Unrealized Artwork by Christo and Jeanne-Claude Will Take Over Gagosian in London

Gagosian gallery in London will present "Christo: Air," an exhibition opening May 21 and running through August 21, featuring a never-realized artwork conceived by Christo and Jeanne-Claude in 1968. The centerpiece, "Air Package on a Ceiling," was originally planned for the Institute of Contemporary Art in Philadelphia but abandoned due to technical limitations. The work, a 32-by-52-foot internally illuminated suspended form, will be installed for the first time, along with other rare pieces including "Wrapped Automobile—Volvo, Model PV-544 (1981)," which has not been shown in 30 years. Studio manager Lorenza Giovanelli discovered the original plans in 2018, two years before Christo's death.

Daft Punk’s Thomas Bangalter to Co-Headline ‘Immersive Experience’ at Art Basel

Thomas Bangalter, formerly of the electronic music duo Daft Punk, is scheduled to co-headline an immersive experience called 'WAREHOUSE ARTEFACTS' at the Art Basel fair in Basel, Switzerland. The event, produced by Nordstern Basel nightclub in cooperation with Art Basel and Fondation Beyeler, will also feature house music producer Rampa and conceptual artist Julian Charrière.

Italian Winemaker Ornellaia Reveals Marina Abramović’s Designs for Its 2023 Vintages

Marina Abramović has collaborated with the Italian winemaker Ornellaia to design labels for its 2023 vintage as part of the annual Vendemmia d’Artista project. The designs range from self-portrait drawings and photographs featuring grapes to a conceptual 9-liter bottle that instructs the drinker to listen to Nino Rota’s theme from La Dolce Vita while consuming the wine. A selection of these limited-edition bottles will be auctioned at Bonhams in June to raise funds for the Guggenheim Museum.

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The Solomon R. Guggenheim Museum has launched a major retrospective of Carol Bove, filling the iconic Frank Lloyd Wright rotunda with approximately 100 works spanning her career. The exhibition showcases Bove’s evolution from her early assemblages of driftwood, peacock feathers, and vintage books to her more recent large-scale, brightly colored steel sculptures. A defining feature of the show is Bove’s inclusion of "para-artworks"—pieces by other artists such as Lionel Ziprin, Agnes Martin, and Arnaldo Pomodoro—integrated into her own installations to highlight the influences and histories that inform her practice.

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Jonas Wood has unveiled a new series of paintings at Gagosian in Beverly Hills that transforms global tennis courts into geometric abstractions. Derived from years of photographing tournament broadcasts and Nintendo games, the works strip away players and equipment to focus on the flat bands of color, white lines, and nets that define the sport's architecture. The collection represents a systematic exploration of the ATP and WTA tours, utilizing the tennis court as a formal vehicle for color theory and composition.

Venice Biennale Announces Participating Artists; Christophe Leribault Poised to Replace Ousted Louvre President; Morning Links for February 25, 2026

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The Venice Biennale has officially released the artist list for its 61st edition, titled “In Minor Keys,” which is set to open in May 2026. Despite the sudden passing of curator Koyo Kouoh last year, the exhibition will proceed based on her vision of 'minor keys'—a concept focusing on quiet tones, poetry, and improvisation as alternatives to dominant historical narratives. Simultaneously, a major leadership reshuffle is underway in Paris, with Christophe Leribault expected to lead the Louvre following Laurence des Cars' departure, and Annick Lemoine appointed to head the Musée d’Orsay.

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Artist Trevor Paglen has publicly noted a striking visual and conceptual overlap between his recent gallery exhibitions titled "Cardinals"—which explore UFO photography and lore—and the imagery in the trailer for Steven Spielberg's upcoming film *Disclosure Day*. Paglen suggests the film's use of cardinals as harbingers of alien life likely originated from his work, specifically a 2023 video installation profiling a former Air Force officer who claimed "Cardinals" was an internal code name for UFOs.

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David A. Ross, a prominent museum director and chair of the MFA Art Practice program at New York's School of Visual Arts, resigned after ARTnews revealed his numerous appearances in the newly released Jeffrey Epstein files. The documents, released by the Justice Department, show correspondence between Ross and Epstein dating back to 1995, including emails where Ross offered support to Epstein after his 2008 arrest and discussed a controversial exhibition concept proposed by Epstein.

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A major retrospective of Chilean artist Lotty Rosenfeld's work is on view at Columbia University's Wallach Art Gallery through March 15. The exhibition, curated by Julia Bryan-Wilson and Natalia Brizuela, focuses on Rosenfeld's clandestine, antifascist art created during the Pinochet dictatorship, highlighting her use of coded public gestures—like altering street lane dividers into crosses and Xes—to build solidarity and protest political and economic oppression.

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Jacqueline Humphries's survey exhibition at the Aspen Art Museum features her painting installation "TSLA" (2025), a five-panel work hung on bare metal studs that bisects the gallery space. The installation plays with perception through mirrors and anamorphic imagery, including a distorted Tesla logo, and includes a hidden set of red paintings visible only as reflections. The show also presents nine smaller works generated in part by artificial intelligence, housed in a green-walled adjacent room.

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Michael H. Smith, an artist, dealer, and curator who played a pivotal role in developing Southern California's art scene in the 1970s and '80s, died on October 31 in Santa Barbara at age 80. Smith opened his eponymous gallery in Los Angeles in 1971, later became a partner at the Jack Glenn Gallery, and served as director of the Baxter Art Gallery at Caltech from 1977 to 1982, where he staged exhibitions for artists including Hans Haacke, Richard Tuttle, and Berenice Abbott. He also founded a consultancy for artists, taught at UC Irvine, and worked as a conceptual photographer whose works were exhibited by dealer Craig Krull.

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Dorothy Vogel, who with her husband Herbert built one of the most celebrated art collections of the 20th century while working as a librarian and a postal clerk, died on November 10 at age 90. The couple amassed thousands of Minimalist and conceptual works by artists such as Donald Judd, Roy Lichtenstein, and Sol LeWitt, housing them in their rent-controlled Manhattan apartment. They never sold any artwork and ultimately donated their entire collection to the National Gallery of Art in Washington, D.C.

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Ed Ruscha has collaborated with Los Angeles-based boutique chocolatier andSons to create a limited-edition chocolate bar. The bar is molded to resemble California's Central Valley topography and contains Peruvian dark chocolate, sea salt from Tomales Bay, and blood orange olive oil from Sonoma County. Packaged in an orange box with a reproduction of Ruscha's 1971 lithograph *Made in California*, only 300 bars will be produced, priced at $295 each, available starting early December 2025.

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Altman Siegel, a key gallery in San Francisco's art scene, will close in November 2025 after 16 years. Founder Claudia Altman-Siegel attributed the closure to a challenging market for mid-size galleries, stating it became too difficult to scale in the current climate. The gallery's final show is a solo exhibition by Shinpei Kusanagi, ending November 22. Its roster included artists such as Simon Denny, Lynn Hershman Leeson, Trevor Paglen, and others. The closure follows a trend of galleries shutting down or scaling back, including Blum and LA Louver in Los Angeles, and Clearing and Venus Over Manhattan in New York.

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Gagosian became the first exhibitor at Frieze London to announce a complete sellout of its booth, featuring a solo presentation of works by Los Angeles artist Lauren Halsey. The booth included pieces from Halsey's 2025 untitled series of polymer-modified gypsum and stain on wood, as well as a six-foot-tall plaza sign sculpture titled 'LODA PLAZA (2025)'. Gagosian director Antwaun Sargent confirmed that the works were placed with both institutions and serious long-term collectors in the U.S. and Europe.

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Frank Lloyd Wright's Kalil House, a 1957 Usonian Automatic home in Manchester, New Hampshire, has been added to the National Register of Historic Places. Commissioned by Dr. Toufic and Mildred Kalil, the house was built using 2,580 concrete blocks and retains nearly all of its original Wright-designed furnishings. It is one of only seven such Usonian Automatic homes ever constructed and was purchased by the Currier Museum of Art in 2019.

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Steve McQueen, the Turner Prize-winning artist and Oscar-winning filmmaker, created the soundtrack for Louise Trotter's debut collection as creative director of Bottega Veneta at Milan Fashion Week. The show took place at Fabbrica Orobia, a former zinc factory in Milan, and featured McQueen's sound piece '66 – '76, which pairs vocal recordings by David Bowie and Nina Simone of the song "Wild is the Wind." McQueen attended the event with his daughter Alex, both wearing the brand's signature leather Intrecciato.

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John Giorno's 1969 conceptual artwork "Dial-A-Poem," originally a phone-based poetry service featured in MoMA's landmark 1970 exhibition "Information," has been relaunched as an online platform. The new version, created by Giorno Poetry Systems, presents randomized readings of both historic and contemporary poems, including contributions from Laurie Anderson, William S. Burroughs, and Gary Snyder. International editions have been added for France, Mexico, Thailand, Italy, Hong Kong, Switzerland, and Brazil, with poems recited in their native languages.

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Saul Dennison, a prominent arts patron and longtime supporter of the New Museum in New York, died on September 11 at age 96. Dennison and his wife Ellyn, who died earlier this year, were avid art collectors whose holdings ranged from new media and photography to classical sculpture and conceptual works. Dennison served as president of the New Museum's board of trustees from 1999 to 2013, then as chairman until his death, and was instrumental in the museum's 2007 opening of its permanent home on the Bowery. He also helped the museum secure a crucial challenge grant from philanthropist Vera List by suggesting artworks be accepted as donations toward the fundraising goal.

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The article introduces the annual 'Icons' issue of Art in America, profiling artists whose decades-long practices reflect deep commitment to their mediums. Featured artists include Paul Pfeiffer, who became hyper-aware of image grammar through early video work; Consuelo Jimenez Underwood, who found her voice in textiles; David Diao, who references Barnett Newman; and the late Joel Shapiro, who explored transformation through wood sculpture. The issue also includes an interview with Tehching Hsieh on freethinking and art, plus departments on curatorial challenges, a Bukhara Biennial curator Q&A, and an appreciation of Dara Birnbaum.

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Diego Velázquez's 1656 painting *Las Meninas* is examined as one of the most conceptually complex works in Western art history. The article explores how the painting subverts Renaissance artistic conventions by playing with perspective, illusion, and the relationship between viewer and subject, depicting Infanta Margaret Theresa surrounded by her entourage in the Royal Alcázar of Madrid.

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Marcia Resnick, a photographer renowned for capturing Manhattan's downtown art and punk scene in the late 1970s and early 1980s, has died at age 74 from lung cancer. Her sister Janice Hahn confirmed the cause of death. Resnick began with conceptual photography before shifting to portraiture, documenting figures such as Mick Jagger, Klaus Nomi, Joseph Beuys, Jean-Michel Basquiat, Ed Koch, and John Belushi. She was briefly married to MC5 guitarist Wayne Kramer and taught at New York University and Cooper Union. Her work was featured in the SoHo Weekly News, and a retrospective of her photography opened at the Bowdoin College Museum of Art in 2022.

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Lorde released a music video for her song "Man Of The Year," the second single from her upcoming album *Virgin*. The video features the singer in a room filled with dirt, which fans quickly noted resembles Walter De Maria's iconic installation *New York Earth Room*. Lorde has acknowledged the homage, describing the work as an inspiration for the song's sound and her personal rebirth. The video was not filmed in the actual installation, which is permanently housed in SoHo and managed by the Dia Art Foundation.

A Brush With... Lorna Simpson—podcast

Artist Lorna Simpson joins the 'A Brush With...' podcast to discuss the vast array of cultural influences that have shaped her conceptual practice. From her early photo-text works to her recent large-scale paintings, Simpson details how she subverts conventional framing of identity and navigates the boundaries between reality, fiction, and historical archives. She highlights the specific impact of figures such as David Hammons, Francisco de Zurbarán, and filmmaker Chantal Akerman on her evolving visual language.

You Can Become an Artwork at This New York Museum—Thanks to Piero Manzoni

Magazzino Italian Art in Cold Spring, New York, is reactivating Piero Manzoni’s seminal conceptual work, "Magical Base" (1961). On April 10 and 11, visitors can stand on the artist's wooden pedestal to be documented as living sculptures, receiving a photograph and record of their participation. The activation is part of the larger exhibition "Piero Manzoni: Total Space," which also features the artist's "Achromes" and immersive, unrealized environments like the "Phosphorescent Room" and "Hairy Room."

Inez & Vinoodh Handpick 6 Defining Works From Their New Retrospective

The Dutch photography duo Inez & Vinoodh have launched a major retrospective titled "Can Love Be a Photograph" at the Kunstmuseum Den Haag. Spanning their career since 1986, the exhibition features 150 works that blur the lines between fashion photography, celebrity portraiture, and fine art. To mark the opening, the artists highlighted six defining works—including the digitally manipulated "Thank You Thighmaster" series—that prioritize conceptual depth and psychological mutation over the glossy celebrity culture they are often associated with.

How an Overlooked Printmaker Became a Hero of Mexican Cultural Identity

The article profiles the life and work of José Guadalupe Posada, a prolific Mexican printmaker who died in relative obscurity in 1913. It details his career from his early work in lithography and political cartoons to his later, defining collaboration with publisher Antonio Vanegas Arroyo in Mexico City, where he produced sensationalist broadsides and his iconic calaveras (skeletons).

Marina Abramović Is the Unlikely Star of the New Balloon Museum

Marina Abramović Is the Unlikely Star of the New Balloon Museum

Performance artist Marina Abramović has created a large-scale inflatable installation for the new permanent New York outpost of the Balloon Museum. Titled *Snowy/Windy/Spring On The Planet Z*, the immersive work transforms the Tin Building into an imagined extraterrestrial meadow filled with balloon sculptures, light, and air currents, opening in July 2026.

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Theater director Łukasz Twarkowski's new multimedia production, "ROHTKO," is set to open at London's Barbican Centre on October 2. The four-hour performance, which premiered in Riga in 2022, uses onstage action, video screens, and a techno soundtrack to explore the nature of authenticity in art, taking the Knoedler & Co. forgery scandal—which involved fake Rothko, Pollock, and Motherwell paintings—as a central narrative thread.

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Alison M. Gingeras, an American curator and writer, has organized a major new exhibition titled “The Woman Question: 1550–2025” at the recently opened Museum of Modern Art in Warsaw. The show brings together over 200 artworks spanning nearly 500 years of women’s creative production, from Renaissance figures like Sofonisba Anguissola and Lavinia Fontana to Baroque artists such as Elisabetta Sirani and Artemisia Gentileschi, and contemporary names like Betty Tompkins and Lisa Brice. The exhibition explores how women artists have depicted themselves, power, resistance, desire, and violence, drawing on the historical concept of the "querelle des femmes" and Linda Nochlin’s famous 1971 essay. Gingeras discusses the project on the podcast The Art Angle.