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5 Artists on Our Radar in May 2025

Artsy's May 2025 edition of 'Artists on Our Radar' highlights five emerging visual artists: Julia Jo, Raina Lee, Yaya Yajie Liang, and two others. Julia Jo, a Korean painter based in New York, showed new works at the Independent art fair with Charles Moffett, featuring emotionally charged, abstract figurative paintings. Raina Lee, a Taiwanese American ceramicist, presented pocket-sized glazed stoneware at NADA and Future Fair during New York Art Week, inspired by travel and cultural relics. Yaya Yajie Liang, a Chinese painter based in London, creates oil paintings with fluid brushstrokes exploring bodily sensations and interconnectedness.

Mary Weatherford - The Surrealist - Exhibitions

Mary Weatherford presents a new body of work in her exhibition "The Surrealist," featuring large-scale abstract paintings that incorporate unconventional materials such as neon, coral, and starfish. The show includes works like "A Rose Tree" (2025), "Bonfire" (2025), and the titular "The Surrealist" (2024–2025), all executed in flashe on linen with mixed media elements.

Adam Lindemann opens exhibition of 19th-century African sculpture and contemporary Black abstraction

Collector and dealer Adam Lindemann has opened a non-selling exhibition titled 'Urhobo + Abstraction' at his David Adjaye-designed home near the Metropolitan Museum of Art in New York. The show, running until June 13, pairs 19th-century Urhobo sculptures from the Niger Delta with works by Black American abstractionists including Ed Clark, Norman Lewis, Richard Mayhew, Merton D. Simpson, and Alma Thomas. It is the first time Urhobo sculptures have been shown together in the US, and the exhibition is anchored by five wood carvings of warriors and royalty, one from Lindemann's private collection.

Photo London reveals details of tenth anniversary edition

Photo London will celebrate its tenth anniversary edition from May 15-18, 2025 at Somerset House, which is itself marking 25 years as an international arts destination. The fair will feature a strong roster of returning and new international galleries, the return of the Discovery section for emerging galleries, and a new Positions section for unrepresented photographers championed by collectors. Special programming includes a 'London Lives' exhibition showcasing around 30 leading photographers, a solo show by Colin Dodgson presented by Belmond, a new Book Market for independent publishers, a talks programme curated by Thames & Hudson, and awards such as the Photo London x Nikon Emerging Photographer of the Year and the Photo London x Hahnemühle Student Award.

Frieze New York Diary: sparring artists are boxing clever, Whitney gets set for almighty dick pic, and Bates mansion is reincarnated

The article covers several art-world events during Frieze New York week. Highlights include a boxing match at the Prince George Ballroom for the Cultivist's tenth anniversary, featuring artists like Shaun Leonardo, Cheryl Pope, and Jesus Benavente. At the Whitney Museum, the upcoming exhibition 'Sixties Surreal' will showcase Harold Stevenson's monumental male nude 'The New Adam' (1962), owned by the Guggenheim. Other notable items include Felix Beaudry's textile piece 'Put' (2024) at the Golden Thread 2 pop-up, Cornelia Parker's 'PsychoBarn (Flotsam)' (2024) at Frith Street Gallery, and Chantal Joffe's portrait of critic Hettie Judah at Victoria Miro.

Tefaf New York: determination in the face of Trump’s tariff chaos

Tefaf New York returns to the Park Avenue Armory with 91 exhibitors from four continents, presenting 7,000 years of art amid uncertainty caused by President Donald Trump's recently announced tariff regime. The fair's director, Leanne Jagtiani, sent a letter to exhibitors acknowledging the "significant impacts" on the industry, assuring them of close communication with shippers and legal advisers, and advocating for the exclusion of artworks from potential EU reciprocal tariffs. While artworks are understood to be exempt, antiques and contemporary works in unconventional materials may be subject to the new tariffs, creating confusion among dealers and collectors.

Marquee May auctions in New York come at a volatile moment

New York's marquee spring auctions, beginning May 12, are facing significant headwinds from President Donald Trump's second-term policies, particularly the 'Liberation Day' tariffs and resulting stock-market volatility. Phillips deputy chairman Robert Manley confirms at least one eight-figure work was pulled from sale due to tariffs. The combined Modern and contemporary auctions at Christie's, Sotheby's, and Phillips carry an estimated $1.1bn to $1.5bn in art—the lowest total estimate for spring sales since 2010, roughly $250m lower than May 2024. No nine-figure-estimate lots have been consigned, and the number of catalogued lots is the lowest since 2007 (excluding pandemic and recession years). Single-owner collections dominate, with Christie's securing the $200m Leonard and Louise Riggio collection, including a Piet Mondrian estimated at $50m, and works from Anne and Sid Bass. Sotheby's offers collections from dealers Daniella Luxembourg and others.

New York’s Hotel Chelsea honors the late artist Teruko Yokoi with new restaurant

New York's Hotel Chelsea is opening a Japanese restaurant named Teruko, inspired by and honoring the late artist Teruko Yokoi, who lived at the hotel from 1958 to 1961 with her then-husband, artist Sam Francis. The restaurant, helmed by chef Tadashi Ono, will feature eight recently acquired works by Yokoi and is set to open in mid-May. Coinciding with the restaurant's opening, a solo exhibition of Yokoi's work, titled "Noh Theater," is on view at Hollis Taggart gallery through June 14, showcasing over 20 works from the late 1950s to early 2000s that draw on Noh theatre traditions.

Tschabalala Self sculpture of two Black lovers will adorn exterior of New York's New Museum when it reopens

Tschabalala Self's sculptural relief "Art Lovers" (2025) will be installed on the façade of the New Museum in New York when it reopens this autumn with a new 60,000 sq. ft expansion designed by OMA. The 13ft-tall artwork depicts a Black couple kissing in a swirling embrace, inspired by Self's 2022 painting "Madly" and the architectural "kiss point" where the new building meets the original Sanaa-designed structure. The commission continues the museum's façade sculpture programme, which previously featured works by Chris Burden, Isa Genzken, and Glenn Ligon.

Asian galleries move westward: their growing presence and influence in New York

Hong Kong-based gallery Kiang Malingue is opening a new outpost on the Lower East Side of New York on May 9, joining a wave of Asian galleries expanding into the city. The 3,500 sq. ft space at 50 Eldridge Street, formerly an artist's studio, will debut with a solo show by Japanese artist Hiroka Yamashita titled 'The Lights from the Deep Mountains.' Other recent arrivals include Manila's Silverlens (Chelsea, 2022), Taipei's Nunu Fine Art (Lower East Side, 2023), Hong Kong's Alisan Fine Arts (Upper East Side, 2023), and Shanghai's Bank (Lower East Side, March 2025).

What not to miss at Frieze New York 2025

Frieze New York 2025 will take place from 7 to 11 May at The Shed, featuring over 65 leading contemporary art galleries from more than 25 countries. The fair offers collectors access to blue-chip works by major artists and pieces by emerging talents, alongside amenities such as the US debut of Korean luxury beauty brand The Whoo showcasing three South Korean female artists, and a Ruinart champagne bar with a commissioned installation by artist Sam Falls. Notable booths include Mendes Wood DM presenting a new sculpture by Sonia Gomes and works by Kishio Suga, a joint presentation by Apalazzogallery and Emalin featuring Augustas Serapinas, and Tina Kim Gallery highlighting a multigenerational selection of women artists including Maia Ruth Lee.

Ten Highlights From New York’s Spring Marquee Auctions

New York's spring marquee auctions are set for May 2025, with Christie's, Sotheby's, and Phillips presenting strong lineups after a 25% drop in total public sales in 2024. Highlights include the $250 million Leonard and Louise Riggio collection at Christie's, featuring Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (est. $50 million), and Alberto Giacometti's *Grande tête mince* (est. over $70 million) at Sotheby's. Other top lots include Lucio Fontana's *The End of God*, Jean-Michel Basquiat's *Baby Boom*, a Rothko from the Bass mansion, Claude Monet's *Crepuscular Peupliers*, Olga de Amaral's evening sale debut, a trove of 40 Roy Lichtenstein works, and an Ed Ruscha piece. The sales test market resilience amid supply constraints and a cautious art market.

Richard Long Commission Opening 10 May at The National Gallery, London, United Kingdom

The National Gallery in London will unveil a new site-specific commission by British artist Sir Richard Long on 10 May 2025. Titled "Mud Sun," the five-meter-wide mud work is hand-applied using tidal mud from the River Avon and installed at the top of the grand staircase in the newly transformed Sainsbury Wing. The work has been donated by Dr. Didi Mei Yi Wong to mark the Gallery’s 200th anniversary and will enter its Contextual Collection. It is Long’s second commission for the Gallery, following "River Avon Mud Crescent" (2023).

Art Brussels 2025 Is Keeping Up with Its European Art Fair Cousins

Art Brussels returned for its 41st edition from April 24-27, 2025, at Brussels Expo Hall on the Heizel Plateau in Laeken, Belgium. The fair featured 165 galleries from 35 countries, 38% of which were first-time exhibitors, showcasing works by over 800 artists across five curated sections: Prime, Solo, Discovery, '68 Forward, and Invited. New initiatives included The Screen, a curated video art section selected by KANAL-Centre Pompidou’s Eliel Jones and filmmaker Alex Reynolds, and Monumental Artworks, a large-scale sculpture section curated by Carine Fol. Highlights included works by Kai-Chung Chang, Guy Van Bossche, Mircea Suciu, Bendt Eyckermans, and others, alongside a special edition of the Belgian Art Prize marking its 75th anniversary.

Activity and optimism at Expo Chicago attest to the city's 'fearless' community of collectors and patrons

Expo Chicago's 12th edition opened at Navy Pier on April 24, featuring over 170 galleries from 36 countries, with a strong South Korean contingent supported by the Galleries Association of Korea and notable participation from Canada, Latin America, and smaller US cities. Highlights include a knitted men's locker room installation by Nathan Vincent at Walter Maciel Gallery and a video project by Deborah Oropallo and Andy Rappaport at Catharine Clark Gallery, alongside a tribute to veteran gallerist Rhona Hoffman, who is closing her namesake gallery after nearly 50 years.

Ed Atkins

Tate Britain presents a major retrospective of British artist Ed Atkins, running from 2 April to 25 August 2025. The exhibition features over 60 works across eight rooms, including video installations, embroideries, and sculptural pieces such as 'Death Mask II: The Scent' (2010), 'Hisser' (2015), 'Old Food' (2017-18), and 'Pianowork 2' (2023). Atkins, known for exploring existential dread through digital and handmade media, wrote the exhibition labels himself—a device curator Polly Staple says questions the authority of museum text. The show traces Atkins' evolution alongside advancing technology, from early post-art-school works to CGI self-portraits and installations incorporating costumes from Berlin's Deutsche Oper.

New gallery Slip House to open in 1,000sqft, three-story former carriage house during Frieze Week.

Slip House, a new gallery co-founded by Ingrid Lundgren and Marissa Dembkoski, will open to the public on May 9, 2025, during Frieze Week. Located in a 1,000-square-foot, three-story former carriage house at 246 East 5th Street in New York's East Village, the gallery's inaugural exhibition features a multigenerational roster of artists, including historic works by Jack Whitten and Claude Viallat alongside contemporary pieces by Anne Hayden Stevens, Lizzy Gabay, Max Guy, and others. Former Sprüth Magers Director Jessica Draper co-curates the debut presentation. The space includes a second-floor fireplace and kitchen, and a third-floor live/work area that will host a rotating artist residency, with co-founder Dembkoski living onsite during the first year.

At 90, Rhona Hoffman Is Closing Her Chicago Gallery—but She Isn’t Retiring Yet

Rhona Hoffman, the 90-year-old Chicago gallerist, is closing her eponymous gallery at the end of May 2025 after nearly five decades in operation. The final group show, “Not Just A Pretty Picture,” ends April 26. Hoffman, who opened her gallery in 1976, gave early platforms to artists like Sol LeWitt, Mickalene Thomas, and Carrie Mae Weems, and is especially known for championing women artists such as Cindy Sherman, Barbara Kruger, and Jenny Holzer. She was also made an honorary member of the Guerrilla Girls after documenting her exhibition history of women artists. Hoffman plans to remain in Chicago, curating shows and working with artists, but will not use the term "pop-up" for her future activities.

Rose Art Museum Expands Collection with Sam Hunter Committee Acquisitions of Works By Dhambit Munuŋgurr and Yu-Wen Wu

The Rose Art Museum at Brandeis University has acquired works by artists Dhambit Munuŋgurr and Yu-Wen Wu for its permanent collection, selected by the Sam Hunter Emerging Artist Fund Committee. Munuŋgurr's piece, Bäru (2024), is a larrakitj memorial pole reimagined with white clay and ultramarine, while Wu's Recitations (2024) is a wall installation made from Taiwanese tea, gold, and red thread. Both works will debut in the exhibition Fabricated Imaginaries: Crafting Art opening August 20, 2025.

Expo Chicago connects the Midwest to the global art market

Expo Chicago returns for its second edition under Frieze ownership from April 24-27, featuring over 170 galleries from 93 cities across 36 countries. The fair includes 50 new exhibitors, a new partnership with the Galleries Association of Korea bringing 20 South Korean galleries, and a curated sector called Contrast. Local stalwarts like Rhona Hoffman and Gray gallery are participating, balancing international growth with Midwestern roots.

london national gallery staff cuts

London's National Gallery is implementing significant staff reductions and program changes to address a projected £8.2 million ($11.2 million) budget deficit. The museum has launched a voluntary exit scheme for employees and will cut public programs, aiming to reduce the deficit by £2.6–3 million through personnel costs. The remaining shortfall will be addressed through other operational cuts.

istanbul biennial ends early curator resigns

The current Istanbul Biennial, titled "The Three-Legged Cat," will end prematurely after its first leg because curator Christine Tohmé resigned due to personal circumstances. The biennial was conceived as a three-part show spanning three years, with an academic program planned for 2026 and a second exhibition set for 2027. The first exhibition ran from September 20 to November 23 across eight venues in Istanbul, attracting over 600,000 visitors. The Istanbul Foundation for Culture and Arts (IKSV), which manages the event, announced the conclusion and stated that planning for the 19th Istanbul Biennial in 2027 will begin soon, with a curator announcement expected in 2026.

dana awartani venice biennale 2026 saudi arabia

Palestinian Saudi artist Dana Awartani has been selected to represent Saudi Arabia at the 2026 Venice Biennale. Her pavilion will be curated by Antonia Carver, director of Art Jameel, with assistance from Hafsa Alkhudairi. Awartani, known for her material interpretations of conflict in the Middle East, draws on Saudi Arabia's craft and cultural legacies, often collaborating with local artisans or displaced craftspeople. Her recent works include a response to heritage site destruction at the 2024 Diriyah Contemporary Art Biennale and an archive of recreated stone carvings at the 15th Sharjah Biennial.

louvre museum acquires first video mohamed bourouissa

The Musée du Louvre has acquired its first video work, *Les 4 temps (The 4 Seasons)*, created by Algeria-born artist Mohamed Bourouissa. The piece centers on the Tuileries Gardens in Paris, which connect the museum to the Place de la Concorde, and also references the 4 Temps mall in La Défense where Bourouissa grew up. The video will be on view in the Salle de la Chapelle from October 22 through January 19, 2026. The acquisition follows Bourouissa's year-long Instagram takeover for the Louvre, during which he posted 52 weekly videos that garnered millions of views.

pace closes hong kong gallery h queens 2025

Pace Gallery is closing its exhibition space at H Queen’s in Hong Kong later this month, with its final show—featuring Alejandro Piñeiro Bello—ending on October 18. The gallery chose not to renew its lease, citing that the location was no longer serving its needs. Pace will maintain its Hong Kong and Beijing offices and remains open to finding new spaces, signaling it is not fully exiting the city.

Art Collector and ‘Galerie’ Magazine Founder Lisa Fayne Cohen Fawned Over Jeffrey Epstein in Emails: ‘There Is No One Else Like You’

Newly released documents from the Justice Department's Epstein files reveal that New York art collector and Galerie magazine founder Lisa Fayne Cohen and her husband, real estate developer Jimmy Cohen, were in close contact with financier and convicted sex offender Jeffrey Epstein in 2015 and 2016. The emails show Cohen seeking Epstein's advice and arranging to photograph his Paris apartment for her magazine, which later featured the residence anonymously in its second issue.

Who’s That Nude Figure on a Washing Machine Outside the New Museum?

British artist Sarah Lucas has unveiled a new public sculpture titled "VENUS VICTORIA" (2026) at the New Museum's entrance plaza on the Bowery in Lower Manhattan. The work, which will remain on view for two years, features a monumental nude female figure with flailing arms and large pink breasts perched atop a dusty washing machine, wearing bright yellow high heels. Lucas adapted the figure from her ongoing "Bunnies" series (1997–present), which uses knotted pantyhose and found objects. The sculpture was unveiled on May 12, 2026, inaugurating a decade-long series of public commissions by women artists at the museum.

Coveted Rothko From Robert Mnuchin’s Collection Nets $85.8 Million in New York

A major Mark Rothko painting, *Brown and Blacks in Reds* (1957), from the collection of the late financier and dealer Robert Mnuchin, sold for $85.8 million at Sotheby’s New York, becoming the second-highest price ever achieved for the artist at auction. The work, estimated at $70–100 million, was part of an 11-lot sale dedicated to Mnuchin’s collection, which also includes works by Willem de Kooning, Pablo Picasso, and Franz Kline. A phone bidder won the painting, with Helena Newman, chairman of Sotheby’s Europe, handling the bid.

Art Busan Bets on Sustainability Over Speculation

Art Busan's 15th edition, taking place May 21–24, 2026 at BEXCO Exhibition Center, will feature over 110 galleries from 18 countries, with expanded programming including craft and design sections, curated exhibitions, and a new section called LIGHTHAUS that reframes gallery booths as curated environments. Data from the 2025 edition indicates an art market reorganization rather than contraction, with increased pre-sale activity, repeat attendance, and purchases across a wide price spectrum, suggesting a shift away from speculation toward sustained engagement.

Maia Chao Performs the Museum

Artist Maia Chao will activate the seventh-floor galleries of the Whitney Museum of American Art with her performance "Being Moved" as part of the 2026 Whitney Biennial programming. The work explores the theatricality and choreography of a museum visit, examining the gap between the fantasy of profound encounter and the ambivalence of spectatorship. Chao, who studied cultural anthropology at Brown University and grew up with artist parents in Providence, Rhode Island, approaches the museum as a structure that quietly trains behavior and participation. Her earlier projects include "My Business (Cards)" (2017), which invokes Adrian Piper's work, and "Look at Art, Get Paid" (2015–20), which paid non-museum-goers to serve as guest critics.