling paintings and tapestries that blend textiles, digital printing, and traditional embroidery techniques. Her works, such as "APRICOT SILK" (2025) and "BABY DARLING" (2025), use smocking, glass beads, and shells to produce organic, jewel-toned surfaces that resist easy reflection or entry, challenging viewers to engage with layered material hierarchies.
Actress and performance artist Tilda Swinton will stage a performance titled 'House of Gestures' at the Guggenheim Bilbao on June 5 and 6. The work, a collaboration with fashion historian and curator Olivier Saillard, is commissioned by Dom Pérignon as part of its 'Creation is an eternal journey' series. The piece explores gesture, presence, and transformation, set in the museum's atrium, and is free and open to the public with advance registration.
The British Museum has revealed its plans for displaying the nearly 1,000-year-old Bayeux Tapestry when it arrives on loan from France later this year. For the first time in recent history, the 230-foot-long embroidered narrative of the Norman Conquest will be laid flat in a bespoke case, allowing visitors to view all 58 scenes in a single unbroken display. The exhibition, supported by a £5 million pledge from WorldQuant CEO Igor Tulchinsky, will also feature loans including the Junius II manuscript from Oxford's Bodleian Libraries and silver coins from the Chew Valley Hoard. Tickets for the ten-month show, opening September 10, cost £25–£33.
Multi-disciplinary artist Jordan Roth staged a performance on May 7 at Palazzo dei Fiori in Venice during the Biennale preview week, where he tore apart vinyl prints of Renaissance painter Irene di Spilimbergo and reassembled them into collages within a gilt frame. The event, presented with Performance Space New York’s Visionaries Circle, was attended by Whitney Museum director Scott Rothkopf and dealer Kristin Hjellegjerde, following Roth's earlier appearance as a "living sculpture" at the Met Gala.
Minnesota-based interdisciplinary artist Rosy Simas opened a contemplative installation titled "A:gajë:gwah dësa’nigöëwë:nye:' (i hope it will stir your mind)" at the Walker Art Center on the same day that Trump-appointed border czar Tom Homan announced the end of Operation Metro Surge, a federal immigration enforcement operation in the Twin Cities. The installation features salt bottles made from woven corn husks, each honoring one of Simas's relatives, and is inspired by the teachings of Handsome Lake (Ganyodaiyo’), her fifth great-grandfather’s half-brother, who promoted the Seneca concept of a "good mind." The exhibition, on view through July 5, is part of a two-part project that also includes performances in May. Simas, known primarily for choreography, has increasingly gained recognition as a visual artist, recently receiving a Creative Capital Award.
The Russian Pavilion will be closed to the public for most of the 2025 Venice Biennale, opening only during the pre-opening vernissage (May 5–8) for live performances tied to the exhibition “The Tree Is Rooted in the Sky.” After May 9, the pavilion will remain closed, with digital documentation displayed in the windows. The compromise follows weeks of pressure from European cultural and political figures—including Italy’s culture minister—to shutter the pavilion due to Russia’s ongoing war in Ukraine. Plans were confirmed via email correspondence between Biennale Foundation president Pietrangelo Buttafuoco, general director Andrea Del Mercato, and Russian Pavilion commissioner Anastasia Karneeva, as reported by Italian outlets Open and La Repubblica.
The Aya Kese, a massive 16th-century northern European brass basin, is currently on display at the British Museum while its complex history remains under scrutiny. Looted by British officer Robert Baden-Powell in 1896 from the Asante kingdom’s royal mausoleum in present-day Ghana, the object was long sensationalized by colonial accounts as a vessel for human sacrifice. Recent scholarship and historical records from Asante King Prempeh I contest these claims, asserting the basin’s sacred role as a spiritual repository for the souls of the Asante people.
MoMA PS1 has launched the sixth edition of "Greater New York," a quinquennial survey featuring over 50 artists living and working in the city. Coinciding with the museum’s 50th anniversary, the 2026 iteration focuses on artists in the formative stages of their careers, emphasizing a gritty, raw aesthetic over the polished, market-driven surfaces often found in major biennials. The exhibition highlights photography and installation work that reflects the city's complex immigrant narratives and evolving urban identity.
Artist Katya Granova discusses her creative practice within her studio at the Spinnerei, a massive former yarn factory in Leipzig, Germany. Granova details her daily routine, which is dictated by natural light and a soundtrack of rock and metal music, and explains how the industrial scale of the space allows her to create large-format works that blend painting with physical movement akin to dance.
Two trustees of the prestigious Djerassi Resident Artists Program, Alexander Maxwell Djerassi and Michael Molesky, were identified in recently released Department of Justice files as visitors to Jeffrey Epstein’s private island in 2011. The pair attended the "Mindshift Conference," a gathering of academics and professionals held two years after Epstein’s first conviction. The residency program, located in California's Santa Cruz Mountains, clarified that the visit occurred years before either individual joined the board and emphasized that neither Epstein nor Ghislaine Maxwell ever had any formal ties or donor history with the institution.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is hosting "Theresa Hak Kyung Cha: Multiple Offerings," a comprehensive exhibition that draws from the artist’s complete archives. The show highlights Cha’s multidisciplinary practice, spanning film experiments, performance documentation, and her signature linguistic explorations. By pairing finished artworks with archival materials and personal ephemera, the exhibition reveals a playful, puckish side of the artist that is often obscured by the tragic circumstances of her death and the heavy themes of exile and dislocation in her work.
Italy's Culture Minister Alessandro Giuli has demanded the resignation of Tamara Gregoretti, the government's representative on the Venice Biennale board, accusing her of failing to alert the ministry to Russia's planned return to the 2026 exhibition. Russia announced it will reopen its national pavilion for the first time since 2019 with a presentation titled 'The Tree Is Rooted in the Sky,' curated by Anastasia Karneeva and featuring over 30 artists.
Brooklyn Museum director Anne Pasternak sparked a critical conversation at the Making Their Mark Forum in Washington, D.C., highlighting a gendered disparity in museum leadership exits. Pasternak observed that while male directors are typically permitted to retire with dignity, female leaders are increasingly being fired or forced out, calling on the press to investigate the lack of formal data on this trend.
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The New Art Dealers Alliance (NADA) has launched a new initiative called NADA Collects, a series of salons and educational events designed to demystify the art-buying process. Through gallery walks, dinners, and informal Q&A sessions, the program addresses the intimidation factor that often prevents potential buyers from entering the contemporary art market. By fostering a space where "no question is too dumb," NADA aims to bridge the gap between galleries and a new generation of collectors who may feel alienated by the perceived elitism of the art world.
Isaiah Zagar, the visionary mosaic artist behind the landmark Philadelphia’s Magic Gardens, died on February 19 at age 86 due to complications from heart failure and Parkinson’s Disease. A Pratt Institute graduate and former Peace Corps volunteer, Zagar transformed Philadelphia’s South Street neighborhood over five decades, creating more than 200 public murals and a sprawling, immersive environment of tunnels and grottos made from glass, tile, and found objects.
In mid-December, Abby Jones, acting chief of protocol at the State Department, suggested during a tour of the Smithsonian’s National Portrait Gallery that the museum create a dedicated gallery featuring multiple images of President Donald Trump, in addition to his official portrait. The White House later noted it regularly receives artworks depicting Trump from supporters and proposed displaying some at the museum, though no formal request has been made. The discussion follows the gallery’s recent replacement of Trump’s official photograph with a more flattering image and the removal of wall text referencing his two impeachments, which the museum described as part of a broader exhibition update.
The British Museum's proposal to redesign its forecourt with two permanent security pavilions and a Mediterranean-style garden has drawn opposition from conservation groups. The Georgian Group and the Victorian Society argue the additions would disrupt the historic symmetry and formal setting of Robert Smirke's 19th-century Greek Revival building, urging Camden Council to reject the plan.