The Centre for Heritage, Arts and Textile (Chat) in Hong Kong has opened the exhibition 'Threading Inwards,' which explores the deep connection between textiles and spirituality across Asia. The show features 14 artists from the region, working in media from painting to video, who use fabric and fiber to create portals, shrines, and installations that bridge the material and spiritual realms.
Lebanon’s Ministry of Culture has formally petitioned UNESCO to secure enhanced protections for the nation’s cultural heritage sites as regional conflict intensifies. Culture Minister Ghassan Salamé urged the UN agency to intervene with belligerent parties to ensure the safety of irreplaceable landmarks, including the National Museum of Beirut and the Roman ruins of Baalbek. UNESCO confirmed it has shared the coordinates of these World Heritage sites with all involved parties to prevent accidental or intentional targeting during military operations.
Christie's has promoted Kimberly Miller to the role of Global Managing Director of its luxury division. This move follows a period of strong performance for the auction house's luxury categories, which saw sales reach $795 million in 2025, a 17% increase, significantly outpacing its overall growth. Miller previously served as regional managing director for luxury in the Americas, where she oversaw jewelry, watches, wine, and handbags, and integrated the automotive auction house Gooding & Company.
sebastia west bank archaeological site israel palestinians
Israeli authorities have announced plans to seize a 182-hectare archaeological site in the West Bank town of Sebastia, the largest such land seizure for an archaeological project since 1967. The plan includes building a visitor center, parking lot, and a fence that would separate the site from the Palestinian town, cutting off local access to both the ruins and surrounding olive groves. The move has been denounced by Palestinian residents and officials as an aggression that threatens livelihoods and erases Palestinian identity.
Saudi Arabia is scaling back some of its ambitious 'gigaprojects' under the Vision 2030 plan due to falling oil prices and budget constraints, raising questions about the future of its major cultural investments. This shift occurs as the art world's attention turns to the Gulf region for the inaugural Art Basel Qatar, highlighting the tension between grand cultural ambitions and economic realities in a key emerging art market.
Underwater archaeologist Franck Goddio and his Institut Européen d’Archéologie Sous-Marine (IEASM) team have discovered the remains of a 35-meter-long ancient Egyptian pleasure boat, known as a thalamagos, in the submerged Portus Magnus off Alexandria’s harbor. The 28-meter preserved timbers, found seven meters underwater and buried under sediment, represent the first physical evidence of such vessels, previously known only from ancient texts like Strabo's Geography and the Nile mosaic at Palestrina. The ship, built in Alexandria and propelled by oars, features a central pavilion and Greek graffiti from the 1st century C.E., and may have sunk around 50 C.E. during the destruction of the temple of Isis on Antirhodos Island.
Three Texas-based researchers have successfully radiocarbon dated ancient cave paintings in the Lower Pecos Canyonlands along the Rio Grande border between Mexico and West Texas, using a novel combination of technologies. By dating the deer bone marrow used as a paint binder—rather than the mineral pigments themselves—and employing plasma oxidation to extract carbon, the team analyzed 53 figures across 12 sites. Their findings, published in *Science Advances*, reveal that individual murals were created in single painting events, not accumulated over centuries, and that the paintings span four millennia, from about 5,760 to 1,035 years ago.
Belgian police are investigating the theft of the infant Jesus figure from a controversial Nativity scene at a Brussels Christmas market. The installation, created by German artist Victoria-Maria Geyer, features faceless cloth figures intended to allow all Catholics to identify with the biblical story, but it sparked a national scandal and political backlash, with critics calling the design zombie-like and the €65,000 cost exorbitant. The figure was stolen from its manger in the early hours of November 29, and authorities have since replaced it with a new model.
A Winston Churchill painting, *Churchill’s Marrakech* (circa 1935), sold for $1.3 million at Heffel Fine Art Auction House in Toronto, more than double its high estimate of $600,000. The work was the top lot in a 27-lot sale of deaccessioned works from the Hudson’s Bay Company corporate collection, which realized $4.9 million in total hammer price. Churchill had gifted the painting to his wife, Lady Clementine Ogilvy Spencer-Churchill, who donated it to Hudson’s Bay in 1956.
Pemberton Asset Management, a European private credit manager backed by Legal & General, has acquired the auction house Bonhams from private equity firm Epiris for an undisclosed sum. The acquisition led to the departure of Bonhams's global CEO Chabi Nouri and chief commercial officer Céline Assimon, with a new senior leadership team appointed including Seth Johnson as CEO, Liese Thomas as CFO, and Jennifer Babington as COO. Bonhams chairman Hans-Kristian Hoejsgaard will remain in his role, while Chris Ellerker and Mohit Agarwal from Pemberton join the board.
Artist Alex Vellis responded to criticism from conservative commentators, including Elon Musk and US Vice President JD Vance, over a graffiti-style art installation at Canterbury Cathedral. The installation, titled “HEAR US,” features questions posed to God, such as “What is the architecture of heaven?” and “Why are you indifferent to suffering?” Created through workshops with marginalized communities—including the Punjabi, black and brown diaspora, neurodivergent individuals, and the LGBTQIA+ population—the work uses spray-paint-like lettering but was not actually painted onto the historic building. Vance called the installation “ugly,” while Musk accused it of being “anti-Western propaganda.” Vellis responded on Instagram with a crude retort and the hashtag #freepalestine.
Archaeologists have identified ancient Egyptian iconography on a marble lintel in a Roman-era bathhouse at Sagalassos, Turkey. The carving depicts the sphinx god Tutu, flanked by two human figures wearing the crowns of Upper and Lower Egypt, along with deities Horus and Sobek. Dating to the reign of Emperor Augustus (27 BCE–14 CE), the panel was found in the frigidarium and was sourced from marble quarried over 124 miles away in the Afyonkarahisar region.
The National Museum of Yemen was damaged during Israeli airstrikes on Sanaa on Wednesday, according to the Houthi Ministry of Culture. The bombardment, part of escalating regional tensions linked to the Gaza war, killed 45 people and injured 165. Video footage shows the museum courtyard littered with rubble, and its windows and doors destroyed, though the building remains standing. The museum had only reopened in May 2023 after a decade-long closure due to Yemen's civil war.
A 54-pound chunk of Mars, believed to be the largest Martian meteorite ever discovered on Earth, will be auctioned at Sotheby’s New York on July 16 with an estimate of $2 million to $4 million. Named NWA 16788, the meteorite was found in November 2023 in Niger’s Agadez region and accounts for 6.5 percent of all known Martian material on Earth, making it 70 percent larger than the next largest piece. Sotheby’s is billing it as the most valuable meteorite ever offered at auction, and it will be on public view from July 8–15 before the live sale.
Peru’s Ministry of Culture has unveiled the archaeological site of Peñico, a 3,500-year-old city in the province of Huaura, after eight years of research and conservation. Dating back to 1800 BCE, the “City of Social Integration” was strategically built to enhance monumentality, prevent flooding, and promote trade. It likely served as a hub linking Pacific coast cultures with the Andes and Amazon. Archaeologist Ruth Shady, director of the Caral Archaeological Zone, led the research and noted that Peñico emerged after the Caral civilization was devastated by climate change. The site includes 18 structures, among them a major administrative building with depictions of conch shell trumpets called pututus, and yielded artifacts such as clay sculptures, necklaces, and stone tools. The site opened for tourism on July 3, with a traditional Andean festival planned for July 12.
A group of high-profile art market veterans—Ed Dolman, Alex Dolman, Brett Gorvy, Philip Hoffman, and Patti Wong—have launched a new collaborative consultancy called New Perspectives Art Partners (NPAP). Unlike traditional advisory firms, NPAP operates on a flexible, project-based model where partners retain their existing roles and assemble only for high-level, specialized challenges. The consultancy aims to advise collectors, fiduciaries, and family offices on managing, growing, or dispersing significant collections, leveraging the partners' deep experience across auction houses, galleries, institutions, and advisory, with a global footprint spanning Hong Kong to Doha.
A new exhibition at the Pompeii Archaeological Park, titled “Being a Woman in Ancient Pompeii,” aims to correct centuries of historical neglect by highlighting the lives of real women from the ancient city. Through frescoes, artifacts, inscriptions, and an interactive app, the show presents the stories of entrepreneurs, priestesses, innkeepers, artisans, sex workers, and slaves—including Clodia Nigella, a public pig-keeper; Faustilla, a pawnbroker; Asellina, a tavern owner who employed bar workers and sex workers; Julia Felix, an independent property owner who rented out her bathhouse; and Eumachia, a businesswoman. Co-curated by archaeologist Francesca Ghedini, the exhibition uses archaeological evidence to reconstruct the personalities and daily activities of these women, whose roles have long been obscured by male-dominated historical narratives.
Jonathan Crockett, deputy chairman of Phillips in Asia, reflects on the auction house's 10-year journey in the region, from a small Hong Kong office to a major presence in the West Kowloon Cultural District. He recounts his career path from Christie's and Sotheby's to founding his own advisory firm, then joining Phillips to launch its Asian operations, overcoming brand confusion and building a robust client network.
A ceremonial saber commissioned by Napoleon Bonaparte in 1802 sold for €4.6 million ($5.2 million) at Giquello auction house in Paris on May 22, far exceeding its estimate of €700,000–€1 million. The sword, made by master armorer Nicolas-Noël Boutet, was given to Marshal Emmanuel de Grouchy on the eve of the Battle of Waterloo in 1815 and remained in his family ever since. It features a curved Damascus blade, gold-plated silver mounts, and a stingray-skin sheath, with classical imagery including Medusa, Hercules, and Mars. The sale was part of a 20-lot auction at Hôtel Drouot that also included a 15th-century sword, a Gabonese mask, and a 17th-century tapestry.
Ukrainian President Volodymyr Zelenskyy presented Pope Leo XIV with a Ukrainian religious icon painted on a fragment of an artillery crate from the front lines in the Kharkiv region, following the Pope's inaugural Mass on May 18, 2025. Zelenskyy described the icon, depicting the Virgin Mary and child, as a symbol of life that must be protected, referencing children affected by Russia's invasion. The meeting in Vatican City also included discussions about peace talks, with the Pope offering to host negotiations between Ukraine and Russia.
Photographer Peter Fraser has collaborated with Bottega Veneta on a new series of 27 photographs exploring Venice, capturing both its iconic landmarks—canals, marble floors, Byzantine façades—and its overlooked details like construction cranes, discarded plaster casts, and beached boats. The images are juxtaposed with Bottega Veneta's intrecciato bags from Louise Trotter's first collection, nodding to the fashion house's long history in the Veneto region. In an interview, Fraser discusses his approach to photographing a city burdened by its own legacy, emphasizing the need to distance himself from preconceptions and to shoot based on feeling rather than appearance.
Harmonia Rosales, an Afro-Cuban artist known for reimagining Renaissance and baroque iconography with Black bodies, and Ingrid Best, an Afro-Latina wine entrepreneur and art collector, discuss their friendship and mutual support in an interview for Cultured. They first connected at Rosales’s 2022 show at UTA in Los Angeles, where Best was part of a collective that purchased Rosales’s work, including the piece *Strangler Fig: Adam and Eve*. Rosales later became the first artist to invest in Best’s wine business, IBEST Wines, which sources from underrepresented regions. Their conversation covers ownership, community, and creating structures that sustain women’s legacies beyond mere representation.
The article reviews "A World in the Making: The Shakers," an exhibition at the Institute of Contemporary Art, Philadelphia, running through August 9, 2026. It pairs Shaker material culture with works by seven contemporary artists, including Kameelah Janan Rasheed, who responds to the archive of Rebecca Cox Jackson, a Black Shaker leader. The exhibition explores how Shaker communal practices, craft traditions, and devotional art resonate in today's digital age, where handmade aesthetics often become lifestyle signals rather than shared experiences.
Sharon Maidenberg, who became the Ernest and Sarah Butler Executive Director & CEO of the Contemporary Austin in summer 2020, reflects on her five-year tenure in an interview with CULTURED. Under her leadership, the museum has navigated the pandemic, deepened programming, expanded accessibility with an ADA ramp and offerings for visually impaired and neurodivergent visitors, launched sustainability initiatives with the Teiger Foundation and Rute Collaborative, and hosted its annual Art Dinner featuring a Benefit Art Auction with works by Lubaina Himid, Ed Ruscha, RF. Alvarez, and others. Current exhibitions include “The Canvas Can Do Miracles,” “HOST: Raul De Lara,” and “Teddy Sandoval and the Butch Gardens School of Art.”
Axelle de Buffévent, a Paris-based creative, has restored an 18th-century former clergy house in Burgundy, originally built in 1748 and revamped in 1841, into a personal country retreat. The property, discovered online in 2018, was previously owned by an art-world photographer and filled with works by artists like Pierre Alechinsky, Olivier Debré, Robert Combas, and Cy Twombly. De Buffévent worked with local artisans and her friend, architect Gaël Lunven, to restore the house, blending 18th-century antiques from her father with contemporary design pieces by Bethan Laura Wood, Noé Duchaufour-Lawrance, and Mathieu Mercier, as well as works by digital artist Miguel Chevalier and others.
Versace has appointed Dario Vitale as its new Chief Creative Officer, and under his direction, the house launched the Spring/Summer 2026 collection at Milan Fashion Week alongside a new initiative called Versace Embodied. This series commissions photographers, painters, filmmakers, and poets to reinterpret Versace’s visual language through their own mediums. The first chapter features contributions from photographer Stef Mitchell, poet Eileen Myles, artist Collier Schorr, photographer Camille Vivier, and photographer Andrea Modica, whose works range from motorcycle portraits to hand-drawn nudes and regional Italian portraiture.
Storm Ascher, an artist and curator who has spent years in the Hamptons, founded the Hamptons Black Arts Council in 2020 to support public programming for Black artists and arts organizations. This summer, the council is marking milestones including the "Mami Wata" benefit exhibition at the Eastville Community Historical Society, which explores themes of water, healing, and Black women's history, and the establishment of a permanent contemporary art collection at Eastville with works by artists like Sanford Biggers and Derrick Adams.
DE SÃO PAULO A NUEVA YORK: EL MUSEO DE LA ERRANCIA DE ÉDOUARD GLISSANT
The exhibition "La tierra, el fuego, el agua y los vientos: Por un Museo de la Errancia con Édouard Glissant" has traveled from the Instituto Tomie Ohtake in São Paulo to the Center for Art, Research and Alliances (CARA) in New York, marking its first U.S. presentation. Curated by Manuela Moscoso with Marian Chudnovsky, and building on prior work by Ana Roman and Paulo Miyada, the show engages with the philosophy of Martinican poet and philosopher Édouard Glissant, particularly his concepts of errantry, Relation, opacity, and the Tout-Monde. It centers on Glissant's unrealized idea of a museum as a fluid, porous space that resists colonial frameworks and fixed origins, featuring works by artists such as Melvin Edwards, Gerardo Chávez, and Eduardo Zamora.
QUISQUEYA HENRÍQUEZ: EL CENTRO PUEDE ESTAR EN TODAS PARTES
A major retrospective exhibition titled "El centro puede estar en todas partes" (The Center Can Be Everywhere) for artist Quisqueya Henríquez has opened at the Centro de Arte Complutense in Madrid. Curated by René Morales with Isabella Lenzi and Alfonsina Martínez, the show presents the most comprehensive European review of Henríquez's multidisciplinary work, spanning photography, video, collage, and installation, and is organized thematically rather than chronologically.
Texas's art landscape is increasingly defined by its robust circuit of annual juried exhibitions, which serve as vital entry points for emerging artists. These recurring events, such as Lawndale’s The Big Show and Craighead Green Gallery’s New Texas Talent, provide a platform for artists to have their work reviewed by guest curators, museum professionals, and gallerists, often leading to formal representation or solo exhibition opportunities.