9 Must-See Shows at Paris Gallery Weekend 2025

Paris Gallery Weekend 2025 takes place May 23–25 across 74 galleries in the capital, featuring vernissages, performances, exhibition walkthroughs, and artist talks. Now in its second decade, the event was founded to spotlight Paris’s contemporary art scene and offers a counterpoint to the art fair circuit. Highlights include Sophie Calle’s "SÉANCE DE RATTRAPAGE" at Perrotin, where she revisits unfinished projects from her 2023 Picasso Museum exhibition, and major institutional shows like the David Hockney retrospective at Fondation Louis Vuitton and "Corps et âmes" at Bourse de Commerce. The weekend also includes a new Agnès Varda exhibition at Musée Carnavalet linking her photography to her Montparnasse atelier.

Sinners, Maurizio Cattelan Is Taking Confession

Maurizio Cattelan has launched a participatory artwork and sales campaign titled 'The Confessional,' where people can call a hotline to submit their sins for his consideration. Selected participants will be invited to a livestreamed event on April 23 where Cattelan, acting as a priest, will absolve them. The project is tied to the re-release of his controversial 1999 sculpture 'La Nona Ora,' a miniature wax figure of Pope John Paul II struck by a meteorite.

The Great Lone Wolf of Art

Der große Einzelgänger der Kunst

Georg Baselitz, the German painter known for his radical, figurative works and iconic upside-down motifs, has died at age 88. Born Hans-Georg Kern in 1938 in Deutschbaselitz, Saxony, he fled East Germany for West Berlin in 1957 after being expelled from art school for "socio-political immaturity." Baselitz rose to international fame with his expressive, fractured depictions of the human figure, famously inverting his compositions starting with "Der Wald auf dem Kopf" (1969). He also worked as a stage and costume designer for operas by Harrison Birtwistle, György Ligeti, and Richard Wagner.

Georgia O'Keeffe Museum Launches Digital Catalogue Raisonné

The Georgia O’Keeffe Museum has launched Access O’Keeffe, a comprehensive digital catalogue raisonné that makes over 2,000 of the artist’s works available to the public for free. Based on the definitive 1999 scholarship by Barbara Buhler Lynes, the platform includes paintings, sketches, and letters, featuring advanced search tools that allow users to filter by color, medium, and theme. The project was completed despite a significant funding scare when a federal grant was briefly rescinded during the Trump administration before being restored via legal action.

Remembering Agosto Machado, Keeper of Queer Histories

Agosto Machado, a seminal performer, archivist, and fixture of New York’s downtown queer arts scene, has passed away. Known as a "keeper of secrets" and a vital connector within the avant-garde community, Machado was a muse to filmmaker Jack Smith and a lifelong friend to Warhol superstar Mario Montez. His life spanned the height of the East Village performance era, where he transitioned from a quiet observer to an essential participant in the preservation of underground history.

It’s Gabriele Münter’s World, We’re Just Living in It

The Solomon R. Guggenheim Museum is hosting "Contours of a World," a retrospective dedicated to Gabriele Münter, a co-founder of the Blue Rider group. The exhibition moves beyond the shadow of her long-time partner Wassily Kandinsky, showcasing her distinct approach to German Expressionism through photography, intimate domestic scenes, and vibrant landscapes. Unlike her contemporaries who leaned toward total abstraction, Münter utilized bold outlines and layered compositions to create a dynamic, phenomenological experience of seeing.

Teresinha Soares, Brazilian Artist Behind Erotic-Inflected Works That Slyly Defied Taboos, Dies at 99

Teresinha Soares, a pioneering Brazilian artist known for her bold, erotic-inflected paintings and installations that challenged societal taboos and gender conventions, died on March 31 in Belo Horizonte at age 99. Her career, though concentrated between 1965 and 1976, was defined by works featuring pared-down, full-figured female silhouettes in vibrant colors that directly addressed women's sexuality and oppression.

ArtReview April & May 2026 Issue Out Now

ArtReview's April & May 2026 issue explores boundaries and limitations in art, with a focus on the 61st Venice Biennale opening amid global conflicts. The cover features Japanese-American performance artist Ei Arakawa-Nash with his husband and twin babies, whose collaborative installation at the Japanese Pavilion incorporates the unpredictability of childcare. The issue includes coverage of controversial national pavilions (Russian, Israeli, American), profiles of artists representing Mongolia and Singapore, and features on Beverly Buchanan, Arthur Jafa, Richard Prince, and Zehra Doğan's report from Rojava. It also reviews the 82nd Whitney Biennial, the 25th Biennale of Sydney, and the 15th Shanghai Biennale.

The invisible worlds of Hilma af Klint, pioneer of abstraction, finally revealed at the Grand Palais

Les mondes invisibles d’Hilma af Klint, pionnière de l’abstraction, enfin révélés au Grand Palais

The article reveals the long-overlooked story of Hilma af Klint (1862–1944), the Swedish artist who created abstract paintings years before Kandinsky, Mondrian, and Malevich, yet kept her work secret until 20 years after her death. Her monumental output—1,600 abstract paintings and 124 notebooks—was first publicly shown in 1986 at the Los Angeles exhibition 'The Spiritual in Art, Abstract Painting, 1890–1985'. A 2019 retrospective at the Guggenheim Museum in New York drew 600,000 visitors, a museum record. Now, the Grand Palais in Paris presents the first-ever French exhibition of her work, focusing on her 'Paintings for the Temple' cycle (1906–1915), a series of 193 works that synthesize her spiritual quest.

Which exhibitions and museums to visit in the evening this May in Paris?

Quels expos et musées voir en nocturne en ce mois de mai à Paris ?

Paris museums and galleries are extending their hours for evening visits in May, with many offering late-night openings on specific weekdays. The Palais de Tokyo is open until 10pm daily except Tuesday, the Musée du Luxembourg stays open until 10pm on Mondays, and the BnF Richelieu site is open until 8pm on Tuesdays. The Fondation Cartier pour l'art contemporain, newly relocated near the Louvre, welcomes visitors until 10pm on Tuesdays, while the Jeu de Paume stays open until 9pm on Tuesdays. On Wednesdays, the Musée du Louvre extends its hours until 9pm, alongside other museums. Current exhibitions include shows dedicated to Leonora Carrington, Martin Parr, and Nan Goldin, among others.

Au boulot ! 10 œuvres qui célèbrent le travail

Beaux Arts Magazine presents a feature on ten artworks that celebrate labor, from ancient Egyptian frescoes to modern depictions of workers. The article highlights pieces such as Pieter Brueghel the Elder's "The Harvesters" (1565), Diego Velázquez's "The Spinners" (c. 1657), and Johannes Vermeer's "The Milkmaid" (c. 1660), examining how artists have elevated peasant, artisan, and domestic work from background detail to central subject. The feature coincides with the Musée d'Orsay's nationwide initiative "100 œuvres qui racontent le travail" (100 Works That Tell the Story of Work), which explores the history and representation of labor in art.

Alexander Calder, Brilliant Sculptor of Air and Color Celebrated at the Fondation Vuitton

Alexander Calder, génial sculpteur de l’air et de la couleur célébré à la fondation Vuitton

The Fondation Louis Vuitton is hosting a major celebration of Alexander Calder, the American sculptor who revolutionized 20th-century art by introducing movement and play into the medium. The article traces Calder's formative years in Paris starting in 1926, where the young engineer-turned-artist gained avant-garde fame with his 'Cirque Calder'—a miniature circus of wire and fabric figurines. This period marked his transition from traditional painting to his signature 'drawings in space,' featuring wire sculptures of figures like Josephine Baker that projected dancing shadows and captured the kinetic energy of the era.

Masterpieces of Art Modeled and Printed in Ultra-High Definition: The Challenge Met by LITO

Des chefs-d’œuvre de l’art modélisés et imprimés en très haute définition : le défi relevé par LITO

Beaux Arts Magazine partnered with the Austrian printing and publishing company LITO to stage a challenge at its 500th-issue launch party. Guests were asked to identify the authentic 15th-century painting by Giovanni Bellini's circle from among four seemingly identical works, three of which were ultra-high-definition reproductions created by LITO. The company's patented modeling and printing technology replicates the texture of brushstrokes, varnish sheen, canvas grain, and even craquelure with unprecedented precision.

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NYU Abu Dhabi Art Gallery has launched its first Gulf Quinquennial, titled "Between the Tides," featuring around 30 artists from the Gulf Cooperation Council countries. The exhibition presents a coherent selection of videos, installations, paintings, and traditional record-keeping practices, aiming to deepen and complicate the cultural narrative of the Arabian Peninsula by highlighting its diversity, linguistic interactions, and migrant labor.

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Video artist Andrew Norman Wilson, known for a viral 2024 essay in The Baffler about artist precarity, has directed a new music video for British actress and singer Naomi Scott's song "Losing You." Scott, famous for playing Princess Jasmine in Disney's 2019 live-action Aladdin, is releasing her debut full-length album F.I.G. in March. The music video, which Wilson directed, produced, wrote, and edited, is described as disjointed, claustrophobic, and strange, featuring close-ups, mirrors, and a roast chicken tattooed with a broken heart.

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The Virginia Museum of Fine Arts (VMFA) in Richmond has repatriated 41 terracotta relief fragments valued at approximately $400,000 to Turkey. The works, acquired by the museum in the 1970s from Summa Galleries and antiquities dealer Harlan J. Berk, were determined to have been illegally excavated from a 6th-century B.C.E. Phrygian temple. The repatriation followed an investigation by the Antiquities Trafficking Unit of the Manhattan District Attorney’s Office, which presented evidence of illicit excavation and illegal export to the museum.

The Egyptian Modernist Inji Efflatoun gains international exposure with new biographical collection

The article profiles Egyptian Modernist artist and activist Inji Efflatoun, detailing her life from her birth in 1924 in Cairo to her political activism, arrest in 1959, and four-and-a-half-year imprisonment. It highlights a new biographical collection, *The Life and Work of Inji Efflatoun*, which includes her translated memoirs and critical essays, offering a comprehensive view of her art and revolutionary life.

The Bahamas returns to the Venice Biennale with a joy-filled posthumous collaboration

The Bahamas will return to the Venice Biennale in 2026 after a 13-year absence with a posthumous exhibition for artist John Beadle, who died in 2024 at age 60. Beadle was originally selected to represent the country in 2015 but the government withdrew funding. The exhibition, titled "In Another Man’s Yard," will feature Beadle’s work alongside that of his mentee, Lavar Munroe, using materials from Beadle’s studio including sails from Haitian migrant sloops. The pavilion is organized by commissioner Amanda Coulson and curator Krista Thompson, who raised private funds after the government declined to support the project.

George Costakis, collector and saviour of Soviet avant-garde art, celebrated with Athens exhibition

The National Gallery in Athens is hosting a major exhibition celebrating the legacy of George Costakis, the visionary collector who rescued thousands of Russian and Soviet avant-garde works from state-sponsored oblivion. Born in Moscow to Greek parents, Costakis spent decades acquiring pieces by artists like Kazimir Malevich and Liubov Popova at a time when such art was vilified by the Soviet regime. The new exhibition reinterprets these works through the lens of humanity's relationship with the environment, marking 30 years since the collection was first shown in Greece.

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German installation artist Henrike Naumann has passed away at the age of 41 following a battle with cancer. At the time of her death, Naumann was preparing for the pinnacle of her career: representing Germany at the upcoming 61st Venice Biennale. The German pavilion organizers have confirmed that they will work closely with her studio team to realize her finalized artistic vision for the exhibition as planned this May.

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Artnet News reports on the rediscovery of Colombian artist Luis Fernando Zapata (1951–1994), whose solo booth at Art Basel Miami Beach features works from 1988 to 1994 that resemble ancient artifacts. The booth, titled “The Immemorial: The Transcendence of Luis Fernando Zapata,” is presented by Bogotá’s Galería Elvira Moreno in the fair’s Survey sector, which highlights historically significant art made before 2000. Zapata’s pieces—including totemic shields, a mud-brown sarcophagus with cuneiform-like glyphs, barques, steles, and his “excavaciones”—are mostly hand-sculpted papier-mâché, evoking ritual and imagined cosmologies. Diagnosed HIV+ in the mid-1980s, Zapata died in 1994, leaving a body of work that has remained largely absent from the queer canon and art-world consciousness until now.

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Marie Antoinette, the final queen of France, is the subject of a blockbuster exhibition titled "Marie Antoinette Style" at London's V&A museum, running through March 22. The show highlights her boldly modern taste, her patronage of women artists like Élisabeth Vigée Le Brun and Anne Vallayer-Coster, and her role as the first French queen to own and redecorate her own palace, the Petit Trianon. The article details how she used her influence to secure Vigée Le Brun's admission to the Académie Royale and pressured the Louvre to exhibit Vallayer-Coster's work, while also exploring how her extravagant spending earned her the epithet "Madame Déficit" and contributed to her downfall during the French Revolution.

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Björk, the Icelandic pop icon and multidisciplinary artist, is opening an exhibition of immersive works titled "Echolalia" at the National Gallery of Iceland, coinciding with the 2026 Reykjavik Arts Festival. The show features installations tied to her forthcoming album and her 2022 album Fossora, including "Ancestress" and "Sorrowful Soil," the latter a tribute to her late mother. Simultaneously, the museum will host "Metamorphlings," the first museum retrospective for James Merry, the embroiderer behind many of Björk's masks, presenting over 80 works from the past decade.

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The New York Botanical Garden's 34th annual "Holiday Train Show" features miniature replicas of New York landmarks crafted from natural materials by the botanical artists of Applied Imagination. This year's edition adds two new models: the recently renovated Delacorte Theater in Central Park and the Whitney Museum of American Art's Meatpacking District flagship, designed by Renzo Piano. The Whitney replica, built over three months by artist Ava Roberts and fabrication director Kaitlin Schmidt, uses a new two-way mirrored acrylic glass technique for the windows and incorporates materials like purple smoke bush branches, horse chestnut bark, and fallen Zelkova bark. The company, founded by Paul Busse in 1991 and now run by his daughter Laura Busse Dolan, creates whimsical versions of landmarks using leaves, sticks, fungi, and other dried plant materials.

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Michelangelo, best known for masterpieces like the Sistine Chapel ceiling and the Pietà, also served as the governor and procurator general of fortifications for Florence in 1529, tasked with designing military defenses against the Medici family. After the Medici were expelled in 1527, Michelangelo joined the "Nine of the Militia" committee, but his overly complex drawings were so impractical that almost none were built. The Medici, backed by Pope Clement VII, successfully besieged Florence in 1529–30, forcing Michelangelo into hiding in a secret chamber beneath the Medici Chapel, where he drew figurative works rediscovered in 1975. He was eventually pardoned and went on to create major commissions like the tomb of Pope Julius II and The Last Judgement, but left Florence for Rome in 1534.

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TEFAF has selected the Black Book of Hours, a rare 15th-century illuminated manuscript from the Hispanic Society Museum and Library in New York, as the recipient of its 2025 Museum Restoration Fund. The manuscript, one of only seven known black vellum books of hours, will be displayed at TEFAF New York at the Park Avenue Armory before undergoing conservation treatment by the Conservation Center for Art and Historic Artifacts in Philadelphia. The work involves disbinding the 149-folio volume, high-resolution imaging, and addressing centuries of wear.

The Relentless Avant-Garde of The Renaissance Society

The Renaissance Society at the University of Chicago, founded in 1915, has consistently championed avant-garde contemporary art from its modest gallery space on the fourth floor of Cobb Hall. Under the leadership of current director Myriam Ben Salah (since 2020), the institution continues its legacy of presenting visionary works by artists who later become household names, including Henri Matisse, Pablo Picasso, Man Ray, and Félix González-Torres. The article traces the society's history through its pioneering female directors—Eva Watson Schütze, Frances Strain Biesel, and Suzanne Ghez—who shaped its forward-thinking exhibition program, from early modernist shows to local Chicago talent and cross-disciplinary collaborations.

Andy Warhol | Original Exhibition Poster (2021) | For Sale

An original Andy Warhol exhibition poster from 2021 is being offered for sale by Baldwin gallery, with locations in London, Miami, and Dubai. The offset lithograph on paper measures 19.7 × 27.6 inches, is in mint condition, unsigned, and includes a Certificate of Authenticity. Priced at £650, the work ships from London with domestic shipping at £45 and international at £55, and is covered by the Artsy Guarantee.

Peter Halley - Jablonka Gallery, Koln vintage poster (Hand Signed by Peter Halley) , 1988

A rare 1988 vintage silkscreen exhibition poster by Peter Halley, published for his show at Jablonka Galerie in Cologne, has surfaced on the secondary market. The work is notably hand-signed and dedicated by the artist to fellow artist Bill Radawec, distinguishing it from standard mass-produced exhibition ephemera. Halley, a central figure of the 1980s Neo-Geo movement, is recognized for his 'cell' and 'conduit' paintings that critique social and technological structures.

Marcel Duchamp at MoMA: Five Revelations From the Artist’s First North American Survey in Over 50 Years

The Museum of Modern Art in New York has launched a major retrospective of Marcel Duchamp, marking the artist's first comprehensive North American survey in over half a century. The exhibition traces Duchamp’s evolution from his early satirical drawings and avant-garde paintings to his revolutionary experiments with movement and mechanization, featuring iconic works like "Nude Descending a Staircase" and "L.H.O.O.Q." alongside technical diagrams and studies for "The Large Glass."