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Something from Everything leads current excellent array of exhibitions at Utah Museum of Contemporary Art

The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.

A brush with… Jane and Louise Wilson—podcast

Jane and Louise Wilson, identical twin artists born in Newcastle-upon-Tyne in 1967, are featured in a podcast interview where they discuss their collaborative practice since the late 1980s. Working primarily in video installation, photography, and sound, they explore duality and selfhood through loaded sites like abandoned military bases and borderlands. The podcast covers their early inspirations, including John Martin and Cindy Sherman, and the influence of filmmakers such as Rainer Werner Fassbinder, Jean Cocteau, and Stanley Kubrick. Their current exhibitions include 'Performance of Entrapment' at London Mithraeum Bloomberg SPACE (until 10 January 2026) and 'Dendrophiles' at Leadenhall Building as part of Sculpture in the City, London (until spring 2026).

'Paul McCartney Photographs 1963–64: Eyes of the Storm' to Open at Frist Art Museum, Nashville

The Frist Art Museum in Nashville will host 'Paul McCartney Photographs 1963–64: Eyes of the Storm,' an exhibition featuring nearly 300 recently discovered photographs taken by Paul McCartney during the height of Beatlemania. Organized by the National Portrait Gallery, London, the show runs from November 7, 2025, to January 26, 2026, and includes personal images of The Beatles—John Lennon, George Harrison, and Ringo Starr—captured between December 1963 and February 1964, along with ephemera and an audio tour narrated by McCartney.

Australian Aboriginal artist Emily Kame Kngwarreye exhibition at Tate Modern

The Tate Modern in London is hosting a landmark retrospective of Australian Aboriginal artist Emily Kame Kngwarreye (c. 1914–1996), running from July 10 to January 11, 2026. The exhibition features 70 works spanning her career, from early batik designs to her final acrylic paintings, and is organized in collaboration with the National Gallery of Australia, the Utopia Art Centre, and Kngwarreye's descendants. It is the first major solo exhibition of her work in Europe, highlighting her deep connection to her ancestral country and culture.

‘It was absolutely terrifying’: Thom Yorke on his long journey back to becoming a visual artist

Thom Yorke, the Radiohead frontman, reflects on his journey back to visual art in an exclusive interview with The Art Newspaper. Having left art school in the late 1980s, Yorke felt resistant to calling himself a visual artist, a discomfort compounded by his music career. He and his bandmate Stanley Donwood, whom he met at Exeter University, are now opening their first institutional exhibition, "This is What You Get," at the Ashmolean Museum in Oxford. The show spans 30 years of record covers, sketchbooks, and recent paintings, marking a significant return to Yorke's artistic roots.

Cranbrook Art Museum's "Eventually Everything Connects" Is Mid-Century Modern Design History

Cranbrook Art Museum has opened a new design exhibition titled “Eventually Everything Connects: Mid-Century Modern Design in the United States,” showcasing over 200 works by nearly 100 designers, including Harry Bertoia, Florence Knoll Bassett, and Charles and Ray Eames. The show draws from the museum's extensive collection of mid-century modern artifacts—furniture, textiles, ceramics, lighting, and graphic design—spanning 1945 to 1970, and is curated by director Andrew Satake Blauvelt and MillerKnoll Curatorial Fellow Bridget Bartal.

New Smithsonian exhibit highlights American fairs, including crop art, butter from Minnesota

A new exhibition at the Smithsonian Institution spotlights the history and artistry of American state and county fairs, featuring unusual exhibits such as crop art and butter sculptures from Minnesota. The show explores how these community events have long served as platforms for creative expression, agricultural pride, and local tradition.

‘I'm excited for the future because it's in great hands’: winners of Somerset House's Talent 25 on what the programme means to them

Somerset House in London has announced the first five winners of its Talent 25 programme, a scheme supporting artistic innovators within its creative community. The awardees—Shanti Bell, Tyreis Holder, enorê, Identity 2.0 (founded by Arda Awais & Savena Surana), and Piarvé Wetshi—each receive an £8,000 bursary and mentorship from artist-designer Yinka Ilori to develop new work. Their creations will be exhibited in September as part of the Step Inside 25 Weekend, celebrating 25 years of Somerset House's public opening.

The new era of fashion’s art exhibitions

LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.

Exhibition at The Met Highlights Role of Photography in Cross-Dressing Community in 1960s New York

The Metropolitan Museum of Art's exhibition "Casa Susanna," on view from July 21, 2025 to January 25, 2026, brings together approximately 160 photographs and publications created by and for a community of cross-dressers who gathered in New York City and the Catskills Mountains during the 1960s. The works, discovered at a Manhattan flea market in 2004, document safe spaces provided by Susanna Valenti and Marie Tornell at two modest resorts, where guests used cameras—especially Polaroids—to affirm their femme identities and connect a nationwide community. The exhibition is organized by the Art Gallery of Ontario and Les Rencontres d’Arles in collaboration with The Met, and includes collections from the Art Gallery of Ontario, artist Cindy Sherman, and donor Betsy Wollheim.

‘Fearless exploration’: visionary Australian artist Janet Dawson gets her first retrospective aged 90

The Art Gallery of New South Wales (AGNSW) has opened 'Janet Dawson: Far Away, So Close,' the first-ever retrospective for Australian artist Janet Dawson, now aged 90. The exhibition spans over six decades of her career, from her teenage years at the National Gallery of Victoria Art School—where she was the only child student accepted by realist painter H. Septimus Power—through her abstract period in Europe, her defiant practice in conservative 1960s Melbourne, and her later retreat to rural NSW. The show includes major works, photos, and ephemera, arranged chronologically across four rooms, highlighting Dawson's evolution from tonal realism to abstraction and her 1973 Archibald Prize win for a portrait of her husband, theatre director Michael Boddy.

“She’s a Real 20th Century Figure”: Thelma Golden on the ICA’s Mavis Pusey Retrospective

The Institute of Contemporary Art Philadelphia, in collaboration with the Studio Museum in Harlem, has opened "Mavis Pusey: Mobile Images," a retrospective of the Jamaican-born abstract artist Mavis Pusey (1928–2019). The exhibition spans two floors of Pusey's paintings and archival materials, showcasing her geometric abstractions that translate urban construction and gentrification into fractured planes and rhythmic blocks of color. The show was sparked by Studio Museum director Thelma Golden's discovery of Pusey's work in an online auction catalog a decade ago, leading to a collaboration with curator Hallie Ringle.

NYU’s Grey Art Museum Presents ‘June Leaf: Shooting From the Heart’ Sept. 9–Dec. 13

NYU’s Grey Art Museum will present the exhibition ‘June Leaf: Shooting From the Heart’ from September 9 to December 13. The show focuses on the work of American artist June Leaf, known for her expressive drawings, paintings, and sculptures that explore the human figure and emotional states.

Kew Gardens to host largest-ever open-air Henry Moore show

Kew Gardens in London will host the largest-ever open-air exhibition of Henry Moore's sculptures from May to September 2026, titled "Henry Moore: Monumental Nature." Thirty works, including major bronzes like "Large Two Forms" and "Oval with Points (1968-70)," will be displayed across the 320-acre Unesco World Heritage site, with additional pieces in the Temperate House. The Henry Moore Foundation is lending most works, while 90 more pieces—including prints and drawings—will be shown indoors at the Shirley Sherwood Gallery, with loans from Tate and the Sainsbury Centre for Visual Arts. Four sculptures will also be exhibited at Kew's Wakehurst botanic garden in Sussex alongside contemporary commissions.

Joan Danziger Retrospective in Washington

The American University Museum at the Katzen Arts Center in Washington, D.C., will host the first career retrospective of artist Joan Danziger, titled "The Magical World of Joan Danziger," opening February 7, 2026. The exhibition spans six decades of her work, from abstract paintings to mixed-media sculptures, featuring over 100 pieces including 40 sculptures and 25 works on paper and canvas. A concurrent exhibition, "Ravens: Spirits of the Sky," showcases 24 large glass and metal raven sculptures, many never before exhibited. Danziger, who continues to work daily at age 91, traces her evolution from an abstract painter to a multimedia sculptor, with influences ranging from surrealists to Hieronymus Bosch.

Less than two years after opening, the Museum of Censored Art in Barcelona has closed its doors

The Museu de l’Art Prohibit (Museum of Censored Art) in Barcelona, the world's first museum dedicated to censored artworks, has closed indefinitely less than two years after opening. Founded in October 2023 by Catalan journalist and businessman Tatxo Benet, the museum housed over 200 banned works by artists including Ai Weiwei, David Wojnarowicz, and Abel Azcona. The closure, announced on June 27, was attributed to financial losses caused by four months of picketing by the Solidarity and Unity of Workers union (SUT), which protested the museum's termination of a contract with management company Magma Cultura. The union demanded better working conditions, including improved air conditioning, more breaks, and higher pay.

8 Must-See Solo Gallery Shows in July

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for July, highlighting exhibitions from New York to California. Featured artists include Nancy Dwyer, whose word-based paintings and sculptures are on view at Ortuzar in New York; Marcel Dzama, showing storytelling drawings and a surreal film at David Zwirner in Los Angeles; Francis Picabia, with a focus on his Art Informal period at Hauser & Wirth in New York; and Igshaan Adams, presenting tapestries and textile works at Casey Kaplan in New York, among others.

LACMA shares images of Zumthor-designed David Geffen Galleries building

LACMA has released new images of the David Geffen Galleries, the centerpiece of its campus transformation designed by architect Peter Zumthor. The building, which is currently under construction, will house the museum's permanent collection and is part of a larger overhaul of the Los Angeles County Museum of Art's campus.

$10 million Tamara de Lempicka leads sales at Sotheby’s London modern and contemporary evening auction.

Sotheby’s modern and contemporary evening sale in London on June 25, 2025, achieved £62.43 million ($83.97 million), led by Tamara de Lempicka’s *La Belle Rafaëla* (1927) which sold for £7.47 million ($10.05 million). Other top lots included works by Pablo Picasso, Jean-Michel Basquiat, Claude Monet, Jenny Saville, and Elizabeth Peyton, with Saville setting a new auction record for a drawing. Eight lots failed to sell, including pieces by Egon Schiele and Pierre-Auguste Renoir.

Nudes by Tamara de Lempicka and Jenny Saville lead quiet Sotheby’s Modern and contemporary sale

Sotheby’s June Modern and contemporary art evening sale in London netted £50.8m (£62.5m with fees) from 48 lots, with an 87% sell-through rate, falling below the pre-sale estimate of £55.2m to £81.1m and marking a 25% decrease from last year’s equivalent sale. The top lot was Tamara de Lempicka’s *La Belle Rafaëla* (1927), which sold for £6.1m (£7.4m with fees), while a Jenny Saville drawing *Mirror* (2011-12) achieved an auction record for the artist at £1.7m (£2.1m with fees). Several high-profile works were passed, including Egon Schiele’s *Portrait Study (Head of a Girl, Hilde Ziegler)* and Barbara Hepworth’s *Vertical Forms*, reflecting cautious bidding in a bearish market.

Renewed Bern Kunsthalle works to reframe Switzerland's history

The Kunsthalle Bern has reopened after a year-long transformation led by director iLiana Fokianaki, marked by a new entrance designed by ALIAS architects and a trio of exhibitions by Black artists. The reopening follows a symbolic intervention by Ghanaian artist Ibrahim Mahama, who wrapped the building in jute sacks referencing the colonial history of Swiss cocoa extraction in Ghana, echoing Christo and Jeanne-Claude's 1968 wrapping of the same building. The inaugural shows feature solo exhibitions by Melvin Edwards, Tuli Mekondjo, and Tschabalala Self, with Edwards's retrospective traveling from the Fridericianum in Kassel to the Palais de Tokyo in Paris.

Beyond Surrealism: Basel show explores the many sides of Meret Oppenheim

A new exhibition at Hauser & Wirth Basel, titled 'Beyond Surrealism,' explores the multifaceted career of Meret Oppenheim, best known for her fur-covered teacup 'Object' (1936). The show presents a range of her work, including melancholic wartime oil paintings, elegant abstract sculptures, and later witty pieces like 'Eichhörnchen' (1970) and 'Das Auge der Mona Lisa' (1967), highlighting her refusal to be confined to any single style or movement.

‘The works I add to my collection need to give me goosebumps’: Nicola Erni on the art she collects and why

Swiss collector Nicola Erni discusses her private art collection built over 25 years, focusing on photography from the 1960s and 70s, fashion photography by Helmut Newton, Mario Testino, and Annie Leibovitz, and contemporary works by Jean-Michel Basquiat and Andy Warhol. She recounts acquiring Warhol's 'Sixty Last Suppers' (1986), now on loan to Fondation Beyeler, and reveals her emotional decision-making process for purchases, as well as a regret over missing a Basquiat-Warhol collaboration at auction.

‘Very beautiful’ portrait of Gallagher brothers to go to auction for £1.5m

Sotheby's will auction a 1996 portrait of Oasis brothers Noel and Liam Gallagher by American artist Elizabeth Peyton at its June contemporary art sale in London, with an estimate of £1.5m to £2m. The painting, based on a 1995 photograph by Stefan De Batselier, captures the siblings at the height of Britpop fame, shortly after Noel allegedly hit Liam with a cricket bat. Sotheby's specialist Antonia Gardner notes the "quiet tension" in the work and Peyton's tendency to feminize macho pop stars.

Review: Guadalupe Rosales crafts an analog Wayback Machine for a vibrant show at Palm Springs Art Museum

Guadalupe Rosales presents a solo exhibition titled "Tzahualli: Mi memoria en tu reflejo" at the Palm Springs Art Museum, centered on a checkerboard dance floor with a makeshift DJ booth, motorized blue spotlights, and mirrored disco fixtures. The show gathers ephemera from the 1990s—magazines, snapshots, lowrider bicycle parts, bandannas, street signs, and more—used in assemblage sculptures and display cases. Four thematic sections include a dance room, an entryway, a nighttime space, and a car culture gallery, with imagery referencing Chicana culture, Los Angeles' Eastside, and historic clubs like Arena and Circus.

Whitney Museum pauses Independent Study Program amid accusations of censorship

The Whitney Museum of American Art has suspended its prestigious Independent Study Program (ISP) for the 2025-2026 academic year, citing a leadership gap following the 2023 retirement of longtime director Ron Clark. The decision follows accusations of censorship after the museum canceled a performance titled "No Aesthetics Outside my Freedom: Mourning, Militancy and Performance" by Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, which addressed the war and humanitarian crisis in Gaza. An open letter signed by over 360 alumni, faculty, and supporters, including philosopher Judith Butler and artists Andrea Fraser and Walid Raad, condemned the cancellation as an act of censorship and expressed solidarity with the current cohort.

June Book Bag: from the cool influence of Ice Age art to the story of Arshile Gorky’s early years in the US

This article presents a roundup of six new art books released in June, covering a diverse range of topics. Titles include a monograph on Arshile Gorky's early years in New York, a collection exploring interspecies consciousness from the Serpentine Galleries, a book accompanying a British Museum exhibition on Ice Age art, a lavish Taschen monograph on Salvador Dalí, and a three-volume photographic study of the American West by Maryam Eisler and Alexei Riboud.

"East-Northeast: Charting Moments in Maine" Presents Four Different Exhibitions of Maine-Focused Artists in Summer 2025

The Bowdoin College Museum of Art (BCMA) presents "East-Northeast: Charting Moments in Maine," a series of four exhibitions running in summer 2025 that highlight artists inspired by Maine. The shows include Gordon Parks’s previously unseen 1944 photographs of rural life, John McKee’s coastal series "As Maine Goes" (first public viewing since 1966), Ann Craven’s lunar paintings from 2020 and 2024, and films by Swiss-American artist Rudy Burckhardt. The exhibitions span from June 28 to November 9, 2025, with a keynote lecture by Philip Brookman on June 28.

Lawren Harris leads the way in Heffel’s all-Canadian marquee spring auctions in Toronto

Heffel Fine Art Auction House held its spring sales in Toronto on May 22, featuring an all-Canadian lineup of 85 lots with an estimated value of C$18m to C$22m. Despite rain and economic concerns, the two-session sale achieved C$22m total, led by Lawren Harris's *Northern Lake* (1926) at C$3.1m. Other highlights included record-breaking prices for Franklin Carmichael, Arthur Lismer, and A.Y. Jackson, plus strong results for Emily Carr and Tom Thomson works.

An Exhibition Celebrates the Self-Taught Immigrant Artists Shaping Chicago

The inaugural exhibition at the newly renovated Intuit Art Museum in Chicago, titled "Catalyst: Im/migration and Self-Taught Art in Chicago," brings together 75 works by 22 self-taught immigrant artists who have shaped the city's cultural landscape. Featured artists include Carlos Barberena, Drossos P. Skyllas, Charles Warner, Alfonso "Piloto" Nieves Ruiz, and others, with works spanning linocuts, hyperrealistic paintings, found-object sculpture, and mixed media. The show runs through January 11, 2026.