Art dealer David Schrader is launching a new secondary-market gallery in New York with partners Marc Glimcher and Emmanuel Di Donna. He argues the current market stabilization and renewed optimism, especially in the secondary sector, provide a favorable backdrop for their streamlined, focused venture that aims to avoid the overhead of historic gallery models.
An exhibition of nearly 300 works by Alexander Calder opens at the Fondation Louis Vuitton in Paris, exploring the development of his mobiles and wider practice. Guest curators Dieter Buchhart and Anna Karina Hofbauer have compiled a list of six essential books to deepen understanding of the artist's life and work.
Karen Archey, the head of curatorial at Düsseldorf's K20 and K21 museums, shares personal insights in an interview format. She reveals her obsession with painter Alice Neel, discusses a formative 2007 summer touring major European art events, and lists the poetry and audio currently occupying her attention.
Artist Trevor Paglen and AI researcher Kate Crawford have launched ImageNetRoulette, a viral digital art project that uses artificial intelligence to label user-uploaded photos. The project, which is part of their "Training Humans" exhibition at Fondazione Prada, gained massive social media traction by generating often offensive or bizarre classifications for users. By exposing the problematic labels—ranging from "mediatrix" to racial slurs and criminal accusations—the creators aim to reveal the deep-seated systemic biases embedded in the ImageNet database, one of the world's most influential AI training sets.
A new exhibition at the Metropolitan Museum of Art, "Lillian Bassman: Harper's Bazaar and Beyond," highlights the pioneering work of fashion photographer Lillian Bassman. The show reveals how Bassman, through darkroom experimentation like selective exposure and blowing cigarette smoke under the enlarger, created moody, abstract images that often reduced clothing to mere suggestion, pushing the boundaries of commercial fashion photography in the 1940s and 1950s.
President Donald Trump has unveiled a rendering for his planned presidential library in downtown Miami, envisioned as a 47-story skyscraper. The proposal features a gold entranceway, a 20-foot-tall golden statue of the former president, and a replica of the Oval Office, alongside a hotel and office space. The project is being designed by architecture firm Bermello Ajamil and is reportedly seeking to raise nearly $1 billion in donations to fund the construction on highly valuable waterfront land.
The Art Newspaper's 2025 survey of the world's 100 most visited art museums reveals a strong but uneven recovery from the pandemic, with total visits reaching over 200 million. New museums in the Middle East, East Asia, and major Western cities have been major hits with the public, driving significant attendance.
Novelist Ben Lerner reflects on Rose Salane’s installation '60 Detected Rings (1991–2021)' as part of a new series exploring impactful artworks. The piece consists of rings recovered by a metal detectorist over three decades in Atlantic City, which Salane subsequently analyzed through laboratory 'melt value' reports and psychic readings. Lerner describes the work as a profound exercise in 'revaluation,' where discarded objects are transformed into auratic relics through scientific and spiritual inquiry.
Rare sketches by Surrealist artist Leonora Carrington, created during her 1940 confinement in a Spanish psychiatric hospital, have been reunited and are on display at London's Freud Museum. The exhibition, "Leonora Carrington: The Symptomatic Surreal," features sketchbooks that reimagined the hospital as a mythological underworld and served as preparatory studies for her seminal painting Down Below.
Artist Camille Henrot has premiered her first new film in nearly a decade, titled "In the Veins" (2026), at the newly reopened New Museum in New York. The 35-minute work, which is featured in the exhibition "New Humans," explores the intersection of domestic caretaking and the global climate crisis. Through Henrot's signature associative editing style, the film juxtaposes scenes of children growing up with footage from wildlife rehabilitation centers, highlighting the cognitive dissonance of raising children surrounded by animal imagery while facing mass extinction.
The Guardian has published a comprehensive weekly entertainment guide covering cinema, gigs, art exhibitions, stage performances, and home entertainment options. The guide highlights new film releases like the adaptation of Enid Blyton's 'The Magic Faraway Tree' and the documentary 'Orwell: 2+2 = 5', major concerts from 5 Seconds of Summer, and art exhibitions featuring Estonian modernist Konrad Mägi and Scottish painter Joan Eardley.
This week's episode of The Art Newspaper podcast covers three major art world events. A landmark Henri Matisse exhibition at the Grand Palais in Paris focuses on his final, explosive 13 years of work, including his famous cut-outs. In Hong Kong, Art Basel opens amid economic uncertainty, with analysis on whether the market is turning a corner. Meanwhile, London's Victoria and Albert Museum unveils a show on Elsa Schiaparelli, featuring a Salvador Dalí painting that directly inspired her iconic fashion designs.
The Reina Sofía museum in Madrid has installed Dumile Feni's 1967 drawing 'African Guernica' directly opposite Pablo Picasso's iconic 'Guernica' painting. This pairing is the centerpiece of the museum's new annual exhibition series 'History Doesn’t Repeat Itself, But It Does Rhyme,' which aims to place works from different cultural contexts in dialogue with Picasso's masterpiece.
Art Basel Hong Kong 2026 showcased a vibrant array of talent, with standout presentations across its curated sectors like Discoveries and Insights. Highlights included Vin Gallery's ceramic skeleton shadow puppets by Ako Goto, Lucie Chang Fine Arts' case for the late painter Zhu Xinjian, and gdm's pairing of Kongkee's lightbox sculptures with abstract works by Thai modernist Tang Chang. The fair also featured a monumental, self-sabotaged neon sign by Kongkee reading "Price / Value."
The Penn Museum at the University of Pennsylvania is courting controversy by consigning a major 1891 painting by Ottoman artist Osman Hamdi Bey, titled "At the Mosque Door," to Bonhams London with an estimate of $2.7–$4 million. Although the museum purchased the work directly from the artist in 1895, it was never formally accessioned into the collection, allowing the institution to bypass strict industry regulations that typically prohibit using art sale proceeds for anything other than new acquisitions or collection care. The museum intends to use the funds to establish a permanent endowment for the long-term maintenance of its vast archaeological holdings.
The Solomon R. Guggenheim Museum has launched a major retrospective of Carol Bove, filling the iconic Frank Lloyd Wright rotunda with approximately 100 works spanning her career. The exhibition showcases Bove’s evolution from her early assemblages of driftwood, peacock feathers, and vintage books to her more recent large-scale, brightly colored steel sculptures. A defining feature of the show is Bove’s inclusion of "para-artworks"—pieces by other artists such as Lionel Ziprin, Agnes Martin, and Arnaldo Pomodoro—integrated into her own installations to highlight the influences and histories that inform her practice.
The Venice Biennale is facing intense international backlash following its decision to allow Russia to return for the 2026 edition after a hiatus caused by the invasion of Ukraine. High-ranking politicians from 22 European nations, along with thousands of artists and curators, have signed open letters condemning the move as a platform for state-directed cultural diplomacy and war-crime whitewashing. The Biennale has defended its stance by claiming a policy of non-censorship, asserting that it accepts any nation recognized by the Italian government.
raphael met museum retrospective review
The Metropolitan Museum of Art has launched "Raphael: Sublime Poetry," the first major retrospective of the Renaissance master ever staged in the United States. Curated by Carmen C. Bambach, the exhibition features 237 works, including rare loans of drawings and monumental tapestries that have not left Madrid since the 16th century. While some of his most famous paintings remain in Europe, the show provides an exhaustive look at the artist's development from a teenage prodigy to a papal favorite.
A newly authenticated painting by Amedeo Modigliani, "Jeune femme brune" (1917–18), is being offered for sale by Pace gallery at Art Basel Hong Kong with a price tag of €11.5 million ($13.3 million). The work, the highest-priced piece at the fair, was only recently included in art historian Marc Restellini's forthcoming Modigliani catalogue raisonné after decades of authentication disputes and legal battles.
An exhibition titled "Costume Couture: Sixty Years of Cosprop" is opening at Dovecot Studios in Edinburgh, featuring over 80 iconic costumes from major film and television productions such as 'Game of Thrones,' 'Downton Abbey,' and 'Pirates of the Caribbean.' The show, which premiered last year in London, celebrates the six-decade legacy of the renowned costume house Cosprop, founded by Oscar-winning designer John Bright.
Adrian Cheng, a key figure in Hong Kong's art world, identifies major trends shaping the city's art scene ahead of Art Basel Hong Kong. He highlights the convergence of major art fairs, auction house sales, and new gallery openings during the 'Art March' period, drawing a global audience with high-profile exhibitions by international artists like Mary Weatherford, Nicole Eisenman, and El Anatsui.
The article explores the unconventional and often illicit side jobs that famous artists historically took to support their creative pursuits. It details examples like Jean Genet's specialized book theft, Jean-Luc Godard's pilfering of books and cash, Chantal Akerman's ticket-skimming at a porn theater, and Kathy Acker's simulated sex show performances, highlighting how financial necessity drove them to inventive, sometimes desperate, measures.
An exhibition titled "Churchill the Artist" has opened at Chartwell, Winston Churchill's former home in Kent, England. The show features personal artifacts like his paint-spattered Savile Row overalls and spectacles, alongside paintings, including the first U.K. display of his work "Quiet Waters," a gift to his friend Lord Beaverbrook.
The Stedelijk Museum Schiedam in the Netherlands has opened an exhibition titled 'Yves Klein and His Artist Family,' which presents the work of the iconic French artist Yves Klein alongside that of his father Fred Klein, his mother Marie Raymond, and his widow Rotraut Klein-Moquay. The show features 30 works by Yves and over 40 pieces by his family members, highlighting their distinct artistic contributions within 20th-century Modernism.
The article provides a comprehensive weekly entertainment guide, highlighting upcoming cultural events across cinema, music, art, and stage. Key art recommendations include a major Frank Bowling exhibition at the Fitzwilliam Museum, a Hurvin Anderson survey at Tate Britain, and a drawing-focused exhibition from Bruegel to Rembrandt at Compton Verney.
Czech Culture Minister Oto Klempíř has dismissed Alicja Knast from her position as director of Prague's National Gallery. The move has generated significant scrutiny, with critics questioning the lack of a formal explanation and the abrupt manner of her removal, which was announced without a joint press conference.
The Brooklyn Museum is deaccessioning approximately 200 objects from its collection, including American furniture, artworks, and textiles, through a sale hosted by Brunk Auctions on April 9. Highlights include a rare circa 1690 walnut dressing table, estimated at $80,000–$120,000, and a late 17th-century oak cupboard. The museum states the sale is part of an ongoing effort to convert storage spaces into galleries and that proceeds will fund collection care and new acquisitions.
ARTnews has expanded its list of iconic feminist works by women artists, adding 15 new entries to a previous selection. The article highlights specific pieces, such as Edmonia Lewis's *The Death of Cleopatra* (1876), Mary Cassatt's *The Reader* (1877), and Alice Pike Barney's *Medusa* (1892) and *Lucifer* (1902), providing historical context for each artist and their contribution to feminist discourse through art.
Artist Miljohn Ruperto's exhibition at Stanford's Cantor Arts Center features works that critically engage with AI and technology. His piece *Fathoms (Tartarapelagic)* uses AI to generate images of deep-sea creatures from the Clarion-Clipperton Zone, while highlighting that mining the minerals essential for that same AI technology is destroying their real-world habitats.
Powerhouse Arts, a nonprofit creative production facility in Brooklyn’s Gowanus neighborhood, has appointed Liz Munsell as its new Vice President of Curatorial and Arts Programs. Munsell, who previously held senior curatorial roles at the Jewish Museum and the Museum of Fine Arts, Boston, succeeds Diya Vij following Vij's appointment as New York City’s cultural affairs commissioner. Alongside Munsell, the organization hired Constanza Valenzuela, formerly of High Line Art, as associate curator to support the expansion of its exhibition and residency programs.