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16 artists are paying tribute to Charleston's most iconic ironworker in new exhibit

Sixteen artists have been commissioned to create original works for "Forged," a group exhibition at Drummond Studio Gallery honoring the legacy of Philip Simmons. Simmons was a master ironworker and blacksmith whose ornamental gates and balconies are definitive features of Charleston’s architectural landscape. The exhibition, which opens March 6, features local artists including Demetrius Bing, Riivo Kruuk, and Jonathan Green, and aims to highlight the cultural significance of the Simmons home and workshop.

Los Angeles’s next generation of dealers forges new paths

Despite a wave of high-profile gallery closures and economic pressure from the shrinking entertainment industry, a new generation of Los Angeles art dealers is finding resilience through local community ties. While major outposts like Michael Werner and Sean Kelly have shuttered, local mainstays argue that the market is not failing but rather correcting itself against unrealistic expectations. Success in the current climate requires a physical presence and deep-rooted relationships that satellite galleries often struggle to maintain.

TWO NEW ORLEANS ARTISTS SELECTED FOR THE 61ST INTERNATIONAL ART EXHIBITION OF LA BIENNALE DI VENEZI

New Orleans artists Dawn DeDeaux and Big Chief Demond Melancon have been selected to participate in the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys." Curated by Koyo Kouoh, the exhibition marks the first time since 2015 that artists from New Orleans have been featured in the main international section. DeDeaux is recognized for her pioneering multidisciplinary work, while Melancon represents the Black Masking culture of the Young Seminole Hunters, showcasing the city's intersection of contemporary innovation and ancestral tradition.

New McMullen Museum exhibition

The McMullen Museum of Art at Boston College has launched "Collaborating in Conflict: The Yeats Family and the Public Arts," a comprehensive exhibition exploring three generations of the Yeats family. Featuring approximately 200 works including paintings, embroideries, and rare manuscripts, the show highlights the collaborative yet often tense creative output of patriarch John Butler Yeats and his children, including the poet William Butler Yeats and the painter Jack B. Yeats. Many of the items on display are being shown publicly for the first time or for the first time outside of Ireland.

France’s ex-culture minister Jack Lang resigns from L’Institut du Monde Arabe amid Epstein revelations

Jack Lang, France's former culture minister, resigned as president of the Institut du Monde Arabe (IMA) on February 7 following revelations in the Epstein files that his name appeared 673 times. Lang, 86, denies any wrongdoing, acknowledging a long "cordial relationship" with Jeffrey Epstein but claiming ignorance of his sex crimes. The Paris prosecutor's office opened a preliminary investigation into Lang and his daughter Caroline for "laundering of aggravated tax fraud," and Lang stepped down after being summoned by the French foreign ministry at the request of President Macron and Prime Minister Lecornu.

Ackland Art Museum to Open Two Major Exhibitions Exploring Identity and Color

The Ackland Art Museum in Chapel Hill will open two new exhibitions on January 30, 2026. "Bill Bamberger: Boys Will Be Men" presents introspective portraits of male students from Durham School of the Arts, exploring masculinity through photography and audio interviews. "Color Concentrated: A Salon-Style Show from the Robertson Collection" reimagines modernist works from the museum's collection in a dense, single-wall installation inspired by 19th-century Parisian Salons.

Fred Wilson: The Flag Project | 2026 | Rose Art Museum

Fred Wilson: The Flag Project is on view at the Rose Art Museum from February 11 to May 31, 2026, in the Lois Foster Wing stairwell. The exhibition features a selection of Wilson's Flag paintings, including the large canvas Hidden Flag (2012), and a series of national flags from African and African diasporic countries rendered entirely in black paint on raw cotton canvas, arranged in a mural-like procession. The show is organized by Dr. Gannit Ankori, the museum's Henry and Lois Foster Director and Chief Curator, and supported by Pace Gallery.

‘Painted Worlds: Color and Culture in Mesoamerican Art’: A colorful journey through time, culture and belief

The Nelson-Atkins Museum of Art has opened 'Painted Worlds: Color and Culture in Mesoamerican Art', a major exhibition featuring over 250 works spanning nearly 3,000 years, from pre-Hispanic times to the present day. Curated by Kimberly Masteller, the show is the first presentation of Mesoamerican art at the museum in nearly 40 years and includes textiles, ceramics, paintings, murals, and codices organized by color categories—white, blue/green/yellow, and red/black—to explore the cultural and spiritual significance of color in Mesoamerican traditions.

Iranian galleries close amid protests and communications blackout

Iranian galleries have closed or altered their hours as nationwide protests, sparked by economic turmoil and a crashing currency, escalated into violent unrest. The protests began on 28 December among bazaar traders and spread to artists and gallerists, with many shutting their doors or canceling exhibitions, some under public pressure. A government-imposed internet and communications blackout on 8 January has severely limited information, though one gallerist speaking anonymously described the closures as a unified act of solidarity across society, not merely a response to safety concerns. The gallerist noted that the economy is in its worst condition, with basic necessities unaffordable and even bubble-wrap prices fluctuating wildly. Another gallery founder confirmed that all projects are on hold, and staging exhibitions risks public backlash. Instagram account Galleryinfo.ir faced online criticism for promoting exhibitions during the crisis, while Bavan Gallery reversed its initial stance of "resilience is an art form" and announced it would hold no exhibitions.

Exhibit Showcases Georgia Wood Artists

The Marietta Cobb Museum of Art (MCMA) in Georgia is presenting its first juried exhibition focused exclusively on wood art and woodworking, titled "Georgia Wood Artists: A Juried Exhibition." Curated by Madeline Beck, the show features works selected from over 150 submissions by artists living in Georgia, including Arnold Abelman, Jody Pollack, Abraham Tesser, Thomas Williams, and Doug Pisik. The exhibition highlights a range of techniques such as carving, woodturning, marquetry, intarsia, joinery, and epoxy woodworking, and runs from January 10 to March 22, 2026.

Acquisitions round-up: a rare early Italian portrait of a Black man, a record-breaking Kiddush cup, and a limewood sculpture of the Madonna

The Uffizi Galleries in Florence have acquired Giacomo Ceruti's "Il mendicante moro" (1725–30), one of the earliest known portraits of a Black man in Italian painting. The Toledo Museum of Art has purchased a rare 11th-12th century Kiddush cup that set an auction record for Judaica at Sotheby's for $4m. The Bode-Museum in Berlin has acquired a limewood sculpture of the nursing Madonna from the Circle of the Biberach Master, which was restituted to the heirs of Jakob Goldschmidt in 2023 and sold at Christie's in 2024.

Top 10 art events in the Twin Cities in 2025

The article lists the top 10 art events in the Twin Cities in 2025, highlighting major exhibitions such as "Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys" at the Minneapolis Institute of Art, Dyani White Hawk's "Love Language" at the Walker Art Center, and a retrospective of Swedish photographer Lars Tunbjörk at the American Swedish Institute. Other notable shows include "Mary Sully: Native Modern" at Mia, Jonathan Thunder's "The Artist as Storyteller" at the U's Quarter Gallery, and "Queering Indigeneity" at the Minnesota Museum of American Art, along with the annual crop art display at the Minnesota State Fair.

Long Overdue, First Museum Retrospective of Mavis Pusey Explores Artist's Geometric Abstraction Over Five Decades

The Institute of Contemporary Art (ICA) at the University of Pennsylvania is hosting "Mavis Pusey: Mobile Images," the first museum retrospective of Jamaican-American artist Mavis Pusey (1928-2019). Curated by Hallie Ringle and Kiki Teshome, the exhibition spans five decades and features over 60 works, including seven paintings shown publicly for the first time. Pusey, who studied at the Art Students League and worked at Robert Blackburn's Printmaking Workshop, was known for her geometric abstraction at a time when many Black artists focused on figuration. The show will travel to the Hammer Museum in Los Angeles and the Studio Museum in Harlem.

The DIVAs are coming to the Denver Art Museum, an exclusive fashion exhibit featuring celebrity red carpet looks

The Denver Art Museum will host the international touring exhibition "DIVAs" from October 2026 to January 2027, making it the only U.S. venue for the show. Organized by the Victoria and Albert Museum in London, the exhibit features over 200 objects including costumes and accessories worn by icons such as Lady Gaga, Rihanna, RuPaul, Prince, Tina Turner, and Marilyn Monroe. Highlights include Rihanna's 2018 Met Gala gown by John Galliano for Maison Margiela and Tina Turner's Bob Mackie "Flame Dress" from 1978. The ticketed event will take place in the Hamilton Building.

British Museum's looted ewer set for return to Ghana on long-term loan

The British Museum is expected to loan the 14th-century Asante Ewer to Ghana on a long-term basis, following discussions between the Manhyia Palace Museum in Kumasi and the London institution. The ewer, made in England and later looted from the Asante royal palace in 1896, has been in the British Museum's collection ever since. Ivor Agyeman-Duah, director of the Manhyia Palace Museum, plans to travel to London to make a formal loan request on behalf of Asantehene Otumfuo Nana Osei Tutu II. The British Museum has already lent other looted artefacts to the Ghanaian museum, and the loan would likely be for three years, with Ghanaian authorities acknowledging British Museum ownership.

Spring 2026 Exhibitions Opening Celebration

The Wexner Center for the Arts at Ohio State University has announced its Spring 2026 exhibitions lineup, featuring works by Vitória Cribb, Ximena Garrido-Lecca, Eric N. Mack, Hew Locke, and Naeem Mohaiemen. Highlights include Cribb's 'echoes of a wet finger,' commissioned by Sharjah Art Biennial 16 and Mercosul Biennial 14, and solo presentations by Garrido-Lecca, Mack, and Locke, as well as Mohaiemen's film and video works. The season is supported by a range of funders including the American Electric Power Foundation, the Mellon Foundation, and the National Endowment for the Arts.

A rare jewellery box identified in Vermeer paintings sheds new light on the artist’s connections

New research by curator Alexandra van Dongen of Rotterdam’s Boijmans Van Beuningen Museum reveals that a rare Indo-Portuguese jewellery casket depicted in two Johannes Vermeer paintings—Mistress and Maid and A Lady Writing (both 1664-67)—is a real, surviving object. Van Dongen tracked down the sole known example in the Távora Sequeira Pinto collection in Porto, with help from Amsterdam dealer Dickie Zebregs. Her findings, published in the book De tastbare wereld van Johannes Vermeer, suggest the casket likely belonged to Vermeer’s patron Maria de Knuijt, a wealthy Dutch East India Company shareholder who may have asked the artist to include it in her paintings.

This Week in History: 50 years back at the Art Museum: Pamela Smith’s occult art unveiled

A 1975 exhibition at the old Princeton University Art Museum, titled “To All Believers: The Art of Pamela Smith,” brought British occult artist Pamela Colman Smith out of obscurity. Smith, best known for illustrating the Rider-Waite-Smith tarot deck in 1909, had largely disappeared from public view after 1920 and died in 1951. The show was curated by Melinda Boyd Parsons, a student of art historian William Innes Homer, and brought to Princeton by museum director Peter Bunnell. The exhibition was covered by student journalist Laurie Kahn, who noted its significance as both occult art and work by a female artist.

Ojibwe artist George Morrison’s family relishes his first solo exhibit at The Met

The Metropolitan Museum of Art in New York is hosting the first solo exhibition of Ojibwe artist George Morrison, titled "George Morrison: An Ojibwe Artist in the Modernist World." The show features over 50 works spanning his career, including paintings, drawings, and sculptures, and is drawn from public and private collections. Morrison's family, including his son and grandchildren, have been deeply involved in organizing the exhibition and have expressed pride in seeing his work recognized at such a prestigious institution.

‘Unfolding Events,’ an exhibition of artists’ books

An exhibition titled 'Unfolding Events: Exploring Past and Present in Artists’ Books' is on view at the Beinecke Rare Book and Manuscript Library, part of Yale Library, through March 1. Curated by Jessica Pigza and Bill Landis, the show draws from the collections of the Robert B. Haas Family Arts Library and the Beinecke Library, featuring artists' books that explore marginalized communities and personal responses to contemporary life. Highlights include Clarissa Sligh's 'What’s Happening With Momma?' (1988), an accordion-style book evoking her mother's home birth, and Tia Blassingame's '’Pause' (2024), which addresses Black women's experiences with menopause. The exhibition is divided into two sections: one focusing on personal perspectives, the other pairing historical artists' books with primary source materials from the Beinecke's collections.

‘Unfolding Events,’ an exhibition of artists’ books

Yale Library is presenting 'Unfolding Events: Exploring Past and Present in Artists’ Books,' an exhibition at the Beinecke Rare Book and Manuscript Library through March 1. Curated by Jessica Pigza and Bill Landis, the show draws from the Robert B. Haas Family Arts Library and Beinecke collections, featuring works that explore marginalized communities and personal responses to contemporary life. Highlights include Clarissa Sligh's accordion-style book 'What’s Happening With Momma?' (1988) and Tia Blassingame's '’Pause' (2024), which addresses Black women's experiences with menopause.

Hew Locke Unpacks the Complexity of Empire in His Biggest Museum Show Yet

Artist Hew Locke's most comprehensive museum exhibition to date, "Hew Locke: Passages," has opened at the Yale Center for British Art in New Haven. The show features 49 works spanning nearly three decades, including photography, sculpture, and drawing, and explores themes of empire, identity, and migration. Curated by museum director Martina Droth, the exhibition runs through January and includes key works such as "Veni, Vidi, Vici (The Queen's Coat of Arms)" (2004) and "Koh-i-noor" (2005), which critique British imperial symbols using found objects and textiles.

Hew Locke Unpacks the Complexity of Empire in His Biggest Museum Show Yet

Artist Hew Locke's most comprehensive museum exhibition to date, "Hew Locke: Passages," has opened at the Yale Center for British Art in New Haven. The show features 49 works spanning nearly three decades, including photography, sculpture, and drawing, and is curated by the museum's director, Martina Droth. Locke, a Guyanese British artist, explores themes of empire, identity, and migration through richly symbolic works that incorporate found objects and historical commentary. Notable pieces include "Veni, Vidi, Vici (The Queen's Coat of Arms)" (2004), which reimagines the British coat of arms with a skeletal head, and "Koh-i-noor" (2005), a relief sculpture of Queen Elizabeth II encrusted with found objects.

Jerrell Gibbs Finds Healing With New Exhibition, ‘No Solace In The Shade’ - Essence

Jerrell Gibbs presents his first solo museum exhibition, 'No Solace in the Shade,' at the Brandywine Museum of Art, featuring over 30 large canvases that depict intimate scenes of Black life, family, and memory. The show, on view through March 1, 2026, draws from family photo albums and explores themes of loss, fatherhood, and healing, with works like 'The Electric Slide' (2024) and 'Boys Planting' (2021). It is accompanied by Gibbs's debut monograph and marks both a milestone for the artist and the museum's first solo show of an emerging contemporary artist.

Jerrell Gibbs Finds Healing With New Exhibition, ‘No Solace In The Shade’ - Essence

Jerrell Gibbs presents his first solo museum exhibition, 'No Solace in the Shade,' at the Brandywine Museum of Art, featuring over 30 large canvases that depict intimate scenes of Black life drawn from family photo albums. The show, on view through March 1, 2026, includes works such as 'The Electric Slide' (2024) and 'Boys Planting' (2021), and is accompanied by his debut monograph. Gibbs, a Baltimore-born artist and father of two, describes the exhibition as a culmination of years of personal and artistic growth, rooted in his graduate studies at MICA and a deep exploration of his family history.

Limestone relief disappears from Egypt’s Saqqara necropolis

A rare limestone relief depicting the vizier Khentika painting the three seasons of the ancient Egyptian calendar has vanished from his tomb in the Saqqara necropolis. The tomb, discovered in the 1950s and used for storage until 2019, was found to be missing the relief by a British mission in May. Egypt's Ministry of Tourism and Antiquities has announced the theft and referred the matter to the public prosecutor for investigation.

From royal visitors to extortionate eBay sales: new book offers rare behind-the-scenes glimpse of Vermeer blockbuster

The Rijksmuseum's 2023 Vermeer exhibition, widely considered the most successful show of the century, drew 650,000 visitors and assembled 28 of the artist's 37 known paintings. A new book, *Closer to Vermeer: New Research on the Painter and his Art*, reveals behind-the-scenes details: the initial plan for a broader thematic show was abandoned in favor of a focused Vermeer-only presentation; nine paintings could not be borrowed, including *The Concert* (stolen in 1990) and *The Astronomer* (on loan to Louvre Abu Dhabi); the Herzog Anton Ulrich Museum refused to lend *Girl with a Wine Glass*, even rejecting an offer of buses for schoolchildren. The book also discloses that the Dutch king and queen visited multiple times during regular hours, that a quarter of visitors felt context was missing, and that over 3,500 complaints were filed about photography. The most expensive resold ticket on eBay reached $2,724.

Fast-Rising Painter Li Hei Di Smashes Auction Record at Sotheby’s Hong Kong

A new auction record for fast-rising Chinese-born painter Li Hei Di was set at Sotheby’s Hong Kong on Sunday evening, with the work *There Was One Summer Returning Over and Over; There Was One Dawn I Grew Old Watching* (2023) selling for HK$2.67 million ($342,824). The price represents a 91-percent increase from the artist’s previous high, set just six months ago, and more than doubled its presale high estimate after a five-minute bidding battle. Li, born in Shenyang in 1997 and based in London, opened their first solo exhibition with Pace in Hong Kong this summer and is the youngest artist on the international gallery’s roster.

pompidou secret camera bathroom 2745084

A hidden camera was discovered in a women's restroom within the administrative offices of the Centre Pompidou in Paris. A female staff member found the device on January 14, leading to the immediate suspension of a suspected perpetrator and the filing of a legal complaint by the museum. The museum has stated that exhaustive inspections found no other devices and has offered support to staff.

mfa boston denies racial layoffs 2743776

The Museum of Fine Arts, Boston (MFA) has laid off 33 employees, approximately 6.3% of its staff, to address a projected $13 million structural deficit. Among those let go were the museum's only Black, Muslim, and Indigenous curators, leading to accusations that the cuts disproportionately targeted staff of color and undermined diversity initiatives.