Tokyo's museums have announced their 2026 exhibition schedules, featuring a diverse lineup of international and domestic shows. Highlights include 'YBA & Beyond: British Art in the 90s from the Tate Collection' at the National Art Center, a major retrospective of Hajime Sorayama at the Creative Museum Tokyo, and a solo exhibition of Lithuanian artist M. K. Čiurlionis, alongside shows by Picasso, Ron Mueck, Hiroshi Sugimoto, and Minami Tada.
The MAXXI museum in Rome has opened a major exhibition titled "1+1. Relational Art," which examines the legacy of Nicolas Bourriaud's influential 1998 book "Relational Aesthetics." The show brings together works by artists from the 1990s generation—including Maurizio Cattelan, Douglas Gordon, Pierre Huyghe, Philippe Parreno, Liam Gillick, and Dominique González-Foerster—who pioneered art based on human interactions and social contexts rather than traditional autonomous objects. The exhibition reflects on how Bourriaud's theory, developed from studio visits with these young artists, redefined art criticism by proposing that artworks be judged by the interhuman relations they produce or evoke.
The final episode of The Week in Art podcast for 2025 reviews the year's biggest stories and exhibitions. Host Ben Luke is joined by The Art Newspaper's contemporary art correspondent Louisa Buck, art market editor Kabir Jhala, and Americas editor-in-chief Ben Sutton to discuss topics ranging from the Los Angeles wildfires in January and President Trump's cultural policies to the crisis at the Louvre, the National Gallery in London's expansion plans and their impact on its relationship with Tate, and the art market's shift toward the Middle East for fairs and auctions. The guests also select their top exhibitions and works of the year, featuring artists such as Kerry James Marshall, Helen Chadwick, Coco Fusco, Jack Whitten, Henri Matisse, and Hamad Butt.
The Studio Museum in Harlem reopened in November 2025 after a seven-year reconstruction, unveiling a new building designed by Adjaye Associates and Cooper Robertson that incorporates architectural elements of Harlem, such as masonry-framed windows and a staircase evoking brownstone stoops. The reopening featured a major exhibition highlighting alumni from its renowned artist-in-residence program, which began in 1968 with Tom Lloyd as the first recipient. Founded by Charles E. Innis and a coalition of artists, activists, and philanthropists, the museum has long served as a nexus for artists of African descent, expanding the canon of Black art during the civil rights and Black Power movements.
The National Museum of Modern Art, Tokyo (Momat) is presenting "Anti-Action: Artist-Women’s Challenges and Responses in Post-war Japan," an exhibition that highlights the work of women artists in 1950s and 1960s Japan. Curated by Hajime Nariai, the show features Yayoi Kusama alongside figures like Atsuko Tanaka, Tsuruko Yamazaki, and Hideko Fukushima, as well as ten lesser-known artists whose names have been largely forgotten. The exhibition uses the term "anti-action," coined by art historian Izumi Nakajima, to describe these artists' shared determination to resist the dominant masculine ethos of action painting and Eurocentric art trends, instead forging their own unique practices.
The Art Newspaper has published its 2025 Christmas gift guide, featuring a curated selection of art-related presents. Suggestions include art supplies from London's historic L. Cornelissen & Son, Japanese Irojiten color pencils, and cookbooks like "The Kitchen Studio: Culinary Creations by Artists" and the out-of-print "The Museum of Modern Art Artists' Cookbook." The guide also includes fantasy gift lists from Frieze and Art UK, with items such as Alexander Calder playing cards and a Tom of Finland cushion from House of Voltaire, alongside more unusual ideas like a sponsorship deal for a Victorian loo or a Lego Louvre heist set.
At Art Basel Miami Beach, one year into Donald Trump’s second presidential administration, most galleries are avoiding overt political themes, though a few notable exceptions stand out. The most talked-about piece is Maurizio Cattelan’s marble sculpture *Bones (2025)*, a crashing eagle metaphor for the nation’s state, shown on Gagosian’s stand. Other politically charged works include Nicholas Galanin’s burned totem pole and drone-inspired rug, David Hammons’ *African American Flag (1990)*, and Tim Youd’s typewriter performance of Hunter S. Thompson’s book. Most exhibitors, however, focus on apolitical American iconography or market-driven choices.
Sotheby's will auction Maurizio Cattelan's solid gold toilet sculpture, *America* (2016), during its evening sale of contemporary art in New York on 18 November. Bidding starts at approximately $10 million, based on the current market value of the 18-karat gold used in the work. The piece, a fully functioning toilet modeled after a standard Kohler design, will be on view at Sotheby's Breuer Building from 8 to 17 November, though visitors will not be allowed to use it. This is the only surviving edition; another was famously stolen from Blenheim Palace in 2019 and believed melted down.
The Princeton University Art Museum (PUAM) is opening a new 146,000-square-foot facility on October 31, doubling its previous exhibition and education spaces. The original 1880s building, which underwent multiple additions before being demolished in 2021, could only display about 2% of Princeton's 117,000-object collection. Designed by Adjaye Associates with executive architect Cooper Robertson, the new three-story museum features nine interlocking pavilions, 80,000 square feet of exhibition space, classrooms, and a grand hall. Curators have rethought the installation to move away from rigid geographic and chronological categories, instead emphasizing cross-cultural and cross-media pairings, such as placing Andy Warhol's Blue Marilyn (1962) alongside a 14th-century Italian Virgin and Child.
The article presents a curated guide to ten essential artworks in Dresden, Germany, highlighting the city's recovery from World War II devastation to reclaim its status as a Kunststadt (city of art). It focuses on masterpieces housed in the Staatliche Kunstsammlungen Dresden (SKD), including Raphael's *Sistine Madonna* (1512/13) at the Gemäldegalerie Alte Meister, Caspar David Friedrich's *The Great Enclosure* (1832) at the Albertinum, and a tiny cherry pit with 185 carved heads from the Grünes Gewölbe. The piece traces Dresden's golden age under rulers Augustus the Strong and Frederick Augustus II, whose acquisitions built one of Europe's most celebrated art collections.
Christie's will auction over 40 works from the collection of the late Stefan Edlis and his wife Gael Neeson, beginning with the 21st Century Evening Sale on 19 November and the Post-War & Contemporary Art Day Sale on 20 November in New York, with additional offerings continuing through 2026. The collection, housed in the couple's Chicago residence, includes iconic pieces by artists such as Ed Ruscha, Urs Fischer, Jeff Koons, Cindy Sherman, and Diego Giacometti, reflecting a blend of avant-garde, Pop, and Art Deco design.
Art Basel Paris held its fourth edition with a new VIP preview slot called Avant Première, where galleries nominated six key collectors to enter the fair on Tuesday afternoon before the main opening. Major sales were reported, including a $23 million Gerhard Richter painting at Hauser & Wirth, a Modigliani for nearly $10 million at Pace, and a $7.5 million Ruth Asawa sculpture at David Zwirner. CEO Noah Horowitz discussed the rationale for the exclusive preview, the renaming of the VIP relations team to 'collector and institutional relations,' and the viability of the upcoming Art Basel Qatar fair amid growing competition in the Gulf region.
The article is a first-person reflection by Jesuit artist Nick Leeper on the 2024 Biennale d'Art Contemporain Sacré in Menton, France. Leeper describes entering the Grand Hôtel des Ambassadeurs expecting a traditional sacred art show but finding instead a mix of abstract sculptures, Venetian glassworks, and works by Man Ray, alongside more conventional religious pieces. The biennale, founded in 2019 by Liana Marabini, features 180 artists from 29 countries exploring the theme of "forgiveness," including major names like Damien Hirst, Yayoi Kusama, and Gerhard Richter, as well as artists from religious orders. Leeper recounts how visitors at the opening asked what makes such diverse works sacred.
Peter Doig's exhibition 'House of Music' at Serpentine South in London centers on the relationship between visual art and sound, featuring paintings like 'Maracas' (2002-08) and 'Music of the Future' (2002-07) alongside a restored Western Electric/Bell Labs sound system from the late 1920s. The show includes a series of live Sunday events called 'Sound Service,' where Doig, Ed Ruscha, Arthur Jafa, and others play records, transforming the gallery into an immersive audio-visual experience.
The Fondation Louis Vuitton in Paris is opening a massive retrospective of Gerhard Richter's work, featuring 275 pieces spanning his entire career from the 1960s to recent ink-cloud drawings. Curated by Dieter Schwarz and Nicholas Serota at Richter's own suggestion, the exhibition is strictly chronological and occupies over 3,000 square meters of Frank Gehry-designed gallery space. It includes iconic works like *Uncle Rudi* (1965) and *Table* (1962), alongside very recent small-scale drawings, and draws from both public and private collections.
Property developer Rajan Bijlani, based in north London, has turned his home Fonthill Pottery—formerly the residence and studio of ceramicist Emmanuel Cooper—into a showcase for his collection of 20th-century design, sculpture, and paintings. His focus is Modernist furniture, particularly works by Pierre Jeanneret, one of the architects of Chandigarh, India. Bijlani owns over 500 pieces, including Jeanneret's 1960 Dining Table and Easy Chairs (1956), as well as works by Le Corbusier and George Nakashima. He staged his first home exhibition last year featuring South Asian diaspora artists, and this year presents 'Electric Kiln,' pairing Jeanneret and Le Corbusier pieces with works by Cooper, Lucie Rie, and Frank Auerbach. Some works are for sale to fund future shows, including a Japan-themed exhibition and one timed to London Gallery Weekend.
The National Gallery Singapore will host Southeast Asia’s largest exhibition of French Impressionist art, titled “Into the Modern: Impressionism from the Museum of Fine Arts, Boston,” from November 14, 2025, to March 1, 2026. The show features over 100 paintings on loan from the Museum of Fine Arts, Boston, including works by Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Paul Cézanne, Berthe Morisot, and Camille Pissarro, with 17 Monet paintings such as ‘Poppy Field in a Hollow near Giverny’ and ‘Cap Martin near Menton.’ None of the artworks have been displayed in Southeast Asia before.
The Lévy Gorvy Dayan Gallery on Manhattan's Upper East Side has opened "Downtown/Uptown: New York in the Eighties," an exhibition co-curated by Brett Gorvy and legendary downtown gallerist Mary Boone. The show features works by iconic 1980s New York artists including Andy Warhol, Jean-Michel Basquiat, Keith Haring, Julian Schnabel, Barbara Kruger, Jeff Koons, Francesco Clemente, Kenny Scharf, the Guerilla Girls, Robert Mapplethorpe, Cindy Sherman, and Louise Lawler. Admission is free, and the exhibition runs through December 13.
Agnes Gund, the influential American arts philanthropist and collector, has died at age 87. Gund was a transformative figure at the Museum of Modern Art (MoMA) in New York, serving on its board from 1976, as president from 1991 to 2002, and later as president emerita. She helped raise funds for MoMA's $858m expansion, donated around 100 works to the museum, and pushed for acquisitions of women and artists of color. Beyond MoMA, she founded Studio in a School in 1977 to bring art education to New York City public schools and co-chaired a Sotheby's auction to support Miss Porter's School. Her death was first reported by The New York Times; she is survived by four children.
The Studio Museum in Harlem, founded in 1968 in a rented loft above a liquor store, will open its first purpose-built 82,000-square-foot building on West 125th Street this fall, following a landmark $300 million capital campaign led by director and chief curator Thelma Golden. Designed by Adjaye Associates with Cooper Robertson, the new facility doubles the exhibition and studio space and includes dedicated areas for performance, education, and public programs. The museum, which has operated without a permanent space since 2018, has been a pioneering platform for artists of African descent, launching the careers of figures like David Hammons, Kerry James Marshall, Glenn Ligon, and Simone Leigh through its groundbreaking exhibitions and artist-in-residence program.
Christie's will auction the collection of Danish collector Ole Faarup during its October 2025 Marquee Week, featuring around 140 lots with an overall estimate of £16–22 million. Highlights include major works by Peter Doig, Chris Ofili, and Jean-Michel Basquiat, alongside Danish and international artists. Proceeds from the sale will benefit The Ole Faarup Art Foundation, which supports emerging artists and cultural institutions.
Artnet News's Wet Paint column reports that former David Zwirner director Felix Rödder is opening his own gallery, Rodder (no umlaut), on September 18 at 22 East 80th Street on the Upper East Side, in the same building as Sprüth Magers. The jewel-box space, formerly Barbara Mathes Gallery, will debut with a solo show of sculptural paintings by Wyatt Kahn. Rödder, a lawyer-turned-dealer, plans to mix contemporary programming with historical exhibitions, keeping overhead low and avoiding art fairs for now. The column also teases a mention of Aby Rosen's involvement in the New York mayoral race.
The legendary Surrealist collection of the late Pauline Karpidas, a renowned art patron and collector, will be auctioned at Sotheby's London in September 2025. The sale spans approximately 250 lots from her eccentric London home, featuring masterworks by René Magritte, Leonora Carrington, Salvador Dalí, Max Ernst, and Les Lalannes. The collection is expected to fetch over £60 million ($81 million), the highest estimate ever placed on a single collection at Sotheby's Europe. Highlights include Magritte's 'La Statue volante' (1940–41), estimated at £9–12 million, and works acquired directly from the estates of Surrealist figures like André Breton and Paul Éluard.
The Metropolitan Museum of Art has announced its MetLiveArts fall and winter 2025–26 season, featuring world premiere performances and commissions created specifically for the museum's galleries, as well as concerts in the Grace Rainey Rogers Auditorium. The season highlights a significant number of new works by female artists, including composers and musicians Gabriela Ortiz, Wu Man, Hanzhi Wang, Emily Wells, Layale Chaker, and Leilehua Lanzilotti. Performances will draw inspiration from the Met's collection and special exhibitions like 'Man Ray: When Objects Dream,' with events beginning September 9, 2025, featuring Wu Man and The Knights. The season also includes the JACK Quartet as the museum's 2025–26 Quartet in Residence and the appointment of Sarah Jones as Head of Live Arts.
Kew Gardens in London will host the largest-ever open-air exhibition of Henry Moore's sculptures from May to September 2026, titled "Henry Moore: Monumental Nature." Thirty works, including major bronzes like "Large Two Forms" and "Oval with Points (1968-70)," will be displayed across the 320-acre Unesco World Heritage site, with additional pieces in the Temperate House. The Henry Moore Foundation is lending most works, while 90 more pieces—including prints and drawings—will be shown indoors at the Shirley Sherwood Gallery, with loans from Tate and the Sainsbury Centre for Visual Arts. Four sculptures will also be exhibited at Kew's Wakehurst botanic garden in Sussex alongside contemporary commissions.
A major retrospective of German artist Gerhard Richter, co-curated by former Tate director Nicholas Serota, will open at the Fondation Louis Vuitton in Paris from 17 October 2025 to 2 March 2026. The exhibition features 270 works spanning 1962 to 2024, including paintings, drawings, watercolours, overpainted photographs, glass works, and digitally generated Strip images. It is organized chronologically, with sections devoted to Richter's early photo-based works, his 1972 Venice Biennale pieces, abstract explorations, sombre reflections including the October 18, 1977 series, and his later experiments beyond painting. Key loans come from the Museum of Modern Art in New York, the Tate, the Hirshhorn Museum, and Museum Ludwig, Cologne, alongside works from the Fondation's own collection.
Albright College, a liberal arts institution in Reading, Pennsylvania, is selling its entire art collection of mostly works on paper to address a $20 million budget shortfall. The online-only sale, held on July 16 at Pook & Pook auction house, includes 524 lots featuring works by artists such as Karel Appel, Romare Bearden, Jasper Johns, Jacob Lawrence, and Bridget Riley. College administrators, including vice-president James Gaddy, describe the collection as "not core to our mission" and estimate the consigned pieces are worth $200,000, while the cost of maintaining the gallery and collection exceeds $500,000 annually. The sale is part of broader cost-cutting measures that have already included laying off 53 employees and selling non-contiguous properties.
The Los Angeles County Museum of Art (Lacma) opened its new $720 million David Geffen Galleries building to 2,000 members and guests for previews on June 27, 2025, before its official opening in April 2026. Designed by Swiss architect Peter Zumthor, the elevated concrete structure spans Wilshire Boulevard with 110,000 square feet of gallery space, floor-to-ceiling windows, and a 300-seat theater. Musician Kamasi Washington organized a "sonic preview" with 100 jazz musicians performing his six-part suite *Harmony of Difference* throughout the empty space. The building sits adjacent to the preserved Japanese Pavilion (designed by Bruce Goff, 1988) and features Tony Smith's sculpture *Smoke* (1967) in a courtyard.
The Los Angeles County Museum of Art (LACMA) held its first public event inside the new Peter Zumthor-designed David Geffen Galleries on Thursday evening, offering a sneak peek before art is installed. The preview featured a site-specific concert by composer Kamasi Washington, with multiple bands and a choir performing throughout the empty concrete galleries. The building, which has been under construction for five years, is targeted to open in April 2026, though some construction details remain unfinished and landscaping is still settling.
The Los Angeles County Museum of Art (Lacma) has acquired Jeff Koons's monumental floral sculpture *Split-Rocker* (2000), a 37-foot-tall work featuring two halves of children's rocking toys embedded with over 50,000 flowering plants. Donated by collectors Lynda and Stewart Resnick through their foundation, the sculpture will be installed outdoors later this year, ahead of the museum's $715 million David Geffen Galleries opening in 2025. The work has previously been displayed at the Palais des Papes in Avignon, Château de Versailles, Fondation Beyeler, Glenstone, and Rockefeller Center.