Earlier this month, artist SpY installed "Halos," a large-scale installation of dozens of metallic discs suspended from the ceiling of a former railway factory in Florence. The work was part of the city's Bright Festival, transforming the brutalist industrial interior into a space of ethereal movement and reflection, with the discs interacting with natural breezes and glimmering light.
The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring Vilanova's collection of postcards sourced from flea markets over more than twenty years. The work critiques traditional archival systems through accumulation, repetition, and fragmentation, and includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale.
ESPANA ORIOL VILANOVA Y LA ABOLICION DEL MUSEO Y EL ARCHIVO
The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring over twenty years of postcards collected from flea markets, arranged in a wall-based accumulation that challenges linear narrative and archival hierarchy. The project also includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale through unannounced encounters.
The Uruguay Pavilion at the 2026 Venice Biennale presents "ANTIFRAGIL," a new installation by artist Margaret Whyte, curated by Patricia Bentancur. The work combines textiles with obsolete technological objects such as old machines, motorcycle helmets, and waste fragments, embodying the concept of antifragility developed by Nassim Taleb—systems that grow stronger through disorder and instability. Whyte's practice transforms fragility and vulnerability into poetic resistance, challenging traditional hierarchies between craft and contemporary art.
Thomas Duffield, a photographer, has created a body of work documenting his relationship with his father after years of estrangement. The project captures their gradual reconnection, moving beyond superficial conversation to address deeper, unspoken tensions. Duffield's images explore the emotional landscape of rebuilding a father-son bond, using photography as a tool for reconciliation and understanding.
Artist with disabilities debuts their first solo exhibition in Williamsburg, Brooklyn, as reported by the Brooklyn Eagle. The show marks a significant milestone for the artist, who has navigated barriers in the art world to present a body of work in a professional gallery setting.
The Schaap Center, a long-anticipated arts venue, is finally opening this weekend, fulfilling a dream for local arts enthusiasts in the Detroit area. The center is expected to host a variety of cultural events and exhibitions, marking a significant milestone for the community's arts scene.
Studio B Boyertown has appointed Bob Hakun as its new gallery director. Hakun, an assemblage artist who creates works from found objects, previously worked as a computer graphic designer and prepress manager after his career designing Halloween masks and costumes moved overseas. He is a 1976 graduate of Kutztown University with a BFA in painting. The gallery is also presenting the exhibition “Form & Fiber: 3-Dimensional Expression in Art,” featuring 3-D and fiber works by Hakun and fifteen other artists, running through June 21.
Open Up Sheffield, an annual open studio event celebrating over 25 years of the city's cultural vibrancy, is holding its second leg this weekend on May 9-10. Over 140 artists across 90 venues are opening their homes and studios to the public, showcasing works from ceramics to paintings. The first leg took place over the Bank Holiday weekend, featuring artist Tom Heller, 80, who sells his work to benefit the charity Spreading Health, which trains nurses in Cameroon. The event is organized by a small committee on a not-for-profit basis and sponsored by RivelinCo.
Inspiration Space in Bangkok presents "Ganesha," a dual-artist exhibition running from 9 May to 5 July 2026, curated by Kullaya Kassakul. The show features paintings by Piya Charoenmuang, who created thousands of Ganesha works daily during the COVID-19 lockdown (2021–2024), exploring faith, success, and imperfection through mixed media and texture. It also includes a ceramic Ganesha sculpture by Yonkwan Thanyaset (Paint), fired at high temperatures and repaired with Kintsugi, highlighting cracks as beauty. The exhibition unfolds in two phases: Piya's paintings from 9 May, with the full ceramic installation joining from 6 June.
Jasper Arts presents a solo exhibition titled 'Talitha Cumi' by Marion, Indiana artist Tashema Davis at the Thyen-Clark Cultural Center, running May through July 2026. The show features original oil and acrylic paintings, with an opening reception and gallery talk on May 7, followed by additional receptions on June 4 and July 2. Davis, who teaches art at Marion High School, creates vibrant portraits focused on brown faces, drawing from her childhood in Gary, Indiana, and her graduate training at Ball State University.
Belgian artist Jamz Jamezon presents 'Before Common Era' at Espaço JALI in Silves, Portugal, running until May 24. The exhibition features canvas paintings, wooden sculptures from salvaged materials, and reclaimed cardboard works, alongside a film documenting his murals. Jamezon, who began his career in graffiti in Ghent, now creates large-scale public murals in hospitals, schools, and care centers, aiming to bring calm and fantasy to intense environments. The venue, a former cork factory transformed by Marion Buz into a cultural center, also hosts a cork oak tree mural painted by the artist in its garden.
The RISD Museum in Providence is spotlighting diversity through a series of exhibitions and programs in spring 2026. Highlights include the third Black Biennial, titled "Please Catch Me When I Fall," organized by students Karma Johnson, Khalil McKnight, and King Meulens, featuring over 50 works by Black artists from the school and local community. Other exhibitions range from "A Shared Journey: The Barkan Contemporary Ceramic Collection" to "Natchiq | Onkeehq | Isuwiq: Indigenous Artists Honor the Seal" and "The Artistry and Reunion of Two Surimono Albums," alongside ongoing displays like "Shimmering Beauty: Kingfishers in Art and Poetry."
Cumbria's largest museum, Tullie House Museum and Art Gallery Trust in Carlisle, has appointed six new trustees to its board, expanding the total to 15 members. The new trustees include Lord Richard Inglewood, a former government minister; Lisa Middleton, head of marketing at National Museums Liverpool; Joanne Orr, former director of Tullie and ex-chief executive of Museums Galleries Scotland; Malcolm Rogers, a banking and finance specialist; Helen Smout, chief executive of Culture Perth and Kinross; and John Stevenson, a former MP for Carlisle. The appointments were announced by Tullie chair Andrew Smith and director Andrew Mackay.
The West End Gallery in Corning, New York, will host a tribute exhibition for the late artist Martin A. Poole, a Corning native who passed away in late 2025. The show runs from May 15 to June 11, 2025, with an opening reception on May 15 featuring harpist Meredith Kohn Boeck and treats from Old World Cafe. Poole, who studied fine arts and printmaking at SUNY Buffalo, taught at the 717 Cedar Arts Center and other local groups, and his work has been represented by West End Gallery for 47 of its 49 years.
Vault Artist Studios, a Belfast-based arts collective with over 100 members including musicians, circus performers, and visual artists, has moved into a temporary hub at Bankmore House on Bedford Street after spending three years at Victoria Street and the Shankill Mission building. The collective, formed in 2017 to transform derelict buildings into affordable studio space, now provides studios for 30 artists plus a gallery and project space, with further space opening soon in a former Masonic Lodge on the lower Newtownards Road. Their first exhibition in the new space, titled 'Mayday Mayday', serves as both a distress signal and a rallying call for workers.
Amyafrique Art Gallery, founded by Nigerian entrepreneur Okpara Judith Amarachi, is set to open in Lagos next month as a platform for African creativity. Amarachi, who transitioned from careers in fashion, modeling, and aviation after a life-changing visit to a Lagos gallery, launched the brand in 2021 and has since achieved milestones including the sale of a ₦10 million sculpture.
Atelier Gallery in Salmon Arm will host "Springing Forth," the first exhibition in the city from the Federation of Canadian Artists' Thompson Nicola Shuswap Chapter. The show runs from May 1 to May 16 and features works by artists from the Shuswap, Kamloops, and Okanagan regions, selected through a peer jury process.
Roma: apre a Trastevere un nuovo spazio culturale (c’è anche un radio sull’arte)
A new cultural space called ASIF has opened in Rome's Trastevere district at Via della Lungara 24, launching on May 8 with an exhibition titled "Educazione sentimentale per architetti" by artist and illustrator Chiara Carrer, running until June 20. The space is distinguished by an accompanying radio station that extends its reach through programs exploring art and the city, with a team including Yasmin Rosciglione, Arturo Zanaica, Novella Hoffer, Iacopo Taddia, Monica Dell'acqua, Edoardo Taddia, and Blanca Castro Xiques. The inaugural show, curated by Bonvini 1909 (named Artribune's gallery of the year in 2025), features over sixty works including collages, engravings, and sculptures centered on the theme of dwelling.
Santarcangelo Festival 2026, il borgo che si riempie di performance parlando di corpo come spazio politico sotto pressione
The 56th edition of the Santarcangelo Festival, titled "Deep Pressures," will take place from July 3 to 12, 2026, in the historic town of Santarcangelo, Italy. Curated by Tomasz Kirenczuk in his final year as artistic director, the festival transforms the town into a "city-festival" with over 100 events including performances, concerts, and participatory practices. The program explores the body as a political space under pressure—from geopolitical conflict and colonial legacies to emotional and social tensions. Key works include "In relation to whom?" by Palestinian artists Marah Haj Hussein and Nur Garabli, "When I Saw the Sea" by Lebanese choreographer Ali Chahrour, and "Homem Novo" by Mozambican artist Yuck Miranda, among others. The festival was presented at Mambo in Bologna, with Kirenczuk emphasizing that the role of the festival is to be unsettling, not reassuring.
L’aeroporto di Padova vuole diventare un hub culturale
Padua's Gino Allegri Airport, historically used for military purposes and now partially repurposed for commercial and tourist flights, is transforming into a cultural hub. In December 2024, the Terminal Urbano opened inside the airport, a multifunctional space created by Heron Air (the private flight company that has managed the airport since 2021 under a 20-year concession). The space includes the Himmelmann exhibition area for temporary shows, performances, and conferences, and features permanent works such as Sergio Rodella's "Icaro." Now, the airport is moving to phase two: a massive renovation of former military hangars, set to begin by 2026, which will demolish old helicopter offices, refurbish the first hangar, and restore the former Aeroclub building. Some spaces will be sold to private entities, while others will be dedicated to public, non-profit artistic, and educational projects.
A Pompei nasce un’esperienza immersiva che riporta i visitatori proprio al 79 d.C. Ecco come funziona
A new immersive experience called Discovery Pompeii Alive is set to open in June 2026 at the MaxiMall Pompeii, just steps from the archaeological site of Pompeii. Developed by 3DBA and managed by Irgenre Group in collaboration with Warner Bros. Discovery Global Experiences, the project uses multisensory technology, spatial sound design, and interactive devices to transport visitors back to the hours before the eruption of Mount Vesuvius in 79 AD. The experience aims to reconstruct daily life in ancient Pompeii—its villas, public spaces, and homes—culminating in the eruption itself, blending historical reconstruction with emotional engagement.
The MAO – Museo d’Arte Orientale in Turin has launched an open call titled "We need your light," inviting the public to lend up to three lamps each for a large-scale collective installation. Participants can deliver their lamps on May 17-18, 2026, by booking a time slot via Eventbrite; the museum will collect the objects, rewire them for safety, and incorporate them into a site-specific artwork debuting during Turin's Art Week in October 2026. The museum also encourages lenders to share the story behind their lamp, which will be filmed and included in the exhibition.
La Biennale e il peso delle bandiere. Che senso hanno i padiglioni nazionali?
The article examines the inherent contradiction within the Venice Biennale: its historical structure of national pavilions, a legacy of 19th-century world fairs and state-sponsored art, clashes with the transnational, post-identity vision of the international exhibition curated by Koyo Kouoh. The return of the Russia Pavilion amid geopolitical conflict and the international show titled "In Minor Keys," which rejects national belonging as an interpretive criterion, highlight this tension. The piece also addresses the controversy over the lack of Italian artists in the main exhibition, questioning whether a Biennale hosted in Italy should guarantee national representation.
The WOW SIDE shopping centre in Fiumicino, Italy, has launched an open call for emerging artists as part of its PostArt project, now in its second edition. The 2026 theme is "La Voce" (The Voice), inviting artists to create works during a residency inside the shopping centre from June 26 to 28, 2026. The call is open until May 30, 2026, and selected works will be exhibited in the centre's galleries.
Vicino Firenze c’è un castello che ricorda l’Oriente. Al via la rinascita dei giardini con l’architetto Tommaso del Buono
The Castello di Sammezzano, a Moorish-style castle near Florence, Italy, is set for a major revival. Built in the 19th century by the Marquis Ferdinando Panciatichi Ximenes d'Aragona, the castle is one of Italy's most important examples of Orientalist architecture, featuring over sixty uniquely decorated rooms, a monumental park, and rare botanical species. After decades of neglect, auctions, and sporadic openings, the property was purchased in 2025 by the family of entrepreneur Giorgio Moretti, who plans a €50 million restoration. The first phase will focus on rehabilitating the historic gardens, with work beginning in June 2026.
Storia di Stampé è il nuovo atelier sociale di Torino: galleria d’arte, bottega, laboratorio di idee e di partecipazione
Stampé, a new community atelier in Turin, Italy, has opened at Via Stampatori 5, a historic street once home to printers. The space is a hybrid cultural hub combining an art gallery, a workshop, a showroom for artisanal and food products, and a social enterprise incubator. It launched with a group exhibition featuring seven cultural associations and the communication agency Hello Tomorrow, showcasing works by emerging artists and graphic artworks from past events. The initiative is part of the "Piani Generativi 2" social enterprise development project, funded by the city of Turin and the Compagnia di San Paolo foundation.
L’arrivo dell’hotel Orient Express a Venezia riapre lo storico Palazzo Donà Giovannelli (riempiendolo di arte contemporanea)
Palazzo Donà Giovannelli, a 15th-century Venetian palace, has reopened as the flagship Orient Express hotel after an eight-year restoration led by architect and interior designer Aline Asmar d’Amman. Located in the Cannaregio district, the 5-star luxury hotel features 47 rooms, suites, and residences, blending historical frescoes and neogothic details with contemporary sculptures, Murano glass chandeliers, and custom furnishings. The property, owned by Arsenale Group since 2019, includes a transformed courtyard lobby, a secret garden, and a rotating selection of contemporary artworks displayed in a passage called Calle Meraviglia.
Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video
The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.
Giuria o pubblico? La Biennale non è un algoritmo, ma neppure una liturgia
The article critically examines the proposal for "Visitor Lions" (Leoni dei Visitatori) at the Venice Biennale, arguing that the idea is a fragile, quick-fix response to a deeper crisis. It questions whether replacing expert juries with public voting would truly improve the selection process, noting that both systems have significant flaws: juries are not necessarily neutral, often rushed and filtered, while public voting risks favoring accessible, easily consumable works and reinforcing existing hierarchies.