Comment | The greatest failure of PST Art: its successes are not travelling

The article critiques PST Art (formerly Pacific Standard Time), a $20 million Getty-funded initiative in Southern California, as its current edition wraps up. It highlights the closure of key exhibitions like "For Dear Life: Art, Medicine and Disability" at the Museum of Contemporary Art San Diego before major art events like Frieze Los Angeles, and notes that only 7 of the 72 exhibitions are traveling to other institutions. The piece questions the initiative's purpose and effectiveness in reaching broader audiences.

Chile to get a new contemporary art museum

A new contemporary art museum, the New Museum of Santiago (NuMu), is set to break ground in Chile's capital in August 2025. Led by businessman and philanthropist Claudio Engel and his four children through the Engel Foundation, the museum will be built around the family's collection of over 1,000 works by more than 200 artists, including Alfredo Jaar, Paz Errázuriz, and Pilar Quinteros. Designed by architect Cristián Fernández, the 2,000 sq. m facility will feature exhibition spaces, a sound-art room, an auditorium, a library, a restaurant, and a museum shop. It will be the first large-scale contemporary art museum in Chile housed in a new structure, located in Vitacura's Bicentennial Park.

At the Galleries for April 9, 2026

The Hamptons art scene is entering the spring season with a diverse array of gallery openings across Montauk, East Hampton, Sag Harbor, and Bridgehampton. Key highlights include Timothy Tibus’s abstract retrospective at The Lucore Art, a Matisse-centered group show at The Drawing Room featuring rare etchings, and Kristy Gordon’s myth-inspired "Primavera" at Grenning Gallery. Other notable exhibitions include a showcase of artists from the Cold Castle collective at Keyes Art and a curated group show titled "Connections" at Dan Welden Studio/Gallery.

three paintings bob ross 600000 bonhams auction american public broadcasting 1234761613

Three original paintings by beloved American television icon Bob Ross were auctioned at Bonhams on Tuesday, selling for a combined total of $600,000. The works—Cliffside (1990), Home in the Valley (1993), and Winter's Peace (1993)—were among the top lots in a California and Western art sale. Proceeds from this and future sales of 30 Ross canvases will benefit American Public Television, a nonprofit syndicator affected by federal budget cuts. The idea originated with Joan Kowalski, president of Bob Ross Inc., after earlier Ross paintings sold well above estimates at Bonhams.

mfa boston to rescind promised gift of benin bronzes close dedicated gallery 1234739559

The Museum of Fine Arts, Boston, will return a promised gift of Benin Bronzes and close its dedicated Benin gallery on April 28, 2025. The gallery will be repurposed for Nubian art. The collection, pledged by Robert Owen Lehman, includes objects traceable to the 1897 British looting of the Kingdom of Benin. Lehman has donated five objects outright, which will be displayed in the Art of Africa Gallery. The MFA stated it could not reach a mutually agreeable resolution for the gallery's long-term sustainability.

At the Galleries for March 26, 2026

The Hamptons art scene is hosting a diverse array of exhibitions this March, ranging from intimate solo shows to expansive group surveys. Key highlights include Cait Porter’s still-life explorations of grief at Halsey McKay Gallery, Bruce Mermelstein’s photography retrospective at Southampton Town Hall, and a music-centric exhibition at ARDT Gallery featuring works by Kim Simmonds and David Edward Byrd. Other notable shows include "The Light of Awakening" at LTV Studios and a contemporary narrative group show at Slattery Gallery that pairs emerging artists with blue-chip masters like Picasso and de Kooning.

Michelangelo Pistoletto Debuts Five New Mirror Works in First-Ever Solo Exhibition in St. Moritz

Michelangelo Pistoletto, a leading figure of the Italian arte povera movement, has opened his first-ever solo exhibition in St. Moritz, Switzerland. The show, presented at the Robilant + Voena gallery's outpost in a repurposed 18th-century church, features five new mirror works from his "Color and Light" series and a sixth new piece from his "Black and Light" series, all created specifically for the ecclesiastical space.

Ai Weiwei's first solo show in India features a Pichwai in his iconic toy-brick style

Globally renowned conceptual artist Ai Weiwei has opened his first solo exhibition in India at the Nature Morte gallery in New Delhi. The show, presented in collaboration with Galleria Continua, features his iconic toy-brick canvases, including new commissions inspired by Indian modernist painters like Raza and Gaitonde, and a unique LEGO-brick interpretation of a traditional Pichwai painting. Other works address themes of migration, history, and censorship through mediums like Neolithic stone axes, porcelain urns, and repurposed furniture.

From monumental scroll paintings to metaphorical breasts: five works to see at Art SG

The article highlights five standout works at Art SG, the Singapore art fair. Featured artists include Pinaree Sanpitak, whose hand-blown glass sculpture *Stacked Offering I* (2024-25) continues her exploration of breasts as metaphors for womanhood and spirituality; Jakkai Siributr, whose textile work *CG20* (2023) repurposes discarded uniforms from Thailand's struggling tourism workers into a tapestry of healing; Citra Sasmita, whose installation *Timur Merah Project XI: Bedtime Story* (2023-24) centers female protagonists in Balinese mythological scrolls; and Ayesha Singh, whose wall reliefs from the *Evolution* series trace Indian architectural motifs. Prices range from around $5,000 to $40,000, with works shown by galleries including Ames Yavuz, Flowers Gallery, Yeo Workshop, and Nature Morte.

Downtown Calgary Fun New Public Art Gallery

A new public art gallery called "art house" has opened in downtown Calgary, occupying a temporary exhibition space previously used by the Glenbow Museum in the Edison office building. The gallery is a collaboration between Aspen Properties and the Alberta Arts Foundation (AFA), featuring the foundation's extensive collection of 9,600 artworks by over 1,700 Alberta artists. It opened on September 10 and is currently open Tuesday to Friday from 12 to 4 pm. The space was originally created as a museum-grade gallery during the Glenbow's renovation, and after the Glenbow vacated to prepare for its reopening as the JR Shaw Centre for Arts & Culture in late 2026, the Alberta Foundation for the Arts stepped in to keep the gallery active.

Sculptural works by emerging artists win Baloise Art Prize

The Baloise Art Prize has been awarded to London-based artist Rhea Dillon and Lebanese Canadian artist Joyce Joumaa for their presentations in the Statements section of Art Basel. Dillon, represented by Soft Opening gallery, exhibited *Leaning Figures*, a series of wall-mounted sculptures made from resin mixed with molasses and Jamaican soil, replicating cut-crystal plates. Joumaa, shown with Montreal’s Galerie Eli Kerr, presented *Periodic Sights*, an installation of repurposed fuse boxes illuminated with photographs of everyday scenes from Beirut and Tripoli, addressing Lebanon’s energy crisis. As part of the prize, Dillon’s work was acquired by the Museum für Moderne Kunst (MMK) in Frankfurt, and Joumaa’s by Mudam Luxembourg.

In ‘I’m Listening,’ Barry McGee Celebrates Positivity Amid Distress and Overwhelm

Barry McGee, a key figure of the Mission School, presents his solo exhibition 'I'm Listening' at Perrotin in Paris, running through May 24. The show features sculptures, paintings, prints, and assemblages that draw from West Coast subcultures like skating and graffiti, incorporating grimacing cartoon faces, optical patterns on surfboards, and repurposed everyday objects. McGee describes the work as addressing global distress while celebrating human resilience and positivity.

1815, a Key Year for the Question of Art Restitution at the Heart of an Enlightening Book

1815, année clé de la question des restitutions d’œuvres d’art au cœur d’un ouvrage éclairant

Art historian Bénédicte Savoy has released a new book, "1815, le temps du retour," which examines the massive wave of art restitutions following the collapse of the Napoleonic Empire. Between 1794 and 1811, French revolutionary and imperial forces seized thousands of artworks and cultural objects from across Europe to fill the Louvre under the guise of creating a universal museum. After Napoleon's defeat in 1815, the subsequent return of these works sparked a global debate involving intellectuals and politicians regarding national identity, cultural property, and the legal status of looted heritage.

Brooklyn Museum Plans $13 Million Overhaul for New African Art Galleries

The Brooklyn Museum has announced a $13 million renovation project to create new Arts of Africa galleries, set to open in Fall 2027. The 6,400-square-foot space on the museum's third floor will display 300 works from its 4,500-piece collection, spanning from antiquity to the present day. The project, led by architectural firm Peterson Rich Office, will repurpose latent storage space and reconnect galleries architecturally.

Rocky statue moved inside the Philadelphia Museum of Art for new show.

The iconic bronze statue of Rocky Balboa has been relocated from its outdoor spot at the base of the Philadelphia Museum of Art's steps into the museum building itself. This move is in preparation for a major new exhibition titled 'Rising Up: Rocky and the Making of Monuments,' which opens in late April.

Victorien Bornéat : « De l’échec de la démocratisation culturelle est né un sentiment d’exclusion »

Victorien Bornéat has published a manifesto arguing that French cultural democratization policy, rooted in André Malraux's vision of making masterworks accessible to all, has failed. He cites budget cuts by regional presidents Laurent Wauquiez and Christelle Morançais, police raids on bookshops like Violette and Co, and statistical studies showing that working-class audiences still do not spontaneously attend theaters, museums, or opera. Bornéat contends that the policy's emphasis on direct confrontation with canonical works ignored the need for cultural codes and institutional literacy, creating an exclusion that politicians now exploit for electoral gain.

SOL HENARO: “BAJAR LA VELOCIDAD ES POLÍTICO Y, AUNQUE CUESTA MUCHO, HAY QUE SEGUIR INTENTÁNDOLO”

Sol Henaro, director of the Museo Universitario del Chopo in Mexico City, argues in an interview for Artishock Revista that museums must resist neoliberal pressures to accelerate production, spectacularize content, and convert cultural experience into immediate consumption. She advocates for the museum as a space of plurality, deceleration, and critical thought, emphasizing the need for horizontal, careful practices that allow for dissent and coexistence. The interview is part of a series on International Museum Day featuring directors from Latin American and Ibero-American institutions.

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.

Nymphs, mermaids and rosy cherubs: mansion filled with hidden wall paintings makes Victorian Society’s endangered buildings list

A derelict mansion called Parndon Hall, located within the grounds of Princess Alexandra Hospital in Harlow, Essex, has been named to the Victorian Society’s annual list of the top ten at-risk buildings in England and Wales. The house, built in 1867, contains a hidden trove of wall paintings by the almost-forgotten Victorian artist Elizabeth Arkwright, who covered walls, ceilings, and doors with nymphs, mermaids, and cherubs—many still concealed under Edwardian whitewash. The building has been used for storage and has sat unoccupied since flood repairs in 2024.

And Just Like That… Carrie Bradshaw’s Closet Hits the Auction Block

Julien’s Auctions is hosting a massive sale of over 500 props, costumes, and furnishings from the HBO series "And Just Like That…". The auction features iconic items associated with characters Carrie Bradshaw, Charlotte York, and Miranda Hobbes, including a prop Rolex watch engraved for Mr. Big, high-fashion garments, and furniture from the characters' New York apartments. Bidding began online in early April and will culminate in a live two-day event in California at the end of the month.

cultural critics 2025 2717449

The Art Angle podcast hosted eight cultural critics, theorists, and artists throughout 2025 to reflect on key tensions and transformations in the art world. The roundup features voices including Nadia Asparouhova on the value of intimate 'antimemetic' art spaces, Andrea Fraser on the fragmentation of the art field, Alison E. Gingeras on the necessity of all-women exhibitions as resistance, Dean Kissick on the problems of social justice art, and Sean Monahan on social surveillance in the art world. Each thinker offers a snapshot of the debates, anxieties, and aspirations shaping contemporary cultural discourse.

bob ross painting breaks record at john oliver public media benefit auction 1234763941

John Oliver’s benefit auction for public broadcasting set a new market record for a Bob Ross painting. On Monday, Ross’s *Cabin at Sunset*, painted for a 1986 episode of PBS’s *The Joy of Painting*, sold for roughly $1,044,000. Oliver revealed the sale on the 2025 finale of *Last Week Tonight With John Oliver*, having persuaded the Bob Ross estate to auction the work. The lot received 35 bids. The auction was part of “John Oliver’s Junk,” an online sale of 65 items that netted nearly $1.54 million for the Public Media Bridge Fund, which supports local public broadcasters after the Trump administration eliminated $1.1 billion from the Corporation for Public Broadcasting.

Latest on the UNH Art Gallery

The University of New Hampshire (UNH) has converted its former Museum of Art, which closed in March 2024, into a vibrant art gallery now managed by the Department of Art and Art History. The gallery is led by department chair Professor Ben Cariens and has hosted exhibitions featuring student, faculty, and external work, including the "Not For Sale" exhibition from Rochester and a Modernisms show organized by the Ogunquit Museum of American Art. The space, located in the Paul Creative Arts Center, is open to the public with free admission.

What Art Can Do

A conversation between German author and filmmaker Alexander Kluge and curator Hans Ulrich Obrist, originally published in 2017, has been republished following Kluge's recent death at age 94. The dialogue explores the unique capacities of different art forms, the need for interdisciplinary collaboration, and the role of art as an "oasis" or "garden" within an overwhelming technological landscape.

Taking a Deep Dive into a Connecticut Ranch House

Artist couple Janis Provisor and Brad Davis transformed an indoor swimming pool in their Connecticut ranch house into a studio, prioritizing their creative work over leisure. The article explores how they adapted the unconventional space to suit their artistic practices.

Sasaoka Yuriko’s Violent Puppeteering

The Shiga Museum of Art is hosting "Paradise Dungeon," a comprehensive exhibition of Sasaoka Yuriko’s video and sculptural works. The show traces the artist's career from her 2011 response to the Tōhoku earthquake to her latest large-scale installations, characterized by a "grotesque" aesthetic involving marionettes with digitally superimposed human faces. Her work utilizes mediated artifice—including fairground-style soundtracks, repurposed toys, and violent puppetry—to explore themes of consumption, sacrifice, and the dehumanizing nature of digital observation.

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The Winter Show returns to New York's Park Avenue Armory for its 72nd edition, running from January 23 to February 1, 2026. The fair brings together over 70 international dealers offering a wide range of collecting categories including jewels, antiques, design, and fine art. Highlights include returning exhibitors such as A La Vieille Russie, Ralph M. Chait Galleries, and Joan B Mirviss, alongside newcomers like Galerie Cahn, Greg Pepin Silver, and Rose Uniacke. The fair also features a Design Council co-chaired by Noz Nozawa, Ben Pentreath, Jane Keltner de Valle, and Giancarlo Valle, and includes benefit events like Opening Night Preview and Young Collectors Night.

Paola Siri Renard “Double Star” at nouveaux deuxdeux, München

Paola Siri Renard presents "Double Star" at nouveaux deuxdeux in Munich, featuring sculptures assembled from fragments of architectural ornaments, equestrian monuments, industrial display systems, and skeletal forms. Her work extracts elements from historical structures—spanning Gothic, Greco-Roman, and Art Nouveau styles—and reconfigures them into unstable, evocative constellations.

Lawsuit Alleges DOGE Cancelled $349,000 HVAC Grant to Museum after ChatGPT Flagged It As DEI

Lawsuit Alleges DOGE Cancelled $349,000 HVAC Grant to Museum after ChatGPT Flagged It As DEI

The High Point Museum in North Carolina had a $349,000 federal grant to replace its HVAC system canceled after staff at the Department of Government Efficiency (DOGE) used ChatGPT to evaluate the proposal. According to a federal lawsuit, the AI chatbot flagged the climate-control project as related to diversity, equity, and inclusion (DEI) initiatives, leading to its termination, despite the grant's stated purpose of preserving the museum's collection.

Alexandria Art Galleries in April: Floral Exhibits, Events & Spring Shows

The Alexandria art scene is hosting a diverse array of exhibitions and events throughout April 2026, centered around the Torpedo Factory Art Center, Del Ray Artisans, and Nepenthe Gallery. Key highlights include Marcus Beauregard’s solo printmaking show "Paint to Print," a car-themed exhibition titled "Fast and Fabulous" curated by Kelly and Scott MacConomy, and a series of weekly receptions at Nepenthe Gallery featuring artists like Sweta Shah and the NOVA Plein Air Artists. Many of these events serve charitable purposes, with proceeds from specific sales at Del Ray Artisans being donated in memory of late local artists Donna Gallo and Rusty Lynn.