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An inmate in a Virginia prison has had the July/August issue of the Humanist magazine rejected by prison censors because it contains a reproduction of Peter Paul Rubens's painting of Adam and Eve, in which Eve's breasts are visible despite fig leaves covering the couple's genitals. Attorney Jeffrey E. Fogel filed a federal lawsuit on August 31 on behalf of the American Humanist Association, arguing that the rejection violates the First and Fourteenth Amendments and has caused financial harm to the publisher. The article in question, titled "Everything You Know about Sex is Wrong," aims to challenge binary gender concepts.

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At Kering's historic Laennec headquarters in Paris, the exhibition "Balenciaga by Demna" presents a self-curated retrospective of the designer's decade-long tenure at the house, from 2015 through 2025. Open by appointment through July 9, the show features 101 objects including complete looks, accessories, and provocations drawn from 30 collections, alongside audio narration using an AI rendering of Demna's voice. The exhibition serves as a capstone before Demna transitions to his new role as creative director of Gucci, while Pierpaolo Piccioli prepares to take over at Balenciaga. Highlights include a metallic gold ballgown shaped like a Ferrero Rocher candy, a hyperrealistic mannequin of muse Eliza Douglas, and the Spicy Chili Chips Bag clutch.

Trisha Donnelly at MUSEUM MMK FÜR MODERNE KUNST

The Museum MMK für Moderne Kunst in Frankfurt is presenting an exhibition of work by American artist Trisha Donnelly. The show features a range of her untitled pieces from 2005 to 2025, including sculptures, photographs, and other media, drawn from her own studio and various international collections and galleries.

Gladstone Gallery Now Represents the Estate of Pope.L, Boundary-Crossing Performance Artist

Gladstone Gallery has announced its representation of the estate of the late performance and conceptual artist Pope.L. The gallery will present its first solo exhibition of his work in New York in 2027, joining existing representatives Modern Art in London and Vielmetter Los Angeles in stewarding his legacy.

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Artist and activist Michele Pred has opened a solo exhibition at Nancy Hoffman Gallery in New York, showcasing a body of work that addresses the erosion of civil and reproductive rights. The exhibition features her signature electroluminescent wire-stitched vintage handbags, sculptures made from found objects like wooden gavels and disarmed bullets, and large-scale inflatable abortion pill sculptures. Pred’s practice, rooted in her upbringing between California and Sweden, utilizes approachable domestic objects to deliver urgent political messages regarding bodily autonomy and social justice.

meet augustas serapinas the youngest artist in the venice biennale 1525318

Augustas Serapinas, a 28-year-old Lithuanian artist, is the youngest participant in the main exhibition of the 2019 Venice Biennale, curated by Ralph Rugoff. Known for site-specific, interactive works that blur public and private space, Serapinas creates installations like a functioning sauna and snowmen rescued from playgrounds. He famously hosts studio visits inside a drainage pipe along the Vilnia River, a practice that impressed Rugoff and other curators. Serapinas's work challenges traditional studio and exhibition formats, engaging audiences beyond the gallery.

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Charisse Pearlina Weston, a rising artist known for transforming industrial materials like shattered glass and concrete into harmonious abstract works, is the subject of a profile highlighting her rapid ascent. Her first solo exhibition with Jack Shainman Gallery, titled "Mis-/Mé- (Squeeze)," opened in New York's Chelsea and runs through December 20, 2025. Weston, who gained attention with a solo presentation at Patron gallery during Frieze New York 2024, was awarded a Guggenheim Fellowship in April 2025 and has an installation at the Cecilia Alemani-curated SITE Santa Fe International. She will also have dual representation at Art Basel Miami Beach next month.

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Anish Kapoor has announced plans to launch a large-scale sculpture into space, a project he estimates will cost nine figures. While details of the artwork remain secret, Kapoor suggested it might involve mirrors and aims to be a "useless" yet "magical" poetic occupation of the cosmos. He confirmed his backers are "not necessarily American" and explicitly stated Elon Musk is not involved.

art harrison kinnane smith emmelines

Harrison Kinnane Smith's exhibition "Tracings and Arrangements" is on view at Emmelines, a small gallery tucked inside a former newsstand in the Fifth Avenue & 53rd Street MTA station in New York, directly beneath the Museum of Modern Art and the building formerly known as 666 Fifth Avenue. The show features two works by Louise Lawler on consignment from Sprüth Magers—"Bulbs (traced), 2005/06/19" and "(Bunny) Sculpture and Painting (traced), 1999/2019"—which are black-and-white traced decals of her earlier photographs, displayed in the gritty, fluorescent-lit subway mezzanine. Kinnane Smith, at 28, frames Lawler's works as his opening gesture in a conceptually recursive chain that extends her critique of art's circulation through commerce, collecting, and institutional contexts.

Gagosian to open new ground-floor space at 980 Madison Avenue with major Duchamp presentation

Gagosian is set to expand its footprint at 980 Madison Avenue by opening a new ground-floor gallery space on April 25, 2026. The inaugural exhibition features a landmark presentation of Marcel Duchamp’s iconic readymades, including "Fountain" and "Bicycle Wheel." This selection specifically highlights the 1964 editions produced with Arturo Schwarz, returning these works to the exact building where they made their American debut at the Cordier & Ekstrom Gallery over sixty years ago.

'Marcel Duchamp' at Gagosian, 980 Madison Avenue, New York, United States on 25 Apr–27 Jun 2026

Gagosian is set to inaugurate its new ground-floor gallery space at 980 Madison Avenue with a major exhibition of Marcel Duchamp’s work, opening April 25, 2026. The presentation features the artist’s iconic 1964 readymade editions, including "Fountain" and "Bicycle Wheel," returning them to the exact historic location where they made their American debut at Cordier & Ekstrom Gallery sixty years prior. The show coincides with a major Duchamp retrospective at the Museum of Modern Art, New York.

8 Must-See Solo Gallery Shows in March

This month’s gallery circuit features a series of high-profile solo exhibitions across the United States, headlined by a museum-quality survey of Jasper Johns at Gagosian. The selection highlights diverse artistic approaches, from Johns’s seminal 1970s crosshatch paintings to Yuko Mohri’s kinetic installations at Tanya Bonakdar and Gabriel de la Mora’s material-focused conceptual works at Perrotin. Other notable shows include Christina Quarles’s new paintings at Hauser & Wirth, which explore themes of loss and resilience.

8 Must-See Solo Gallery Shows in January

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for January, highlighting exhibitions from coast to coast. Featured artists include Jeff Koons at Gagosian in New York, where he presents monumental stainless-steel sculptures of gods and goddesses alongside layered paintings, and Giorgio Griffa at Casey Kaplan, whose survey "Consistently Through Variation" spans five decades of his process-driven work. Other notable shows include Julian Schnabel at Mnuchin Gallery and Marisol at Matthew Marks Gallery in Los Angeles.

In memoriam: remembering art world figures who died in 2025

This article from The Art Newspaper, published as 2026 begins, memorializes key figures from the art world who died in 2025. The list includes artist and activist Jaune Quick-to-See Smith, filmmaker and artist David Lynch, conceptual artist Mel Bochner, collector and patron Guy Ullens (co-founder of Beijing's UCCA), curator Koyo Kouoh (the first African woman to curate the Venice Biennale), photographer Sebastião Salgado, broadcaster Alan Yentob, and sculptor Joel Shapiro. Each entry summarizes their career highlights and contributions.

A brush with… Christopher Wool—podcast

This episode of "A brush with…" podcast features an in-depth conversation with artist Christopher Wool, who discusses his career spanning painting, photography, and sculpture. Wool reflects on early influences including the Art Ensemble of Chicago, Dan Flavin, Jean-Michel Basquiat, Dieter Roth, and Toni Morrison's novel *The Bluest Eye*, which inspired one of his text paintings. He also explains the title of his recent exhibition "See Stop Run" and how jazz has consistently inspired his work. The podcast is sponsored by Bloomberg Connects, which highlights museums that have shown Wool's work, including the Guggenheim, MoCA Los Angeles, and SFMOMA.

Artists Gala Porras-Kim, Jeremy Frey and Tuan Andrew Nguyen among winners of 2025 MacArthur ‘genius grants'

The John D. and Catherine T. MacArthur Foundation has announced its 2025 cohort of MacArthur Fellows, awarding 27 recipients—including visual artists Gala Porras-Kim, Jeremy Frey, Matt Black, Garrett Bradley, Tonika Lewis Johnson, and Tuan Andrew Nguyen—with $800,000 each over five years. The artists span conceptual institutional critique, Indigenous basketry, documentary photography, film, and social practice, with several currently holding major solo exhibitions or biennial features.

Édouard Glissant’s Museum-as-Archipelago

The article reviews the exhibition "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant" at the Center for Art, Research and Alliances (CARA) in New York, the first U.S. showing of works from the personal collection of Martinician philosopher and writer Édouard Glissant. Curated from his archive, the exhibition features artists such as Roberto Matta, Wifredo Lam, Etel Adnan, Irving Petlin, Antonio Seguí, Öyvind Fahlström, Jack Whitten, and Mel Edwards, reflecting Glissant's friendships and intellectual exchanges across Europe, Africa, and the Americas. Highlights include Antonio Seguí's large pastel works from his Titanic series.

It’s Gabriele Münter’s World, We’re Just Living in It

The Solomon R. Guggenheim Museum is hosting "Contours of a World," a retrospective dedicated to Gabriele Münter, a co-founder of the Blue Rider group. The exhibition moves beyond the shadow of her long-time partner Wassily Kandinsky, showcasing her distinct approach to German Expressionism through photography, intimate domestic scenes, and vibrant landscapes. Unlike her contemporaries who leaned toward total abstraction, Münter utilized bold outlines and layered compositions to create a dynamic, phenomenological experience of seeing.

Toleen Touq to curate next MOMENTA Biennale

MOMENTA Biennale d’art contemporain in Montreal has appointed curator and educator Toleen Touq to organize its 20th edition, scheduled for 2027. The biennial will be titled 'The Long Now' and will focus on interrogating concepts of time and duration.

15 Artists Explore the Potentiality of Fabric and Fiber in ‘Textile Art Redefined’

The Saatchi Gallery in London is hosting 'Textile Art Redefined,' a group exhibition featuring 15 artists who push the boundaries of fiber and fabric. Curated by Helen Adams, the show includes diverse works ranging from Ian Berry’s immersive installations made of recycled denim to Kenny Nguyen’s undulating silk wall pieces and Anne von Freyburg’s textile reinterpretations of Rococo paintings. The exhibition coincides with the release of Adams' new book, 'Textile Fine Art,' which explores the medium's evolution from functional craft to a celebrated pillar of contemporary art.

A New Exhibition at the British Museum Dismantles the Popular Understanding of Samurai

The British Museum has opened a major exhibition titled 'Samurai,' which challenges the widespread, simplified portrayal of samurai as solely honor-bound, hyper-violent warriors. The show, curated by Rosina Buckland, presents them as a complex social class who were also bureaucrats, administrators, and cultural figures, emphasizing their roles during periods of peace and governance.

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Rhea Dillon, a 29-year-old artist and writer, is preparing for three exhibitions opening over the summer: a group show at the Whitney Independent Study Program (ISP), a solo exhibition at Heidelberger Kunstverein, and a booth in the Statements section of Art Basel Switzerland. Her work, which draws on Black and Caribbean intellectual traditions, uses everyday objects and symbols to critique postcolonial diasporic identity, as seen in sculptures like *Caribbean Ossuary* (2022) and *Swollen, Whole, Broken...* (2023). Dillon also discusses her linguistic approach, explored in drawings at Paul Soto Gallery, where she repeats and redefines the shape of a spade to transform a racial slur into new forms.

7 Shows to See in Milan Right Now

Inside Los Angeles County Museum of Art’s Radical Reinvention

Milan’s art scene takes center stage during the Miart fair with a diverse array of institutional and gallery exhibitions. Highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, Anselm Kiefer’s monumental tributes to female alchemists at Palazzo Reale, and a survey of Italian conceptualist Salvo at Pinacoteca di Brera.

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Argentinian artist Pilar Zeta has unveiled 'The Observer Effect', a monumental public sculpture installed on Miami Beach during Art Basel Miami Beach. The work, presented by the Shelborne by Proper, features a colonnade of columns and arches with a matte automotive paint finish that shifts appearance with light and weather. Zeta activated the piece with sunrise and sunset performances by musician Laraaji. The self-taught artist, who moved to Miami at 19 and previously created album art for Coldplay, has also announced a follow-up installation opening next month at Place du Louvre in Paris.

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The article examines how gender pay disparities and the fear of a "pink-collar" profession persist in the art museum world, triggered by comments from Meta CEO Mark Zuckerberg about "masculine energy" in the workplace. It recounts a 2020 forum where National Gallery of Art director Kaywin Feldman expressed concern that art museums becoming predominantly female could lower salaries, a remark initially seen as sexist but later contextualized by the author's investigation into the origins of such fears. The author traces the concept to a 2016 New York Times article citing research on how female-dominated fields see pay drops, and explores how even progressive leaders like Feldman can inadvertently perpetuate gender bias.

Exhibition | Tristan Unrau, 'Hopes and Fears' at David Kordansky Gallery, Los Angeles, United States

David Kordansky Gallery in Los Angeles presents 'Hopes and Fears,' a solo exhibition of new paintings by Tristan Unrau from March 19 to April 25, 2026. This is the artist's first show with the gallery and his most ambitious presentation to date, occupying three spaces at the venue.

All the Art You Need to See During L.A. Art Week 2026

L.A. Art Week 2026 is anchored by the return of Frieze Los Angeles at the Santa Monica Airport, featuring approximately 100 international galleries and the curated Frieze Projects. The week serves as a precursor to a landmark season for the city, which includes the upcoming opening of LACMA’s David Geffen Galleries and the debut of Lauren Halsey’s major sculpture park in South Central. Satellite fairs like Felix Art Fair at the Hollywood Roosevelt Hotel and the artist-centric Post-Fair continue to expand the week's geographical and conceptual footprint.

The art world's most infamous toilet is heading to New York auction for US$10m – and the starting bid moves with gold

Maurizio Cattelan's solid-gold toilet sculpture, *America* (2016), will be auctioned at Sotheby's New York on 18 November 2025 as part of the Now & Contemporary Evening Auction. The work, weighing 223 pounds of 18-karat gold, has a raw material value of around US$10.2 million based on current gold prices. In a first for auction history, the starting bid will fluctuate with live gold prices until bidding begins. The sculpture was previously installed at the Guggenheim Museum, where over 100,000 visitors used it, and later made headlines when the Guggenheim offered it to the Trump White House as a loan alternative to a Van Gogh painting. One edition was stolen and never recovered, making this the only surviving example.

The Modern Art Museum of Fort Worth announces the exhibition - David-Jeremiah: The Fire This Time

The Modern Art Museum of Fort Worth will present "David-Jeremiah: The Fire This Time," a solo exhibition organized by guest curator Christopher Blay, running from August 17 to November 2, 2025. The show features new works by multidisciplinary conceptual artist David-Jeremiah, including the final polychromatic EE (Emma Esse) series of seven paintings, and continues his exploration of Black identity, humanity, and ritual through inverted-performance installations centered on the Lamborghini as a symbol of beauty and violence.

Hydrojustice: A Review

A Non-Aspirational Justice: Review of Hydrojustice

The article is a critical review of Andreas Philippopoulos-Mihalopoulos's book 'Hydrojustice,' which uses the concept of water as a lens to critique traditional, top-down legal justice and propose a more fluid, collective, and embodied alternative. The review frames this analysis through the recent erasure of a Banksy graffiti piece on the London Courts of Justice, which depicted a judge violently silencing a protester.