metropolitan museum of art rockefeller wing reopening

The Metropolitan Museum of Art in New York has unveiled the renovated Michael C. Rockefeller Wing, dedicated to the art of Africa, Oceania, and the ancient Americas. Designed by Kulapat Yantrasast of WHY Architecture with Beyer, Blinder, Belle Architects, the 40,000-square-foot wing opened to the public on May 31, showcasing 1,800 objects from 663 cultures across 90 countries. The collection originated from Nelson Aldrich Rockefeller, who began acquiring non-Western art in 1930 and later founded the Museum of Primitive Art in 1957 after the Met initially declined his donation.

westmoreland frick collection restaurant review

The Frick Collection in New York has opened its first-ever restaurant, Westmoreland, named after founder Henry Clay Frick's private train car. Located on the museum's newly renovated second floor, the 50-seat dining room features interiors by Bryan O'Sullivan Studio, a mural by artist Darren Waterston, and a menu of comforting, unadventurous fare like caesar salad, club sandwich, and avocado toast. The kitchen is led by Skyllar Hughes, a veteran of Danny Meyer's Ci Siamo, and operated by Union Square Events. Only museum ticket holders can dine, and reservations must be made in person.

the phoenician scheme wes anderson renoir art collecting

Wes Anderson's new film *The Phoenician Scheme* features a protagonist, Zsa-Zsa Korda (played by Benicio del Toro), who is a jet-setting high roller with a vast but neglected art collection housed in a 16th-century palazzo. The collection includes authentic masterpieces such as an 1889 Renoir portrait once owned by Greta Garbo, a 1942 Magritte, and a 17th-century van Schooten still life, alongside replicas like a Peter Paul Rubens. The film, now playing in New York and Los Angeles, uses these artworks as props and backdrops, reflecting the protagonist's indifference to his possessions amid his shady business schemes and fractured family relationships.

laura raicovich circus of life counterpublic

Writer and curator Laura Raicovich is organizing a weekend-long festival called the "Circus of Life" in St. Louis, Missouri, taking place October 24–26 at the Big Top circus grounds in the Grand Center Arts District. The event is part of Counterpublic, a triennial civic exhibition founded in 2019 by James McAnally, and will feature artists, writers, theater groups, performers, and activists. Raicovich leads a team of four "ringleaders" including Kenneth Bailey, Galen Gritts, Jeanne van Heeswijk, and Nontsikelelo Mutiti, with additional participants such as Chloë Bass, Hilma's Ghost, and Kameelah Janan Rasheed. The program includes performances by Bread and Puppet Theater, conversations with Roxane Gay and Nermeen Shaikh, workshops, a parade, and communal meals, all free and open to the public.

art in america new talent issue 2025

Art in America's 2025 "New Talent" issue features 20 emerging artists chosen by the magazine's editors, including Nico Williams, Bint Mbareh, Justin Allen, Agnes Questionmark, and Brooklin A. Soumahoro. The issue also includes a postmortem on figurative painting by Barry Schwabsky, an essay on spiritual art by Eleanor Heartney, a symposium on art's purpose with seven artists, and a tribute to the late Jaune Quick-to-See Smith by Emmi Whitehorse. Other sections cover Suzanne Valadon, Hito Steyerl's book, and a debate between art fairs and biennials.

rasquachismo exhibition mcnay art museum

The McNay Art Museum in San Antonio mounted the exhibition "Rasquachismo: 35 Years of a Chicano Sensibility" to mark the 35th anniversary of scholar Tomás Ybarra-Frausto's foundational 1989 essay theorizing rasquachismo. The show, curated by Mia Lopez and on view from December through March, featured works by major Chicanx artists including Yolanda M. López, Carmen Lomas Garza, Santa Barraza, Celia Álvarez Muñoz, Carlos Almaraz, Frank Romero, Patssi Valdez, Luis Jiménez, and younger artists like Ruth Buentello, Juan de Dios Mora, and Jimmy James Canales. Ybarra-Frausto credited Mi Tierra Cafe y Panaderia in San Antonio's Historic Market Square as a key influence on his critical eye, describing the restaurant as a "hotbed of rasquachismo."

michelle grabner kohler independent

Michelle Grabner, a Milwaukee-based artist known for examining overlooked visual languages, has created a new series of porcelain sculptures at the Kohler Company's MakerSpace in Wisconsin. These works, which mimic janitorial supplies like sponges, sinks, and mop carts, are being shown at the Independent art fair this week with Cleveland's Abattoir Gallery. Grabner, who co-curated the 2014 Whitney Biennial and served as the inaugural artistic director of FRONT International, continues to expand her practice beyond painting into industrial materials, while also holding two concurrent museum retrospectives: "Underdone Potato" at the Schneider Museum of Art and "Under the Sink" at the Haggerty Museum.

moma curator jodi hoptman hilma af klint botanical drawings

MoMA has acquired a rare portfolio of 46 botanical drawings by Hilma af Klint, created between 1919 and 1920, and will present them in an exhibition titled “What Stands Behind the Flowers” from May 11 to September 27. Curator Jodi Hauptman discusses how the drawings reveal af Klint’s dual approach—traditional figuration alongside abstract diagrams—and her deep engagement with the natural world, including newly discovered evidence that she worked as a professional scientific illustrator for a mushroom specialist.

alejandro pineiro bello neuendorf residency

Cuban-born, Miami-based artist Alejandro Piñeiro Bello arrived at the Neuendorf Residency in Mallorca with plans to use art supplies shipped from mainland Spain, but they never arrived. Undeterred, he worked with only watercolors and paper he had packed, drawing inspiration from the surrounding cliffs, sea, and plant life. The residency, housed in a minimalist building designed by John Pawson and Claudio Silvestrin and commissioned by Artnet founder Hans Neuendorf, offered him solitude to create memory-based paintings of swimmers and landscapes.

chanel fund high tech arts center calarts

California Institute of the Arts (CalArts) will establish the Chanel Center for Artists and Technology, funded by the Chanel Culture Fund. The initiative focuses on artificial intelligence, machine learning, and digital imaging, creating dozens of new roles, fellowships for artists and technologists-in-residence, and graduate student support, along with cutting-edge equipment. CalArts president Ravi S. Rajan described it as among the largest corporate partnerships the school has had, potentially the largest for any art school.

renaissance painting feast of the gods

The article examines Giovanni Bellini's painting *The Feast of the Gods* (1514–29), a mythological scene depicting Roman deities at a feast, which was later reworked by Dosso Dossi and Titian. Commissioned by Duke Alfonso d'Este for his private gallery, the work is notable for including what is believed to be the earliest painted example of Chinese porcelain in European art. The painting draws from Ovid's 'Fasti' and was Bellini's last completed work, finished when he was in his 80s.

kehinde wiley sexual assault ogechi chieke lawsuit

Artist Kehinde Wiley has been accused of sexual assault by fellow artist Ogechi Chieke in a lawsuit filed in New York Supreme Court on February 28, just before the expiration of an amendment to New York’s Victims of Gender-Motivated Violence Protection Law. Chieke alleges that Wiley assaulted her at a New York restaurant in 2007, including grabbing her buttocks and vagina and making a lewd comment. Wiley denies the allegations, stating he has never met Chieke and calling the lawsuit a "blatant money-grab." This is the first legal filing among multiple sexual assault allegations against Wiley, which previously surfaced on Instagram from several men, including Joseph Awuah-Darko and Terrell Armistead.

In a Historic Kyoto Neighborhood, a New Hotel Channels the Past

A new hotel, the Ace Hotel Kyoto, has opened in the historic Umekoji neighborhood, housed within a renovated 1920s brick building that was once the Kyoto Central Telephone Office. The project, a collaboration between Ace Hotel Group and Japanese developer NTT Urban Development, blends the original structure's industrial character with contemporary design by Kengo Kuma and Commune Design, featuring guest rooms, restaurants, and a gallery space.

Laura Phipps Named Director of Gochman Family Collection

Laura Phipps has been appointed director of the Gochman Family Collection, a private collection focused on contemporary Indigenous art. She joins from the Whitney Museum of American Art, where she was an associate curator, and will oversee the collection's strategic direction and the opening of its new 10,000-square-foot exhibition space in Katonah, New York this fall.

A Preview of Museum Exhibitions Opening in North Texas this Fall

A roundup of fall 2025 museum exhibitions in North Texas highlights shows at the Crow Museum of Asian Art, the Nasher Sculpture Center, the Meadows Museum, and the Dallas Museum of Art. Key exhibitions include "Groundbreakers: Post-War Japan and Korea" at the Crow Museum, featuring Mono-ha, Dansaekhwa, and Gutai movements alongside contemporary artists Do Ho Suh and Tatsuo Miyajima; a major Antony Gormley survey at the Nasher Sculpture Center, his first U.S. museum retrospective; "Roaming Mexico: Laura Wilson" and a companion show of Manuel Álvarez Bravo at the Meadows Museum; and two Dallas Museum of Art exhibitions—"Creatures and Captives: Painted Textiles of the Ancient Andes" and "Constellations: Contemporary Jewelry." The New York Academy of Art also presents its Chubb Fellows and Friends at Green Family Art Foundation.

Jon Batiste, Troye Sivan, and Amy Sherald lead a Met Gala 2026 rooted in art-historical homage.

The 2026 Met Gala, held at the Metropolitan Museum of Art, centered on the theme "Fashion Is Art," marking the opening of the Costume Institute's spring exhibition "Costume Art." Attendees including Jon Batiste, Troye Sivan, and artist Amy Sherald interpreted the dress code through art-historical references, with Sivan wearing Prada to channel Robert Mapplethorpe. The event brought together fashion, art, entertainment, and high society to make a deliberate case for fashion as a legitimate art form.

Pulp singer Jarvis Cocker and Kim Sion to curate 2027 Hepworth Wakefield show.

Musician Jarvis Cocker, best known as the frontman of the band Pulp, and his wife Kim Sion, a creative consultant, will curate a group exhibition titled “The Hodge Podge” at The Hepworth Wakefield in the UK in 2027. The show will feature a diverse range of artworks across different eras and media, focusing on artists who challenge conventional definitions of art. This marks Cocker’s first curatorial project at a major institution.

In Giverny, Monet does not benefit everyone

À Giverny, Monet ne profite pas à tout le monde

The article examines the economic paradox of Giverny, the French village where Claude Monet lived and painted. While Monet's gardens attract nearly one million visitors annually—with ticket sales estimated at €9-10 million—the village itself, with a population of just 430 and an annual budget of €600,000, sees almost none of that revenue. Visitors flood in for half-day trips, queue for hours to see the gardens, and leave by evening, spending little in local shops. The gardens, run by the Académie des beaux-arts, are tax-exempt and operate as a closed economic loop, with their boutique and restaurant generating income that stays within the institution.

10 chefs-d’œuvre de l’impressionnisme décryptés par Beaux Arts

Beaux Arts Magazine presents a detailed dossier analyzing ten iconic masterpieces of Impressionism, including works by Edgar Degas, Édouard Manet, Berthe Morisot, Auguste Renoir, Gustave Caillebotte, Claude Monet, and Mary Cassatt. The article explores the technical innovations, modern subjects, and revolutionary spirit of the movement, which began in 1874 and was initially rejected by critics. Each featured painting—such as *Le Déjeuner sur l’herbe*, *Impression, soleil levant*, and *Le Bal du moulin de la Galette*—is examined by art historians and journalists to reveal its composition, historical context, and lasting impact.

New York Galleries: Openings and Closings (04/27-05/03)

art bunker artspace queer exhibition

The Bunker Artspace in Palm Beach, Florida, has opened "Beyond the Rainbow," a major exhibition of LGBTQ+ art curated by Laura Dvorkin and Maynard Monrow, along with 19 other artists, curators, gallerists, architects, and writers. The show draws from the collection of patron Beth Rudin DeWoody and features works by Catherine Opie, Andy Warhol, Nicole Eisenman, Lyle Ashton Harris, and others, running from December 7 through May 1, 2026. The exhibition was inspired by a visit to the Centre Pompidou's "Over the Rainbow" show in Paris.

art paris photo fair elle perez diary parties

The article is a first-person diary by artist Elle Pérez, chronicling their experience at Paris Photo 2024. Pérez describes the fair as the art world's best-kept secret, noting its uniquely fun and intergenerational atmosphere where artists and curators genuinely enjoy gathering. The diary covers a week of events including book meetings with Aperture, dinners with photographers, and the main fair at the Grand Palais, highlighting the camaraderie and joy of being together despite the anxieties facing photographers today.

art collector mistake guide

The article compiles personal anecdotes from several art collectors—Laurent Asscher, Suzanne Syz, Rob and Eric Thomas-Suwall, Toby Milstein Schulman, and Danielle Falls—who share mistakes they made while building their collections. Asscher recounts buying a lesser Basquiat at Christie's before quickly reselling it to acquire a superior work at Phillips; Syz regrets buying a piece because others wanted it; the Thomas-Suwalls missed out on a Dominique Fung diptych; Schulman accidentally bought a work attributed 'after Keith Haring' at a charity auction; and Falls reflects on her early eagerness as a young trustee of the Bronx Museum.

architecture hamptons barns

The article explores the architectural and cultural significance of barns in the Hamptons, tracing their evolution from medieval agricultural structures to modern design icons. It highlights how the barn typology has been adapted in local buildings, including the Parrish Art Museum designed by Herzog & de Meuron, and features four case studies of historic barns, such as the Sayre Barn in Southampton, which was converted into an antique store and later donated to a museum.

salman toor keith mcnally art market

This article from Cultured magazine covers multiple art-related stories, including a profile of restaurateur Keith McNally's memoir, a list of must-see museum exhibitions in New York for spring, a review of Mary Abbott's overlooked Abstract Expressionist work now on view at Schoelkopf Gallery, a feature on Salman Toor's major new exhibition "Wish Maker" at Luhring Augustine, and a discussion on designing more empathetic museums. It also includes a beauty and fashion trends piece with creative nominations.

david cancel tina knowles nancy magoon

CULTURED magazine revisits its weekly series on top art collectors, offering a peek into the homes and collections of David Cancel, Jarl Mohn, Nancy Magoon, César and Mima Reyes, and Nicola Erni. The article highlights Cancel's journey from graffiti and Keith Haring's Pop Shop to supporting Puerto Rican and Afro-Caribbean artists, Mohn's dramatic installation of a four-ton Michael Heizer sculpture, and the Reyes' commitment to women artists and Puerto Rican cultural institutions.

Remembering F. John Sierra, Valie Export, and Mary Lovelace O’Neal

This week's In Memoriam column honors seven figures from the art world who recently passed away, including muralist and Chicano art champion F. John Sierra (1942–2026), Austrian feminist performance and film artist Valie Export (1940–2026), and painter and Civil Rights activist Mary Lovelace O'Neal (1942–2026). Also remembered are Maltese coin and monument designer Noel Galea Bason (1955–2026), Iranian-Irish gallerist and polymath Jamshid MirFenderesky (1947–2026), Philadelphia painter and educator Peter Paone (1936–2026), and Italian sculptor and installation artist Remo Salvadori (1947–2026). Each entry highlights their key contributions, from founding institutions and participating in major biennials to shaping cultural identity and challenging societal norms through art.

untitled art houston 2025 exhibitor list

Untitled Art has announced the 84 exhibitors for its inaugural Houston edition, taking place September 19–21, 2025, at the George R. Brown Convention Center, with a preview day on September 18. The fair, which has run in Miami Beach for 12 years, expands to Houston citing the city's $1.3 billion arts-related spending in 2022, making it the largest art market in Texas. The exhibitor list includes 17 Texas-based galleries (about 20% of participants), leading US galleries from San Francisco, Los Angeles, Detroit, and New York, and international dealers from Canada, Spain, the UK, Peru, the Bahamas, and Latvia. A Nest section offers reduced booth prices for 20 galleries, and the fair will collaborate with Houston institutions including the Museum of Fine Arts Houston, the Contemporary Arts Museum Houston, and the Menil Collection for special projects.

Expo Chicago art fair returns with a ‘refined’ floor plan and Obama Center ties

Expo Chicago, the city's major international art fair, has opened its 2024 edition at Navy Pier with a redesigned floor plan intended to improve visitor flow and gallery visibility. The fair features over 170 galleries from 29 countries, with a notable contingent of Chicago-based exhibitors and a special section dedicated to art from the African diaspora.

Dinosaurs roam New York’s Bowery

Amanita gallery in New York’s Bowery is presenting a rare exhibition pairing a John Chamberlain sculpture, *Gondola Marianne Moore* (1982), with three full, mounted Maiasaura dinosaur skeletons from the Upper Cretaceous period. The fossils, which are 62% to 85% real bone, have never before been exhibited in New York, let alone in a commercial gallery. Amanita partner Jacob Hyman emphasizes the show is not a gimmick but a serious exploration of sculpture, compression, and time, linking Chamberlain’s crushed automobile-part gondolas to the natural preservation of fossils.