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Venice Biennale’s Russian Pavilion and Pussy Riot Spar Over Usage of Protest Footage

The Russian Pavilion at the 2026 Venice Biennale has become embroiled in a new controversy after accusing the anti-Putin art collective Pussy Riot of censorship. The pavilion posted on Instagram that Pussy Riot demanded the removal of footage featuring them from a documentary film about the pavilion's project, labeling the request as self-censorship. Pussy Riot responded sarcastically, questioning the pavilion's use of Instagram given Russia's 2022 ban of the platform. The dispute follows earlier protests at the pavilion's opening, led by Pussy Riot and FEMEN, against Russia's participation in the Biennale amid its ongoing invasion of Ukraine.

Putin ‘Won’ the Venice Biennale, Quips Italian Culture Minister

Italian Culture Minister Alessandro Giuli stated that Russian President Vladimir Putin "won" the 2024 Venice Biennale, criticizing Russia's controversial return to the event. Giuli, who repeatedly denounced Russia's presence, told Corriere della Sera that Russian artists in the pavilion cannot express dissent against their regime. The Biennale faced widespread calls to remove Russia, with the EU threatening to withhold a €2 million grant, but organizers argued they lacked legal authority to exclude the country. Protests by Pussy Riot and FEMEN marked the pavilion's opening, while the Biennale's jury resigned en masse after announcing that nations charged with crimes against humanity would be ineligible for Golden Lions.

Venice Biennale Artists Decline Consideration for Golden Lions Chosen by Public Vote

Nearly half of the artists in the main exhibition of the Venice Biennale have signed a statement declining consideration for the Golden Lion awards, in solidarity with the jury that resigned last month. The statement, published by e-flux, includes prominent names such as Alfredo Jaar, Tuan Andrew Nguyen, Otobong Nkanga, and Walid Raad, as well as national pavilion representatives from France, Lithuania, and the Netherlands. The Biennale had planned to replace the jury-selected Golden Lions with "Visitor Lions" decided by public vote, but the artists' refusal marks an unprecedented protest within the exhibition.

Lithuanian, Latvian, and Estonian Pavilions Stage Pro-Ukraine Procession During Venice Biennale

On May 6, 2026, the Lithuanian, Latvian, and Estonian pavilions at the Venice Biennale organized a procession in solidarity with Ukraine, walking approximately one and a half miles from the Lithuanian Pavilion in the Fucina del Futuro to the Estonian pavilion. The action honored Ukrainian cultural workers creating under war conditions and those who have died. It is one of several political protests at the contentious 2026 Biennale, including demonstrations by Pussy Riot and FEMEN at the Russian pavilion, a "Solidarity Drone Chorus" opposing Israel's inclusion, and a planned 24-hour strike by the Art Not Genocide Alliance.

An Unprecedented 24-Hour Strike Could Upend the Venice Biennale

An unprecedented 24-hour strike is set to interrupt the Venice Biennale's opening week on Friday, May 8, in protest of Israel's participation in the global art event. The action, organized by the activist group Art Not Genocide Alliance (ANGA), follows a letter signed by over 230 Biennale participants demanding Israel's exclusion. The strike has exposed divisions among participants, with some artists and pavilion teams weighing solidarity against the rare opportunity to platform their own political messages. The Slovenian pavilion, represented by Nika Grabar of the Nonument Group, has committed to the strike, while others like Ecuador's Tawna Collective remain undecided, balancing protest with their mission to highlight ecological crises in the Amazon.

Venice Biennale’s fierce pussy Group Says City Censored Posters About Queer and Trans People

The lesbian artist collective fierce pussy, comprising Nancy Brooks Brody, Joy Episalla, Zoe Leonard, and Carrie Yamaoka, claims that the city of Venice censored their posters for the Venice Biennale. The posters, which feature phrases like "Welcome queers and trans people" and "we are queers and trans people" alongside a list of occupations, were intended to be pasted across the city. After the city blocked the full-scale posting, the group created stickers and placed them on walls, windows, and advertising spaces. As a concession, La Biennale installed the original posters inside the Arsenale entrance.

BBC ‘Buried’ Footage of Banksy at NYC Mural Site, Former Reporter Claims

Former BBC New York correspondent Nick Bryant claims the BBC suppressed footage he captured of Banksy at a mural site in New York City in March 2018. In a Substack post, Bryant recounts being tipped off by Banksy's PR team about a new artwork at the Houston Bowery Wall, where he and his cameraman filmed the artist—described as a middle-aged man in a black beanie and grey coat—fleeing the scene with fresh paint on his fingers. Despite believing he had a world exclusive, Bryant says BBC editors in London decided not to air the footage, citing concerns about unmasking the artist and preserving the mystery for audiences, including a senior colleague's daughter who compared revealing Banksy's identity to telling children there is no Santa Claus.

Anish Kapoor says US’s ‘politics of hate’ should exclude it from Venice Biennale

Anish Kapoor has called for the United States to be excluded from the Venice Biennale, citing the country's "abhorrent politics of hate" and "incessant warmongering." His comments follow the resignation of the five-member international jury, who stepped down in protest over the inclusion of Israel and Russia. Kapoor praised the jury's decision as "courageous" but argued they should have also targeted the US. The US pavilion, featuring artist Alma Allen and his exhibition "Call Me the Breeze," has faced scrutiny over perceived Trump administration interference and a delayed selection process. Meanwhile, the Israeli and Russian pavilions remain flashpoints, with over 200 participants signing a letter demanding the cancellation of the Israeli pavilion, and the Russian pavilion closed to the public but viewable through windows.

Nancy Holt review – cosmic thrills as the universe’s hidden power is unleashed

The Guardian reviews a major UK exhibition of land artist Nancy Holt (1938-2014) at Goodwood in West Sussex, the largest show of her work to date. The exhibition features two large outdoor installations—Ventilation System, a metallic tubular structure resembling building lungs, and Hydra’s Head, six concrete pools arranged like the Hydra constellation in a chalk quarry—alongside indoor photographs, diagrams, and light works. The review praises the cosmic scale and bodily connection of the outdoor pieces but finds the indoor works less effective at conveying Holt’s themes of universal vastness and interconnectedness.

Wildenstein dispute over Monet work highlights art market opacity

A long-running dispute involving the Wildenstein art dynasty has resurfaced over a 2004 transaction for Claude Monet's *Adolphe Monet Reading in a Garden* (1867). The painting was acquired by Guy Wildenstein through a €4.5m deal that included works by Pierre Bonnard and Alfred Sisley, among them Monet's *Marine, Amsterdam* (1874). That work was later resold via Christie's, but a 2020 sale attempt revealed that the original canvas had been lost during a transfer process, significantly reducing its value. Court-appointed specialists concluded in 2024 that the alteration predated the transaction and that the gallery likely knew of the damage. The sellers have filed a claim alleging "vitiated consent" under French law, with a court date set for 7 May in Rouen. The disputed Monet now reportedly belongs to billionaire Larry Ellison.

Exhibitions set to open in Paris in May 2026: what's new to discover this month

A roundup of new art and cultural exhibitions opening in Paris and the Île-de-France region in May 2026 is announced. Highlights include the annual Rambolitrain toy train fair at Rambolitrain museum on May 1, free evening hours at the Bourse de Commerce on May 2, free entry to castles and museums in Yvelines and Seine-et-Marne on May 3, the Tour Auto classic car display under the Grand Palais glass roof on May 3-4, the Circle of Parisian Artists' 24th annual exhibition at Parc Floral from May 4-31, a new garden art exhibition "Jardin des Lumières" at the Grand Trianon in Versailles from May 5 to September 27, and a major Hilma af Klint exhibition at the Grand Palais.

The Swiss Collector Building a Massive Trove of Chinese Art

Swiss businessman and former diplomat Uli Sigg has spent over three decades assembling one of the largest private collections of contemporary Chinese art, comprising thousands of works. Artist Ai Weiwei has referred to Sigg as “my maker,” highlighting the collector’s pivotal role in promoting Chinese contemporary art on the global stage.

Brazilian Police name alleged thief of Matisse works

Brazilian police have named Laéssio Rodrigues de Oliveira Silva as the alleged mastermind behind the December 2024 theft of thirteen artworks from the Biblioteca Mario de Andrade in São Paulo. The stolen works include eight prints by Henri Matisse from his book *Jazz* (1947) and five illustrations by Candido Portinari for *Menino de Engenho* (1959). Two suspects were initially identified, with one arrested, but police now allege Rodrigues de Oliveira Silva orchestrated the heist from prison, where he is already serving time for previous thefts of rare books and manuscripts from institutions including the National Library Foundation and the University of São Paulo. He is also suspected of ties to the PCC organized crime gang. Two alleged intermediaries and one of the two gunmen have been arrested, while the other gunman, Gabriel Pereira Rodrigues de Mello, remains at large, and the artworks have not been recovered.

Robust Sales at Sotheby’s, Phillips Suggest Art Market Upswing

The May 19 evening sales at Sotheby’s and Phillips generated a combined $419.1 million, signaling a potential recovery in the contemporary and modern art market. Sotheby’s brought in $303.9 million—60% more than the previous year—led by a record-breaking $48.4 million Matisse, while Phillips achieved $115.2 million, more than double its 2025 sales. Both auctions saw high sell-through rates, with 98% and 100% of lots sold respectively. Notable lots included a $42.6 million Picasso, a $29.4 million van Gogh drawing, and strong performances by female artists like Lee Bontecou, Joan Mitchell, and Helen Frankenthaler.

Anish Kapoor Condemns Inclusion of US in Venice Biennale

Anish Kapoor has publicly condemned the inclusion of the United States in the upcoming 61st Venice Biennale, calling for its exclusion due to what he describes as the country's 'abhorrent politics of hate and its incessant warmongering.' In an interview with The Guardian, Kapoor praised the five-person jury that resigned en masse after refusing to consider Israel and Russia for the event's top prize, both nations having been accused by the International Criminal Court of crimes against humanity. Kapoor's remarks come amid the ongoing US war with Iran under the Trump administration, and he previously threatened to sue the Trump administration over a photo taken at his Cloud Gate sculpture in Chicago.

Marcello Dantas Named Curator of 2027–29 Vancouver Biennale

The Vancouver Biennale has appointed Brazilian artist and documentary filmmaker Marcello Dantas as senior curator for its 2027–29 edition. Dantas, currently art director at the immersive museum Ster Ik in Tulum, Mexico, recently cocurated the 2024 iteration of Saudi Arabia's Desert X AlUla with Maya El Khalil. He has previously organized exhibitions for artists including Ai Weiwei, Anish Kapoor, Shirin Neshat, and Bill Viola, and curated a project by Vik Muniz for the 2013–15 Vancouver Biennale. Dantas plans to shape the event by addressing the city's corporate real estate development alongside its First Nations and colonial history, exploring themes of displacement and belonging.

Tutto venduto e il doppio del ricavo rispetto all’anno scorso. A New York fa boom anche l’asta di Phillips

Phillips held its Modern & Contemporary Art Evening Sale in New York on May 19, 2026, achieving a complete sell-out with a total of $115.2 million. All 41 lots were sold, doubling the result from May 2025 ($52 million). Top lots included Andy Warhol's *Sixteen Jackies* ($16.2 million), Claude Monet's *La Route de Vétheuil, effet de neige* ($9.9 million), and Jackson Pollock's *Untitled* (1948) ($9.2 million). New auction records were set for Lee Bontecou, Pat Passlof, P.S. Krøyer, and Joseph Yaeger, while works by Salman Toor and Cecily Brown also sold above estimates.

Somali Artists Take Issue With Nation's First-Ever Venice Biennale Pavilion

Somalia's first-ever national pavilion at the 61st Venice Biennale has sparked controversy, with local cultural organizations accusing organizers of excluding Somalia-based artists. The pavilion, titled SADDEXLEEY, features only diaspora artists—Somali-Swedish painter Ayan Farfah, Somali-Danish poet Asmaa Jama, and Somali-British poet Warsan Shire—while the Somalia Arts Foundation (SAF) and queer collective Warbixinta Cidda have denounced the appointment of Italian co-curator Fabio Scrivanti, citing colonial tensions. SAF founder Sagal Ali and others allege that artists in Somalia were not meaningfully consulted, and that organizers used intimidation tactics against critics. The pavilion's organizers claim it includes Mogadishu-based painter 4C and will host accompanying events, but details remain unconfirmed.

Statement of Resignation

The international jury for the 61st edition of La Biennale di Venezia, titled “In Minor Keys” and curated by Koyo Kouoh, has resigned as of April 30, 2026. The jury members—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—cite their earlier Statement of Intention issued on April 22, 2026, as the basis for their collective resignation.

Singapore Art Museum at 30: tough decisions

The Singapore Art Museum (SAM) is celebrating its 30th anniversary while navigating the challenges of its 2022 relocation to Tanjong Pagar Distripark, a remote industrial building that has drawn mixed reactions—some visitors find it too inaccessible, while younger audiences applaud the move away from the colonial civic district. Director and CEO Eugene Tan defends the decision, citing the building's high ceilings and flexible spaces as ideal for contemporary art, and announces a fifth gallery opening by 2026 that will bring total exhibition space to 3,800 square meters. The museum also plans to experiment with open-air exhibition techniques in the new space, aiming to reduce energy demands.

Take a Look Inside This Year's 2026 Met Gala 'Costume Art' Exhibition

The Metropolitan Museum of Art has announced its spring 2026 Costume Institute exhibition titled "Costume Art," along with the accompanying Met Gala fundraiser scheduled for May 4, 2026, with a "Fashion is Art" dress code. The exhibition will debut in the newly designed 12,000-square-foot Condé M. Nast Galleries, featuring nearly 400 objects that juxtapose historical garments with fine art across thematic bodily categories such as the "Classical Body" and "Pregnant Body." Curated by Andrew Bolton, the show includes standout pairings like a Glenn Martens suit with an ancient marble statue and a Comme des Garçons ensemble with a Max Weber painting, with mannequins featuring polished steel heads by artist Samar Hejazi.

Exclusive | Met Gala 2026 and ‘Costume Art’ brashly transform flesh, bones and guts into too-cool couture

The Metropolitan Museum of Art's Costume Institute will debut its spring 2026 exhibition, “Costume Art,” on May 10, preceded by the Met Gala on May 4. The exhibition explores the dressed body in all forms—nude, pregnant, plus-size, disabled, aging, and internal—and features fashion designer Renata Buzzo’s hand-stitched “Corset Anatomia” from her 2024 collection “The Body.” Buzzo was personally selected by curator Andrew Bolton and donated her pieces. The exhibition will be housed in the new Condé M. Nast Galleries, an 11,500-square-foot space that will make fashion galleries the first thing visitors see upon entering the Great Hall. The Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, raised a record $31 million in 2025 and will follow the dress code “Fashion is Art.”

Ansel Adams Trust Decries Dealer's Sale of Photo Colorized Using AI

The Ansel Adams Publishing Rights Trust has publicly condemned New York gallerist Peter Danziger for selling AI-colorized editions of Adams's iconic photograph "Moonrise, Hernandez, New Mexico" (1941) at the AIPAD Photography Show in April. Danziger displayed the AI-generated image at his booth with a wall text disclosing the prompt used, and offered prints in editions of 10 at three sizes. The Trust stated it was not notified in advance and accused Danziger of exploiting Adams's name and reputation for commercial gain. Danziger defended his actions, arguing the original image is in the public domain and that his work is transformative, though he apologized for not notifying the Trust.

Musée d’Orsay opens gallery dedicated to still-unclaimed works stolen by Nazis in WWII

The Musée d'Orsay in Paris has opened a permanent gallery dedicated to artworks believed to have been looted by the Nazis from Jewish owners during World War II, but whose rightful owners have not been identified. The exhibition, titled "Who owns these works?", features a rotating selection of 225 such pieces held by the museum, with twelve paintings and one sculpture currently on display. Works by Renoir, Degas, Rodin, and Alfred Stevens are included, alongside provenance research detailing their murky histories—such as a Degas ballroom scene acquired by a Jewish collector later murdered at Auschwitz.

An outsider artist takes the world's biggest stage with the US Pavilion at the Venice Biennale

U.S. artist Alma Allen, a self-taught sculptor from Utah who works in Mexico, has been selected to represent the United States at the Venice Biennale with his exhibition "Call Me the Breeze" at the U.S. Pavilion. The selection process was fraught and opaque, with institutions declining to bid for the commission due to concerns about administration politics after the open call removed diversity, equity and inclusion language in favor of promoting "American values." A prior proposal for artist Robert Lazzarini fell apart after its institutional sponsor backed out, and Allen's project was quickly assembled with the American Arts Conservancy as sponsor and Jeffrey Uslip as curator. Allen, who has lived outside the critical art world for three decades, created a bronze evil eye for the pavilion's exterior and a headless sheep sculpture as a self-portrait of an outsider.

Met Gala guests arrive on carpet in dramatic works of art

The 2026 Met Gala, held at the Metropolitan Museum of Art in New York, featured celebrities arriving in dramatic, custom outfits adhering to the dress code 'Fashion is art.' Notable attendees included Naomi Osaka in a Robert Wun white sculptural dress with red feathers and dripping red paint, Emma Chamberlain in a hand-painted Mugler gown by Miguel Castro Freitas, and co-chair Anna Wintour in a mint ensemble by Matthieu Blazy for Chanel. The event celebrated the opening of the Costume Institute's exhibition 'Costume Art.'

Boulder Museum of Contemporary Art’s Artmix is a party built for repeat collectors and first-time buyers

Boulder Museum of Contemporary Art (BMoCA) is hosting its annual Artmix fundraiser on May 8, 2026, a fast-paced evening featuring a silent auction of works by 100 regional artists. The event includes a VIP preview with early access, champagne, and a guided tour, followed by a general admission party where bidding runs from 6 p.m. to 8 p.m. Tickets range from $150 for members to $300 for VIP access, with proceeds supporting BMoCA's exhibitions and education programs.

Greta Thunberg, Hugh Bonneville sign letter defending Southbank Centre chair Misan Harriman

A petition signed by Greta Thunberg, Hugh Bonneville, and other prominent figures defends Misan Harriman, the photographer and chair of London's Southbank Centre, against what the letter calls a "dishonest smear campaign." The controversy stems from two incidents: Harriman shared a social media post about a stabbing attack in Golders Green, noting that a Muslim victim received less press coverage than two Jewish victims, and later posted a video reflecting on the rise of the right-wing Reform party, citing a conversation about the Holocaust. Right-wing outlets like The Daily Telegraph accused him of equating Reform's electoral success to the Holocaust, leading to widespread backlash. Harriman denies making such equivalences, and nearly 70,000 people have filed complaints with the press regulator IPSO—the largest campaign in its history.

Art Show in London Canceled Over Allegations of Antisemitism from Pro-Israel Group

An exhibition by artist Matthew Collings at Delta House Gallery in London was canceled after UK Lawyers for Israel raised allegations of antisemitism. The show, titled "Drawings Against Genocide," had previously been displayed in Margate, where a review in the Telegraph described the works as "dripping with Jew-hate." One drawing depicted Sotheby's owner Patrick Drahi eating babies alive, while others showed Jews with horns or standing on skulls. Tom Berglund, chairman of Pineapple Corporation, which owns Delta House, said the exhibition was arranged without consultation and expressed hope for resolution in the Middle East. Collings defended the work on Instagram, arguing it satirizes the use of art to whitewash what he called "Zionist atrocity."

Free Summer Exhibitions in 2026 Across Paris and Île-de-France: This Season’s Must-See Events

A curated guide lists free summer exhibitions across Paris and Île-de-France for 2026, including shows at Fluctuart, Perrotin Gallery, Petit Palais, Bourse de Commerce, Rachel Hardouin Gallery, and Domaine de Chamarande. Highlights include "Everybody's Searching for Their Cat" at Fluctuart (May 7–August 23), JR's "Les Esquisses de la Caverne" at Perrotin (June 5–July 25), the return of "We are (still) here" street-art exhibition at Petit Palais (June 20–September 20), and free late hours at Bourse de Commerce on the first Saturday of each month.