À la Biennale de Venise, le pavillon de l’Ouzbékistan fait revivre la mer d’Aral

The Uzbekistan Pavilion at the 61st Venice Biennale, curated around the figure of author Allayar Darmenov, brings together artists including Vyacheslav Akhunov, Zi Kakhramonova, A. A. Murakami, Zulfiya Spowart, and Nguyen Phuong Linh to explore the ecological disaster of the Aral Sea. Once the world's fourth-largest lake, it was drained by Soviet irrigation projects for cotton farming; the pavilion's installations—such as Kakhramonova's participatory salt-fish molding piece and Spowart's cradle-like sculpture—imaginatively revive the vanished sea and its endemic species.

“In corpo presente” at IED, Florence

On Tuesday, April 28, at IED Firenze (former Teatro dell'Oriuolo), the collective performance "In corpo presente" took place as the final act of a research project exploring contemporary meanings of freedom, presence, belonging, and collective action. Since December 2025, 50 students from various disciplines at IED Firenze have been involved in the project, guided by artist Jacopo Benassi.

Printing the Unprinted: The Reversal of World Discovery

The Indonesian Pavilion at the Venice Biennale presents "Printing the Unprinted: The Reversal of World Discovery," a project that reimagines global history by casting an Indonesian kingdom as the explorer who discovers the West. Seven Indonesian artists—Agus Suwage, Syahrizal Pahlevi, Nurdian Ichsan, R.E. Hartanto, Theresia Agustina Sitompul, Mariam Sofrina, and Rusyan Yasin—participated in a two-month residency at the Scuola Internazionale di Grafica in Venice, collaboratively creating works through printmaking and expanded forms. The pavilion includes exhibitions, workshops, and symposiums that challenge dominant narratives and highlight Indonesia's contributions to maritime technology, commerce, arts, and knowledge.

Zīnah (Adornment): Oman’s Pavilion Tunes the Biennale to Resonance Over Spectacle

At the 60th Venice Biennale, the Sultanate of Oman presents "Zīnah (Adornment)," a pavilion conceived by artist and curator Haitham Al Busafi. The immersive installation, on view at the Arsenale Artiglierie from 9 May to 22 November 2026, draws on the Omani tradition of adorning horses with silver (al-zaanah) to explore themes of relation, movement, and shared presence. Visitors enter through darkness into a field of Omani sand, beneath a canopy of silver elements that respond to movement with sound. The work incorporates drawings by students and emerging artists from a workshop in Muscat, emphasizing collective authorship.

‘Embrace of the Earth’: Rajib Ahasen’s debut solo exhibition opens at AFD

Rajib Ahasen's debut solo exhibition, 'Embrace of the Earth', opened on April 24, 2026, at La Galerie, Alliance Française de Dhaka (AFD). The show features around 36 works in watercolour and acrylic, rooted in the artist's memories of rural Bangladesh and his transition to urban life. Scenes of earthen roads, canals, riverbanks, and agrarian life dominate the collection, reflecting a personal narrative shaped by observation and recollection. Ahasen, who earned a Mawlana degree from a Qawmi madrasah in 2014 without formal fine arts training, has previously participated in national and international exhibitions including the Friendship Art Exhibition and Kahal International Art Fair.

Post-War & Contemporary Art

Freeman's auction house is presenting a 'Post-War & Contemporary Art' sale featuring 83 lots that span eight decades of art history. The auction includes notable works such as a Richard Mayhew landscape, an Andy Warhol text-based canvas, a Robert Rauschenberg solvent transfer, a Peter Halley abstraction, and monumental outdoor sculptures by Allan Houser. Other highlights include pieces by Caio Fonseca, Jamie Nares, Beverly Pepper, and a range of contemporary voices like Ann Craven, Bunny Rogers, and Sterling Ruby.

A Napoli c’è una mostra ispirata a Emily Dickinson dove è la luce a creare le opere

Diego Perrone's exhibition "There's a certain Slant of light" opens at Galleria Umberto Di Marino in Naples, taking its title from an Emily Dickinson poem. The show features new photographic and painted works born from the artist's observation of light passing through domestic glass objects in Naples, where architecture and daily life are shaped by an interplay of light and shadow. Photographs are enclosed in hand-molded glass frames, while large surfaces created with airbrush, charcoal, and chalk present shadow fields on white backgrounds, forming a visual sequence that unfolds like a film in black and white.

Kayem and Museum of Fine Arts, Boston Showcase Role of Hot Dogs in American History

Kayem, a New England-based hot dog brand, has partnered with the Museum of Fine Arts, Boston (MFA) to create an exhibition exploring the cultural significance of hot dogs in American history. The collaboration uses artworks and artifacts from the museum's collection to trace the hot dog's journey from its European origins to its status as a quintessential American food, highlighting its presence at events like baseball games, state fairs, and presidential inaugurations.

Aude Herledan | Black Venus (2015) | For Sale

This is a sales listing for Aude Herledan's bronze sculpture "Black Venus" (2015), an editioned work from her series "Faithful To My African Roots." The piece is offered by 1831 Art Gallery in Paris, with a certificate of authenticity and price available on request. The listing also provides a biography of Herledan, a French-born artist raised in Kinshasa who studied at the École Estienne, Parsons School, École des Beaux-Arts, and École du Louvre, and who has shown at major fairs including TEFAA and Art Paris.

Art: Amanda Heng’s ‘A Pause’ opens at the 61st International Art Exhibition of La Biennale di Venezia to represent Singapore

Amanda Heng Liang Ngim's exhibition 'A Pause' has opened at the Singapore Pavilion of the 61st International Art Exhibition – La Biennale di Venezia. The installation transforms the historic Sale d’Armi into a contemplative space using larch wood platforms, photographs, and a dual-channel video that observes everyday gestures of rest and renewal in Venice and Singapore. The presentation also includes a reprint of her 1990 series 'Parts of My Body' and is accompanied by a comprehensive monograph, 'Amanda Heng: On and On'.

How This Palestinian-Canadian Artist is Bringing Her Voice to the Met Museum

Dubai-based Palestinian-Canadian artist Samar Hejazi has been commissioned to create mirrored sculptural mannequin heads for the Costume Institute's Spring 2026 exhibition at The Metropolitan Museum of Art, opening alongside the Met Gala. Hejazi's reflective works, designed for the exhibition "Costume Art," aim to collapse the distance between viewer and object, creating moments of surprise and questioning about identity, perception, and belonging.

In Kyoto, a photography festival unites artists on society's fringes

Kyotographie, an independent international photography festival in Kyoto, has announced 'The Edge' as its theme for the 2026 edition, following a focus on humanity in 2025. The festival will feature exhibitions exploring fringes, darkness, and extremes of life, including a posthumous show of Fatama Hassona's 'The Eye of Gaza', a focus on South Africa with works by Lebohang Kganye, Pieter Hugo, and a peripatetic library from A4 Arts Foundation, as well as Ernest Cole's 'House of Bondage' at the Kyoto City KYOCERA Museum of Art—his first exhibition in Japan. Other highlights include Linder Sterling's survey 'Goddess of the Mind' at the Museum of Kyoto Annex and Anton Corbijn's 'Presence' at the Shimadai Gallery.

Haiti goes to Venice: Artist Duval-Carrié selected to represent nation at Biennale expo | PHOTOS

Internationally acclaimed Miami-based artist Edouard Duval-Carrié has been selected to represent Haiti at the 2026 Venice Biennale, the 61st International Art Exhibition of La Biennale di Venezia. Ahead of the May 9 opening, Duval-Carrié hosted a behind-the-scenes preview event at his Little Haiti studio in Miami on April 24, 2026, where he discussed his conceptual approach. His installation draws on themes of history, politics, and spirituality in Haiti and the Caribbean, reflecting evolving perspectives on the nation's past and present. Duval-Carrié collaborated with Vanessa Selk, founding artistic director of the Tout-Monde Art Foundation, to frame Haiti's presence as both a national showcase and a reflection of diasporic influence and Caribbean identity. The exhibition runs through November 22, 2026.

Dataland AI museum unveils olfactory art experience

Dataland, the world's first museum of AI arts, has partnered with L'Oréal Luxe to create an olfactory art experience for its inaugural exhibition, *Machine Dreams: Rainforest*. Co-founded by Refik Anadol and Efsun Erkılıç, the museum opens on 20 June in downtown Los Angeles. L'Oréal Luxe has developed 12 unique 'olfactive imprints' that will be diffused through smart devices, responding to artworks and visitor presence. The scents, including 'Scent of Rain' and 'Scent of Data', are drawn from Anadol's Large Nature Model, an open-source AI system based on data from 16 rainforests worldwide. The exhibition runs through 31 January 2027.

kazakhstan pavilion turns silence into a sensory landscape at venice biennale

Kazakhstan presents its third national pavilion at the Venice Biennale, titled 'Qoñyr Äulie: Immersion into Quiet Depths' by artist Ardak Mukanova. The exhibition, called 'Qoñyr: the Archive of Silence,' is housed at the Museo Storico Navale near the Arsenale entrance and transforms silence into a sensory landscape.

Meet the Canadian artists heading to Venice Biennale

Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.

morocco debuts national pavilion at the venice biennale with monumental asǝṭṭa installation

Morocco will debut its first-ever national pavilion at the 2026 Venice Art Biennale, presenting a monumental installation titled "Asǝṭṭa" by multidisciplinary artist Amina Agueznay. Curated by Meriem Berrada, the project is housed in the Arsenale's Artiglierie and explores themes of traditional craftsmanship, shared memory, and the symbolic threshold (âatba). The installation, which involves 166 Moroccan artisans and two Venetian collaborators, is conceived as a porous, liminal space that engages with the Biennale's theme "In Minor Keys," curated by Koyo Kouoh.

Nelson Félix’s Desire for Ascent

Nelson Félix's exhibition "Pedra de Rumo" is on view at Galeria Almeida & Dale, featuring new sculptures in Carrara marble, bronze, and living plants. The show explores themes of orientation and boundary-breaking, drawing on the artist's long-standing practice of mapping extreme geographical points. The title references Portuguese sailors' navigation stones, and the exhibition extends beyond the gallery to include a metal tip and seedling planted at a point determined by lines drawn between the gallery and the Museum of Contemporary Art of USP, where Félix will have another solo show in May 2025.

Al Padiglione Emirati della Biennale di Venezia l’ascolto passa dall’architettura

At the Venice Biennale, the UAE Pavilion at the Arsenale presents 'Washwasha,' a project curated by Bana Kattan that focuses on sound as an invisible infrastructure crossing cultures, memories, and identities. Featuring artists Tala Safié, Farah Al Qasimi, and Ala Younis, the pavilion eschews visual shock and political slogans for an immersive, auditory experience that prioritizes listening, proximity, and disorientation. Architect Koray Duman, who designed the space, explains in an interview that the pavilion is a deliberate counter to the contemporary culture of hyperstimulation and monetized attention, using architecture not as a container but as a system that organizes perception and emotional tension.

Curatori e allestitori ci raccontano la grande mostra dedicata a Franco Vaccari a Bolzano

A major retrospective exhibition titled "Feedback. Gli ambienti di Franco Vaccari" has opened at Museion in Bolzano, Italy, dedicated to the late artist Franco Vaccari (1936–2025). The show features over twenty immersive environments, historical works, and recent video experiments drawn largely from the museum's permanent collection and the Franco Vaccari Archive of Visual Writing. Curated by Frida Carazzato and Luca Panaro in collaboration with Fosbury Architecture, the exhibition explores Vaccari's cross-disciplinary practice spanning photography, writing, and participatory installation art.

Nesting Seagull Becomes Unexpected Star of Venice Biennale

A seagull nesting near the Polish pavilion at the Venice Biennale has become an unexpected attraction, drawing bemused visitors and media attention. The bird laid eggs in the Giardini grounds, and a fence with a warning sign in English and Italian was erected around the nest. Organizers say this is the first known instance of a seagull nesting in such a prominent area of the exhibition. The Polish pavilion was closed on May 8 as part of a historic strike protesting the inclusion of aggressor states in the Biennale, with a sign supporting the Ukrainian Pavilion.

Two years ago Russia ceded its pavilion at the Biennale to Bolivia. A testimony from within

Due anni fa la Russia cedette il suo padiglione in Biennale alla Bolivia. Una testimonianza da dentro

Two years ago, Russia ceded its national pavilion at the Venice Biennale to Bolivia, a move that artist Inés Fontenla experienced firsthand when she was invited by Bolivia to participate in the 2024 edition. Fontenla recounts how the pavilion's organization shifted after Bolivia's 2025 elections, with the curator replaced by the new Minister of Culture just one month before the opening. She realized Russia was using Bolivia as a front to re-enter the Biennale after closing its own pavilion in 2022 in protest of the Ukraine invasion, and she ultimately withdrew from the project to avoid being instrumentalized by a military power.

When the Night Bleeds into the Day

Wenn die Nacht auf den Tag abfärbt

Berlin-based graffiti artist Paradox Paradise, known for his distinctive red-and-blue "Paraglyphs" painted on high facades, discusses his evolution from classic graffiti to a radically reduced visual language. In an interview with Monopol, he explains how he stripped away decorative elements to focus on precise, vertical outlines and messages like "Mieten runter Wände bunter" (lower rents, more colorful walls). He describes his nocturnal actions as states of heightened presence requiring weeks of planning, where every movement has immediate consequences.

Alchemist of Colors

Annina Roescheisen, a German-born artist now based in New York, presents her work in Venice during the opening days of the Venice Biennale. Her paintings are created through an alchemical ritual where she mixes pigments, charcoal, ash, ink, herbs, and salts, producing pulsating fields of color that blur the line between the visible and invisible. A self-taught artist who never attended art school, Roescheisen draws on art history and philosophy, with a particular passion for medieval art. Her series "Flying Dragons" references the ancient Physiologus, and she has also produced watercolors based on drawings made with her eyes closed to explore how visual perception changes from childhood to adulthood.

The Contemporary Lore: Sojourn of Styles and Generations Unfurled

The exhibition "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" brings together 23 artists at various career stages, from senior practitioners to emerging voices, in a non-chronological display of paintings, sculptures, and mixed media. Curated by Kiran K. Mohan with a critical essay by art historian Johny ML, the show rejects linear art historical narratives in favor of a living conversation across generations, materials, and conceptual concerns. Featured artists include Anil Gaekwad, Ashok Bhowmick, Asit Patnaik, Bharti Prajapati, Bipin Kumar, Charudatt, Dilip Sharma, Haren Thakur, Harshwardhan Devtale, Hemraj, Jaikrishna Agarwal, Manoj Kumar Agarwal, Milan Das, Meenakshi Jha Banerjee, Mukesh Bijole, Nilisha Phad, Pandurang Thate, Prem Singh, Rakhi Kumar, Sanjay K. Srivastava, Sekhar Kar, Shaji Apukuttan, and Yusuf.

Anyflatsurface turns paddles, saws and rocks into art in new Northern Ontario show

Joyce Effinger, a self-taught visual artist based in Corbeil, Ontario, opens her solo exhibition "Anyflatsurface" at the Alex Dufresne Gallery on May 9. The show features paintings on unconventional surfaces such as paddles, saws, rocks, cloth, and found objects, transforming everyday items marked by use and history into vibrant studies of color, form, and place. Effinger, who came to painting later in life, draws inspiration from northern Ontario's landscapes and heritage, as well as poetry and personal reflection.

Anna Marzuttini and Giovanni Fredi ”SOUVENIR·SUBVENIRE” at SMDOT/Contemporary Art, Udine

SMDOT/Contemporary Art in Udine, Italy, presents a two-person exhibition titled "SOUVENIR·SUBVENIRE," featuring previously unseen works by Italian artists Anna Marzuttini and Giovanni Fredi. Marzuttini contributes large canvases and wall-hanging ceramic works, while Fredi's pieces are also on view, with both artists' research expressed through different media but converging on a shared conceptual plane.

Public Tour | Graduation Weekend Tour: Looking Back Toward the Future

The Mildred Lane Kemper Art Museum at Washington University in St. Louis is hosting a public tour on May 14, 2026, as part of its Graduation Weekend programming. The tour will explore the exhibition "Looking Back Toward the Future: Contemporary Photography from China," which features over forty large-scale photographs by fourteen Chinese artists created between 1993 and 2006. The exhibition is organized into three thematic sections—The Presence of the Past, East and West, and Performance and the Body—examining how artists used photography and performance to critique China's post-1989 sociopolitical and cultural shifts. This is the first time these works are on view at the museum, and they represent a significant recent addition to its contemporary Chinese art collection.

Ullger reflects on ‘quite special’ Berlin exhibition with Cane-Yo collective

Artist Karl Ullger recently participated in the group exhibition "Running with Scissors" at Anders Galerie in Berlin, organized by the global artist collective Cane-Yo. The show featured over 40 artists, including five invited Berlin artists, and displayed some 200 artworks. Ullger described the experience as "quite special," highlighting the energy of the packed opening and the direct engagement with visitors. He noted standout works by Austrian artist Theo Ritzinger, Chilean artist Diego Palacios, and Italian artist Yasmine Elgamal, as well as the opportunity to reconnect with fellow artists Alf Sims, Alex May, Shanice Farrugia, and Nicole Debono.

Agitate, Educate, Organize. A Conversation with the Indonesian Collective That Is in Venice with Two Projects

Agitare, educare, organizzare. Una conversazione con il collettivo indonesiano che è a Venezia con due progetti

Sale Docks, an activist art space born from a 2007 occupation in Venice, has invited the Indonesian collective Taring Padi to collaborate on two projects. The first is the exhibition "Taring Padi: People's Liberation," which reactivates banners as tools for propaganda, mobilization, and resistance. The second is a public intervention in Venice, where the collective and local community will repaint the walls of the historic social center Laboratorio Occupato Morion. The article includes an interview with Taring Padi, which was founded in 1998 in Yogyakarta by students and activists, and discusses their use of wayang shadow-puppet imagery and collaborative processes to agitate, educate, and organize communities.