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Winslow Homer’s mountaineer and Bob Ross's valley view: our pick of the January auctions

The article highlights five notable artworks heading to auction in January 2025, spanning sales at Christie’s, Sotheby’s, Bonhams Skinner, and Heritage Auctions. Featured lots include Winslow Homer’s *A Mountain Climber Resting* (est. $1.5–2.5M) from the Max N. Berry Collection, Otobong Nkanga’s tapestry *The Pursuit of Bling: The Transformation* (est. £20,000–30,000), Bob Ross’s *Valley View* (est. $30,000–50,000), and Claes Oldenburg’s lithograph *Three Way Plug* (est. $3,000+). Each work comes with distinct provenance—from a Standard Oil heiress to a hardware pioneer—and reflects diverse market segments from blue-chip American painting to contemporary African art and pop-culture collectibles.

Still Glasgow

The article reviews the exhibition 'Still Glasgow' at the Gallery of Modern Art in Glasgow, running from November 29, 2025, to June 13, 2026. Curated from the Glasgow Life Museums collection, it features around 80 photographic works from the 1940s to the present, including pieces by Bert Hardy, Oscar Marzaroli, Alan Dimmick, Iseult Timmermans, Joseph McKenzie, and Eric Watt. The show documents Glasgow's people and urban change, moving from earlier male documentary photographers to contemporary perspectives, and includes both still and moving images.

Art Notes: Hood Museum's exhibitions reflect on America's 250 years

The Hood Museum of Art in Hanover, New Hampshire, has mounted a dozen exhibitions drawn entirely from its own collection to mark the 250th anniversary of American independence. Curators began planning in 2022, opting for a series of smaller, collaborative shows rather than a single large exhibition. Highlights include "Always Already: Abstraction in the United States," featuring works by Frank Stella and Nampeyo; "American Pop," with Ed Ruscha's "Standard Station, Amarillo, Texas" and Jaune Quick-to-See Smith's "The Rancher"; and "Art Histories/Art Futures," which pairs May Stevens' "Big Daddy Paper Doll" with Michael Naranjo's "He's my brother." The exhibitions reflect the museum's ongoing effort to include art and artists historically left out of the art-historical canon.

National Air and Space Museum Announces Robert Rauschenberg Exhibition Will Open in July 2026

The Smithsonian’s National Air and Space Museum has announced that its newly renovated Flight and the Arts Center will open on July 1, 2026, with two inaugural exhibitions: “The Ascent of Rauschenberg: Reinventing the Art of Flight” and “The Art of Air and Space: Interpretations of Flight.” The Rauschenberg exhibition, timed to the artist’s centennial, will present 30 of his artworks related to flight, including the monumental lithograph “Sky Garden (Stoned Moon)” (1969), and will run for one year. The exhibition is curated by Carolyn Russo and features loans from the Hirshhorn Museum, Smithsonian American Art Museum, National Gallery of Art, and the Robert Rauschenberg Foundation.

5* Art Openings in London this week.

Five major art openings are taking place in London this week, headlined by museum-scale gallery shows featuring Joseph Beuys, Nan Goldin, and Richard Avedon. Thaddaeus Ropac presents 'Bathtub for a Heroine,' the first UK exhibition focusing on Beuys' monumental sculpture, while Gagosian shows all 126 photographs from Goldin's 'The Ballad of Sexual Dependency' and Avedon's 'In the American West' series. The weekend culminates with Condo London, a city-wide collaborative exhibition linking 50 galleries across 23 spaces.

Comment | In worrying times for politics and the environment, art can still provide hope

In a reflective essay for 2026, the author draws on conversations with artists Luc Tuymans and Olafur Eliasson from the "A brush with…" podcast to explore art's capacity to offer hope amid political and environmental crises. Eliasson discusses his climate-focused works like the glacier melt series "1999/2019" and his despair after COP30, emphasizing action over hope, while Tuymans addresses political trauma through his exhibition at David Zwirner, including a riff on Géricault's "The Raft of the Medusa" that compares the United States to a fruit basket.

10 Must-See Exhibitions in the US This Year (2026)

A preview of ten major art exhibitions opening across the United States in 2026, curated by art historian Emily Snow. Highlights include 'Frida: The Making of an Icon' at the Museum of Fine Art in Houston, a Mary Cassatt centenary show at the National Gallery of Art, a focused presentation of Matisse's 'Jazz' at the Art Institute of Chicago, the 82nd Whitney Biennial, and the first comprehensive Raphael exhibition ever staged in the U.S. at the Metropolitan Museum of Art. Other featured shows include 'America 250: Common Threads' at Crystal Bridges Museum and 'Manet & Morisot' at the Cleveland Museum of Art.

Cincinnati Art Museum Exhibit Explores the Artistry of Iconic Satire Publication MAD Magazine

The Cincinnati Art Museum (CAM) has opened "What, Me Worry? The Art and Humor of MAD Magazine," an exhibition exploring the seven-decade history and artistic impact of the iconic satirical publication. Originating from the Norman Rockwell Museum in Stockbridge, Massachusetts, the show features over 150 pieces, including original artwork from MAD artists, process drawings, and a spoof of Norman Rockwell's "Triple Self-Portrait" by Richard Williams placed alongside the original. The exhibition, curated by Stephanie Haboush Plunkett and Steve Brodner, runs through March 1 and was brought to CAM after director Cameron Kitchin visited the Rockwell Museum. Emily Agricola Holtrop, CAM's director of learning & interpretation, served as onsite curator.

Denver Art Museum showcases timeless elegance and trailblazing style with Conversation Pieces: Stories from the Fashion Archives in Spring 2026

The Denver Art Museum (DAM) will present "Conversation Pieces: Stories from the Fashion Archives" in spring 2026, an exhibition drawn from its permanent fashion collection. Curated by Jill D’Alessandro, the show pairs historic and contemporary garments—such as an 1896 House of Worth ballgown with a Rick Owens piece from Spring/Summer 2020—to highlight fashion as an artistic discipline. It also features a section on the little black dress, including a 1926 Chanel shift dress, and an interactive installation by Denver-based KaraKara Blooms. The exhibition precedes a blockbuster show, "DIVA," organized with the V&A Museum in London, which will have its exclusive U.S. venue at DAM in fall 2026.

The most exciting museum openings in 2026

A trio of major museum openings is expected in Los Angeles in 2026: the expansion of the Los Angeles County Museum of Art (Lacma) with its new David Geffen Galleries designed by Peter Zumthor opening in April; the Lucas Museum of Narrative Art, founded by filmmaker George Lucas and designed by Ma Yansong, opening on 22 September; and the digital artist Refik Anadol's Dataland, the first museum devoted to AI-generated art, opening in spring. Additionally, the Victoria and Albert Museum opens V&A East in London on 18 April, and the Crystal Bridges Museum of American Art in Bentonville, Arkansas, opens an expansion on 6 June.

And God Created Artists: Brigitte Bardot caught on canvas

Brigitte Bardot, the iconic French actress and animal rights activist, has died at age 91. The article highlights her enduring influence as an artists' muse, noting that a 1963 painting of Bardot by Gerald Laing sold for £902,500 at Christie's in 2014, and that Andy Warhol created a series of screenprints of her in 1974. Other artists who portrayed Bardot include Kees van Dongen and Peter Engels, while Pablo Picasso is said to have met her but never painted her.

Paris exhibition provides a new canon-busting vision of Minimalism

The Bourse de Commerce in Paris hosts "Minimal," a groundbreaking exhibition curated by Jessica Morgan, director of the Dia Art Foundation. The show centers on five large-scale natural-material works by 81-year-old US artist Meg Webster, while featuring over 100 works by more than 50 artists to challenge the traditional narrative that 1960s-70s Minimalism was exclusively a white, male, American movement. It includes thematic sections on light, balance, and monochrome, a gallery devoted to Japan's Mono-ha movement, and retrospectives of Agnes Martin and Lygia Pape, drawing largely from the Pinault Collection with international loans.

Museum Of Contemporary Art, Chicago — Yoko Ono: A Force Of Nature

The Museum of Contemporary Art (MCA) in Chicago is presenting "Yoko Ono: Music of the Mind," a major retrospective of the artist's work that runs from October 18, 2025, to February 22, 2026. The exhibition features over 200 works spanning Ono's career, including interactive installations like "Wish Trees" and "Mend Piece," as well as iconic performances such as "Cut Piece." The show, which originated at the Tate Modern in London and will travel to The Broad in Los Angeles, highlights Ono's role in the Fluxus movement and her pioneering use of instruction-based art, film, and mixed media. The article also notes Ono's connection to Chicago through her permanent public sculpture "Sky Landing" in Jackson Park.

Malba acquires collection of more than 1,200 Latin American works

The Argentine real-estate developer and collector Eduardo F. Costantini has acquired the entire Daros Latinamerica Collection, adding 1,233 works by 117 artists to his Museo de Arte Latinoamericano de Buenos Aires (Malba). Previously housed in Zurich, the collection includes key pieces by artists such as Ana Mendieta, Hélio Oiticica, Lygia Clark, and Cildo Meireles. The acquisition brings 75 new artists to Malba's holdings, including Doris Salcedo and Jesús Rafael Soto, and strengthens existing ones like Guillermo Kuitca and León Ferrari. Plans for a museum expansion to accommodate the works are already underway.

56 participating artists, duos and collectives revealed for 2026 Whitney Biennial

The Whitney Museum of American Art has announced the 56 artists, duos, and collectives participating in the 2026 Whitney Biennial, the 82nd edition of the landmark U.S. contemporary art survey. Co-curators Marcela Guerrero and Drew Sawyer have chosen not to give the exhibition a thematic title, instead letting conversations with artists guide the selection. The roster includes well-known figures like Andrea Fraser, Kamrooz Aram, Precious Okoyomon, Pat Oleszko, and Julio Torres, alongside emerging talents and historical or overlooked figures such as Carmen de Monteflores, José Maceda, and Kimowan Metchewais. The exhibition opens March 8, 2026, occupying most of the Whitney's Manhattan building with performances, public events, and online programming.

Frank Gehry remembered, Serpentine and FLAG Art Foundation prize, Joan Semmel—podcast

Ben Luke hosts an episode of The Art Newspaper's podcast 'The Week in Art' covering three major stories. First, architect Frank Gehry, known for the Guggenheim Bilbao and Fondation Louis Vuitton, died at age 96; Luke discusses his legacy with architecture critic and Gehry biographer Paul Goldberger. Second, London's Serpentine and New York's FLAG Art Foundation announced a new £1 million prize for artists, awarding £200,000 each to five recipients over ten years—the largest contemporary art prize in the UK for a single artist. Third, the episode features Joan Semmel's painting 'Sunlight' (1978), which is part of a new exhibition at the Jewish Museum in New York, with curator Rebecca Shaykin.

Exhibition program 2026

The Weserburg Museum für moderne Kunst in Bremen has announced its 2026 exhibition program, featuring three major shows. The collection exhibition "The Way We Are" (February 21, 2026–January 30, 2028) presents an updated survey of contemporary art from the 1960s to the present, with new thematic areas exploring self-portraiture, power and empowerment, patriarchal structures, and representations of the body, featuring works by over 100 artists. A solo exhibition, "Anys Reimann: Mirrorball" (May 2–October 4, 2026), marks the first museum show dedicated to the Düsseldorf-born artist, known for her works addressing identity, Black womanhood, and postcolonial themes through collage-paintings, leather sculptures, and an immersive black garden installation. Additionally, "Edition S Press" (September 12, 2026–August 29, 2027) at the Centre for Artists’ Publications examines the experimental publisher's output of concrete poetry, Beat poetry, and acoustic art from 1970 to 2005, featuring works by over fifty artists including John Cage, Allen Ginsberg, and John Giorno.

Art Basel Miami Beach aims to ‘end the year on a high note’

Art Basel Miami Beach (ABMB) opens amid a still-sluggish global art market, with sales at live events yet to recover to pre-pandemic levels. Director Bridget Finn expresses optimism following strong sales at Art Basel Paris in October, noting that gallerists and collectors were energized. The fair introduces structural changes, including relocating the Nova and Positions sections to the east entrance to spotlight emerging galleries, and launching Zero 10, a platform for digital art. Seven local Miami galleries are participating, with Nina Johnson making her ABMB debut. Despite a few longtime exhibitors withdrawing, Finn attributes this to galleries being more selective across Art Basel's five global fairs, including a new Qatar edition in 2026.

Explore the Studio Museum in Harlem’s Legacy of Artistic Innovation and Impact Through These Archival Gems

The Studio Museum in Harlem reopened its newly renovated space in Harlem on November 15, 2025, marking a new chapter for the 57-year-old institution. The article highlights archival gems from the museum's history, including the 1969 exhibition "Harlem Artists 69," which featured over 100 works by 53 local Black artists, and the long-running Artist-in-Residence program launched in 1969. These moments underscore the museum's role in championing Black artistic innovation and community engagement, supported by partnerships with Columbia University and local nonprofits.

‘This is how art history is built’: unprecedented Mumbai exhibition unites works of Indian and Arab Modernism

A new exhibition titled 'Resonant Histories' has opened at Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) museum, running until 16 February 2026. It is the first show to focus on the relationship between Indian and Arab Modernism, featuring over 40 works lent by the Sharjah-based Barjeel Art Foundation alongside pieces from Mumbai's Jehangir Nicholson Art Foundation (JNAF). The exhibition highlights visual and thematic resonances between artists from both regions, such as Syrian painter Marwan Kassab-Bachi and Indian master Francis Newton Souza, and addresses shared post-colonial struggles through works by artists like Chittaprosad Bhattacharya, Krishen Khanna, Abdul Qader Al Rais, and Naim Ismail. It also explores direct cultural exchanges, for example Egyptian artist Nazek Hamdi's adaptation of Bengali folk-art.

In 1960s New York, three single mothers bought a house together and turned it into a thriving live/work space

A new documentary film, *Artists in Residence*, premiered on November 14 at the DOC NYC film festival, telling the story of three single mothers—painters Lois Dodd and Eleanor Magid and the late sculptor Louise Kruger—who bought a former factory in New York's East Village in 1968. Denied a mortgage because single women could not apply for credit until 1974, they secured a loan from their landlord and transformed the building into a live/work space where they raised their children and pursued their art. The film, produced by Katie Jacobs, explores how each woman prioritized her creative practice while contributing to the city's cultural fabric.

Smithsonian American Art Museum presents blockbuster Grandma Moses exhibition

The Smithsonian American Art Museum in Washington, D.C., will present "Grandma Moses: A Good Day's Work" from November 25, 2025, through July 12, 2026. The exhibition features 88 works by Anna Mary Robertson "Grandma" Moses (1860–1961), drawn from the museum's collection, private collections, and public institutions. It repositions Moses as a multidimensional force in American art, exploring her artistic evolution from farmwife to famous artist in Cold War America, and includes photographs, ephemera, and excerpts from her autobiography. The show is organized by Leslie Umberger, senior curator of folk and self-taught art, and former Randall Griffey, with support from curatorial assistant Maria R. Eipert.

Portland Art Museum to unveil $116m transformation with Mark Rothko at its heart

The Portland Art Museum (PAM) will unveil a $116 million expansion and renovation on November 20, the largest single-organization arts investment in Oregon history. The centerpiece is the new Mark Rothko Pavilion, a multi-story glass structure designed by Hennebery Eddy Architects and Vinci Hamp Architects, which bridges the museum's 1932 building with a former Masonic Temple. The project adds 100,000 square feet of renovated space, including new plazas with sculptures by Ugo Rondinone, Roy Lichtenstein, Anthony Caro, and Clement Meadmore. The Rothko family is lending major paintings from their private collection for display over two decades, with a promised gift at the end of that period, and made a six-figure donation to the museum's $146 million capital campaign.

Exhibition of large scale contemporary art at Smithsonian’s Hirshhorn Museum

The Smithsonian's Hirshhorn Museum will present "Big Things for Big Rooms," an exhibition tracing the development of immersive, large-scale artworks from the late 1960s to the present. Organized by head curator Evelyn C. Hankins and curatorial assistant CJ Greenhill Caldera, the show features 10 works—five on view for the first time—drawn largely from the museum's collection, including pieces by Robert Irwin, Richard Long, Sam Gilliam, Dan Flavin, Lygia Pape, Mika Rottenberg, Olafur Eliasson, Spencer Finch, Rashid Johnson, and Paul Chan. The exhibition runs from November 21, 2025, through July 4, 2027, and is divided into two parts: the first explores pioneering "Environments" from the 1960s, while the second highlights contemporary artists expanding on those ideas.

Children curate exhibition of Clyfford Still works inspired by their reservation

The Clyfford Still Museum in Denver has handed curatorial authority to 100 children from the Confederated Tribes of the Colville Reservation for the exhibition "Tell Clyfford I Said ‘Hi’" (on view until May 10, 2026). The show features works by Clyfford Still, who in 1936 traveled to the Colville Reservation with colleague Worth Griffin to document tribal members and landscapes. The museum collaborated with tribal youth from three schools—Nespelem School, Nespelem Head Start, and Hearts Gathered Montessori—who selected artworks from facsimiles of Still’s paintings and photographs, drawing connections between his abstract works and their own cultural experiences, such as a student noting that a painting resembled a pow wow blanket.

Groundbreaking Art Takes Spotlight at O’Donnell Athenaeum Exhibit

A new exhibition titled “Groundbreakers: Post-War Japan and Korea from the Dallas Museum of Art and The Rachofsky Collection” has opened at the Edith and Peter O’Donnell Jr. Athenaeum at The University of Texas at Dallas, running through July 2026. Curated by Dr. Natalia Di Pietrantonio of the Crow Museum of Asian Art, the show features works from three major postwar movements—Mono-ha, Dansaekhwa, and Gutai—using unconventional materials like white glue, bells, wires, tin, and rocks. Highlights include Kazuo Shiraga’s foot-painted canvases, Takesada Matsutani’s vinyl glue sculptures, Atsuko Tanaka’s interactive wire installation, and Do Ho Suh’s translucent polyester corridor inspired by homesickness.

The Interview: Thelma Golden

Thelma Golden, director and chief curator of the Studio Museum in Harlem, is interviewed ahead of the museum's reopening in a new Adjaye Associates-designed building following a $300 million capital campaign. Golden reflects on her career, including curating the politically charged 1993 Whitney Biennial and the landmark exhibition "Black Male: Representations of Masculinity in Contemporary American Art" (1994–95), as well as her influential 2001 show "Freestyle," which introduced the concept of "post-Black" art. The article also highlights the museum's first exhibition in the new building, focusing on artist Tom Lloyd, whose work was featured in the museum's inaugural show in 1968.

New York’s Studio Museum—known for championing Black artists—reopens in $300m new home

The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new $300 million, 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The first purpose-built space in the museum's 57-year history, located at its original footprint on West 125th Street, features a dramatic dark-grey precast-concrete facade and includes a $50 million endowment. The reopening comes after architect David Adjaye stepped away from the project in 2023 following sexual assault allegations, which he denies. The inaugural exhibition will highlight works by Tom Lloyd, the first artist shown when the museum opened in 1968.

Camille Pissarro show at Denver Art Museum is both ambitious and exhaustive

The Denver Art Museum has opened "The Honest Eye: Camille Pissarro’s Impressionism," a comprehensive retrospective of the Impressionist painter featuring over 100 works from nearly 50 international museums and private collections. Co-organized with the Museum Barberini in Potsdam, Germany, the exhibition is the first major U.S. museum survey of Pissarro in 30 years, curated by Clarisse Fava-Piz, Claire Durand-Ruel, and Nerina Santorius.

A Story of South Asian Art: Mrinalini Mukherjee and Her Circle

The Royal Academy of Arts in London presents "A Story of South Asian Art: Mrinalini Mukherjee and Her Circle," a visually thrilling exhibition running from 31 October 2025 to 24 February 2026. Curated by Tarini Malik, the show pivots around the work of Mrinalini Mukherjee (1949-2015), placing her in dialogue with key figures of the Indian cultural scene, including her parents Benode Behari Mukherjee and Leela Mukherjee, as well as artists Gulammohammed Sheikh and Nilima Sheikh. The exhibition highlights Mukherjee's hemp sculptures like 'Adi Pushp II' (1998-99) and bronze works such as 'Forest Flame IV' (2009), and emphasizes the importance of art schools and places—Santiniketan, Baroda (Vadodara), and New Delhi—in shaping her practice.