The Everhart Museum in Scranton, Pennsylvania, is launching a major two-year immersive exhibition dedicated to the hit sitcom *The Office*. Opening on October 31, 2025, the four-room installation explores the show's evolution from a mockumentary into a global cultural phenomenon, featuring interactive displays, behind-the-scenes narratives, and fan tributes.
Artist and Holocaust survivor Yehudis Barmatz-Harris has installed a series of paintings within the barracks of Auschwitz-Birkenau, marking a profound personal and artistic return to the site of her family's trauma. The works, which utilize materials like salt and organic textures, are placed directly on the wooden bunks where prisoners once slept, creating a visceral dialogue between contemporary Jewish life and the void left by the Shoah.
The Racine Art Museum has announced the winners of its 2026 RAM PEEPS Brand Art Exhibition, a popular annual competition featuring dioramas and sculptures made from marshmallow Peeps. Top honors in the adult division went to Julie Palmer for "Happy Birthday, PEEP Jr.," while Charlotte Barnes took first place in the youth category for "Peep Scouts Go Camping." The exhibition showcases a wide range of creative interpretations, including references to art history like "Peep Haring" and the "Peepeux Tapestry."
The Denver Art Museum is hosting a public insight session focused on the specialized work of its conservation department. Conservators will present behind-the-scenes details regarding the treatment of artworks and objects prepared for several major exhibitions, including the mid-century modern showcase "Space Is the Place" at The Kirkland and the textile-focused "Conversation Pieces."
The Herding Cats Arts Collective is presenting a month-long exhibition titled 'A Woman’s Place' at Castle Drogo, a National Trust property on Dartmoor. The exhibition, running throughout March 2026, features contemporary works that explore the domestic and social structures governing the lives of women connected to the estate during the late 19th and early 20th centuries. Through research conducted with castle historians, the artists utilize domestic materials and imagery to highlight the often-overlooked histories of both the working-class staff and the upper-class residents of the fortress.
The Victoria and Albert Museum in London has issued an open call for contemporary artists and designers to create new carved wooden panels for a 19th-century coffered ceiling from a temple in Kochi, South India, which will be the centerpiece of its redesigned South Asia Gallery at South Kensington. The ceiling, measuring 6 by 1.7 meters and originally comprising 45 panels, has been in storage for over 70 years; more than half of its panels are missing. The commission invites applicants to replace the lost panels with sensitivity to the original materials, design, and craftsmanship, integrating them into the restored structure. Expressions of interest are due by 28 February 2026.
The Metropolitan Museum of Art in New York is presenting "The Infinite Artistry of Japanese Ceramics," an exhibition featuring approximately 350 works that trace Japan's ceramic history from 12,000-year-old pottery to contemporary pieces. The show draws primarily from the museum's Harry G. C. Packard Collection, marking the 50th anniversary of that landmark acquisition, and includes five rotations of artworks running from January 2026 through August 2027. The exhibition places ceramics in dialogue with lacquers, textiles, paintings, and prints to explore broader cultural contexts.
Reston Art Gallery and Studios (RAGS) will open a new exhibition titled “Art of Lake Anne” on Thursday, showcasing works by nine local artists who interpret Lake Anne Plaza, Reston’s original village center. The show features paintings, fiber art, and found-object sculptures by artists including Rosemarie Forsythe, Cindy Grisdela, Doug Fuller, Sandy Dovberg, Jennifer Duncan, Julia Malakoff, Wayne Schiffelbein, and Pat Macintyre. A reception will be held on Sunday, January 11, and the exhibition runs through February 5.
The Manchester Open exhibition will return in 2026 for its fourth iteration, taking place at HOME Manchester from June 20 to September 6. The open-call show invites submissions from artists of all experience levels across eight categories including ceramics, painting, photography, and textiles. A new award honoring philanthropist Kate Voke will be introduced, and three artists will receive development packages managed by HOME and Castlefield Gallery. The application process is now open, with the selection panel to be announced in spring 2026.
The El Camino College Art Gallery is hosting 'Mi Casa es su Casa,' an exhibition featuring ceramic works by artist Yvette Trujillo and curated by Dulce Stein. The show, which opened October 30 and runs through December 1, transforms common Mexican household cleaning products like Fabuloso and Zote into saint-like ceramic sculptures, alongside clay shrines and an ofrenda celebrating Dia de los Muertos. The exhibition includes sugar skull face painting, dancing, and works by Hispanic artists.
The nonprofit IndigenousAF, founded by artist Fawn Douglas and UNLV professor A.B. Wilkinson, announced plans to open a Native-owned retail store and gallery in Downtown Las Vegas Arts District. The venue will feature 700 square feet of retail space, 1,600 square feet of gallery space, and 1,500 square feet of mixed-use space, located near Charleston Boulevard and 3rd Street. The organization has already met one-third of its three-year fundraising goal, and the store, also named IndigenousAF, is expected to open in the first quarter of 2026. A pop-up sale previewing items will take place on Black Friday, November 28, at Nuwu Art Gallery.
The Geneva Museum of Art and History (MAH) coordinated a frantic evacuation of thousands of archaeological artefacts from Gaza’s main storage facility on 9 September, ahead of an Israeli strike that destroyed the Al-Kawthar residential tower housing the repository. The facility, operated by the French Biblical and Archaeological School of Jerusalem (EBAF), contained finds from key sites including the fourth-century Saint Hilarion Monastery, a UNESCO World Heritage site. MAH staff, led by curator Béatrice Blandin, negotiated with Israeli authorities, Swiss diplomats, UNESCO, and the Aliph Foundation to secure a brief window for removal. Despite the operation, 30% of the artefacts—mostly ceramics and lapidary objects—could not be saved.
London's National Gallery is launching NG Citizens, a citizens' assembly that will advise the museum on its future policy and direction. Starting next month, 15,000 households across the UK will receive invitations, from which 50 participants will be selected via a civic lottery, eventually narrowing to 20 individuals who will serve on the panel for five years. The gallery states the initiative places audiences at the heart of decision-making, aiming to shape programs around the needs of diverse UK communities, though the assembly will not directly choose exhibitions or acquisitions but will produce recommendations on purpose, priorities, and public value.
Since early April, employees of the Tel Aviv Museum of Art have been staging a daily 30-minute protest outside the museum's two public entrances before opening hours. Initiated by senior curator of Israeli art Dalit Matatyahu, the protest brings together staff with diverse stances on the war, the hostage crisis, and the humanitarian situation in Gaza. The demonstration takes place at the intersection of the museum and Hostages Square, a site already central to hostage-family activism. Participants include chief curator Mira Lapidot and contemporary art curator Shahar Molcho, who describe the protest as a moral response to the unbearable transition from the charged square to museum work.
The Walters Art Museum in Baltimore is opening its inaugural installation of Latin American art despite losing $70,000 in federal funding due to cuts by the Trump administration. The lost funds represented 6% of the $1,160,000 installation cost, and the museum had little opportunity to raise replacement money. The exhibition features an earthenware burial urn and other works, proceeding as planned despite the financial shortfall.
More than 160 treasures from the tomb of King Tutankhamun have been transferred from the Egyptian Museum in Cairo to the Grand Egyptian Museum in Giza, ahead of its long-awaited opening on 3 July. The items include a ceremonial chair inlaid with ivory and gold and an accompanying footstool decorated with gilded motifs. The Egyptian Ministry of Tourism and Antiquities states the move is part of a plan to display the entire Tutankhamun collection together for the first time. The famous golden mask and golden coffins remain at the Cairo museum for now and will be the last items moved.
The New York Times reports on a new exhibition at the American Museum of Natural History that offers visitors a look at space exploration and cosmic phenomena. The show features artifacts, models, and immersive displays that highlight humanity's journey into the final frontier, blending scientific discovery with visual spectacle.
London's National Gallery opened a smoking room in 1975, located dangerously close to galleries housing priceless paintings. A photograph from the gallery's annual report shows staff members Betty Churchyard and Phyllis Rowlands using the facility. The smoking room was closed decades ago, well before the 2007 ban on smoking in public places, and the space has now been repurposed as part of the Roden Centre for Creative Learning, which opened in February 2025.
Penticton-based artist and hockey player Glenn Clark presents "Wackem Sackem," a pop-up exhibition at the Kelowna Art Gallery that runs concurrently with the Memorial Cup tournament from May 21 to 31. The show features sculptural paintings on floor stands depicting NHL fights and historic rivalries like Canadiens vs. Maple Leafs, along with interactive activities such as a goalie selfie challenge, a crowd mural, and custom gear design.
The first edition of Olfacta Art Fair, a provocative art fair dedicated to scent, will take place from September 18 to 20, 2026, at EDIT Garden in Turin, Italy. Conceived by artist and herbalist Francesca Casale (born 1990) and her association Olfacta, the fair features ten artists and independent spaces under the curatorial direction of Gianluigi Ricuperati, with exhibition design by Maurizio Cilli. The event transforms the venue into an immersive environment where smells, emanations, and olfactory traces interact with installations, performances, scientific research, and sensory design, challenging traditional notions of art as a collectible object.
Panama will present its second National Pavilion at the 2026 Venice Biennale, featuring a large-scale installation and performance titled 'Tropical Hyperstition' by the artistic duo Antonio José Guzmán and Iva Jankovic (Mensajeros del Sol). The project, curated by Ana Elizabeth González and Mónica Kupfer, is organized by Panama's Ministry of Culture and several cultural foundations.
The Liverpool Biennial has appointed Lucía Sanromán and Aimee Harrison as Co-curators for its 2027 edition. Sanromán, Chief Curator at Mexico City's MUAC, brings an international perspective on socially engaged art, while Harrison, a long-time Biennial staffer, provides deep local knowledge and experience in community-focused projects. The festival will run from June 5 to September 12, 2027, utilizing historic buildings, galleries, and unexpected spaces across the city.
The Ashe Arts Center in Lansing, North Carolina, is hosting an opening reception for "Shadow of the Hills," a new exhibit featuring artwork created by the Blue Ridge Art Clan (BRAC). The reception will take place on Friday, May 8, from 5-7 p.m., and the exhibit will remain on display through June 6. BRAC, founded by Florence Thomas in 1978, promotes fine arts and supports artistic excellence, with members including professional and hobby artists from Ashe County and the surrounding High Country. The 2026 exhibit features 28 participating artists, including Scott Ballard, Lynn Baranowski, and Pete Benda, among others.
The Neosho Valley Spring Art Exhibit has opened at the Chanute Art Gallery in Chanute, Kansas, showcasing original works by artists from the Four-State area. The exhibition features a variety of mediums including paintings, photography, sculpture, and ceramics, and will run through the end of the month. A reception is scheduled for May 23, with awards including a $200 best of show prize, first- and second-place prizes in each category, and a people’s choice award.
Ardest Gallery in The Woodlands, Texas, is presenting "Thresholds," a juried exhibition curated by Austin-based glass artist Malina Cipleu, running through May 30. The show features kiln-formed glass works from Texas artists, with first place awarded to Deborah Ellington for "Encased in Time III," second place to Mary Torres for "Polka Dot Jungle," and third place to Sandi Neiman for "River Dreams." Gallery owner Julie Verville hosted the opening and awarded ribbons, while Cipleu's curatorial statement explores glass as a material of transition and connection.
Several Carson High School art students earned top honors at the Nevada Artists Association Student Art Show. Senior Serenity Rodriguez placed first in the 3D category for her piece “Buried in Flowers,” while freshman Abbey Ortega earned third place for “Comic Book Art” and an honorable mention for “Cat Caught Fish.” Other students received honorable mentions across 2D and 3D categories. The Spring 2026 High School Art Exhibition features 69 entries from Carson, Dayton, Douglas, and Whittell high schools, on view at the Nevada Artists Association Gallery in Carson City through May 8.
Chinese artist Shaohua Nong (b. 1960, Linfen, Shanxi) is offering an original oil on canvas titled "Twain II" (2015) for sale at US$1,300 through the gallery Sojourner in New York. The 25 × 37 inch painting is hand-signed, includes a certificate of authenticity, and is listed on Artsy with a money-back and authenticity guarantee. Nong, a member of the Shanxi Branch of Chinese Artists Association, has exhibited widely in China and internationally, including at Hong Kong ART CENTRAL Art Fair, Shangshang Art Museum in Beijing, and the Nanjing International Art Exhibition.
The 73rd annual Greeley Park Art Show, hosted by the Nashua Area Artists Association, will take place August 29-30, 2026, at Greeley Park in Nashua, New Hampshire. The two-day outdoor juried show is open to artists 18 and older working in 2D and 3D media, with an early registration deadline of May 30. New features this year include options for one- or two-day participation, tent sharing, tent rentals, senior discounts, and expanded entertainment. Awards will be given in categories including 3D, acrylic, drawing, mixed media, oil, pastel, photography, watercolor, digital art, Best in Show, and Viewer’s Choice. The show is free and open to the public, drawing thousands of visitors from New Hampshire and Massachusetts.
Litavie Art Gallery in Glendale presented a solo exhibition titled 'Where Motion Becomes Memory' by artist Zareh from April 2 to 11. The opening night featured remarks from artist Seta Injeyan, who analyzed Zareh's work, and the event was documented with photos of Zareh alongside Injeyan and art critic Peter Frank.
Tillies Art & Provisions is set to open on May 1 at 512 Commercial Street in Provincetown’s East End. Located in a historic 19th-century grocery store building, the new gallery and community space will debut with a group exhibition curated by Barbara Cohen featuring 17 established local artists. The venue plans to host a diverse seasonal program including art exhibitions, readings, and musical performances.