Art House Productions is set to debut "EXPANDED METAMORPHOSIS: CONTEMPORARY APPROACHES TO PROCESS," a group exhibition curated by Andrea McKenna at the Art House Gallery in Jersey City. Running from April 4 to April 26, 2026, the show features ten artists—including Jan Huling, Valerie Huhn, and Dan Payton—who utilize industrial, organic, and repurposed materials to explore themes of transformation and experimentation.
Curator Summer Guthery, who left economics to found four non-profit experimental art spaces across the US, is launching a fifth venture called Times with fellow curator Francesca Sonara. Located in Manhattan’s Chinatown at 151 Lafayette Street, the 3,000-square-foot space will host up to three exhibitions simultaneously across two galleries and a screening room. The inaugural event on 12 February features Latvian performance artist Jana Jacuka, followed by a solo exhibition by Danish artist Nina Beier (21 February-9 May). Times rejects a permanent institutional model, planning a three-year obsolescence to remain nimble and responsive to artists’ needs.
Der Porno-Effekt
Maja Malou Lyse received a bizarre phone call nearly three years ago from the CEO of the world's largest sperm bank, who offered her 20 liters of discarded sperm for artistic purposes. She accepted and created an installation for the Danish Pavilion at the Venice Biennale, working with porn stars to explore how images shape bodies and desire.
"Meine Kunst lädt ein, gegen die Zustände zu rebellieren"
The iconic, communist Kangaroo from Marc-Uwe Kling’s popular literary series has transitioned into the world of contemporary art. After accidentally wandering into a gallery opening while under the influence of liquor-filled chocolates, the marsupial decides to launch a career as an artist, viewing the white cube as a new frontier for its anti-capitalist rebellion.
Ladji Diaby’s solo exhibition at Lafayette Anticipations, titled “Who’s Gonna Save the World?”, features furniture repurposed as vitrines for discarded objects. By collecting and displaying artifacts that have lost their original utility, Diaby creates a symbolic dialogue between himself and the anonymous former owners of these items, elevating mundane debris into the realm of high art.
Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.
LA PROCESIÓN COMO FORMA DE MUNDO: ARTISTAS LATINOAMERICANOS EN LA BIENAL DE DIRIYAH
The third Diriyah Contemporary Art Biennale, titled 'In Interludes and Transitions,' is open until May 2nd in Saudi Arabia's historic Diriyah district. Curated by Nora Razian and Sabih Ahmed, the exhibition features 68 artists from over 37 countries and frames the world as a multitude of processions, using movement as its central theme and methodology. The exhibition design by Formafantasma encourages a fluid, nomadic journey through four thematic movements and site-specific 'arenas' within the repurposed industrial halls of the JAX creative district.
Architect David Webster's preserved High-Tech design home and office in New York, completed in 1981, has been purchased by countertenor and Opera Philadelphia general director Anthony Roth Costanzo. The apartment, located near the Chelsea Hotel, features an industrial, off-the-shelf aesthetic with repurposed vanity lightstrips, custom iron windows, and a sliding door. Webster and Costanzo discuss the home's history, design details, and the legacy of gatherings that once included writer and AIDS activist Larry Kramer.
Cultured magazine has announced its annual selection of 12 emerging photographers, aged 24 to 35, chosen by top names in the photography world. The list includes artists such as Adali Schell, Ashley McLean, Camille Farrah Lenain, Charlie Denis, Chris Cook, Hannah Altman, Hero Bean Stevenson, Iva Sidash, Jak Bannon, Jasmine Clarke, Michael Wolever, and Sara Messinger, who work across traditional darkroom techniques and AI tools, drawing on personal histories and community perspectives.
Cultured magazine profiles Pennsylvania-born photographer Michael Wolever, nominated by David Brandon Geeting as part of its "28—NEW YORK" series. Wolever creates images that evoke surrealist ’90s filmmaking, exploring themes of shame, attraction, and melodrama through soft lighting, monsters, and woodland scenes. His work draws heavily on his own "pretty weird life" and memories, using photography as a "funhouse mirror" and "shame ritual." The article includes several of his titled works—Big Flirt, Evidence, Tove, and Untitled—and quotes Wolever reflecting on the culture of picture-taking, mass self-awareness, and his critical approach to intention in photography.
Art Leven, formerly known as Cooee Art, has officially opened its new multi-level, purpose-built gallery space in Woolloomooloo, Sydney. The relocation marks a significant new chapter for one of Australia’s oldest fine art galleries dedicated to First Nations artists. The inaugural program features a major solo exhibition of paintings by Pintupi artist Mitjili Napanangka Gibson titled "The Places That Know Us," alongside "Gatherings," a group exhibition of bronze and aluminium sculptures produced in collaboration with Urban Art Projects.
William & Mary students showcased their handmade artworks in the Hart Gallery's "Handmade" exhibit, held in conjunction with the Ampersand International Arts Festival. Curated by alumna Zara Fina Stasi '12, a Richmond-based artist and founder of Good for the Bees, the multimedia exhibition featured approximately a dozen student submissions including assemblage, collage, sculpture, sewn hangings, and traditional painting. Student curators Gibran Adnan '27 and Rebecca Graber '27 collaborated with Stasi to select and install the works, which explored themes of experimentation, self-expression, and the human process of creating by hand.
An unfinished mountain in Berlin's Grunewald forest, built from the rubble of 400,000 buildings and once used as a Cold War listening station by the US NSA, has been transformed into Europe's largest open-air street art gallery. Since opening to the public in 2011, Teufelsberg now hosts over 400 works across 2,400 square meters, featuring artists such as El Bocho, Nina Valkhoff, Hera, and Dan Kitchener. The site operates as a curated exhibition space with admission fees, guided tours, and regular new commissions, and has been a listed building since November 2018.
An event highlighting Indigenous art, the “Evening of Native American Artistry,” will take place Thursday at the Jackson Hole History Museum in conjunction with the seventh annual Teton Powwow. Curated by Susan Durfee and Al Hubbard of Central Wyoming College, the exhibit “Behind Linear Narratives” focuses on ledger art—drawings on repurposed accounting paper—featuring historic works from the late 1800s alongside contemporary pieces by father-and-son artists Terrance Guardipee and Terran Last Gun. Six other downtown galleries will each host an Indigenous artist, and Central Wyoming College’s culinary program will collaborate with chefs from Owamni Restaurant and NATIFS to create heritage-inspired appetizers.
A hidden chute within the Merchant's House Museum in Manhattan, identified as a rare surviving stop on the Underground Railroad, is threatened by a planned real-estate development next door. The two-foot-square vertical passage, concealed behind a built-in dresser, was built in 1832 by abolitionists Joseph and Susanna Brewster to shelter Black fugitives escaping slavery. The museum's western wall, which contains the hideaway, adjoins a one-story garage slated for demolition to make way for a commercial building, prompting the museum team to oppose the development due to risk of structural damage.
The article examines the ongoing challenge of preventing the illicit trade in cultural property looted from conflict zones. It discusses the Hague Convention of 1954 and its protocol, which require signatory countries to prevent theft and pillage during armed conflict and to seize and repatriate unlawful exports. However, the protocol only applies to situations of 'occupation,' leaving a gap for looting that occurs in the chaos of war beyond formal occupation. The article also notes UN Security Council Resolutions that restrict unlawfully removed cultural property from Iraq and Syria, but no similar consensus exists for countries like Afghanistan, Libya, Ukraine, Lebanon, Yemen, Sudan, and Iran. EU Regulation 2019/880 is highlighted as a measure that prohibits introducing goods removed unlawfully from their place of origin into the EU, though its scope has expanded beyond its original anti-terrorist financing purpose.
egyptian tour guide pyramid drawing arrest video 1234775340
Egyptian authorities arrested a tour guide after a viral video showed him sketching a stick figure onto the 24th-century BCE Pyramid of Unas in Saqqara. The guide was reportedly using the drawing as a visual aid to explain the site's history to a group of tourists before attempting to wipe the mark away with his hands. Following a report from an antiquities inspector, the man confessed to the act, and the Ministry of the Interior confirmed that the drawing has since been removed.
An August 15 audit by the Maryland Department of Legislative Services uncovered serious financial irregularities at Baltimore’s Reginald F. Lewis Museum of Maryland African American History & Culture. The audit found corporate credit card charges without a clear business purpose, payments made to an employee’s PayPal account, a former employee pocketing parking fees, and a practice of pre-signing blank checks stored in an unsecured office. Though only $10,115 was unaccounted for between April 2021 and January 2025, the museum’s annual budget is $6.3 million, and it receives up to half its funding from taxpayers. The museum’s president Terri L. Freeman and board chairman Drew Hawkins have since destroyed all pre-signed checks and implemented 12 of 18 audit recommendations, with four more in progress. The employees involved are no longer at the museum, and findings were referred to the Maryland Attorney General.
During Berlin Art Week, a group of artists from the Alliance of Endangered Studio Spaces (AbBA) staged a protest at Alexanderplatz on September 16, calling on the Berlin Senate to repurpose abandoned properties for artistic and cultural use. The demonstration highlighted that five studio cooperatives housing about 150 artists were shut down by private owners in 2014 and 2015, with many more studios threatened by foreclosure due to rising rents and gentrification.
The curatorial team of the 19th International Architecture Exhibition of the Venice Biennale has responded to criticism of their use of AI-generated summaries in the exhibition "Intelligens. Natural. Artificial. Collective." They clarify that the 35-word AI summaries were an intentional experiment, left unedited except for gross factual errors, to juxtapose human intelligence (the 250-word project descriptions) with artificial intelligence. The team acknowledges the reflections and critiques published in Artnet and other outlets, viewing them as validating the experiment's purpose.
Artist Leticia R. Bajuyo presents "Signal Convergence," a large-scale installation at Oklahoma City University's Nona Jean Hulsey Art Gallery that transforms discarded CDs and DVDs into immersive sculptural works. The exhibition runs from May 15 through Sept. 18, featuring horn-like structures built from thousands of discs, and includes a special collaborative performance on Sept. 10 with OCU music theory professor Kate Sekula using a theremin to direct sound through the installation.
The Museum of the Southwest in Midland, Texas, is launching a diverse spring season featuring a blend of regional art and scientific exploration. Key highlights include the "West Texas Triangle" exhibition showcasing local talent, a specialized exhibit on space exploration at the Blakemore Planetarium, and the annual "Septemberfest" community fundraiser. The programming aims to bridge the gap between fine arts and the region's scientific interests.
Art House Gallery in Jersey City is set to host "Expanded Metamorphosis: Contemporary Approaches to Process," a group exhibition curated by Andrea McKenna. Running from April 4 to April 26, 2026, the show features ten artists—including Jan Huling, Valerie Huhn, and Dan Payton—who utilize industrial, organic, and repurposed materials. The collection emphasizes the physical act of creation, showcasing works that have been shaped through rigorous methods of alteration, accumulation, and construction.
The Indiana University Eskenazi Museum of Art has opened “Mulyana: Vital Ecosystems,” an immersive exhibition by Indonesian artist Mulyana. The installation features a vibrant underwater world constructed from hand-knitted crochet, felt, and repurposed plastic waste, including takeout bags collected during the pandemic. Central to the display is the artist’s signature character, "Mogus," an octopus-like creature that serves as a symbol of empathy and environmental stewardship.
The HUB-Robeson Galleries at Penn State University will host a solo exhibition by Jamaican-born interdisciplinary artist Krystle Lemonias titled "Puss an dawg nuh ave di same luck." Running from March 5 through July 19 in Art Alley, the showcase features textile-based installations and mixed-media works that utilize repurposed materials, such as baby clothes, to explore the intersections of labor, identity, and the Black diaspora.
Two laundromats in Toronto, Dirty Laundry and She Said Gallery, have been operating as dual-purpose art galleries for the past six years. They offer emerging artists affordable, accessible exhibition space with minimal fees and no sales commission, featuring monthly and weekly shows that are booked years in advance.
St. John's University opened the group exhibition "Debugging the Earth" at its Yeh Art Gallery on February 5. The show, organized by Queens-based artist Michael Assiff, features works by seven artists including André Magaña, Carly Mandel, Catherine Telford Keogh, Jan Mun, Kahlil Robert Irving, and Serena Chang, who explore themes of environment and production through repurposed everyday objects.
The Nederlands Fotomuseum, the Dutch national photo collection, has opened in a new, purpose-built home in Rotterdam. The museum, which holds over 6.5 million images, moved from its previous mixed-use location into a converted and expanded former coffee warehouse, designed to offer public views into its conservation archives and featuring interactive displays.
An exhibition titled "Turn the Page" has opened in the Updike Room at the Providence Public Library, featuring works by artists who transform books into art. Curated by Brown University lecturer Andre Bassuet, the show includes pieces like Iris Wright's wearable "Book Body No. 7: Palimpsest," which addresses censorship and queer erasure, and Michael Ezzell's ongoing "The Junior Classic" series, which repurposes deaccessioned library book pages. The exhibition runs through January 31.
The article profiles photographer and innkeeper Ray Reiss, offering a glimpse into his personal art collection. It explores the unique intersection of his dual careers, highlighting how his work as an innkeeper influences his perspective as a collector and how his photographic eye informs the pieces he acquires.