Maxwell Graham gallery in New York is presenting a joint exhibition featuring works by artists Hans Haacke and Louise Lawler. The show runs from March 5 to April 18, 2026, and is documented with 18 images on the source website.
Pati Hertling, a former restitution lawyer turned art-world fixture, has spent over two decades blending cooking with collaboration in her artistic practice. Since 2023, she has co-led Performance Space in New York's East Village alongside Taja Cheek and Ana Beatriz Sepúlveda, where she serves meals like steaks or grilled salmon to accompany gatherings. Hertling first gained prominence through her "Evas Arche und der Feminist" art salons in Berlin and New York, which offered soup and bread alongside visual art and live performances, creating a communal atmosphere that transformed attendees from bystanders into participants.
UNA CRÍTICA INSTITUCIONAL POÉTICA Y MATERIAL: GALA PORRAS-KIM EN KURIMANZUTTO Y LA BIENAL DE VENECIA
Colombian artist Gala Porras-Kim presents her first solo exhibition at kurimanzutto gallery in Mexico City, titled "Espacios del futuro replican los del pasado" (2026), alongside her participation in the 2026 Venice Biennale. The show critically examines how museum conservation protocols transform objects by detaching them from their original material, ritual, and spiritual contexts. Central to the exhibition is "The Motion of an Alluvial Record" (2024), a greenhouse that recreates the humidity and temperature of Yucatecan mangroves, allowing clay and sediment to shift continuously, resisting the linear, stratified time of Western archives and evoking cyclical Maya cosmologies. Another series, "Uprooted" (2026), reproduces fragments of looted Teotihuacan murals from Techinantitla, now held by the Metropolitan Museum of Art and the Ethnological Museum of Berlin, reinstalling them near the floor to restore their original architectural scale and orientation.
Arghavan Khosravi's solo exhibition "What Remains" opens today at Uffner & Liu in New York, presenting a new body of sculptural paintings that fuse Persian architecture with Christian altarpieces. The works explore women's fight for equality under censorship and religious dogma in Iran, featuring figures restricted by domestic objects, hinged shutters, and suspended cords, with fragments of limbs or faces visible. Key pieces include "Suspended" (2026), "Bearing" (2026), and "The Whisper" (2026), running through July 2.
The Nasher Museum of Art at Duke University is presenting 'Everything Now All At Once,' an exhibition drawn entirely from its permanent collection that features works by over a dozen contemporary artists including Nick Cave, Ai Weiwei, Nina Chanel Abney, Wangechi Mutu, Jeffrey Gibson, Amy Sherald, and Barbara Chase-Riboud. The show focuses on painting and sculpture—deliberately analog mediums in an era of rapid technological change—and highlights pieces acquired over the past twenty years that center artists from historically marginalized backgrounds. Running since August 2025, the exhibition will rotate new works next month and continue through November 1 in Durham, North Carolina.
The article previews the spring 2026 visual arts season in San Diego County, highlighting a diverse range of exhibitions and events. It announces the return of Art Gallery Month, a collaborative effort involving 11 local galleries aimed at boosting the visibility of the commercial gallery ecosystem and encouraging local art collecting. Key exhibitions featured include Ruben Ulises Rodriguez Montoya's first California solo museum show, 'In the Garden of Earthly Delights: I Bend to Paradise,' at the Institute of Contemporary Art, San Diego, and the La Jolla Historical Society's 'Space Maker,' which explores the intersection of art and architecture. The preview also notes Richard Allen Morris's work at R.B. Stevenson Gallery and lists numerous participating commercial galleries.
The article is a roundup of current and upcoming art exhibitions in Cairo, Egypt, spanning May 2025 through June 2026. Highlights include Mostafa El-Razzaz's "Fractals of Art and Soul" at Bibliothek Arkan Plaza, Mahmoud Hamdi's "Journey to the Core" at Difaf, a retrospective for Said El-Sadr and his students at Gezira Arts Centre, and the Egyptian debut of "Beyond Van Gogh: The Immersive Experience" at District 5 by Marakez in New Cairo. Also featured are a Swiss-Egyptian photography exhibition on glaciers and the Nile at the Goethe Institute, a Colombian embassy exhibition, a Korean embassy show, and a permanent ceramics display at Al-Fustat Centre.
Walid Nayif is holding a painting exhibition at Yassin gallery, which the article describes as not to be missed. The article also lists numerous other art events in Cairo, including photographic projects, immersive digital exhibitions, and ceramic showcases, featuring artists such as Judi Yassin, Tia Khalil, Mostafa El-Razzaz, Khaled Taher, Mahmoud Hamdi, and Pierre Jeanneret, as well as the 'Beyond Van Gogh' immersive experience directed by Mathieu Saint-Arnaud.
This article is a roundup of events happening in Philadelphia, including a Mother's Day Weekend visit to the Barnes Foundation, a live stage show of "Dancing with the Stars," the Night Market at East Market, and Broadway productions of "Chicago" and "The Wiz." It highlights the Barnes Foundation's collection of impressionist and modern art, along with its new exhibition "Freedom Dreams" on view through August 9.
The 2026 Venice Biennale, opening May 9 and running through November 22, features a main exhibition titled "In Minor Keys" organized by the late Koyo Kouoh, alongside 99 national pavilions. The event spans the Giardini and Arsenale sites, with concurrent shows across the city, including a group exhibition at the Fondazione Dries Van Noten, Melissa McGill's installation "Marea" at Corte Nova, Illy's artist-designed espresso cups at Giardini Reali, and a solo exhibition of Hernan Bas's paintings at Ca' Pesaro International Gallery of Modern Art.
May 2026 brings a packed calendar of exhibitions across Italy, ranging from independent galleries to major museums. Highlights include Igor Grubić's early works at Laveronica Gallery in Modica, a photographic exhibition by Lisetta Carmi at Galleria Nazionale dell'Umbria in Perugia, thematic investigations into Ettore Sottsass in Pistoia, Larry Nederlof's solo show at Extra Factory in Livorno, and an archaeological exhibition titled "Parthenope. The Siren and the City" at the National Archaeological Museum. The article also provides practical tips for visitors, such as checking opening times, booking tickets online, and planning transport.
This article, published by La Rédac with photos by Audrey de Sortiraparis, presents a curated selection of exhibitions opening in Paris and the Île-de-France region in May 2026. Highlights include a Giovanni Segantini retrospective at the Marmottan Monet Museum, a porcelain exhibition titled "Sèvres, a Rothschild Passion" at the Mobilier National, a comparative show of Michelangelo and Rodin at the Louvre Museum, the return of the Colors Festival with a street-art exhibition called Colors Light, a historical tribute to Madame de Sévigné at the Carnavalet Museum, a major Lee Miller retrospective at the Musée d'Art Moderne, a family-friendly Lego brick exhibition by Dirk Denoyelle at Espace Champerret, and a video game music exhibition at the Philharmonie de Paris.
This article is a roundup of art exhibitions and cultural events in Cairo, Egypt, spanning multiple venues and dates. It highlights a photographic project titled "New Cairo, Do You Love Me?" by Judi Yassin and Tia Khalil at the American University in Cairo, which documents the disconnect between the promised luxury of New Cairo and its dehumanizing reality using 35mm black-and-white film. Other featured events include painting exhibitions by Osama Nashed and Alaa Hegazi at Dai, Mahmoud Hamdi's "Journey to the Core" at Difaf, the immersive "Beyond Van Gogh" experience at District 5, the permanent collection at Al-Fustat Centre for Ceramic, and the Empower Her Art Forum at the Grand Egyptian Museum.
The article is a comprehensive listing of current and upcoming art exhibitions in Cairo, Egypt. It details numerous shows across various venues, including the "Disruption" senior exhibition at the Sharjah Art Gallery, the "Beyond Van Gogh" immersive experience in New Cairo, and group and solo shows at galleries like Mashrabia Gallery of Contemporary Art and Picasso Zamalek.
Green Art Gallery in Dubai is hosting 'All the Lands from Sunrise to Sunset,' a group exhibition featuring Alla Abdunabi, Fatma Al Ali, Alessandro Balteo-Yazbeck, and Michael Rakowitz. The show explores the persistence of imperial logics and extractive economies through diverse media, including text-based collages, reconstructed artifacts made from food packaging, and archival interventions. By examining acts of naming, erasure, and symbolic circulation, the artists treat empire not as a historical relic but as a mutating contemporary condition.
The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.
The Los Angeles-based collective Diva Corp is challenging traditional art world hierarchies through a series of provocative interventions and exhibitions. Their recent solo show at Pio Pico, titled 'The Meeting,' gained notoriety for requiring visitors to surrender their phones before viewing a single painting, 'Untitled (Young adults are having less sex than ever), 2026.' This practice, alongside performances designed to circulate through digital retelling and social rumor, highlights the group's focus on the 'afterlife' of an artwork and the social friction it generates.
The New Museum has officially reopened its downtown New York campus following a significant expansion designed by the architectural firm OMA. The renovation introduces a massive internal staircase that connects all four floors, resolving long-standing circulation issues previously caused by a reliance on elevators. To mark the reopening, the museum debuted a site-specific facade sculpture by Tschabalala Self titled "Art Lovers" and a massive inaugural group exhibition, "New Humans: Memories of the Future," featuring over 150 international contributors.
Strauss & Co has announced its upcoming Evening Sale of Modern and Contemporary Art scheduled for March 24, 2026. The auction features 96 lots, headlined by significant private consignments including the Stan and Li Boiskin Art Collection and the Patricia Fine Art Collection. High-value works from South African masters such as Irma Stern, J. H. Pierneef, and Gerard Sekoto will lead the sale alongside a robust selection of contemporary pieces by artists like William Kentridge and Mary Sibande.
Dulwich Picture Gallery, recognized as England’s oldest public art gallery, is offering free admission to its permanent collection from March 10 to March 15. The initiative is part of National Lottery Open Week, a nationwide event that grants public access to historic sites funded by the National Lottery. Visitors can view the gallery's extensive collection of over 600 European masterpieces, including works by Rembrandt, Gainsborough, and Van Dyck, by presenting a National Lottery ticket or scratchcard.
The UCF Art Gallery has debuted "The Rooms We Build," the 2026 Master of Fine Arts thesis exhibition featuring the work of six graduating studio art and design students. The showcase includes a diverse array of mediums such as sculpture, welding, woodworking, digital animation, and collaborative murals. Each artist presents a distinct "universe," ranging from explorations of queer masculinity and Jungian archetypes to the intersection of digital fandoms and traditional painting.
Newcastle Art Gallery has officially reopened following a A$47 million ($33 million) expansion that more than doubles its exhibition space. The redevelopment, designed by Clare Design and Smith and Tzannes Architects, transforms the venue into the largest public art institution in New South Wales outside of Sydney. The opening is celebrated with the exhibition "Iconic Loved Unexpected," featuring 500 works from a permanent collection of 7,000 pieces, including significant Japanese ceramics and works by artists such as Auguste Rodin and Emily Kam Kngwarray.
Pittsburgh’s art scene is set for a diverse series of openings this March, ranging from historical sports photography to contemporary textile art. Highlights include Michael Zagaris’s 60-year retrospective of NFL photography at the Western Pennsylvania Sports Museum, the first U.S. solo exhibition for English photographer Ajamu X at Silver Eye Center for Photography, and solo shows by Nicole Renee Ryan and Abby Franzen-Sheehan. The month also features collaborative exhibitions like "What We Carry," which pairs Penny Mateer’s political quilts with Dante Campudoni’s psychological paintings.
Naomi Campbell has contributed an essay to an upcoming exhibition of Pablo Picasso's paintings staged by Nahmad Contemporary at Tarmak22 gallery in Gstaad, Switzerland, from 14 February to 15 March. The show features 14 works from Picasso's Le Peintre et son modèle series (1963–1965), which explore the dynamic between artist and model. Campbell, drawing on her decades as a supermodel, offers a personal perspective on the power dynamics of being looked at, comparing the painter-model relationship to that of photographer and model.
Gathie Falk, the acclaimed Canadian artist known for her six-decade practice spanning Surrealist paintings, hand-fashioned ceramics, sculptural installations, and performance, died at her home in Vancouver on 22 December at age 97. Her work transformed everyday objects—glazed ceramic apples, cabbages, shoes, and watermelons—into jewel-like sculptures and installations, with notable series including "Picnics" (1976-77), "Cement With Poppies" (1982), and "55 Oranges" (1969-70). Born in rural Manitoba in 1928 to Mennonite refugees, Falk initially pursued music before turning to art at age 37, studying ceramics with Glenn Lewis and developing a practice rooted in what she called a "veneration of the ordinary."
Beatriz González, the influential Colombian artist, writer, curator, educator, and intellectual known as 'la maestra,' died in Bogotá on January 9 at age 93. Born in 1932 in Bucaramanga, she studied architecture and fine arts before forging a distinctive path in Colombian art, rejecting abstraction and the style of her contemporary Fernando Botero. Her work, including the series 'Suicidas del Sisga' (1965) and 'La Encajera,' reinterpreted Western artworks and local press photographs with flat forms and vibrant colors, often incorporating kitsch and subaltern aesthetics. She was a key figure in the Museo de Arte Moderno de Bogotá (Mambo), envisioned a school for museum guides, served as chief curator of the Museo Nacional de Colombia, and mentored generations of museum professionals.
SF Art Week returns with a packed schedule of events across San Francisco, including the Recology Artist in Residence exhibition featuring work made from materials sourced at the city's recycling center, a mural painting and unveiling by eL Seed in collaboration with incarcerated artists at San Quentin, and the launch of ICA SF's nomadic model with exhibitions by Tara Donovan and Lily Kwong at the Transamerica Pyramid Center. Other highlights include gallery openings at Paul Thiebaud Gallery, frame-making demonstrations at Aedicule, a new art fair at the Fairmont Hotel, and a curator-led tour at SHACK15, alongside workshops, a rave-themed reception at the Asian Art Museum, and a conversation between artist Lava Thomas and curator Key Jo Lee at MoAD.
Newcastle Art Gallery will celebrate its landmark reopening on February 27, 2026, with a street party and temporary sculpture park on Laman Street, followed by a three-day opening weekend. The event launches the major exhibition "Iconic Loved Unexpected" on February 28. The expansion, the largest capital works project in City of Newcastle's history, adds 1,600 square meters of exhibition space and 13 galleries, making it the largest public art institution in New South Wales outside Sydney. The project was funded through 16 years of fundraising and perseverance.
The Hammer Museum in Los Angeles has opened the seventh edition of its Made in LA biennial, running until March 1, 2026. Curators Essence Harden and Paulina Pobocha selected 28 artists from over 200 studio visits, with no predetermined theme. The exhibition features works that respond to the city's recent challenges, including the January wildfires and ongoing ICE raids, as seen in pieces like Alonzo Davis's 'Eye on ’84' and Patrick Martinez's neon sign reading 'Agua Is Life; NO ICE'.
At this year's Paris Photo, the MUUS Collection presented "Looking Out, Looking In: Larry Fink and Rosalind Fox Solomon with Lisette Model," an exhibition that placed the work of photographers Larry Fink (1941-2023) and Rosalind Fox Solomon (1930-2025) in dialogue with that of their teacher, Lisette Model (1901-83). The MUUS Collection, founded by Michael W. Sonnenfeldt, owns the archives of Fink and Solomon, acquired in 2024 and 2021 respectively, and partnered with the French gallery baudoin lebon to include Model's prints. The presentation was organized by Anne E. Havinga, curator of photography at the Museum of Fine Arts, Boston, and highlighted Model's pedagogical legacy as a teacher at the New School for Social Research who emphasized personal vision and creative independence.