Contour Art Gallery in Vilnius is presenting 'Monstrare', a solo exhibition by emerging artist Raminta S. R. Mint. The show explores the human body through three layers—exterior, interior, and invisible—using painting to critique social media's filtered self-image, anatomical abstraction, and digital medical imaging. Influenced by Gothic literature and H. R. Giger, the works combine red, black, and white palettes in a 'Frankensteinian' visual language.
Loyola Marymount University’s Laband Art Gallery is presenting “Seeing Chicanx: The Durón Family Collection,” a fall 2025 exhibition on view from September 25 to December 6. Curated by scholar Karen Mary Davalos, the show features nearly 50 works by Chicanx artists from Southern California, drawn from the private collection of alumni Armando Durón and Mary Salinas Durón. The exhibition spans the 1970s to the present, including paintings, drawings, photography, and sculptures by artists such as Roberto Gutierrez, Judy Baca, Chaz Bójorquez, Gilbert “Maju” Luján, and Shizu Saldamando. Originally shown at the Monterey Museum of Art in 2024, the traveling exhibition aims to challenge stereotypes and provide a visual history of the Chicanx art scene in Los Angeles.
Wenn die Nacht auf den Tag abfärbt
Berlin-based graffiti artist Paradox Paradise, known for his distinctive red-and-blue "Paraglyphs" painted on high facades, discusses his evolution from classic graffiti to a radically reduced visual language. In an interview with Monopol, he explains how he stripped away decorative elements to focus on precise, vertical outlines and messages like "Mieten runter Wände bunter" (lower rents, more colorful walls). He describes his nocturnal actions as states of heightened presence requiring weeks of planning, where every movement has immediate consequences.
Klimaaktivisten beschmieren Palazzo Vecchio
Members of the climate activist group Ultima Generazione targeted the historic Palazzo Vecchio in Florence, spraying its facade with orange washable paint using fire extinguishers. The protest was swiftly interrupted by security forces and Florence's Mayor Dario Nardella, who happened to be on-site and personally tackled one of the activists. Following the incident, the mayor joined cleaning crews on scaffolding to help scrub the medieval stonework with brushes and high-pressure hoses.
Un nouveau campus « créatif » à Rennes
The private higher education group Icônes is investing €33 million to construct a new 16,000-square-meter "creative campus" in the EuroRennes district of Rennes, France. Scheduled to open in 2027, the complex will feature three buildings designed by architect Philippe Dubus, including a new home for the ESMA 3D animation school, a 300-studio student residence, and coworking spaces dedicated to creative startups.
Oviedo accueillera le premier musée de philosophie au monde
The Gustavo Bueno Foundation has announced plans to open the world's first museum of philosophy in Oviedo, Spain, scheduled for January 2027. Housed in the historic Miñor sanatorium, the institution will serve as a physical extension of the Oviedo School of Philosophy, focusing on the "philosophical materialism" developed by the late thinker Gustavo Bueno. The museum aims to move beyond academic circles to engage the general public in critical thinking and the rigorous analysis of social structures.
An exhibition featuring the work of Norwich artist Dan Topalis has opened at Dada Post in Norwich, Connecticut. Titled "Dan Topalis: Interchanges & Intersections," the show runs every Saturday through July 1 and presents two series: the "Crazy Clown Series" from 2022, depicting clowns performing feats of agility, and the ongoing "Dots" series of 2026, featuring colorful, two-color patterned compositions. Topalis, a Norwich native and 1973 graduate of Norwich Free Academy who also studied at the Philadelphia College of Art, works primarily in acrylic on canvas.
The artist duo NEVERCREW, composed of Christian Rebecchi and Pablo Togni, has unveiled a series of large-scale murals across Europe that confront the deteriorating relationship between humanity and the natural world. Their recent works, including the mural "Souvenir" in Vienna and "Switch" in Wuppertal, utilize surrealist imagery—such as polar bears merged with plastic toy components or whales encased in architectural structures—to illustrate how nature is increasingly viewed as an artificial, distant object rather than an integrated system.
The Académie des beaux-arts has launched a subscription campaign to acquire a monumental tapestry by Jean Lurçat, recently rediscovered by Christie's. The tapestry, titled *Bestiaire* (1930), measures 3 by 6.45 meters and was originally created for the artist's home-studio in Paris's 14th arrondissement. It will be publicly unveiled at Christie's Paris on May 6–7, 2025, before a private sale between the Académie and the auction house for €110,000. Donations are being collected online or by check to fund the purchase.
Salomé. Henner et Moreau face au mythe
The Musée National Jean-Jacques Henner in Paris is hosting a focused exhibition exploring the iconographic myth of Salomé through the lenses of Jean-Jacques Henner and Gustave Moreau. The show examines how these two 19th-century masters interpreted the biblical figure who demanded the head of John the Baptist, contrasting their stylistic approaches to her seductive and fatal power. While the Gospels provide no physical description of Salomé, the exhibition highlights how these artists moved away from traditional fleshy depictions to create more ethereal, haunting versions of the femme fatale.
Ugandan artist Acaye Kerunen presents her first solo museum exhibition in Germany, titled 'Apoi,' at the Kunstmuseen Krefeld. The show, installed across the modernist spaces of Haus Lange and Haus Esters, features handwoven textiles, sculpture, sound, and film that draw on Indigenous knowledge systems and intergenerational exchange. It is part of the museum's ongoing 'HL HE Dialog: What Comes After Art' series.
The exhibition 'Statues Also Breathe' has opened at the Museum of African Contemporary Art Al Maaden (MACAAL) in Marrakech. Curated by Meriem Berrada, the installation features 108 terracotta heads created by artist Prune Nourry in collaboration with artisans and students. The work draws inspiration from the historic sculptural tradition of Ife in Nigeria while directly addressing the ongoing trauma of the 2014 kidnapping of the Chibok schoolgirls, using portraiture to represent the missing.
South African artist Diane Victor has been awarded the 10th Mario Avati Engraving Prize 2025 by the Academy of Fine Arts in Paris. Her work is currently the subject of an exhibition at the Académie des Beaux-Arts, which runs until May 31, 2026.
Walter Hood, an award-winning landscape designer known for transforming overlooked urban spaces into vibrant gathering areas, has been selected for his most high-profile project yet: the new $335 million park at Lincoln Center Plaza in Manhattan. In a brief interview for Cultured's 2026 CULT100 honorees, Hood discusses misconceptions about his personality, his inspirations, and the challenges he faces as a creative professional.
Chefs Lucho Martínez, Elena Reygadas, Gabriela Cámara, and Tyler Henry share their personal recommendations for navigating Mexico City's food scene during Zona Maco week. The article covers best breakfast spots, chilaquiles, bakeries, quick bites, tacos al pastor, and other tacos, with specific restaurant names and dishes highlighted by each chef.
The article describes a visit to the American Academy of Arts and Letters in New York to see two concurrent exhibitions: Sam Contis's "Phases," featuring black-and-white motion portraits and a three-channel film of teenage girls running a five-kilometer race, and Diane Simpson's "Formal Wear," a sculptural exploration of femininity's exoskeletons using industrial materials. Literary accompaniments were commissioned for both shows—Kathryn Scanlan wrote a story for Contis's exhibition, and critic Audrey Wollen contributed an essay for Simpson's—blending visual art with prose to examine themes of adolescence, identity, and self-construction.
CULTURED magazine has launched a new special edition titled "CULTURED at Home," which explores how artists and designers create expressive, non-neutral domestic spaces. The issue features intimate explorations of homes, ruined gardens, and interiors, with contributions from critics, novelists, filmmakers, performers, and designers, aiming to capture the improvisational magic and sensory richness of everyday life.
On May 8, during the pre-opening of the Venice Biennale, the independent collective ANGA (Art Not Genocide Alliance) organized a strike protesting genocide and precarity in the art world. Pro-Palestinian activists entered the Arsenale, where part of the exhibition "In Minor Keys" curated by the late Koyo Kouoh was installed, and hung posters on artworks calling for the liberation of Palestine and denouncing what they described as the Biennale's "art-washing" of Israel's reputation. The disruption blurred the line between activist intervention and the exhibition itself, as many works already addressed Palestine directly, including a poem by Refaat Alareer placed at the entrance.
The Center for Institutional Studies, Research, and Training (CERFI), a research cooperative co-founded by Félix Guattari in the wake of May 1968, sought to merge militant political practice with institutional psychotherapy. By adopting a model of 'analytical self-management,' the group utilized rotational roles and collective research to avoid the hierarchies and alienation typical of traditional academic and political organizations. This experimental structure was heavily influenced by the 'grid' system used at the La Borde psychiatric clinic, aiming to turn administrative labor into a tool for subjective liberation.
A new contemporary art gallery, Casa Batlló Contemporary, has opened on the previously closed second floor of Antoni Gaudí's iconic Casa Batlló building in Barcelona. The inaugural exhibition, "Beyond the Facade," is by the London-based art practice United Visual Artists, founded by Matt Clark, and runs until May 17.
The Lin Xiang Xiong Art Gallery officially opened in Penang, Malaysia, at The Light Waterfront in Gelugor, with a ceremony attended by the Governor of Penang, Tun Dato’ Seri DiRaja Ramli Ngah Talib, and Chief Minister Chow Kon Yeow. Founded by acclaimed artist Professor Lin Xiang Xiong, the gallery debuted with a private preview of "The Vicissitudes of Life," an exhibition of 99 artworks addressing war, pollution, and poverty. The event gathered artists, government officials, business leaders, and academics, highlighting Penang's ambition to become an international cultural destination.
The article announces the exhibition “Jamea Richmond-Edwards: Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art. The show presents the work of contemporary artist Jamea Richmond-Edwards, whose practice explores themes of Black womanhood, mythology, and Afrofuturism through mixed-media works on paper and large-scale installations.
The Ruth and Elmer Wellin Museum of Art at Hamilton College is hosting "Jamea Richmond-Edwards: Another World and Yet the Same," a major solo exhibition featuring the work of the Detroit-born artist. The show highlights Richmond-Edwards’ signature large-scale collages and immersive installations that blend fashion, mythology, and personal history to explore Black Americana and Afro-futurism.
Every first Friday of the month, around 20 galleries and art spaces in Ithaca, New York, open their doors for free evening exhibitions from 5 to 8 p.m. as part of the First Fridays tradition, also known as Ithaca Gallery Nights. The event, now facilitated by artist and curator Michael Sampson since 2023, features both traditional venues like State of the Art Gallery and non-traditional spaces such as Greenstar Co-op and St. Luke Lutheran Church, aiming to expand participation and include newer artists. Featured shows include "Black and White and …" by Ileen Kaplan and David Watkins at SOAG, and "Geometric Abstraction" by Mauro Marinelli, Michael George, and Laura Dale George at The Gallery at South Hill.
Oil painters Betz Green and Jim Green will showcase their work at the Stover Mill Gallery in Erwinna, Pennsylvania, on weekends from May 9 through May 31, with an opening reception on May 9. Betz Green creates representational, portrait-oriented still lifes with whimsical narratives, while Jim Green works in an impressionistic and expressionistic style with vibrant colors and exaggerated forms. Both artists have won top awards at local venues such as Phillips Mill and Stover Mill.
Curator Yen Ospina has organized "We Are La Voz II," a month-long pop-up exhibition at Orozco Gallery on The Commons in Ithaca, running from April 3 to May 2. The nomadic gallery highlights Latine fiber artists, featuring works that evolve over time and include textiles, embroidery, and fiber paintings. The exhibition serves as a tribute to Debra Castillo, a Cornell professor who co-founded the first Orozco Gallery exhibit in 2024 and passed away in October 2025. Artists like Sarah Lopez and Carolina Osorio Gil contribute pieces that explore themes of identity, memory, and resilience, with Ospina using the project to process her grief and counter rising anti-immigrant rhetoric.
Artist Leo du Feu is returning to his hometown of Linlithgow, Scotland, for his largest solo exhibition to date, titled 'Homecoming,' at the Gallery at Linlithgow Burgh Halls. Running from 22 May to 17 September 2026, the show traces the evolution of his work across nature, landscape, wildlife, and storytelling, and includes new pieces inspired by fatherhood and emotional well-being. The exhibition also marks the 15th anniversary of the gallery's opening in 2011, and a free artist talk is scheduled for 17 June.
Award-winning local artist Brent Erickson, based in Alexandria, VA, has spent over 30 years building a personal collection of representational art, sparked by a single landscape purchase from emerging painter T. Allen Lawson. Erickson, an oil painter himself, curates his collection—now over 100 paintings and bronzes—around realism and personal passion, displaying works in his Mount Vernon home alongside his own new paintings. He recently hosted a celebration of autumn to unveil both his collection and his latest creations.
The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.