GEORGE FEBRES: TRANSLATION, IRONY, AND LIBERATION. AN ECUADORIAN ARTIST IN THE DIASPORA

The article examines the life and work of George Febres (1943–1996), an Ecuadorian artist who spent most of his career in the United States, primarily in New Orleans. Febres’s practice blends Pop Art, Neo-Surrealism, and Southern US culture with his experiences as a migrant and queer subject, using bilingualism and ironic tropical imagery to create a hybrid, irreverent body of work. Despite his significance, no works by Febres exist in Ecuadorian public collections, and no major retrospective has been held in his home country, reflecting a broader erasure of queer narratives from national art history.

Collecting in Madrid: 50 Ways to Build the Contemporary

COLECCIONAR EN MADRID: 50 FORMAS DE CONSTRUIR LO CONTEMPORÁNEO

The exhibition 'Madrid Colecciona. 50 colecciones de arte contemporáneo' opened at CentroCentro, showcasing a hundred works from fifty private collections in Madrid. It shifts focus from the artwork and artist to the often-opaque figure of the collector, allowing each collector to present two pieces: one of personal significance and one recent acquisition, accompanied by their own explanatory texts.

AT A LOW FLAME. CLAY AND NATURAL FIBERS IN THE WORK OF IBERO-AMERICAN ARTISTS

A MEDIA LUMBRE. BARRO Y FIBRAS NATURALES EN LA OBRA DE ARTISTAS IBEROAMERICANOS

The exhibition 'A media lumbre' presents a collection of works by Ibero-American artists that engage with materials and knowledge historically considered minor arts, such as ceramics, clay, wool, textiles, embroidery, and natural fibers. The show integrates sound and oral tradition as tools for transmitting memory, drawing inspiration from communal gatherings like the 'filandones.' It unfolds across four autonomous exhibitions in Valencia, Mallorca, Aragon, and Catalonia, connecting urban museums like the IVAM with rural contexts.

The Public Legacy of Gonzalo Díaz

EL LEGADO PÚBLICO DE GONZALO DÍAZ

A collaborative research project, the Gonzalo Díaz Archive, was presented at the National Museum of Fine Arts in early 2025, focusing on the late artist's five-decade connection to the University of Chile. Just before his death in December 2025, Díaz publicly called for the university to safeguard a substantial part of his prolific work, and he was posthumously awarded the university's Rector Juvenal Hernández Jaque Medal. His widow, artist Nury González, will lead a funded project to transform his decades of preparatory notes and sketches into a new artist's book.

Marianna Simnett schafft eine exklusive Edition für Monopol

Marianna Simnett, one of the most radical contemporary artists known for exploring metamorphosis, myth, ecstasy, sex, and pain, has created an exclusive edition titled "The Healer" for the German art magazine Monopol. The work is a watercolor depicting a naked female figure licking a lion lying on the ground, with other lions roaring in the background. The edition is an archival pigment print in a size of 60 x 79 cm, published in an edition of 25 plus two artist's proofs, priced at 950 euros plus VAT.

Prize commemorates Henrike Naumann – MMK takes over estate

Preis erinnert an Henrike Naumann – MMK übernimmt Nachlass

A new prize named after the late artist Henrike Naumann has been established by the Institut für Auslandsbeziehungen (ifa) and the Zeit Stiftung Bucerius, coinciding with her posthumous presentation at the German Pavilion of the Venice Biennale. The €15,000 Henrike-Naumann-Preis für Bildende Kunst, plus €5,000 in production funds, will be awarded regularly starting this year to early- to mid-career artists whose work engages with social transformation, political fault lines, or transnational contexts. Meanwhile, the Museum für Moderne Kunst Frankfurt (MMK) has acquired Naumann's estate, which will be catalogued and made publicly accessible to ensure her work receives long-term scholarly and curatorial attention.

Deutscher Pavillon wird zum Plattenbau

The German Pavilion at the Venice Art Biennale has been transformed into a prefabricated concrete slab building (Plattenbau) for this year's edition, designed by artists Sung Tieu and the late Henrike Naumann, who died suddenly in February at age 41 from cancer. Curator Kathleen Reinhardt described the pavilion as part of a highly political Biennale, with Tieu covering the 1938 fascist-era building with a mosaic of over three million tiles depicting a Berlin apartment block that once housed Vietnamese contract workers. Naumann's interior installation features mint-green references to Soviet barracks in East Germany, a cartography of war, and works including a relief of chairs, a curtain of chainmail, and the performance "Trümmerfrau."

An Old Man Whose Egoscentrism Knows No Bounds

"Ein alter Mann, dessen Ich-Sucht keine Grenzen kennt"

More than 30 current and former jury members of the Stiftung Kunstfonds have issued a formal protest against German Culture Minister Wolfram Weimer, accusing his office of political interference and intimidation. The controversy stems from reports that the ministry requested lists of all jury members across various art institutions and bypassed jury decisions to exclude specific recipients from awards based on intelligence service reports.

Foreign Office Reprimands Goethe-Institut for Exhibition

Auswärtiges Amt rügt Goethe-Institut für Ausstellung

The German Foreign Office has formally reprimanded the Goethe-Institut for its involvement in an exhibition in Vilnius, Lithuania, featuring Palestinian-American artist Basma al-Sharif. The ministry stated that events organized by German cultural intermediaries must leave no doubt about the government's firm rejection of antisemitism and hatred of Israel, and demanded greater care in planning and conceptualizing such events with partners. The exhibition, "Bells and Cannons - Contemporary Art in Times of Militarization," was a collaboration between the Goethe-Institut Vilnius, the Contemporary Art Centre Vilnius, and the Berlin Academy of Arts.

From the artist who painted with his feet to the splashes of Pollock: abstraction takes over the Centre Pompidou Malaga

The Centre Pompidou Malaga has opened the exhibition 'Gesture and Matter. International Abstractions (1945–1965)', running until September, featuring around 30 works by 26 artists. The show highlights abstract art as a post-World War II response, with key pieces including Jackson Pollock's 'Number 26A. Black and White' and Kazuo Shiraga's 'Planet Nature', painted with his feet while suspended from ropes. Co-curated by Anne Foucault and Christian Briend, the exhibition traces abstraction's development from Paris and New York to Asia and Europe, emphasizing painting as a full-body, performative act of freedom.

Andrew Cranston’s Paintings of Dreamlike Domesticity

Scottish artist Andrew Cranston has opened a new solo exhibition titled 'I’m going in a field' at Modern Art gallery in London. The show features eleven paintings that blend landscape, memory, and domestic scenes, drawing inspiration from the artist's childhood in Hawick, Scotland, and his reflections on activities like golf, which he views as a form of landscape experience.

Plymouth museum and art gallery The Box in 'record-breaking year'

The Box, Plymouth’s flagship museum and art gallery, has announced a record-breaking performance for 2025, surpassing its annual visitor target by 18%. Since opening in 2020, the institution reached a milestone of 1.1 million total visitors, driven largely by the massive success of the 'Beryl Cook: Pride and Joy' exhibition. The show attracted 52,000 visitors in just its first nine weeks, with nearly half of those attendees traveling from outside the local region.

The Art Market Enters 2026 With Renewed Confidence and a Sharper K-Shape Divide

ArtTactic's Global Art Market Outlook 2026 report reveals renewed confidence in the art market, with 51% of participants expecting growth and 42% anticipating stability. Strong sales in London, Paris, and Miami Beach, along with multi-billion-dollar November auction results, have buoyed sentiment. The recovery is uneven but meaningful, driven by selective demand for established names: Impressionist art rose 80.4%, Modern art 19.4%, and Old Masters 68.7%. The K-shaped divide is sharpening, with robust performance at the top end (above $1 million) and accessible tiers (below $50,000), while the middle market remains sluggish. Top performers include Klimt, Picasso, Rothko, and Calder, while ultracontemporary artists like Nicolas Party and Matthew Wong have seen significant declines.

Au Louvre, des directeurs de département entre responsabilités internes et rôle national

Maximilien Durand has been reappointed as head of the Department of Byzantine and Eastern Christian Arts at the Louvre Museum, a role that carries both internal museum responsibilities and national duties on behalf of the French state. Two decrees signed by Culture Minister Catherine Pégard formalize his renewal: one as head of the museum department, and another as head of the corresponding major heritage department, a status held by only nine of the Louvre's departments.

Art Dubai announces details for revised 2026 edition

Art Dubai has unveiled the details for its 2026 "special edition," which features a significantly reduced scale in response to ongoing regional conflict. The fair will host 50 galleries—a sharp decline from the 120 participants in 2025—with a strategic focus on regional representation, as nearly two-thirds of the exhibitors hail from the Middle East. To compensate for the smaller commercial footprint, the event will deepen its ties with local institutions like the Sharjah Art Foundation and Alserkal Avenue through expanded collaborative programming.

Morad Montazami appointed artistic director of 2026 Dakar Biennale

Morad Montazami has been named the artistic director for the 16th edition of the Dakar Biennale, scheduled to run from November 19 to December 19, 2026. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the exhibition will explore themes of community-led restoration and the transformation of vulnerability into collective strength. Montazami, a former Tate Modern curator and founder of the platform Zamân Books & Curating, brings an extensive background in postcolonial art histories and global modernisms to the prestigious African forum.

The Interview: Kei Ishikawa

Filmmaker Kei Ishikawa has adapted Kazuo Ishiguro's debut novel, 'A Pale View of Hills,' into a feature film, with Ishiguro serving as executive producer. The film expands the novel's dual-timeline narrative, set in post-war Nagasaki and 1980s England, and introduces a decisive narrative closure not found in the original text. It features performances from leading Japanese actors and meticulous period detail.

Morad Montazami Named Artistic Director of 16th Dak’Art Biennial

Morad Montazami has been appointed as the artistic director for the sixteenth edition of the Dak’Art Biennial, scheduled to run from November 19 to December 19. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the upcoming biennial will focus on themes of community, co-creation, and the transformation of vulnerability into artistic strength. Montazami, an esteemed art historian and curator known for his work on global modernism and postcolonial narratives, brings extensive experience from previous roles at Tate Modern and various international exhibitions.

European Commission Tells Venice Biennale to Ditch Russian Pavilion

The European Commission has formally accused the Venice Biennale of violating EU sanctions against Russia by planning to reopen the Russian Pavilion for the 2026 edition. In a letter to the Biennale's president, the Commission argues that hosting a government-funded national pavilion constitutes accepting indirect support from the Russian state during its ongoing war in Ukraine. The organization has threatened to withhold a $2.3 million grant intended for the 2028 edition unless the Biennale addresses these concerns by May 11.

LILIA CARRILLO IN NEW YORK THE MEXICAN PAINTER WHO WAS AHEAD OF HER TIME

Americas Society in New York has opened "Lilia Carrillo: Ruptures and Premonitions," curated by Tobias Ostrander. The exhibition presents 24 paintings by Mexican artist Lilia Carrillo (1930–1974), created between 1961 and 1974, alongside archival materials. It introduces Carrillo to New York audiences as a key figure of the Generación de la Ruptura, a postwar movement that broke with Mexican muralism in favor of abstraction. The show highlights her experimental techniques—carving and scraping paint, embedding fabric and paper—and her engagement with mortality, Surrealism, and political turmoil, including the 1968 Tlatelolco massacre.

Billboards celebrating peace will arrive in L.A. as part of the Broad's Yoko Ono exhibit

Yoko Ono will install seven digital billboards across Los Angeles bearing peace messages like "THINK PEACE" and "IMAGINE PEACE," as part of her upcoming exhibition "Yoko Ono: Music of the Mind" at the Broad museum opening May 23. The billboards echo her 1969 "WAR IS OVER!" campaign with John Lennon. Ancillary programming includes re-creations of her performance works "Cut Piece" (1964) and "Sky Piece to Jesus Christ" (1965), plus a concert series "Yoko Only" guest-curated by Yuka Honda featuring Yo La Tengo, Nels Cline, Sleater-Kinney, and others.

Detroit’s MOCAD Reopens with a New Vision and a New Kind of Leadership

The Museum of Contemporary Art Detroit (MOCAD) has reopened after an eight-month renovation, marking its 20th anniversary with a new vision centered on artists and community. Co-directors Jova Lynne and Marie Madison-Patton have titled this new chapter "A Practice of Multiplicity," emphasizing the wholeness of artists' lives beyond their work. The renovation includes infrastructural upgrades like an HVAC system, a new Learning Studio, a transformed café for programming, and a facade that opens to the street. Two inaugural surveys highlight Detroit artists Olayami Dabls and Carole Harris, whose practices explore the city's history, culture, and social transformation.

Bidding battle for Matisse leads Sotheby’s $303.3m Modern art evening sale in New York

Sotheby’s Modern evening auction on 19 May in New York achieved $303.3m with fees, falling within its pre-sale estimate of $244m to $322.8m. The standout lot was Henri Matisse’s 1919 painting *La Chaise lorraine*, which sold for $48.4m after a ten-minute bidding battle, becoming the second most valuable Matisse painting at auction. Other highlights included Alberto Giacometti’s *La Clairière (Composition avec neuf figures)* at $23.1m, Pablo Picasso’s *Arlequin (Buste, 1909)* at $42.6m, and a Mark Rothko untitled work on paper at $9.27m. The sale also saw strong demand for works by female Surrealists Leonor Fini and Leonora Carrington, while a Rodin sculpture was passed and a Gottlieb painting was withdrawn.

Art in America’s Summer “New Talent” Issue Names 20 Artists to Watch

Art in America, the sister publication of ARTnews, has announced its Summer 2026 "New Talent" issue, featuring 20 emerging artists selected by the magazine's editors. The list includes international artists working across various mediums, such as Joeun Kim Aatchim, Jenny Calivas, Kiah Celeste, Malo Chapuy, Mitchell Charbonneau, Isaiah Davis, Elizabeth Glaessner, Juliana Halpert, Craig Jun Li, Kinlaw, Koyoltzintli, Kyung-Me, Chyrum Lambert, Terran Last Gun, Satchel Lee, Claudia Pagès Rabal, Ren Light Pan, Emma Safir, Frank Wang Yefeng, and Alexa West. Profiles of each artist appear in the print edition and will be published online in the coming weeks.

Grayson Perry’s life story to be told in ‘outrageous’ musical

Grayson Perry’s life story is being adapted into a stage musical titled *Grayson the Musical*, co-created with Richard Thomas, composer of *Jerry Springer: The Opera*. The show follows Perry from his childhood in Chelmsford to his rise as a Turner Prize-winning ceramicist and tapestry-maker, featuring his iconic dresses and his teddy bear Alan Measles. Perry wrote the lyrics, with a book by screenwriter Sara-Ella Ozbek and direction by Sean Foley. A workshop production will run for five performances in July at Soho Theatre Walthamstow, the east London borough where Perry once kept a studio and which inspired his famous work *The Walthamstow Tapestry*.

Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

Keith Haring Before the End of the World

The article reviews Keith Haring's early work from 1980 to 1983, currently on view at the Brant Foundation in New York. The author reflects on initially dismissing Haring's graffiti-inspired style as trite and playful, but now sees darker, prophetic themes in pieces featuring apocalyptic imagery, UFOs, nuclear power, and mindless obedience to higher powers. The exhibition, curated by Dieter Buchhart and Anna Karina Hofbauer, runs through May 31.

Fondazione Sandretto Re Rebaudengo’s New Art Island Made a Sunny Splash in a Rainy Venice Vernissage Week

Patrizia Sandretto Re Rebaudengo, an ARTnews Top 200 collector, inaugurated a new art site on the island of San Giacomo in Venice’s Northern Lagoon during the rainy preview week of the Biennale. The island, purchased in 2018, features two Napoleonic-era powder magazines transformed into exhibition spaces: one hosting the group show “Don’t have hope, be hope!” from the Sandretto Re Rebaudengo Collection, and the other presenting “Fanfare/Lament,” a solo exhibition by Matt Copson curated by Hans Ulrich Obrist. The site also includes permanent installations by artists such as Claire Fontaine, Mario Garcia Torres, Hugh Hayden, Goshka Macuga, Pamela Rosenkranz, and Thomas Schütte, and will serve as a venue for exhibitions, performances, and residencies.

The Price Points Powering the Art Market

The article, part of the Artnet Intelligence Report: Year Ahead 2026, analyzes art market performance by price bracket in 2025. The $1 million-to-$10 million range was the strongest segment, with sales totaling $3.5 billion—a 20.8% increase from 2024. Sales above $10 million rose 36.1% to $2.3 billion, boosted by high-priced masterpieces at New York's November auctions. The $100,000-to-$1 million bracket saw $3.2 billion in sales, up 6%. Meanwhile, works under $10,000 and in the $10,000-to-$100,000 range grew less than 1%, indicating cautious buyer behavior.

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.