Meloni on Venice Biennale: 'I've somewhat lost track'

Meloni über Venedig-Biennale: "Habe den Überblick etwas verloren"

Days before the opening of the Venice Biennale, the entire international jury resigned in protest over Russia's participation despite its war against Ukraine. The jury had previously excluded Russia and Israel from prize consideration due to International Criminal Court warrants against their leaders. Italy's Prime Minister Giorgia Meloni admitted she had "lost track" of the situation, while the government sent inspectors to Venice. Biennale organizers responded by postponing the Golden Lion awards until November and introducing two audience-choice awards that will include Russian and Israeli entries.

Berliner Finanzsenator Evers übernimmt Leitung von Kulturverwaltung

Berlin's finance senator Stefan Evers (CDU) has been appointed to temporarily lead the city's cultural administration, marking the third change in leadership within a year. This follows the resignation of Joe Chialo in May 2025 and the departure of his successor Sarah Wedl-Wilson on the previous Friday, after months of controversy over the approval of funding grants. Evers will hold both finance and culture portfolios until the Berlin state election on September 20, 2025. The decision was made by CDU district chairpersons after initial talks with former justice senator Thomas Heilmann fell through.

Resignation of the Venice Biennale Jury

Démission du jury de la Biennale de Venise

The entire jury of the Venice Biennale has resigned. The mass resignation follows internal disputes over the selection process for the next edition's artistic director, with jurors citing a lack of transparency and interference from the Biennale's board.

'It's something we should all be concerned about' - Belfast studio moves to temporary hub amid rising costs

Vault Artist Studios, a Belfast-based arts collective with over 100 members including musicians, circus performers, and visual artists, has moved into a temporary hub at Bankmore House on Bedford Street after spending three years at Victoria Street and the Shankill Mission building. The collective, formed in 2017 to transform derelict buildings into affordable studio space, now provides studios for 30 artists plus a gallery and project space, with further space opening soon in a former Masonic Lodge on the lower Newtownards Road. Their first exhibition in the new space, titled 'Mayday Mayday', serves as both a distress signal and a rallying call for workers.

Rome: A new cultural space opens in Trastevere (there's also an art radio station)

Roma: apre a Trastevere un nuovo spazio culturale (c’è anche un radio sull’arte)

A new cultural space called ASIF has opened in Rome's Trastevere district at Via della Lungara 24, launching on May 8 with an exhibition titled "Educazione sentimentale per architetti" by artist and illustrator Chiara Carrer, running until June 20. The space is distinguished by an accompanying radio station that extends its reach through programs exploring art and the city, with a team including Yasmin Rosciglione, Arturo Zanaica, Novella Hoffer, Iacopo Taddia, Monica Dell'acqua, Edoardo Taddia, and Blanca Castro Xiques. The inaugural show, curated by Bonvini 1909 (named Artribune's gallery of the year in 2025), features over sixty works including collages, engravings, and sculptures centered on the theme of dwelling.

Jury or Public? The Biennale Is Not an Algorithm, But Neither Is It a Liturgy

Giuria o pubblico? La Biennale non è un algoritmo, ma neppure una liturgia

The article critically examines the proposal for "Visitor Lions" (Leoni dei Visitatori) at the Venice Biennale, arguing that the idea is a fragile, quick-fix response to a deeper crisis. It questions whether replacing expert juries with public voting would truly improve the selection process, noting that both systems have significant flaws: juries are not necessarily neutral, often rushed and filtered, while public voting risks favoring accessible, easily consumable works and reinforcing existing hierarchies.

In Valcamonica il Parco archeologico di Luine ha chiuso e non si sa se e quando riaprirà: la storia

The Luine Archaeological Park in Valcamonica, Italy, closed on April 1, 2026, after the municipality of Darfo Boario Terme, led by Mayor Dario Colossi, failed to renew the management contract held by Zamenhof Art and ArchExperience. The park, which houses rock engravings dating back to the end of the Paleolithic period (about 13,000 years ago), is a UNESCO World Heritage site and a unique part of the Camunian park system. Weeks after the closure, the park remains in limbo with no clear reopening date, while multimedia installations and digital content created by the former managers are being removed. The story has received little media attention beyond local outlets.

ART AFRICA to host 2nd NEW FUTURES ARTS COLLABORATIVE 2026, in Cape Town, South Africa.

ART AFRICA has announced an open call for the second edition of its NEW FUTURES ARTS COLLABORATIVE, scheduled for 2026 in Cape Town, South Africa. The residency, titled "De-composition, Extraction and Regeneration," invites artists to collectively explore themes of extractivism, ecological crisis, and social justice, using artistic practice as a tool for transformation and regeneration.

ART CRITICISM: CLARITY OR MORAL AUTHORITARIANISM?

CRÍTICA DE ARTE: ¿CLARIDAD O AUTORITARISMO MORAL?

The article is a critical essay examining the state of contemporary art production in Mexico, arguing it has become a privatized field designed to please wealthy elites and foreign collectors. It contends that art has shifted from being partly publicly funded to being driven by the market and private initiative, leading to a culture of self-censorship, precarity, and a desperate ambition for visibility and sales.

NOBODY: The Latin American Project at Milano Design Art Week

DON NADIE THE LATIN AMERICAN PROJECT AT MILANO DESIGN ART WEEK

The design collective DON NADIE, founded by Ecuadorian industrial designers Lisandro Carrasco and Mono Alvarado, is presenting its project "1 m² / 1 second" at Milano Design Week. The installation, part of the IN BETWEEN collective at the Fuorisalone circuit, consists of sixteen folded-paper pieces within a cubic meter, each referencing native plant morphology. It translates the rate of deforestation into a tangible measure of time, representing one square meter of forest lost every second.