filter_list Showing 814 results for "Resilience" close Clear
search
dashboard All 814 museum exhibitions 446trending_up market 118article local 95article news 64article culture 42person people 20article policy 10rate_review review 8candle obituary 7article event 2article events 1gavel restitution 1
date_range Range Today This Week This Month All
Subscribe

expo chicago sales vip day report

The thirteenth edition of Expo Chicago opened its VIP preview at Navy Pier with a streamlined floor plan and a focus on emerging talent. Despite a generally slow global art market, exhibitors reported strong early sales, including Nashville-based artist Annie Brito Hodgin’s debut outside her home state and Wenhui Hao’s near-sell-out presentation with Half Gallery. The fair’s decision to reduce the number of exhibitors from 170 to 130 was widely praised by dealers for improving the quality of presentations and making the event more navigable for collectors.

frieze los angeles satellite fairs report

The Felix Art Fair kicked off LA Art Week at the Hollywood Roosevelt Hotel, drawing significant crowds despite logistical hurdles. While long lines for elevators slowed the initial flow of visitors to the upper floors, exhibitors reported steady interest and early sales. New York-based dealers faced particular challenges arriving for the opening due to a major Nor’easter that disrupted flights across the East Coast, forcing many to finalize their booths just hours before the VIP preview.

este arte 2026 fair uruguay report

The 12th edition of Uruguay's Este Arte fair took place last week in José Ignacio, featuring 14 exhibitors and attracting 5,000 visitors over four days. Notable works included Vanderlei Lopes's aluminum installation resembling a silver leak, Germán Tagle's liquid landscapes paired with altered New York Times front pages, and Diego Bianchi's chimeric sculptures. The fair favored abstraction, with strong sales reported across galleries such as Almeida & Dale, Aninat Galeria, Galerie Jocelyn Wolff, Piero Atchugarry Gallery, and Black Gallery.

gary tyler quilts la show book release

Fiber artist Gary Tyler, who spent nearly 42 years on death row in Louisiana's Angola prison after being falsely convicted as a teenager, has published a memoir titled "Stitching Freedom" and opened his first Los Angeles gallery show, "Illuminations from a Captured Soul," at Official Welcome in MacArthur Park. The exhibition, on view through December 20, features quilts Tyler learned to make while working in the prison's hospice program, depicting scenes from his life and symbols of freedom like butterflies and birds.

art dealer mary boone says prison was very relaxing

Mary Boone, the influential New York art dealer, has reemerged in the art world five years after her release from prison. She collaborated with Lévy Gorvy Dayan on the exhibition “Downtown/Uptown: New York in the Eighties,” featuring artists she championed like Jean-Michel Basquiat, Ross Bleckner, Keith Haring, and Julian Schnabel. In a recent interview with New York magazine, Boone described her time at Danbury Correctional as “very relaxing,” noting she went to the gym daily and read a book a day. She also revealed that Martha Stewart advised her to get a criminal lawyer early in her tax evasion case, though Boone initially ignored the suggestion. Boone served 13 months of a 30-month sentence after securing early release during the Covid-19 pandemic.

londons art scene saturation point

London Gallery Weekend (LGW) returned for its fifth edition from June 6 to 8, 2025, drawing art enthusiasts across 126 participating spaces despite dark clouds and drizzle. The event showcased cutting-edge performances, digital experiments, and bold textile art, but faced challenges as several trendy younger galleries—including Union Pacific, Guts Gallery, The Sunday Painter, and Xxijra Hii—chose not to participate this year. The weekend also overlapped with the debut London edition of South by Southwest (SXSW), a tech and arts conference that brought 20,505 pass-holders from 77 countries, including King Charles III, and featured visual art offerings such as LDN LAB curated by Alex Poots. While SXSW included works by Andy Warhol and Beeple, coordination between the two events was minimal, though a hastily planned SXSW VIP gallery tour occurred before LGW officially began.

galleria continua shilpa gupta

Mumbai-based artist Shilpa Gupta (b. 1976) presents a solo exhibition at Galleria Continua in San Gimignano, on view through September 7, 2025. The show features a range of works from her career, including the large-scale embroidered piece *Untitled (Rectangles on flags of the world)* (2021–25), the monumental sculpture *Truth* (2025), and *100 Hand-drawn Maps of Italy* (2007–2023). Through video, installation, performance, and sculpture, Gupta explores themes of censorship, migration, borders, control, and resilience, engaging viewers with multisensory works that question societal norms.

beijing china gallery weekend art season recap

Beijing concluded its inaugural "Beijing Art Season" from May 22 to June 1, comprising the long-running Gallery Weekend Beijing and two local art fairs, Beijing Dangdai and Art021 Beijing. The event took place shortly after a diplomatic breakthrough in U.S.–China tariff tensions, but amid China's economic slowdown, the atmosphere was subdued: the Visiting Sector for international galleries and the large-scale group show were scrapped, and satellite events were fewer. Despite this, collectors, curators, and institutional directors from Germany, the UK, Korea, and Japan attended, with some noting China's strategic importance due to its deep collector base. French billionaire Laurent Dassault reported better market sentiment in Beijing than in Europe, while Berlin galleries PSM and Galerie Thomas Schulte made their first appearances at Beijing Dangdai, collaborating with Hua International for a "Berlin Section." The fair grew from 32 galleries in 2018 to 87 this year, reflecting local collectors' appetite for international and experimental contemporary art.

the view from paula tsai

Paula Tsai, a key figure in Asia's art market, discusses the evolving landscape of collecting in the region, focusing on mainland China and Korea. She notes a surge of new buyers from China, many of whom are young entrepreneurs, while the Korean market remains more mature and stable. Tsai addresses the impact of tariffs on importing art, particularly for Chinese collectors, but asserts that passionate collectors will continue to buy, adjusting timing rather than abandoning purchases. She also highlights the growing Thai market and the complexity of the Chinese market, where established collectors are cautious but new entrants keep activity high.

LR Vandy’s Rope Sculptures Disentangle Histories of Colonialism and Transportation

London-based artist LR Vandy has opened her first solo museum exhibition, "Rise," at the Yorkshire Sculpture Park. The show features a series of sculptures crafted from nautical materials like Manila rope, ship's helms, and hull-shaped wooden forms, many of which were created in her studio at the Chatham Historic Dockyard. The works explore the complex intersections of maritime history, trade, and the labor systems that powered the Age of Discovery.

Hoffnung auf Rekorde bei Auktionen in New York

New York's major auction houses, Sotheby's and Christie's, are gearing up for their spring sales with high-value consignments from prominent collections. Sotheby's will auction Mark Rothko's "Towering Brown and Blacks in Reds" (1957), estimated at up to $100 million, from the estate of investment banker Robert Mnuchin. Christie's is offering works from the collection of the late gallerist Marian Goodman, including Gerhard Richter's "Kerze" (1982) valued at up to $50 million and "Mohn" (1995) around $15 million, alongside pieces from the estates of publisher S. I. Newhouse and collector Agnes Gund, with a Constantin Brâncuși sculpture and a Jackson Pollock painting each estimated at $100 million, and another Rothko at $80 million.

Adelaide Biennial of Australian Art 2026 Review: Up Close and Personal

The 2026 Adelaide Biennial of Australian Art, titled 'Yield Strength,' features 24 artists across three venues, curated by Ellie Buttrose. The exhibition explores resilience under political and social pressures, with works like Erika Scott's fused assemblages from discarded domestic items, Jennifer Matthew's steel construction that manipulates visitor movement, and Nathan Beard's silicone arms critiquing exoticization of Thai culture. The title borrows an engineering term for the point at which materials transform under stress, reflecting the show's focus on art that strains formal boundaries without breaking.

Artist Nathaniel Mary Quinn, Who Grew Up in the Robert Taylor Homes, Returns to Chicago for New Exhibit

Chicago-born artist Nathaniel Mary Quinn, now based in Brooklyn, is opening his first museum show in his hometown at the National Public Housing Museum. Titled “Nathaniel Mary Quinn: A Love Letter to My Mother,” the exhibition runs from May 21 to August 23, 2026, and features 10 artworks alongside a recreation of his childhood living room in the Robert Taylor Homes. The show is dedicated to his late mother, who encouraged his early drawing on the apartment walls. Quinn, known for his collage-like portraits, recently created the album cover for the Rolling Stones’ upcoming album “Foreign Tongues.” The museum will also host community conversations about the history of the Robert Taylor Homes.

The 61st Venice Biennale: 'artists who confront difficult realities in unusual ways' at Palazzo Grassi and the Punta della Dogana

Curators Emma Lavigne and Jean-Marie Gallais have organized exhibitions for the Pinault Collection at Palazzo Grassi and Punta della Dogana during the 61st Venice Biennale, featuring artists Lorna Simpson, Paulo Nazareth, Michael Armitage, and Amar Kanwar. The shows respond to global tensions, with Nazareth using salt to trace a ghost ship referencing the slave trade, and Simpson creating nocturnal paintings and collages from Ebony and Jet magazines that explore identity and history. The exhibitions are part of the Biennale's broader global outlook, engaging with Venice's mercantile past and contemporary migration routes.

Derrick Adams’ maximalist exhibition at the ICA delights, critiques

Derrick Adams has opened a maximalist exhibition at the Institute of Contemporary Art (ICA), featuring vibrant, densely layered works that blend pop culture references with social commentary. The show presents a bold visual experience, combining painting, sculpture, and mixed-media installations that celebrate Black joy and resilience while critiquing systemic inequities.

K-POP, FUNGI, AND TERRACE RAVES: Art Basel Hong Kong 2026

Art Basel Hong Kong 2026 commenced against a backdrop of global economic uncertainty and geopolitical tension, yet the city's local scene demonstrated remarkable resilience. The week was characterized by a surge of grassroots activity, including the debut of three alternative art fairs and the opening of several new gallery outposts. Key highlights included the launch of GOLD, a cross-disciplinary salon in Wong Chuk Hang, and the expansion of Shanghai’s Antenna Space into the city, signaling a shift toward more flexible, community-oriented art spaces.

Ruth Asawa: Retrospective

A major retrospective of the Japanese-American artist Ruth Asawa is touring internationally, organized through a partnership between SFMOMA and MoMA. The exhibition spans six decades of her career, featuring her iconic suspended looped-wire sculptures alongside tied-wire pieces, bronze casts, drawings, and archival materials. The show traces her journey from her formative years at Black Mountain College to her influential role as an arts advocate and educator in San Francisco.

‘Better every year’: Frieze opens to swift sales for Los Angeles artists

Frieze Los Angeles opened its 2026 edition at the Santa Monica Airport with a strong showing of community spirit and rapid sales during the VIP preview. Following a difficult year marked by local wildfires, the fair has seen a surge in institutional acquisitions and commercial success for both emerging local talent and established international figures. Notable early transactions included a $2.8 million sale of a Njideka Akunyili Crosby work by David Zwirner and a complete sell-out of Erica Mahinay’s paintings at Make Room gallery.

Mexico City’s Zona Maco fair continues to draw upbeat crowds and eager buyers

Mexico City's Zona Maco fair is drawing upbeat crowds and eager buyers at the Centro Banamex convention centre, running until 8 February. Despite geopolitical tensions and the addition of Art Basel Qatar to the international calendar, collectors, curators, and museum groups from the Americas and Europe are attending in strong numbers. Galleries such as Sean Kelly Gallery, Proyectos Monclova, Kouri + Corrao, and Palo Gallery report robust sales and deep conversations with visitors, with a notable emphasis on ceramics and materiality in the works on view.

Five forces that reshaped the art market in 2025

In 2025, the art market faced significant challenges, including gallery closures and unfavorable auction results in the first three quarters, driven by geopolitical pressures such as US President Donald Trump's tariffs. However, a rebound occurred in autumn, with buoyant fairs like Frieze London and Art Basel Paris, and strong November auctions in New York totaling over USD 2 billion, carrying momentum to Art Basel Miami Beach. Key events included Gustav Klimt's *Portrait of Elisabeth Lederer* selling for USD 236.4 million at Sotheby's, a record for a Modern work, and a Frida Kahlo self-portrait setting a new record for a work by a woman. Meanwhile, several galleries closed, including Blum, Venus Over Manhattan, Clearing, Kasmin Gallery, Tilton Gallery, and Perrotin and Pace's Hong Kong outposts, while others expanded, such as Thaddaeus Ropac in Milan and Hauser & Wirth in Sicily.

10 Galleries That Had a Breakout Year in 2025

The article highlights 10 galleries that achieved significant growth and recognition in 2025, despite a challenging market environment marked by tariffs and trade uncertainty. Featured galleries include Tokyo's CON__, which gained global visibility through standout presentations at Frieze Seoul and NADA New York; Munich and New York-based LOHAUS SOMINSKY, which debuted at Art Basel Miami Beach and opened a Tribeca outpost; and Chicago's Hans Goodrich, which quickly established itself with a cross-generational exhibition program and international fair appearances.

Five must-see UK exhibitions this Black History Month

Five must-see UK exhibitions for Black History Month 2025 are highlighted, including 'Nigerian Modernism' at Tate Modern (8 Oct 2025–10 May 2026), which explores the development of Modern art in Nigeria through over 250 works by artists like Ben Enwonwu and El Anatsui; 'Stan Douglas: Birth of a Nation and The Enemy of All Mankind' at Victoria Miro (until 1 Nov 2025), a multi-channel video installation confronting racial perception; and 'Jennie Baptiste: Rhythm & Roots' at Somerset House (17 Oct 2025–4 Jan 2026), the photographer's first UK solo exhibition capturing Black diaspora life. Other shows include works addressing the Caribbean Windrush generation in Cambridge.

Despite external chaos, Frieze Seoul soldiers on

The fourth edition of Frieze Seoul (3-6 September) took place alongside the Korea International Art Fair (Kiaf) at the Coex convention centre in Gangnam, amid economic concerns and a slower art market. Despite a modest 0.8% expected growth in South Korea's economy and fewer Western exhibitors, the fair saw strong institutional attendance, including curators from M+, the Museum of Modern Art, and the San Francisco Asian Art Museum, as well as celebrity visitors like BTS members and Blackpink's Lisa. Galleries reported cautious but steady sales, with a notable presence of Asian collectors, particularly from Japan, and a Stand Prize awarded to Kohesi Initiatives for a politically charged booth by Timoteus Anggawan Kusno.

Must-see exhibitions in New York this autumn

The Museum of Modern Art is celebrating the 40th anniversary of its New Photography series with 'New Photography 2025: Lines of Belonging,' featuring 12 international artists from Mexico City, Johannesburg, Kathmandu, and New Orleans. Other must-see exhibitions include 'Ministry: Reverend Joyce McDonald' at the Bronx Museum, showcasing the artist's ceramic works born from her HIV diagnosis and art therapy; 'The Magical City: George Morrison’s New York' at the Metropolitan Museum of Art, highlighting the overlooked Abstract Expressionist painter; and 'Christian Marclay: Doors' at the Brooklyn Museum, a cinematic supercut in the new Moving Image Gallery.

Washington, D.C., Museums are Showcasing African American Art, Exhibitions Focus on Photography and the Black Arts Movement, Vivian Browne, Adam Pendleton & More

Museums across Washington, D.C., are currently presenting a robust slate of exhibitions focused on African American art, including major retrospectives, solo shows, and thematic group presentations. Notable shows include "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, "We Gather at the Edge: Contemporary Quilts by Black Women Artists" at the Renwick Gallery, solo exhibitions for Vivian Browne and Essex Hemphill at The Phillips Collection, Chakaia Booker's "In the Tower" at the National Gallery, and Adam Pendleton's "Love, Queen" at the Hirshhorn Museum. Additionally, collectors Larry D. and Brenda A. Thompson have pledged 175 works by Black artists to the National Gallery, with over 60 on view in "With Passion and Purpose."

Highlights from Art Basel 2025

Art Basel returned to Basel for its 55th edition in June 2025, featuring 289 top international galleries from 42 countries and territories. The fair attracted 88,000 visitors, including collectors, curators, and representatives from over 250 museums and foundations. Highlights included Arturo Kameya's storytelling installation at GRIMM in the Statements section and Lothar Hempel's series of painted aluminum works at Anton Kern Gallery in the Kabinett sector, alongside large-scale installations in Unlimited and public projects in Parcours.

Anna Maria Maiolino: ‘My body speaks to me and I’ve been listening to it since I was really young’

Anna Maria Maiolino, an 83-year-old Italian-born Brazilian artist, is the subject of a feature interview following her first solo exhibition in France, titled "Estou Aqui (I am here)", at the Musée Picasso in Paris. The exhibition spans her career of over 60 years and includes newly commissioned work. Maiolino, who won the Golden Lion for Lifetime Achievement at the 2024 Venice Biennale, discusses her migration from Italy to Venezuela to Brazil, her time in New York, and her return to São Paulo. She reflects on her artistic practice, which evolved from gestural works on paper and film to clay installations, and her engagement with themes of exile, language, and memory, often using simple materials like paper, cement, and clay.

Have we reached peak painting?

The article examines the enduring dominance of painting in the art world, despite repeated predictions of its demise. It cites record-breaking sales—Leonardo's *Salvator Mundi* ($450m), Jasper Johns's *Flag* ($110m), and Marlene Dumas's *Miss January* ($13.6m)—and highlights the upcoming Jenny Saville survey at the National Portrait Gallery in London. The Turner Prize shortlist includes painter Mohammed Sami, whose work *Poor Folk II* sold for $571,500 at Sotheby's, far exceeding estimates. Exhibitions like *Painting after Painting* at SMAK in Ghent and *R U Still Painting???* in New York explore how artists continue to use the medium, with curators and market figures affirming painting's resilience.

Works by Charley Toorop, one of the first female painters to admire Van Gogh, go on show in the Netherlands

An exhibition titled "Charley Toorop: Love for Van Gogh" opens at the Kröller-Müller Museum in the Netherlands (24 May-14 September), showcasing 60 works by Charley Toorop (1891-1955), one of the first female painters deeply influenced by Vincent van Gogh. The show, curated by Renske Tervaert, draws on the museum's extensive Toorop and Van Gogh collections, supplemented with loans, and highlights how Van Gogh's work shaped Toorop's art, particularly in the early 1920s. A key focus is her 1924 portraits of patients at the Willem Arntsz Medical Asylum for the Insane in Utrecht, where she painted three powerful works after a traumatic marriage to Henk Fernhout, who had been institutionalized there. The exhibition also explores personal connections: Van Gogh's brother Theo was treated and died at the same facility, and Toorop's still lifes echo Van Gogh's motifs, such as her use of knives alluding to domestic strife.

The Art Market Defies Doom and Gloom With Independent, Esther and Future Fair in Full Swing

New York City is hosting an unprecedented concentration of art fairs this week, with over nine fairs running simultaneously, including Independent, Esther, and Future Fair. Independent, held at Spring Place in Tribeca, opened on May 8 and is positioning itself as a boutique, hyper-curated alternative to mega-fairs like Frieze, featuring mostly solo presentations. Early sales were reported by several galleries: Europa sold works by Suyi Xu ($9,000–$20,000), Long Story Short sold six works by Keita Morimoto (up to $26,000), Charles Moffett nearly sold out his booth of Julia Jo ($10,000–$45,000), The Approach sold four works by John Maclean ($13,500 or less), and Copperfield presented works by Ada Patterson ($8,000–$23,000).