‘Out of Place’ : The Afterlives of Landscape.

The major retrospective ‘Out of Place’ at ART AFRICA showcases over 200 images by South African photographer Jo Ractliff, spanning four decades of her career. The exhibition traces Ractliff’s evolution from her early 1980s street photography to her mature, atmospheric landscapes that examine the scars of colonialism, apartheid, and regional conflicts in Southern Africa. By focusing on the 'afterlife' of violence rather than the events themselves, the collection highlights her unique ability to capture how history sediments within the physical terrain.

Four Latin American Voices Around the Montevideo Curatorial Intensive

CUATRO VOCES LATINOAMERICANAS EN TORNO AL INTENSIVO CURATORIAL DE MONTEVIDEO

Independent Curators International (ICI) held the Montevideo Curatorial Intensive in March 2026, in partnership with the ESTE ARTE fair and the Faculty of Arts at the University of the Republic (Udelar). This was the first time the program took place in Uruguay, bringing together twelve emerging curators from Uruguay, Brazil, Argentina, Chile, Venezuela, Ecuador, Colombia, and the United States for eight days of seminars, debates, and mentorship. Led by independent curator Marina Reyes Franco, the intensive included visits to local cultural spaces such as CasaMario, SUBTE, and the Espacio de Arte Contemporáneo, as well as a trip to Punta del Este to tour galleries and artist studios. The program featured presentations by international faculty including Ionit Behar, Victoria Noorthoorn, Maya Juracán, and Keyna Eleison, and concluded with a public symposium at the Museo Nacional de Artes Visuales (MNAV).

MARILYN BOROR BOR, SEBA CALFUQUEO, JULIETH MORALES. PERFORMANCE Y DISIDENCIAS

On April 18, 2026, the performance cycle "Atravesar el lago" (Crossing the Lake) took place in open spaces of Casa del Lago UNAM in Chapultepec Park, curated by Adonay Bermúdez. Artists Marilyn Boror Bor, Seba Calfuqueo, and Julieth Morales activated performances that destabilize dominant knowledge frameworks and confront narratives imposed by colonial modernity. Boror Bor's "Lo que el cemento no puede cubrir" turned the body into a living archive summoning ancestral memories; Calfuqueo's "Guardo mis semillas para el futuro" opened fissures in imposed borders; and Morales's "Enchumbarnos: Cuerpo, Norma y Territorio. Ritual para dos cuerpos" configured a threshold of listening and transformation. The article includes a curatorial text fragment exploring water as a dissident force, drawing on Silvia Rivera Cusicanqui's thought.

NEYRA PÉREZ: RETURN TO ROEBIRI

NEYRA PÉREZ: RETORNO A ROEBIRI

Neyra Pérez, an Iskonawa artist, presents her exhibition "El retorno del Roebiri" at the Centro Cultural Ricardo Palma in Lima, Peru, running until May 9, 2026. The show features her distinctive kené designs, which she creates using natural materials like yakuchapana resin and virgin clay on raw canvas, fixed through sunlight and river washing. The works reference Roebiri, a mountain in the Amazonian Sierra del Divisor that was the ancestral territory of the Iskonawa people, from whom they were displaced in the late 1950s by missionaries and the military. Since 2018, Pérez has been part of a cultural revitalization effort led by anthropologist Carolina Rodríguez to recover these traditional designs and practices.

In the Studio with Jevon Brown

Artist Jevon Brown, a Miamian of Bahamian, Jamaican, and Black Southern descent, discusses his multidisciplinary practice in an interview conducted in his Miami Beach apartment and studio. Brown works across textiles, silkscreen printing, fashion, and photography to explore cultural identity, belonging, queerness, and history. He describes how memories of Miami sunsets, family members like his uncle (a sneakerhead and hat collector), and ancestral references inform his creative process. Key works discussed include the "HAIREtage" series (2025), which uses materials like burlap and raffia to connect contemporary streetwear culture with African and Caribbean spirituality, and his inclusion in the exhibition "Material, Material World" at David Castillo Gallery.

culture politics bryan stevenson equal justice

Bryan Stevenson, civil rights attorney and executive director of the Equal Justice Initiative (EJI), opened Montgomery Square in Alabama on the anniversary of the Selma to Montgomery March. The new public space commemorates the acts of courage that led to the Voting Rights Act of 1965, focusing on the Civil Rights era and the role of Montgomery's Black community, including lesser-known figures like Linda Blackmon Lowry and Sheyann Webb. Stevenson discusses the square as part of EJI's broader network of sites—including the Legacy Museum and the National Memorial for Peace and Justice—which aim to deepen public understanding of America's history of racial inequality and mass incarceration.

nat ward ditch plains beach monograph

Photographer Nat Ward has published a new book titled "Ditch: Montauk, NY 11954," featuring panoramic images taken over four summers at Ditch Plains Beach in Montauk, New York. The project began during a residency at the Edward F. Albee Foundation in 2018, using a medium format panoramic camera to capture the diverse human interactions on the crowded beach. Ward's photographs document strangers becoming neighbors, political tensions dissolving under umbrellas, and the raw honesty of beachgoers, including a woman in a red MAGA hat and a young man confident in his desirability.

New exhibit illuminates Black families' summer haven on Cape Cod

A new exhibition at the Cahoon Museum of American Art in Cotuit, Massachusetts, titled "From Borough to Bay: A Legacy Illuminated," highlights the stories of seven Black families from Brooklyn who spent their summers in Osterville on Cape Cod during the 1960s and 1970s. Created by Cape Cod artist Dawn McKenzie, the show is on view through June 14, 2026.

Asian Spring 2026: dates and program of the Parisian art festival for lovers of Asia

The 9th edition of Printemps Asiatique (Asian Spring) will take place from June 3 to 12, 2026, across Parisian galleries, museums, and auction houses. Modeled on New York’s Asia Week and London’s Asian Art, the festival features a shared calendar of exhibitions, tours, talks, and auctions, with nearly thirty galleries, ten museums and art venues, and thirteen auction houses participating. This year, Korea is the spotlight country, with dedicated exhibitions and artistic itineraries. Key venues include the Musée National des Arts Asiatiques - Guimet, Musée Cernuschi, Musée des Arts Décoratifs de Paris, and Musée du Louvre, alongside auction houses such as Christie's, Sotheby's, Bonhams, and others.

Carnegie Museums $500 million campaign will fund projects at all 4 museums

The Carnegie Museums of Pittsburgh have launched a $500 million comprehensive campaign, the largest in their history, to fund capital projects across all four of their institutions: the Carnegie Museum of Art, Carnegie Museum of Natural History, Carnegie Science Center, and The Andy Warhol Museum. The campaign, which has already raised $325 million, will support renovations, new exhibitions, and expanded educational programming, including a major overhaul of the Carnegie Museum of Natural History's dinosaur hall and a new wing for the Carnegie Museum of Art.

Keith Jacobshagen retrospective opens May 16 at the Albrecht-Kemper Museum of Art

The Albrecht-Kemper Museum of Art in St. Joseph, Missouri, will host a retrospective exhibition titled "The Shape of the Prairie" for American landscape painter Keith Jacobshagen, opening May 16 and running through August 16. The show spans 50 years of Jacobshagen's career, featuring rarely exhibited sketchbook pages alongside finished oil and watercolor paintings that capture the skies and plains of his Nebraska home.

Printmakers carve their place at Art Museum of Southeast Texas

The Art Museum of Southeast Texas is hosting a new exhibition focused on printmaking, highlighting the work of contemporary printmakers who are carving out a distinct space in the art world. The show brings together a range of techniques and styles, from traditional woodcuts to experimental mixed-media prints, demonstrating the enduring relevance and innovation within the medium.

Beloved Arts Gallery In The Woodlands Wants You To Look Through Glass — Showcasing a Vital Material

Ardest Gallery in The Woodlands, Texas, is presenting "Thresholds," a juried exhibition curated by Austin-based glass artist Malina Cipleu, running through May 30. The show features kiln-formed glass works from Texas artists, with first place awarded to Deborah Ellington for "Encased in Time III," second place to Mary Torres for "Polka Dot Jungle," and third place to Sandi Neiman for "River Dreams." Gallery owner Julie Verville hosted the opening and awarded ribbons, while Cipleu's curatorial statement explores glass as a material of transition and connection.

Jury of the Venice Biennial resigns, Russia and Israel return to Award Contention

The five-member international jury of the 61st Venice Biennale, led by Brazilian curator Solange Farkas, has resigned effective April 30, 2026. The jury—comprising Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—announced their resignation in a written statement, referencing a prior Statement of Intention issued on April 22. In response, La Biennale di Venezia postponed the Awards Ceremony from May 9 to November 22, the final public day, and introduced two new "Visitors' Lions" awards—one for the Best Participant in the main exhibition "In Minor Keys" by Koyo Kouoh, and one for the Best National Participation—to be decided by ticket-holder vote.

Californian artists paint state identity in color at annual Brea exhibit

Brea Gallery in Brea, California, opened its 41st annual "Made in California" juried art exhibition on Saturday, featuring over 90 artists from across the state. The show includes a range of mediums such as oil paintings, sculptures, and mixed media, with jurors selecting works from roughly 5,000 submissions. This year's exhibition explores themes of identity and social justice, with pieces like Angel Lesnikowski's "Othered Existence" addressing Arab identity and conflict, and Adam Singer's "Big Feelings" reflecting on aging and mortality in Los Angeles. A solo installation by Lorena Molina, "This must be the place," draws on her Salvadoran heritage and the immigrant experience.

Art in Bloom returns to Mia, transforming galleries with floral interpretations

Art in Bloom, the Minneapolis Institute of Art's annual floral showcase, returned from April 23 to 26, 2026, featuring over 160 flower arrangements inspired by artworks from the museum's permanent collection. The free, four-day event, presented by the Friends of the Institute, drew thousands of visitors and included guided tours, family activities, and expanded programming. Floral designers, florists, and garden clubs placed their interpretations alongside original pieces, with this year's centerpiece inspired by a Japanese Presentation vase from the early 20th century, once owned by railroad magnate James J. Hill.

Gallery: NYC, Stockholm artists probe how history is staged in Tallinn show

Zody Burke and Klara Zetterholm have opened a joint exhibition titled "Ersatz Strata" at Temnikova & Kasela Gallery in Tallinn, Estonia. The show examines how history is staged and reimagined, using reliefs, sculptures, printed works, kinetic elements, and industrial residue to create a fictional archaeological site. A live performance by Los Angeles-based artist 011668 accompanied the opening. The exhibition runs through August 15.

LRMA honors community-wide art contest winners

The Laurel Arts League announced the winners of its inaugural Community-Wide Art Contest during a ceremony at the Lauren Rogers Museum of Art. First-grader Libby Morgan from Laurel Christian School was among the honorees, celebrated for her first-place win.

The Office Exhibition | Scranton, PA | NEPA Events

The Everhart Museum in Scranton, Pennsylvania, is launching a major two-year immersive exhibition dedicated to the hit sitcom *The Office*. Opening on October 31, 2025, the four-room installation explores the show's evolution from a mockumentary into a global cultural phenomenon, featuring interactive displays, behind-the-scenes narratives, and fan tributes.

On Showing My Paintings in Auschwitz

Artist and Holocaust survivor Yehudis Barmatz-Harris has installed a series of paintings within the barracks of Auschwitz-Birkenau, marking a profound personal and artistic return to the site of her family's trauma. The works, which utilize materials like salt and organic textures, are placed directly on the wooden bunks where prisoners once slept, creating a visceral dialogue between contemporary Jewish life and the void left by the Shoah.

Peeps-inspired art takes center stage at Racine museum

The Racine Art Museum has announced the winners of its 2026 RAM PEEPS Brand Art Exhibition, a popular annual competition featuring dioramas and sculptures made from marshmallow Peeps. Top honors in the adult division went to Julie Palmer for "Happy Birthday, PEEP Jr.," while Charlotte Barnes took first place in the youth category for "Peep Scouts Go Camping." The exhibition showcases a wide range of creative interpretations, including references to art history like "Peep Haring" and the "Peepeux Tapestry."

Pictures: Castle Drogo hosts powerful women’s history art exhibition this March

The Herding Cats Arts Collective is presenting a month-long exhibition titled 'A Woman’s Place' at Castle Drogo, a National Trust property on Dartmoor. The exhibition, running throughout March 2026, features contemporary works that explore the domestic and social structures governing the lives of women connected to the estate during the late 19th and early 20th centuries. Through research conducted with castle historians, the artists utilize domestic materials and imagery to highlight the often-overlooked histories of both the working-class staff and the upper-class residents of the fortress.

Open Call for Contemporary Art Commissions for the V&A South Kensington's new South Asia Gallery

The Victoria and Albert Museum in London has issued an open call for contemporary artists and designers to create new carved wooden panels for a 19th-century coffered ceiling from a temple in Kochi, South India, which will be the centerpiece of its redesigned South Asia Gallery at South Kensington. The ceiling, measuring 6 by 1.7 meters and originally comprising 45 panels, has been in storage for over 70 years; more than half of its panels are missing. The commission invites applicants to replace the lost panels with sensitivity to the original materials, design, and craftsmanship, integrating them into the restored structure. Expressions of interest are due by 28 February 2026.

The Infinite Artistry of Japanese Ceramics

The Metropolitan Museum of Art in New York is presenting "The Infinite Artistry of Japanese Ceramics," an exhibition featuring approximately 350 works that trace Japan's ceramic history from 12,000-year-old pottery to contemporary pieces. The show draws primarily from the museum's Harry G. C. Packard Collection, marking the 50th anniversary of that landmark acquisition, and includes five rotations of artworks running from January 2026 through August 2027. The exhibition places ceramics in dialogue with lacquers, textiles, paintings, and prints to explore broader cultural contexts.

Native-owned gallery and retail store to open in Downtown Las Vegas Arts District

The nonprofit IndigenousAF, founded by artist Fawn Douglas and UNLV professor A.B. Wilkinson, announced plans to open a Native-owned retail store and gallery in Downtown Las Vegas Arts District. The venue will feature 700 square feet of retail space, 1,600 square feet of gallery space, and 1,500 square feet of mixed-use space, located near Charleston Boulevard and 3rd Street. The organization has already met one-third of its three-year fundraising goal, and the store, also named IndigenousAF, is expected to open in the first quarter of 2026. A pop-up sale previewing items will take place on Black Friday, November 28, at Nuwu Art Gallery.

Art Gallery of Swan Hill: A Place to Gather

The Art Gallery of Swan Hill, under the Swan Hill Rural City Council, has announced the opening of its first exhibition in a new gallery space, titled 'A Place to Gather'. The exhibition features works from the gallery's permanent collection—which includes Australian printmaking, drawing, First Nations sculptural objects, and paintings by notable Australian artists—alongside loans from public and private collections. Opening night is scheduled for 28 November 2025, with additional events including a curator-led walk-through and behind-the-scenes tours through early 2026.

How one Swiss museum helped to evacuate thousands of Gaza artefacts ahead of an Israeli strike

The Geneva Museum of Art and History (MAH) coordinated a frantic evacuation of thousands of archaeological artefacts from Gaza’s main storage facility on 9 September, ahead of an Israeli strike that destroyed the Al-Kawthar residential tower housing the repository. The facility, operated by the French Biblical and Archaeological School of Jerusalem (EBAF), contained finds from key sites including the fourth-century Saint Hilarion Monastery, a UNESCO World Heritage site. MAH staff, led by curator Béatrice Blandin, negotiated with Israeli authorities, Swiss diplomats, UNESCO, and the Aliph Foundation to secure a brief window for removal. Despite the operation, 30% of the artefacts—mostly ceramics and lapidary objects—could not be saved.

Power to the people: London’s National Gallery seeks public panel to help shape its future

London's National Gallery is launching NG Citizens, a citizens' assembly that will advise the museum on its future policy and direction. Starting next month, 15,000 households across the UK will receive invitations, from which 50 participants will be selected via a civic lottery, eventually narrowing to 20 individuals who will serve on the panel for five years. The gallery states the initiative places audiences at the heart of decision-making, aiming to shape programs around the needs of diverse UK communities, though the assembly will not directly choose exhibitions or acquisitions but will produce recommendations on purpose, priorities, and public value.

‘The pain has become unbearable’: Tel Aviv Museum of Art workers stage daily protest outside the institution

Since early April, employees of the Tel Aviv Museum of Art have been staging a daily 30-minute protest outside the museum's two public entrances before opening hours. Initiated by senior curator of Israeli art Dalit Matatyahu, the protest brings together staff with diverse stances on the war, the hostage crisis, and the humanitarian situation in Gaza. The demonstration takes place at the intersection of the museum and Hostages Square, a site already central to hostage-family activism. Participants include chief curator Mira Lapidot and contemporary art curator Shahar Molcho, who describe the protest as a moral response to the unbearable transition from the charged square to museum work.

Walters’ Latin American art exhibit lost $70K in Trump cuts. It’s opening anyway.

The Walters Art Museum in Baltimore is opening its inaugural installation of Latin American art despite losing $70,000 in federal funding due to cuts by the Trump administration. The lost funds represented 6% of the $1,160,000 installation cost, and the museum had little opportunity to raise replacement money. The exhibition features an earthenware burial urn and other works, proceeding as planned despite the financial shortfall.