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Remembering Peter Phillips, the pioneering British Pop artist, who has died, aged 86

British Pop artist Peter Phillips has died at age 86. Known for his collage-like, saturated compositions incorporating mechanical parts, comic books, and pin-up imagery, Phillips emerged from Birmingham's industrial landscape and studied at the Royal College of Art alongside peers like David Hockney and R.B. Kitaj. His work, such as *The Entertainment Machine* (1961) and the *Custom Painting* series, reflected his working-class upbringing and fascination with car manufacturing and commercial design.

The power of transformation: an immersive, thrillingly layered, journey into William Kentridge’s sculpture

The Yorkshire Sculpture Park has opened "William Kentridge: The Power of Gravity," the first major survey of the South African artist's sculptural work outside his home country. The exhibition spans multiple decades and includes large-scale film installations, about three dozen sculptures, and four of his largest bronzes to date. It features pieces like the "Singer Trio" (2019) and works from his film series "Self-Portrait as a Coffee-Pot" (2023), with exhibition design by his long-term collaborator Sabine Theunissen.

Art on Location 2025

Art on Location 2025 is an initiative that brings contemporary art installations to public spaces across multiple cities, transforming everyday environments into immersive artistic experiences. The program features site-specific works by emerging and established artists, aiming to make art accessible outside traditional gallery settings.

William Kentridge Wants to Starve the Algorithm

William Kentridge, the South African artist known for his multidisciplinary practice, has created a new film series titled "Self-Portrait as a Coffee-Pot" (2020–2024), comprising nine half-hour segments. The work, which features his signature blend of drawing, animation, performance, and music, is currently on view at Hauser & Wirth's 22nd Street gallery in New York under the exhibition "A Natural History of the Studio." The article explores Kentridge's improvisational process, where he starts without a plan and lets gestures and materials guide him, often interviewing himself in the film to dramatize the artist's dual nature and the act of creation.

At Baltimore Museum of Art, a new exhibition asks us to consider the connections between race, colonialism and the climate crisis

The Baltimore Museum of Art has opened "Black Earth Rising," an exhibition organized by British curator and writer Ekow Eshun. The show brings together thirteen African diasporic, Latin American, and Indigenous artists—including Frank Bowling, Jaune Quick-to-See Smith, Yinka Shonibare, Wangechi Mutu, Alejandro Piñeiro Bello, Firelei Baez, and Tyler Mitchell—to explore the connections between race, colonialism, and the climate crisis. Eshun also authored an accompanying book that pivots environmental debates away from a Eurocentric viewpoint, emphasizing that the Global South bears the brunt of climate change despite being least responsible for it. The exhibition critiques the term "Anthropocene" and instead promotes the concept of the "Plantationocene," which traces environmental destruction back to 15th-century European colonization and the plantation system.

The Royal Academy’s Kiefer-Van Gogh show offers a soaring spectacle

The Royal Academy of Arts in London is hosting "Kiefer/Van Gogh" (28 June–26 October), a focused exhibition pairing Anselm Kiefer's monumental multimedia works with Vincent van Gogh's paintings and drawings. The show, curated by Julien Domercq, features seven huge Kiefer pieces including the 8.4m-wide "The Starry Night" (2019) and a single sculpture, alongside 11 Van Gogh works—five on loan from the Van Gogh Museum. It previously ran at the Van Gogh Museum in Amsterdam, where it drew 340,000 visitors. The London iteration is smaller but includes different works, with a central room dedicated to Van Gogh's pieces spanning his career.

Highlights from Art Basel 2025

Art Basel returned to Basel for its 55th edition in June 2025, featuring 289 top international galleries from 42 countries and territories. The fair attracted 88,000 visitors, including collectors, curators, and representatives from over 250 museums and foundations. Highlights included Arturo Kameya's storytelling installation at GRIMM in the Statements section and Lothar Hempel's series of painted aluminum works at Anton Kern Gallery in the Kabinett sector, alongside large-scale installations in Unlimited and public projects in Parcours.

What’s on now at San Francisco museums, June 2025

This article from Mission Local provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in June 2025. Highlights include the reopening of 500 Capp Street with "Mildred Howard Collaborating with the Muses Part 2" and a forthcoming show celebrating the 50th anniversary of Ant Farm's "Media Burn." At the de Young Museum, Henri Matisse's "Jazz Unbound" closes July 6, Isaac Julien's first U.S. retrospective runs until July 13, and Paul McCartney's photography exhibition has been extended to October. SFMOMA's "Around Group f.64" closes July 13, and the Asian Art Museum features "Yuan Goang-Ming: Everyday War" through August 4. The piece also notes Ashley Voss's local gallery guide and a Q&A with Isaac Julien.

Revealed: how Van Gogh's nephew exchanged two of the artist's drawings for butter and bacon

In early 1945, during the Dutch 'Hunger Winter' at the end of World War II, Vincent van Gogh's nephew, Vincent Willem van Gogh, exchanged two of the artist's drawings for 35 packets of butter and some bacon. The swap was arranged with the help of artist Charley Toorop and involved the cheese business Visser Kaas in Heiloo. One of the drawings, *Head of a Peasant Woman, left profile* (December 1884–May 1885), is now being offered at Sotheby's on 25 June with an estimate of £400,000–£600,000, suggesting the pair would be worth around £1 million today. The nephew's family was suffering from starvation and tragedy, including the execution of his eldest son by German forces.

Art Basel Diary: star brings K-pop magic, scents and sensibility, and Liam Gallagher’s romantic side

Art Basel 2025 in Basel, Switzerland, saw K-pop star RM (of BTS) visit the fair's Unlimited section, drawing screaming fans and highlighting his role as an art collector. Other notable moments included Friedrich Kunath's romantic portrait of Liam Gallagher (priced at $135,000) on view with Pace gallery, Italian collector Patrizia Sandretto Re Rebaudengo announcing a dual-site exhibition in Turin for her foundation's 30th anniversary, and Fondation Beyeler drawing luminaries like Carolyn Christov-Bakargiev and Don and Mera Rubell to Jordan Wolfson's VR experience 'Little Room'. The fair also introduced a bespoke fragrance called 'Racing Anticipation' in collaboration with Givaudan, though some staff reported allergic reactions.

On View: 'Jack Whitten: The Messenger' at Museum of Modern Art in New York is First Full Retrospective of Pioneering Artist

The Museum of Modern Art (MoMA) in New York has opened "Jack Whitten: The Messenger," the first full-scale retrospective of the pioneering abstract artist Jack Whitten (1939-2018). The exhibition features over 175 works spanning six decades, including paintings, sculptures, and works on paper, alongside archival materials. Whitten, known for his inventive techniques such as using squeegees, rakes, and Afro combs to manipulate paint, explored themes of race, identity, history, and technology. Key works include "Birmingham 1964," inspired by the 1963 church bombing, and "9.11.01," responding to the September 11 attacks. The show runs from March 23 to August 2, 2025, exclusively at MoMA.

Hot new artist: Jadé Fadojutimi, a colour genius

The article profiles painter Jadé Fadojutimi, highlighted as a "colour genius" by curator and advisor Hervé Mikaeloff in Numéro art's series on hot new artists during the 56th edition of Art Basel. Fadojutimi's large-format, near-abstract compositions feature rich fuchsias, indigos, and yellows with expressionist brushstrokes and oil pastel marks, evoking plant worlds and musical scores. Her work has been shown internationally, including at the Hayward Gallery, Kunstmuseum Bonn, the 59th Venice Biennale, and the National Art Museum in Osaka, and she is represented by Gagosian, Galerie Gisela Capitain, and Taka Ishii. Her first Gagosian solo show in New York in 2024 incorporated a soundtrack, underscoring the role of music, fashion, and animation in her practice.

‘My bank account is the only thing that slows me down’: Arlene Shechet on trusting her instincts

Artist Arlene Shechet discusses her dual role as creator and collector in an interview with The Art Newspaper ahead of Art Basel. She is installing her welded aluminum sculpture *Midnight* (2024) in the fair's Unlimited section, a work originally commissioned for her show at Storm King Art Center. Shechet reveals that she uses a portion of her sales to buy works by other artists, citing pieces by Fred Sandback, Barry Le Va, Joan Jonas, Kinke Kooi, and Marlon Mullen in her collection. She also mentions a regret over not purchasing a Louise Bourgeois drawing for $5,000 and names a medieval Book of Hours as her dream museum acquisition.

Basel native Irène Zurkinden makes a long-overdue return

Kulturstiftung Basel H. Geiger has opened a two-room exhibition dedicated to Basel native Irène Zurkinden (1909-87), her first major hometown show since the 1980s. The exhibition spans portraits, self-portraits, still-lifes, landscapes, drawings, and several sketchbooks on public view for the first time. Zurkinden studied fashion illustration in Basel before finishing her training at Paris’s Académie de la Grande Chaumière, inspired by Henri de Toulouse-Lautrec. She lived between Paris and Basel and was close friends with Meret Oppenheim, whose portrait by Zurkinden, Meret à l’orange (1932-35), is in Kunstmuseum Basel’s permanent collection and included in the show.

New venue for video, sound and other durational art forms coming to Manhattan

A new nonprofit venue for durational art, Canyon, will open on Manhattan's Lower East Side in 2026. Founded by philanthropist Robert Rosenkranz through the Rosenkranz Foundation, the 40,000-square-foot adaptive reuse space is overseen by Joe Thompson, founding director of Mass MoCA. Designed by architecture firm New Affiliates, Canyon will feature 18,000 square feet of galleries for video and audio, a 60-foot-tall central plaza, a 300-seat performance hall, bars, a cafe, and a restaurant. Cass Fino-Radin joins as director of art and technology, with Sam Ozer as curator-at-large. Planned programming includes a retrospective of Ryoji Ikeda and a group exhibition curated by Hans Ulrich Obrist titled "Worldbuilding."

With the help of conservators, one of Van Gogh’s finest Arles landscapes will be heading to Japan

Conservator Margje Leeuwestein has examined Vincent van Gogh's "Bridge at Arles (Pont de Langlois)" (March 1888) at the Kröller-Müller Museum in Otterlo to confirm it is fit for travel. The painting will be the centerpiece of an exhibition touring three Japanese cities in 2027. The article details the painting's history, including Van Gogh's intended gift to Hermanus Tersteeg of the Goupil gallery, a later-scraped dedication, and a rare 1929 photograph of the bridge by Johannes Reiher that mirrors the composition.

Visual Arts Review: Great Gallery Shows for Free in NYC – Picasso and Kentridge

Two free art exhibitions in New York City offer deep dives into the work of Pablo Picasso and William Kentridge. At Gagosian Gallery on Madison Avenue, "Picasso: Tête-à-tête" presents a selection of works spanning the artist's career, organized with his daughter Paloma Picasso, including never-before-seen pieces from her collection. The show highlights Picasso's stylistic diversity, his relationships with women like Marie-Thérèse Walter and Olga Khokhlova, and his playful resistance to being pinned down to a single style.

Introducing CULTURED’s Inaugural Young Dealers List

CULTURED magazine has launched its inaugural Young Dealers List, highlighting 23 galleries under five years old that are reshaping the art world. Selected from over 100 recommendations gathered from more than 40 collectors, advisors, and curators, the list features ambitious new spaces in cities from Accra to Berlin. One featured gallerist, Adora Mba of ADA \ Contemporary Art Gallery in Accra, comes from a family of collectors and opened her gallery after working as a cultural news producer; she has dedicated her 2025 program to women artists and curators.

Art Basel 2025: Masterpieces, new galleries, and swimming the Rhine

Art Basel 2025 will feature a large-scale public artwork by Katharina Grosse transforming Basel's Messeplatz, along with a new sector called Premiere for mid-career galleries, the inaugural Art Basel Awards, and 20 first-time exhibitors. Director Maike Cruse highlights major works on offer, including a late-career Pablo Picasso painting at Pace, a Joan Mitchell abstract at Pace, Helen Frankenthaler's 'Swan Lake I' at Yares Art, Leonora Carrington's rare triptych at Di Donna Galleries, and a Heidi Bucher latex imprint at Lehmann Maupin. The Unlimited sector will present 67 monumental works, including Martin Kippenberger's 'Transportable Subway Entrance' and daily performances by Cairo-based dance collective nasa4nasa.

Weekly News Roundup: June 9, 2025

Sydney Contemporary 2025 will debut a new photography section called Photo Sydney, curated by Sandy Edwards and selected by a committee of experts. The fair runs September 11–14 at Carriageworks with 114 exhibitors. Separately, Jack Ball won the AUD 100,000 Ramsay Art Prize for their installation 'Heavy Grit' at the Art Gallery of South Australia. KIAF Seoul 2025 announced its gallery lineup, featuring 176 exhibitors from over 20 countries, running September 4–7 alongside Frieze Seoul.

Culture Type | The Month in Black Art: Here’s What Happened in May 2025

The May 2025 roundup of Black art news reports the deaths of two influential figures: international curator Koyo Kouoh and artist-curator Evangeline J. Montgomery, who died at 94. Montgomery's career spanned metalwork, fiber art, and photography, and she was a key advocate and mentor in the African American art community, later working at the U.S. Information Agency. Other highlights include historian Edda L. Fields-Black winning a Pulitzer Prize for her book on Harriet Tubman, the acquisition of Adam Pendleton's entire "Who is Queen" installation by MoMA, and Kapwani Kiwanga winning the Joan Miró Prize. The Met Gala also featured Black dandy style inspired by the Costume Institute's exhibition "Superfine: Tailoring Black Style."

Two US ambassadors have displayed Van Goghs in their London residence—but Donald Trump's pick for the job seems unlikely to follow suit

Two former U.S. ambassadors to the UK, John Hay Whitney (1957-61) and Walter Annenberg (1969-74), displayed Van Gogh masterpieces from their personal collections in Winfield House, the official residence in London's Regent's Park. Whitney hung Van Gogh's *Self-portrait* (September 1889) above the mantelpiece in the family dining room, while the Annenbergs placed *La Berceuse* (February 1889) and *Olive Trees* (November 1889) in the green room, alongside works by Gauguin, Degas, Cézanne, Monet, and Renoir. Both ambassadors later donated their Van Goghs to major U.S. museums—Whitney's to the National Gallery of Art in Washington, D.C., and the Annenbergs' to the Metropolitan Museum of Art in New York.

8 Must-See Solo Gallery Shows in June

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for June, featuring artists from New York to Los Angeles. Highlights include Will Cotton's fantasy paintings of cowboys and mermaids at Templon in New York, Salman Toor's narrative works depicting gay South Asian diaspora life at Luhring Augustine, and Beverly Fishman's hybrid sculptural paintings addressing the pharmaceutical industry at Miles McEnery Gallery.

15 Art Shows to See in Los Angeles This Summer

Los Angeles art institutions are presenting a diverse array of summer exhibitions, ranging from career-spanning surveys to historical reassessments. Highlights include Jeffrey Gibson's beadwork at the Broad, a survey of Barbara T. Smith's early Xerox works at the Marciano Art Foundation, a retrospective of Noah Davis at the Hammer Museum, and a group show at the California African American Museum addressing the legacy of Altadena's Black community after the Eaton Fire. Other notable shows include Nancy Buchanan's retrospective, Will Rawls at the ICA LA, Karl Haendel at the Weisman Museum, and a Jack Kirby exhibition at the Skirball Cultural Center.

11 Must-See Museum Exhibitions This Summer

This article highlights 11 must-see museum exhibitions for summer 2025, curated by Monica Jae Yeon Moon. Key shows include Melissa Joseph's site-specific installation 'Tender' at the Brooklyn Museum, a comprehensive solo exhibition of 18th-century Dutch still life painter Rachel Ruysch at the Toledo Museum of Art and Museum of Fine Arts Boston, and a queer photography exhibition at the Getty Center. Other notable events include the Venice Architecture Biennale, Berlin Biennale, and Ljubljana Biennial, with a focus on women artists like Emily Kam Kngwarray and Takako Yamaguchi receiving overdue recognition.

Folklore, mythology and tradition: five must-see shows at London Gallery Weekend

London Gallery Weekend features several exhibitions that draw on folklore, mythology, and traditional processes, offering a counterpoint to the AI-dominated art world. The article highlights five female artists whose shows span from Argentina to Australia to South Korea: Anna Perach at Richard Saltoun explores ancient folklore and identity through tufted sculptures; Francis Upritchard at Kate MacGarry presents uncanny sculptures inspired by mythology and science fiction; and Soyoung Hyun at IMT Gallery examines memory and ritual through clay vessels and shadow works. Other shows include indigenous Aboriginal artist Emily Kam Kngwarray and New Zealand-born Upritchard, who borrows from diverse cultural sources.

15 Art Shows to See in Upstate New York This Summer

This guide highlights 15 art exhibitions across Upstate New York for summer, featuring moody paintings by Emily Pettigrew at Fenimore Art Museum, Native artists exploring time and memory at Hudson River Museum, Renée Green’s conceptual word shuffling at Dia Beacon, and Black history in the Hudson Valley at Vassar College's Loeb. Other shows include Arlene Shechet's intimate sculptures at Catskill Art Space and Larry Fink's photography at CPW in Kingston.

Korean artists are taking the world by storm—but why does their work resonate so widely?

Korean artists are gaining unprecedented global recognition, with figures like Haegue Yang, Do Ho Suh, Lee Bul, and Mire Lee leading a shift from traditional Dansaekhwa abstraction to more conceptual and contemporary practices. The article highlights how K-pop and Korean soap operas have boosted cultural awareness, drawing new audiences to events like Frieze Seoul and prompting major international galleries such as White Cube, Perrotin, and Pace to open in Seoul. Curators and scholars note that Korean art now engages deeply with globalization, historical trauma, and sociopolitical change, facilitated by biennials in Gwangju, Busan, and Seoul, as well as a surge in art institutions.

An exhibition in a most extraordinary building explores Japan’s love for Van Gogh

An exhibition titled 'A Renewal of Passion: The Impact of Van Gogh' opens at the Pola Museum of Art in Hakone, Japan, running from May 31 to November 30. It explores Van Gogh's influence on Japanese art, featuring three Van Gogh paintings from the museum's own collection—acquired by founder Suzuki Tsuneshi—alongside loans from other Japanese institutions, including the Morohashi Museum of Modern Art and the Kuboso Memorial Museum of Arts. The show highlights works by Japanese artists like Kishida Ryusei, Maeta Kanji, and Nakamura Tsune, who were inspired by Van Gogh, as well as contemporary pieces such as Fiona Tan's photographic series 'Ascent' (2016).

Works by Charley Toorop, one of the first female painters to admire Van Gogh, go on show in the Netherlands

An exhibition titled "Charley Toorop: Love for Van Gogh" opens at the Kröller-Müller Museum in the Netherlands (24 May-14 September), showcasing 60 works by Charley Toorop (1891-1955), one of the first female painters deeply influenced by Vincent van Gogh. The show, curated by Renske Tervaert, draws on the museum's extensive Toorop and Van Gogh collections, supplemented with loans, and highlights how Van Gogh's work shaped Toorop's art, particularly in the early 1920s. A key focus is her 1924 portraits of patients at the Willem Arntsz Medical Asylum for the Insane in Utrecht, where she painted three powerful works after a traumatic marriage to Henk Fernhout, who had been institutionalized there. The exhibition also explores personal connections: Van Gogh's brother Theo was treated and died at the same facility, and Toorop's still lifes echo Van Gogh's motifs, such as her use of knives alluding to domestic strife.