The Go Troppo exhibition opened on May 18, 2026, at the historic Sugar Wharf in Port Douglas, Australia, kicking off the Carnivale 2026 festivities. Organized by Port Douglas Artists Inc., the show features contemporary art from across Far North Queensland, tied to this year's Carnivale theme, "Ancient Wonders." The free exhibition runs daily from May 19 to May 24, drawing locals and visitors to view regional talent.
A major new exhibition titled *Vivienne Westwood & Jewellery* will make its UK debut at the V&A Dundee in March 2027. Curated by the Westwood team, the show spans four decades of archival runway jewelry, exploring the subversive design language behind the iconic Saturn orb motif. It will feature graphic wall collages, catwalk videos, and a dialogue between jewelry and garments, with a special focus on Scotland, including traditional textiles and creative director Andreas Kronthaler's 'MacAndreas' tartan.
The Korean Museum Association, in partnership with the Ministry of Culture, Sports and Tourism and the ICOM Korea Committee, is hosting "2026 Museum and Art Gallery Week" throughout May to commemorate International Museum Day on May 18. The event features 16 special exhibitions and experiential programs from 18 institutions nationwide, organized under three main themes: "Museum×Enjoy," "Museum×Stroll," and "Museum×Meet." Participating venues include Kyo-dong Art Museum, Gyeonggi Provincial Children's Museum, Savina Museum of Contemporary Art, and others, offering hands-on activities, educational content, and community-based programs for children and families.
The 61st Venice Biennale, themed 'In Minor Keys' by late curator Koyo Kouoh, has been marked by political protests against Russia and Israel's participation, pavilion closures, and threats to funding. Despite this tense atmosphere, several national pavilions quietly embody Kouoh's vision of nurture, intimacy, and reflection. Highlights include the Japan Pavilion's 'Grass Babies, Moon Babies' by Ei Arakawa-Nash, where visitors carry and care for baby dolls, and the Polish Pavilion's 'Liquid Tongues' by Bogna Burska and Daniel Kotowski, an immersive sound installation exploring Deaf culture and marginalized communication.
The Rahr-West Art Museum in Manitowoc, Wisconsin, is offering free, monthly drop-in gallery tours throughout summer 2026, led by museum staff and guest experts. Tours include sessions on the art of David Roberts, recent acquisitions, salon-style installations, and a local artists exhibition, with no registration required. Additionally, docent-led tours of the historic Vilas-Rahr Mansion will be available on Thursdays from June through September.
The IPER Festival delle periferie returns to Rome's Quadraro neighborhood for its fifth edition, titled "Super Lieux (Super luoghi) Periferie. Storie e geografie." Running until May 31, the festival features conferences, roundtables, study days, talks, exhibitions, and performances. A highlight is "Überlagerungen," a diffuse art review curated by Spazio Y that animates the Quadraro Vecchio district on May 16 with actions, installations, and shows from 4 PM to 11 PM. Participating venues include Spazio Kina, vineria Moggio, and osteria Grandma, with works by artists such as Lucia Bricco, Giulio Cassanelli, Felice Levini, and many others.
Maiden Lane Gallery in Kingston is hosting two concurrent exhibitions curated by Matt Moment: "The Rip in Her Sleeve," featuring pigment print photographs by Alicia Schirrmeister and Ruth Lauer Manenti, and "Iliana Arocho: Drawings," a solo show of ethereal drawings and metalpoint works by Iliana Arocho. The shows occupy two floors of a brick building that serves as an outpost for Headstone Gallery, run by Lauren Aitken and Chase Folsom, marking Moment's first collaboration with the gallery as a guest curator.
Local artist Tom Ott of Follansbee, West Virginia, was featured as a highlighted artist during the May 8 art walk at Carnegie Hall in Lewisburg. The event drew a strong community turnout, showcasing Ott's high-poly style that blends geometric structure, layered color, and emotional storytelling inspired by Appalachian heritage, industrial landscapes, and contemporary American culture. His exhibition remains open to the public through the end of June.
Frank O’Hara, the poet and curator at the Museum of Modern Art, was a central figure in the mid-20th-century effort to promote American high art globally as a cultural counterpart to U.S. military and economic power. The article examines how O’Hara’s work, alongside the Abstract Expressionists and other artists, helped establish New York as the capital of the art world, projecting American cultural influence abroad through exhibitions, poetry, and institutional support.
The Counter Extremism Project has acquired the former home of Rudolf Höss, the commandant of Auschwitz, and is now using it to host exhibitions. The current show features the work of a Nazi ornithologist, raising complex and unsettling questions about the ethics of displaying art in a site so deeply tied to the Holocaust.
Tatiana Malinovscaia's painting "Blue Distance in Quiet Light" (2026) is being offered for sale by Artseeker Gallery. The 100x130 cm acrylic on canvas work features a restrained abstract composition with muted blues, ivories, beiges, and charcoals, built through layered textures and tonal contrasts. Malinovscaia, a self-taught Moldovan artist, explores the interplay between architectural clarity and atmospheric abstraction, with light acting as a central structural element that reveals nuanced variations across the textured surface throughout the day.
Three exhibitions will open at Tweed Regional Gallery on Friday 29 May as part of the Gallery's 2026 winter program. The program includes the group exhibition 'Indelible: The Poetry of Decay' alongside solo exhibitions by regional artists Antoinette O'Brien and Luke Close (Githabal), spanning ceramics, painting, and multidisciplinary practice. A curator preview talk, live performance, and opening celebrations will accompany the openings.
The city of Oshawa has opened a call for artists to submit artworks for a temporary exhibition at the Convergence Music and Art Festival, taking place September 19–20 at Veterans Square. Up to five artists will be selected to have a reproduction of their work displayed, with submissions due by June 12. The exhibition celebrates the installation of Oshawa’s first independent sculpture commission, Kaleidoscope by Nicholas Crombach, under the theme “We Gather, We Remember, We Belong.”
The Winkler Arts and Culture High School Art Show is currently on display from May 14 to June 6, featuring works by students from Northlands Parkway Collegiate (NPC) and Garden Valley Collegiate (GVC) in the Pembina Valley. The exhibit includes a wide range of media—paintings, pottery, pencil drawings, and mixed-media projects—with standout pieces like Grade 9 student Dylan Morgan's detailed portrait of Olympic figure skater Alysa Liu. Program coordinator Katie Bueckert emphasizes the show's role in showcasing young talent and giving students their first gallery experience.
Fresh Squeezed 10, the tenth annual exhibition at the Morean Arts Center in St. Petersburg, Florida, is now on display through June 25. The show features eight emerging artists from across the state, each given their own dedicated gallery space, creating a series of mini solo exhibitions. Works range from painting and sculpture to digital art and immersive installations, including Kimberly Vorperian's walk-in 'Tomato Hut.' Artists explore themes of home, identity, family, and nature, with contributors including Alberto Alonso, Ysabel Flores, Angelina Palmisano, Clancy Reihm, Gwen Mehler, Jamie Rodriguez, and Gillian Probert.
Artist with disabilities debuts their first solo exhibition in Williamsburg, Brooklyn, as reported by the Brooklyn Eagle. The show marks a significant milestone for the artist, who has navigated barriers in the art world to present a body of work in a professional gallery setting.
Donna Loftus, a Marin County resident, retired from a 33-year career with the San Francisco Police Department in 2012 and has since returned to her lifelong passion for art. She took classes at the College of Marin, joined the Marin Society of Artists and the art group Marin 6, and has exhibited her work at venues including Fred's retail store in Mill Valley, Locati Mediterranean restaurant, and Coit Tower in San Francisco. Currently, she is the guest artist in the exhibition "Embracing Art" at the Arts Guild of Sonoma, running through June 1. Loftus, who is pursuing a fine arts degree, paints landscapes, still lifes, and abstracts inspired by nature and her travels.
PlayLab, a new hands-on learning and play space for children and families, will officially open on Saturday, May 16, at the Southwest Art Gallery and Science Center in Dickinson, North Dakota. Located beneath the gallery's main floor, the interactive space features 12 themed labs—including motion, discovery, building engineering, design, spark, construction, magnet, sensory, logic, space, and eco areas—each equipped with materials to foster creativity, motor skills, critical thinking, and problem-solving. Admission is $10 per child, and regular hours will be Saturdays from 10 a.m. to noon and Sundays from 1 to 3 p.m.
The Schaap Center, a long-anticipated arts venue, is finally opening this weekend, fulfilling a dream for local arts enthusiasts in the Detroit area. The center is expected to host a variety of cultural events and exhibitions, marking a significant milestone for the community's arts scene.
The two-person exhibition “Kindred Spirits” at Carbondale Arts Gallery closed on May 21 after a month-long run, featuring ceramic artist Christine Anderson and abstract painter Benjamin Strawn. The artists, who have been friends since meeting as students at the University of Denver over 40 years ago, displayed their work together for the first time in a joint show, with Anderson’s ceramic sculptures occupying the center of the gallery and Strawn’s abstract paintings lining the walls.
La Biennale e il peso delle bandiere. Che senso hanno i padiglioni nazionali?
The article examines the inherent contradiction within the Venice Biennale: its historical structure of national pavilions, a legacy of 19th-century world fairs and state-sponsored art, clashes with the transnational, post-identity vision of the international exhibition curated by Koyo Kouoh. The return of the Russia Pavilion amid geopolitical conflict and the international show titled "In Minor Keys," which rejects national belonging as an interpretive criterion, highlight this tension. The piece also addresses the controversy over the lack of Italian artists in the main exhibition, questioning whether a Biennale hosted in Italy should guarantee national representation.
The China Pavilion at the 61st International Art Exhibition - La Biennale di Venezia has been announced under the title "Dream Stream." The pavilion will be part of the prestigious Venice Biennale, one of the world's most important contemporary art exhibitions, and is organized by the Chinese government or cultural authorities. The announcement was made via a press release distributed by PR Newswire, highlighting China's continued participation in this global art event.
The USF School of Art & Art History is hosting the opening reception for its 2026 MFA Thesis Exhibition, titled "Things Don’t Seem The Same," on April 3, 2026. The event celebrates seven MFA candidates—Enoch Appiah, Mike Cannata, Patrick Michael Carew, Darlene Gold, Atia Shafie, Diana Sosnowska, and Brogan Willis—with introductions, an awards ceremony, and ArtHouse XXVI featuring open studios, live music, food, and exhibitions.
A symposium for young scholars and curators was recently held at Beijing's Culture Palace of Nationalities, moderated by a council of museums with ethnic content from the Chinese Museums Association. Ten speakers from museums, cultural institutions and universities, both on-site and online, presented case studies and ideas under the theme "Bridge, Symbiosis," focusing on the research and exhibition of China's ethnic cultures. The event coincided with International Museum Day, when many museums and art spaces opened their doors to the public, with exhibitions and events held throughout the week to encourage more time at museums.
Artist Claire Jaun-Torres was photographed working on a painting on Monday for a unique exhibition at a golf club in Baguio City. She is an abstract expressionist artist who typically displays her work in galleries and hotels in Baguio, Clark, and Manila.
The article, published by DW, examines the ongoing debate about the relationship between art and politics, using the Venice Biennale as a case study. It highlights how the 2024 edition of the Biennale has become a platform for political statements, particularly regarding Russia's exclusion from the event following its invasion of Ukraine, and the broader question of whether cultural institutions can remain neutral in times of geopolitical conflict.
Two new exhibitions have opened at the Fort Smith Regional Art Museum in Arkansas. The shows feature works by local and regional artists, highlighting diverse media including painting, sculpture, and mixed media. The exhibitions are part of the museum's ongoing effort to engage the community with contemporary visual art.
Two new exhibitions open today at Wailoa Center in Hilo, Hawaii. The first, “MidSummer Art Celebration,” is an annual multimedia juried exhibition featuring 89 works by 67 Hawaii artists, selected by Hawaii Community College professor Meidor Hu. The second, “Our Light,” is a traveling exhibit by Hawaii Island artist Adare that uses fire, soot, and paint to create ethereal portraits exploring gender diversity, indigenous multiple-gender cultures, and resilience. An opening reception runs from 5 p.m. to 7 p.m. with live music, and both shows continue through June 18.