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Australia’s coal city flexes culture muscle with major gallery expansion

Newcastle Art Gallery has officially reopened following a A$47 million ($33 million) expansion that more than doubles its exhibition space. The redevelopment, designed by Clare Design and Smith and Tzannes Architects, transforms the venue into the largest public art institution in New South Wales outside of Sydney. The opening is celebrated with the exhibition "Iconic Loved Unexpected," featuring 500 works from a permanent collection of 7,000 pieces, including significant Japanese ceramics and works by artists such as Auguste Rodin and Emily Kam Kngwarray.

NEXT in the Gallery: March art is NFL photography, Empty Bowls and a giant egg

Pittsburgh’s art scene is set for a diverse series of openings this March, ranging from historical sports photography to contemporary textile art. Highlights include Michael Zagaris’s 60-year retrospective of NFL photography at the Western Pennsylvania Sports Museum, the first U.S. solo exhibition for English photographer Ajamu X at Silver Eye Center for Photography, and solo shows by Nicole Renee Ryan and Abby Franzen-Sheehan. The month also features collaborative exhibitions like "What We Carry," which pairs Penny Mateer’s political quilts with Dante Campudoni’s psychological paintings.

Naomi Campbell reflects on Picasso’s muses for exhibition in Swiss Alps

Naomi Campbell has contributed an essay to an upcoming exhibition of Pablo Picasso's paintings staged by Nahmad Contemporary at Tarmak22 gallery in Gstaad, Switzerland, from 14 February to 15 March. The show features 14 works from Picasso's Le Peintre et son modèle series (1963–1965), which explore the dynamic between artist and model. Campbell, drawing on her decades as a supermodel, offers a personal perspective on the power dynamics of being looked at, comparing the painter-model relationship to that of photographer and model.

Remembering Gathie Falk, Canadian artist whose singular practice sparked comparisons to Surrealism and Pop art

Gathie Falk, the acclaimed Canadian artist known for her six-decade practice spanning Surrealist paintings, hand-fashioned ceramics, sculptural installations, and performance, died at her home in Vancouver on 22 December at age 97. Her work transformed everyday objects—glazed ceramic apples, cabbages, shoes, and watermelons—into jewel-like sculptures and installations, with notable series including "Picnics" (1976-77), "Cement With Poppies" (1982), and "55 Oranges" (1969-70). Born in rural Manitoba in 1928 to Mennonite refugees, Falk initially pursued music before turning to art at age 37, studying ceramics with Glenn Lewis and developing a practice rooted in what she called a "veneration of the ordinary."

Your guide to the best events of SF Art Week

SF Art Week returns with a packed schedule of events across San Francisco, including the Recology Artist in Residence exhibition featuring work made from materials sourced at the city's recycling center, a mural painting and unveiling by eL Seed in collaboration with incarcerated artists at San Quentin, and the launch of ICA SF's nomadic model with exhibitions by Tara Donovan and Lily Kwong at the Transamerica Pyramid Center. Other highlights include gallery openings at Paul Thiebaud Gallery, frame-making demonstrations at Aedicule, a new art fair at the Fairmont Hotel, and a curator-led tour at SHACK15, alongside workshops, a rave-themed reception at the Asian Art Museum, and a conversation between artist Lava Thomas and curator Key Jo Lee at MoAD.

Beatriz González, indefatigable force in Colombian art, has died, aged 93

Beatriz González, the influential Colombian artist, writer, curator, educator, and intellectual known as 'la maestra,' died in Bogotá on January 9 at age 93. Born in 1932 in Bucaramanga, she studied architecture and fine arts before forging a distinctive path in Colombian art, rejecting abstraction and the style of her contemporary Fernando Botero. Her work, including the series 'Suicidas del Sisga' (1965) and 'La Encajera,' reinterpreted Western artworks and local press photographs with flat forms and vibrant colors, often incorporating kitsch and subaltern aesthetics. She was a key figure in the Museo de Arte Moderno de Bogotá (Mambo), envisioned a school for museum guides, served as chief curator of the Museo Nacional de Colombia, and mentored generations of museum professionals.

Date announced to celebrate landmark reopening of Newcastle Art Gallery

Newcastle Art Gallery will celebrate its landmark reopening on February 27, 2026, with a street party and temporary sculpture park on Laman Street, followed by a three-day opening weekend. The event launches the major exhibition "Iconic Loved Unexpected" on February 28. The expansion, the largest capital works project in City of Newcastle's history, adds 1,600 square meters of exhibition space and 13 galleries, making it the largest public art institution in New South Wales outside Sydney. The project was funded through 16 years of fundraising and perseverance.

Made in LA biennial contemplates wildfires and immigrant arrests

The Hammer Museum in Los Angeles has opened the seventh edition of its Made in LA biennial, running until March 1, 2026. Curators Essence Harden and Paulina Pobocha selected 28 artists from over 200 studio visits, with no predetermined theme. The exhibition features works that respond to the city's recent challenges, including the January wildfires and ongoing ICE raids, as seen in pieces like Alonzo Davis's 'Eye on ’84' and Patrick Martinez's neon sign reading 'Agua Is Life; NO ICE'.

Rosalind Fox Solomon and Larry Fink reunited with mentor Lisette Model at Paris Photo

At this year's Paris Photo, the MUUS Collection presented "Looking Out, Looking In: Larry Fink and Rosalind Fox Solomon with Lisette Model," an exhibition that placed the work of photographers Larry Fink (1941-2023) and Rosalind Fox Solomon (1930-2025) in dialogue with that of their teacher, Lisette Model (1901-83). The MUUS Collection, founded by Michael W. Sonnenfeldt, owns the archives of Fink and Solomon, acquired in 2024 and 2021 respectively, and partnered with the French gallery baudoin lebon to include Model's prints. The presentation was organized by Anne E. Havinga, curator of photography at the Museum of Fine Arts, Boston, and highlighted Model's pedagogical legacy as a teacher at the New School for Social Research who emphasized personal vision and creative independence.

Remembering John Morgan, radical typographer and designer who transformed the Church of England's books

John Morgan, a radical typographer and designer known for transforming the Church of England's books, has died. His funeral in September featured a story about his redesign of the Book of Common Worship, which a panel of commissioners brutally tested for durability. Morgan also designed graphics for the 2012 Venice Architecture Biennale, signage for Tate Britain, and identities for Raven Row gallery and ArtReview magazine. He worked with architects like David Chipperfield and artists including Edmund de Waal, Helen Marten, Juergen Teller, and Christian Marclay.

Forever is Now has transformed Cairo's Giza Plateau into an open-air gallery

The fifth edition of 'Forever is Now' has transformed the Giza Plateau in Cairo into an open-air gallery, featuring 10 large-scale contemporary art installations by international artists. Running until December 6, the exhibition is organized by the cultural platform Art D’Egypte and invites artists to explore the theme of immortality, sparking a dialogue between ancient Egyptian heritage and contemporary art. Notable participants include 92-year-old Nobel Peace Prize nominee Michelangelo Pistoletto, Portuguese artist Vhils (Alexandre Farto), US-based Alex Proba, the Russian Recycle Group, Lebanese artist Nadim Karam, Franco-Beninese ceramicist King Houdekpinkou, and Turkish sculptor Mert Ege Köse, among others.

Art in Wisconsin: A Guide for Collectors, Curators and the Curious

This article, written by Brian Hieggelke, serves as an editorial introduction to a special issue focused on the visual art scene in Wisconsin. It contrasts the state's art world with that of neighboring Illinois, highlighting Wisconsin's unique, friendly quirkiness and its abundance of self-taught artists. The piece recounts a visit to the inaugural Door County Contemporary art fair in Fish Creek, noting the small scale but immense charm, and the multi-hyphenate nature of Wisconsin's art players who are simultaneously artists, gallerists, and writers. The article then provides a table of contents for the issue, covering topics from the Kohler Arts Residency to the Wisconsin Museum of Quilts and Fiber Arts, and introduces several contributors including artists, writers, and educators.

Body Vessel Clay: Black Women, Ceramics & Contemporary Art

The Ford Foundation Gallery in New York presents "Body Vessel Clay: Black Women, Ceramics & Contemporary Art," opening September 10, 2025. The exhibition features over fifty works across ceramics, film, photography, and archives, bringing together three generations of Black women artists. It highlights the legacy of Nigerian potter Ladi Dosei Kwali (1925-1984) and traces how Black women artists have transformed ceramics over seventy years. Curated by Dr. Jareh Das, the U.S. debut includes new works by Adebunmi Gbadebo, Simone Leigh, and Anina Major, following critical acclaim at Two Temple Place in London and York Art Gallery in 2022.

Full Circle

The article reports on the impact of President Javier Milei's anarcho-capitalist economic policies on Argentina's cultural sector since his December 2023 election. Public museums like the Museo Nacional de Bellas Artes face frozen budgets and loss of autonomy, the cultural ministry has been shuttered, and a climate of fear and retribution has led many in the art world to speak anonymously. The piece focuses on artist Liv Schulman's film and exhibition "Un círculo que se fue rodando" (2024) as a psychological portrait of the nation under Milei, and includes observations from a Buenos Aires gallerist and journalist about the dismantling of civic institutions.

June 2025 Exhibitions -

ArtDog Istanbul's editors have curated a selection of standout exhibitions opening across Istanbul in June 2025. Highlights include 'A Day’s Story, A Lifetime’s Truth' at Galeri 77, a joint show by Bayram Demir and İlker Kayalı exploring personal memory and collective mythology; solo exhibitions by Jorinde Voigt ('365 Seasons') and Mustafa Hulusi ('Breathing In the World') at Dirimart's two locations; 'Extraordinary Minas' at Pera Museum, celebrating its 20th anniversary with Kütahya tile and ceramic works by Minas Avramidis; and Ali Kazma's 'Landscapes of the Mind' at Istanbul Modern, alongside shows by Nermin Er at Galeri Nev Istanbul and Pelda Aytaş at Gülden Bostancı.

Dulwich Picture Gallery reveals opening date for redevelopment

Dulwich Picture Gallery in south-east London has announced a celebratory weekend on 6-7 September to mark the completion of its Open Art redevelopment project, the gallery's first major revamp in over 20 years. The project transforms three acres of green space, including an expanded Sculpture Garden, a new ArtPlay Pavilion for under-eights designed by HoLD Collective, and the Lovington Sculpture Meadow by landscape artist Kim Wilkie. The redevelopment, led by architects Carmody Groarke, also restores elements of Sir John Soane's original 1811 building and adds a new entrance, café, and school lunch area. The £5m project, funded by trusts, foundations, and a public campaign, still needs £20,000 to reach its target.

Nova Contemporary gallery taps into Thailand’s burgeoning market

Nova Contemporary, an influential Thai gallery, is expanding with a new 412 sq. m space in Bangkok's Bang Rak neighborhood, opening with the group exhibition 'Affinities' (26 April to 5 July) featuring 28 mostly Thai contemporary artists, organized in cooperation with Bangkok CityCity Gallery. Founder Sutima Sucharitakul notes the Thai art market is gradually expanding, with growth in local collectors and international interest despite broader market caution, and describes a cross-generational pool of collectors becoming more receptive to diverse regional and medium-specific works.

The 25th Biennale of Sydney: “Rememory”

The 25th Biennale of Sydney, titled "Rememory," opened in March 2026 across multiple venues in Sydney, including the prominent White Bay Power Station. Curated by Hoor Al-Qasimi, the exhibition features 83 artists and collectives from around the world, presenting works that demand slow, immersive engagement rather than spectacle, with highlights including large-scale textile installations by Edgar Calel and Nikesha Breeze.

New in Town: Four Spaces Debuting in Hong Kong, March 2026

Four new art spaces have opened in Hong Kong in March 2026, expanding the city's gallery landscape. Antenna Space, a Shanghai gallery, debuts in Wong Chuk Hang with the group show "Horizons: South." GOLD, a cultural lab by Serakai Studio, opens nearby with "CERTAINLY." In Mid-Levels, the Cheng-Lan Foundation launches Cheng-Lan's Corner with a solo show by Filipino artist Cian Dayrit. In Central, curator Jims Lam inaugurates the curatorial platform Knotting Space at H Queen's with its first cycle, "KNOT I."

Bruno Birmanis and Mareunrol’s on Representing Latvia at the 61st Venice Biennale

Bruno Birmanis and the artist duo Mareunrol’s (Mārite Mastiņa-Pēterkopa and Rolands Pēterkops) will represent Latvia at the 61st Venice Biennale in 2026, with their pavilion located in the Arsenale. Their project draws on memories of Latvia in the 1990s, particularly the avant-garde fashion event The Untamed Fashion Assembly (UFA), conceived by Birmanis, which took place two months after Latvia regained independence from the Soviet Union. The installation is not a nostalgic archive but a space of dialogue and reflection, using the visual codes of a fashion show backstage to explore themes of memory, freedom, and utopian intentions.

How Can Art Depict Everyday Violence?

Anuar Maauad and Roger Muñoz have cocurated the exhibition "La Alegría de Vivir" at Estudio Anuar Maauad in Mexico City, featuring works by Jorge de León, Benjamin Orlow, Miguel Ángel Rojas, Berenice Olmedo, Miguel Ventura, Paul McCarthy, and Teresa Margolles. The show confronts themes of necropolitics and systemic violence through sculptures, photographs, and installations that depict war, state power, and human suffering as ongoing, normalized conditions.

Fundación Casa Wabi x ArtReview Open-Call Residency Prize 2026–27

Fundación Casa Wabi and ArtReview have announced the ninth annual open-call residency prize for three artists or collectives, offering a residency at Casa Wabi in Puerto Escondido, Oaxaca, Mexico. The residency includes lodging, studio space, meals, and support for a community project, with applications due by 14 June 2026 and winners notified in July 2026. The prize aims to foster cultural cross-pollination between artists and local communities, with past winners including artists from Australia, the UK, Germany, Argentina, Brazil, and Mexico.

Inside the New Madison Avenue Flagship of the Powerhouse Gagosian Gallery

Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.

‘Ugly’ but ‘beautiful’: LACMA finally unveils controversial new Geffen Galleries — was it worth the wait?

The Los Angeles County Museum of Art (LACMA) has finally unveiled its new David Geffen Galleries, a $724 million concrete and glass structure designed by Swiss architect Peter Zumthor. Spanning Wilshire Boulevard, the 110,000-square-foot elevated gallery space will house 1,700 works from the museum’s permanent collection, including masterpieces by Francis Bacon, Henri Matisse, and Katsushika Hokusai. The building is scheduled to open to the public on April 19, marking the completion of a massive campus expansion that has been nearly two decades in the making.

David Hockney’s First English Landscape Painting Heads to Sotheby’s London’s Auction Block

David Hockney’s 1965 painting "English Garden" is set to be auctioned at Sotheby’s London during its modern and contemporary evening sale on March 4. Estimated to fetch between £2.5 million and £3.5 million, the work is historically significant as the artist’s first foray into English landscape painting. Interestingly, Hockney painted the vibrant scene from memory and a photograph in American Vogue while he was living in Boulder, Colorado.

How Former Fashion Designer Emma Safir Turns Fabric into Beguiling Paintings

Emma Safir, a former fashion designer and printmaker, creates beguiling paintings and tapestries that blend textiles, digital printing, and traditional embroidery techniques. Her works, such as "APRICOT SILK" (2025) and "BABY DARLING" (2025), use smocking, glass beads, and shells to produce organic, jewel-toned surfaces that resist easy reflection or entry, challenging viewers to engage with layered material hierarchies.

Conductor Launches in Brooklyn With Venice Biennale-Bound Artists and Immersive Projects

Conductor, a new art fair hosted by Powerhouse Arts, opened in Brooklyn on Wednesday night, drawing over 800 visitors within hours. The fair features 28 galleries and 20 special projects, with installations spilling out of traditional booths into shared spaces. Highlights include House of Silence, a tent-like structure by Turkish artist Vuslat and architect Sana Frini; Retorno (2022) by Juan José Barboza-Gubo, presented by Praise Shadows Gallery; and works by Beya Gille Gacha, who is set to appear in the Cameroon Pavilion at the Venice Biennale. Fair director Adrianna Farietta noted that some galleries had to withdraw due to the war in Iran, but the result remains an inclusive and immersive event.

Matt Dillon’s New Paintings Trace a Journey Across West Africa

Actor Matt Dillon presents his first solo exhibition at The Journal Gallery in New York, titled "Porto Novo to Abomey," opening April 24. The series of paintings was inspired by Dillon's travels through Senegal and Benin after filming Claire Denis's movie *The Fence* (2025). Dillon, who began painting about a decade ago with little formal training, creates spontaneous, textured works featuring bold figures, symbols, and words. The show's title traces a 100-mile journey from Benin's capital to the historic Kingdom of Dahomey, reflecting the artist's impressions of local textiles, architecture, and landscapes.

Praise Shadows’s New Sales Director and Para Site Names Executive Director: Industry Moves for March 18, 2026

Several key personnel changes occurred in the art world this week. Boston gallery Praise Shadows hired Rebecca Hayes as its new Sales Director, while Hong Kong's Para Site appointed curator James Taylor-Foster as its Executive Director. Concurrently, galleries Lehmann Maupin and Jessica Silverman announced a co-representation agreement for artist Guimi You, and London's Timothy Taylor gallery revealed it will close its New York outpost after ten years.

miart 2026 exhibitors

Miart, Milan's international modern and contemporary art fair, is marking its 30th anniversary with significant changes for its 2026 edition. The fair is moving to a new venue, the South Wing at Allianz MiCo designed by Mario Bellini Architects, and adopting a more compact, three-floor layout designed to foster cross-presentation and dialogue. It has also announced a new theme, "New Directions," inspired by the jazz legacies of John Coltrane and Miles Davis, and a fresh graphic identity from design studio Leftloft.