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Interview: Lukas Amacher Is Building a Chatbot for the Art World

Curator, collector, and entrepreneur Lukas Amacher, in partnership with developer David Simon, has launched CONTXT, an A.I.-powered chatbot platform designed for art exhibitions. The software allows visitors to ask questions about artworks via a chat interface, with answers sourced directly from an institution's curated materials like catalog essays and curator notes, rather than generic internet searches. The platform is currently being tested in a public preview with bitforms gallery.

Fort Worth's Gallery at Bowie House to Present New Art Exhibition Featuring Carly Allen Martin and Erik Skoldberg

The Gallery at Bowie House in Fort Worth is launching a new exhibition titled "Memory Lane," featuring abstract works by artists Carly Allen Martin and Erik Skoldberg. Since opening in December 2023 within the luxury Auberge Resorts Collection hotel, the gallery has integrated fine art into every guest room and public space, selling hundreds of works ranging from $30,000 to several hundred thousand dollars. The upcoming show marks a shift for the space, moving from its typical figurative Western aesthetic toward contemporary abstraction.

Top Five Booths Not to Miss at Expo Chicago 2026

Expo Chicago 2026 marks a strategic shift under the new leadership of director Kate Sierzputowski and curator Essence Harden, moving away from purely commercial dealer interests toward a more artist-centric and curatorial approach. This year's iteration features a streamlined selection of galleries, allowing for greater depth and focus on individual practices. Notable highlights include Pablo Delano’s poignant installations at Embajada exploring Puerto Rican history, a diverse group showing at Marc Straus Gallery featuring artists like Marie Watt and Lucia Hierro, and a collaborative presentation by São Paulo galleries Bianca Boeckel and Verve.

In Paris, this exhibition invites you to engage in a dialogue with paintings.

Artist Aurore Guez is transforming the Wilde Galerie in Paris into an immersive, imaginary café for a two-day exhibition titled "LE CAFÉ" on April 25 and 26, 2026. The installation features interactive paintings and talking portraits of figures such as Kalash and Lujipeka, where visitors can trigger recorded dialogue to converse with the artworks. The 80-square-meter space will utilize warped scenography and actors playing waiters to blur the lines between traditional painting, performance art, and stage design.

Delhi Gallery District: Defence Colony Emerges As City’s First Art Hub

The Defence Colony neighborhood has officially transformed into Delhi’s first dedicated gallery district, housing 11 distinct art spaces within a compact, walkable circuit. Anchored by established institutions like Vadehra Art Gallery and Akar Prakar, the area has seen a recent influx of contemporary spaces including GALLERYSKE, PHOTOINK, and the newly opened Gallery Dotwalk. This concentration of venues has birthed a new cultural ritual in the city: late-night art walks where collectors, curators, and younger audiences move seamlessly between openings.

Between light and language: The art of Lars Elling

Acclaimed Norwegian artist and writer Lars Elling is set to debut his first South African exhibition, "Dreams of Reason," at the Everard Read Gallery in Franschhoek on April 11, 2026. The collection features works created during his annual five-month residencies at the De Rust farm in Elgin, home of Paul Clüver Family Wines. The exhibition marks a significant shift in Elling’s palette, moving from the muted greys of Norway to the vibrant ochres and blues of the Western Cape, while exploring the liminal psychological space between sleep and wakefulness.

A Midwest Frieze: Kate Sierzputowski Takes the Reigns as Director of Expo Chicago From Founder Tony Karman

Kate Sierzputowski has officially stepped into the role of Director at Expo Chicago, succeeding longtime founder Tony Karman following the fair's acquisition by Frieze. As the fair prepares for its April 2025 edition at Navy Pier, Sierzputowski is overseeing a significant transition that includes a streamlined roster of 130 galleries and a more integrated branding presence from the Frieze parent company.

At the Galleries for March 12, 2026

The East End's gallery scene is seeing a seasonal shift as several new exhibitions open across the Hamptons and North Fork. This week's highlights include a group show focusing on abstract landscapes at a local mainstay and a solo presentation of experimental photography that challenges traditional perspectives on coastal environments.

Thoroughly Modern Maastricht: why Tefaf is embracing the 20th century

TEFAF Maastricht is reinforcing its position as a premier destination for high-end collectors by increasingly integrating 20th-century secondary market material alongside its traditional Old Masters and antiquities. Despite a period of leadership instability—marked by the recent departure of managing director Dominique Savelkoul after less than a year—the fair remains a critical fixture for 276 exhibitors. This year's edition highlights a diverse range of objects spanning 7,000 years, from Neolithic pottery to contemporary photography and high jewelry worn by celebrities like Helen Mirren.

The Illuminated Room

The article presents an excerpt from Nathaniel Dorsky's book "Devotional Cinema," focusing on a chapter titled "The Illuminated Room." Dorsky explores the historical and perceptual relationship between cinema, vision, and spirituality, comparing the experience of watching a film in a dark theater to medieval conceptions of self-luminosity, as exemplified by stained glass windows in cathedrals like Chartres.

Los Angeles’s next generation of dealers forges new paths

Despite a wave of high-profile gallery closures and economic pressure from the shrinking entertainment industry, a new generation of Los Angeles art dealers is finding resilience through local community ties. While major outposts like Michael Werner and Sean Kelly have shuttered, local mainstays argue that the market is not failing but rather correcting itself against unrealistic expectations. Success in the current climate requires a physical presence and deep-rooted relationships that satellite galleries often struggle to maintain.

Landmark moment as city celebrates reopening of Newcastle Art Gallery

The Newcastle Art Gallery has officially reopened following a transformative expansion project that has been more than 16 years in the making. NSW Governor Margaret Beazley led the ceremonial ribbon-cutting for the facility, which now stands as the largest public gallery in New South Wales outside of Sydney. The reopening is being celebrated with a three-day community festival and the launch of 'Iconic Loved Unexpected,' a major exhibition featuring nearly 500 works from the gallery’s $145 million permanent collection.

Master Drawings New York marks 20th anniversary as both fair and market expand

Master Drawings New York (MDNY) marks its 20th edition this month, founded in 2006 by London dealers Crispian Riley-Smith and Margot Gordon and acquired in 2023 by dealer Christopher Bishop. The fair focuses on works on paper from the 15th century to today, also including painting, sculpture, and photography. This year features 36 dealers across two dozen Upper East Side gallery spaces, with ten new exhibitors from Europe, making it the most geographically diverse edition yet. Programming includes a highlights catalogue of 20 important works sold during previous editions that ended up in major collections such as the Metropolitan Museum of Art and the Getty.

Mumbai Gallery Weekend looks beyond the city's historic art district

The 14th edition of Mumbai Gallery Weekend (MGW) is underway, running until January 12, and for the first time appoints co-leads from galleries outside the city's historic art district of Colaba and Fort. Ayesha Parikh of Art and Charlie (Bandra) and Sanjana Shah of Tao Art Gallery (Worli) helm the event, reflecting the geographic expansion of Mumbai's art scene into western suburbs and financial districts. The weekend features ambitious exhibitions, including a solo show of terracotta works by Chippa Sudhakar at Tao and a group show curated by Zeenat Nagree at Art & Charlie. MGW, co-founded in 2012 by Shireen Gandhy and other South Mumbai galleries, has grown from nine to 33 participating galleries, and now includes the Midtown Arts Collective, which represents galleries from Worli, Lower Parel, and Bandra.

Art Basel Miami Beach Diary: a pettable bronze piece, an un-buttoned up party and tarot in a grotto

At Art Basel Miami Beach, the art collective MSCHF invites fairgoers to touch their bronze sculpture *Touch Me Sculpture One More Time* (2024) on Perrotin’s stand, featuring a counter that tracks each pat. The Institute of Contemporary Art Miami hosted a VIP opening night with figures like director Alex Gartenfeld and artist Andreas Schulze, while the Thom Browne club stood out in matching attire. Other highlights include kinetic sculptures by Breakfast (Andrew Zolty) at 1 Hotel South Beach, a tarot-reading grotto by Julie Schenkelberg at Nada fair, and Robbie Williams’s furniture debut with Moooi at Design Miami.

Southern Guild gallery to close in Los Angeles, open in New York

Southern Guild, a gallery founded in Cape Town, South Africa, is closing its Los Angeles location, which opened in February 2024, and will open a new 4,000-square-foot space in Manhattan's Tribeca neighborhood in March 2026. The gallery is making its debut at Art Basel Miami Beach this week, featuring works by artists including Zizipho Poswa, Marcus Leslie Singleton, Zanele Muholi, Chloe Chiasson, and Ambrose Rhapsody Murray. Director Andréa Delph, who led the LA outpost, will relocate to New York to head the new space.

Looking Beyond the Conflict: What's driving contemporary artists from Sri Lanka?

Contemporary artists from Sri Lanka are gaining visibility across South Asia through gallery exhibitions, institutional shows, and art fairs. At Experimenter in Colaba, Pushpakanthan Pakkiyarajah's solo show 'No Race, No Colour' features installations like 'Charred Hyphal Mat' that explore organic communication and wounded ecologies rooted in the country's three-decade civil war. At the Art Mumbai fair, Hema Shironi uses fabric and green mesh to address post-war reconciliation, while earlier in Delhi, the twin exhibitions 'Homes Wrapped in Cloth, Borders Raised in Flags' and 'After Aphantasias' by Shrine Empire showcased similar themes. Artists such as Anoli Perera, Kingsley Gunatillake, Pala Pothupitye, and others are collectively presenting nuanced perspectives on memory, ecology, and joy beyond the conflict.

Bharti Kher Makes a Powerful Return to Painting: ‘I Wanted to Break This Sort of Spell’

Artist Bharti Kher has returned to painting after a long period focused primarily on sculpture, with a new exhibition titled “The Sun Splitting Stones” opening at Perrotin Paris. The show features monumental, vividly colored oil paintings alongside sculptures, exploring themes of animism, the female body, and the harmony of nature and energy. Kher describes her painting process as introspective and fluid, moving between canvases to create works that feel both intimate and expressive.

Comment | Galleries are looking to merch to keep spirits up—it's a joyful move in challenging times

The article discusses how galleries are increasingly turning to merchandise and playful, low-cost art items to maintain public engagement during a downturn in the art market. It cites the example of Lucy Sparrow's hand-stitched felt fish and chip shop at Lyndsey Ingram gallery in London, which drew large crowds and media attention but generated far less revenue than traditional fine art sales. The piece notes that while the global art market fell 12% to $57.5bn in the past year, according to the Art Basel and UBS Art Market Report, galleries like Unit and Palmer are offering items such as Gavin Turk T-shirts and Andy Holden records to attract visitors.

From New York to Cape Town: Discover 9 new galleries at Art Basel Paris

Art Basel Paris returns to the Grand Palais in 2025 with 206 exhibitors from 41 countries, including 29 first-time participants. The article highlights nine new galleries in the main sector, such as Stevenson (Cape Town), Lodovico Corsini (Brussels), Crèvecœur (Paris), Jan Kaps (Cologne), The Approach (London), and 47 Canal (New York), each presenting distinctive artists and works that reflect global contemporary art trends.

New chapter for Artbo: Colombia’s art market finds resilience amidst flux

The 21st edition of Artbo, Colombia's premier art fair, opened in Bogotá with 46 galleries, down from its peak a decade ago. The fair is framed by the inaugural Bogotá Biennial, which adds international draw, and a leadership change: Jaime A. Martínez, an art historian and former gallerist, takes over from María Paz Gaviria. Early sales include works by Tania Candiani, Marcelo Moscheta, and Ximena Garrido-Lecca, with galleries reporting cautious but engaged Colombian collectors.

Sydney Contemporary art fair sees fourth year of decline in sales

Sydney Contemporary, Australia's largest contemporary art fair, reported A$16m (US$10.5m) in sales for its 2025 edition, marking a fourth consecutive year of decline. The fair, held from 11 to 14 September at Carriageworks, featured 116 exhibitors and nearly 500 artists, making it the largest edition to date. Despite the drop from last year's A$17.5m and A$23m in 2022, founder Tim Etchells remains committed, citing record visitor numbers of 26,440 and a shift in buyer behavior where sales often close weeks after the fair. Notable sales included a A$1.5m painting by Emily Kam Kngwarray, still under consideration by a collector. A new photography section, Photo Sydney, debuted and will return next year.

New York’s Tilton Gallery staging final exhibition after more than four decades in business

New York’s Tilton Gallery has announced that its upcoming exhibition dedicated to German-born American conceptual artist Ruth Vollmer will be its final show, closing after more than four decades in business. The gallery, founded by Jack Tilton in 1983, has been run by his widow Connie Rogers Tilton since his death in 2017. The Vollmer exhibition runs from 30 September to 15 November, after which Rogers Tilton plans to transition to private sales and research projects.

Picasso or Bitcoin? How art’s status is changing among the super-rich

Christie's and Sotheby's reported nearly flat first-half 2025 sales of $2.1bn and $2.2bn respectively, with Christie's 20th/21st-century art sales down 2% but luxury up 29%. The Mei Moses Art Index shows over 50% of auction lots sold at negative compound annual returns, which analyst Michael Moses calls 'the worst overall financial performance in the 21st century.' Meanwhile, Bitcoin, gold, and stocks have significantly outperformed art, with BlackRock's Bitcoin ETF alone attracting $84bn—far exceeding the global art market's total value. A record $43.9m Canaletto sale to a Bezos-linked buyer underscores that top-tier works still command attention, but the broader trend suggests wealthy investors are prioritizing financial returns over art as a status symbol.

Yuan Fang’s Visceral Paintings at Skarstedt Confront the Body’s Fragility and Its Strength

Yuan Fang presents a new series of visceral abstract paintings at Skarstedt Chelsea, created after she was diagnosed with cancer. The works mark a shift from her earlier gestural abstraction, confronting the fragility and resilience of the body through intuitive, layered processes that evoke cycles of generation, decay, and rebirth. Fang, who gained international attention during the pandemic, joined Skarstedt last year and continues to attract collectors in Hong Kong and beyond.

The Slow Death of the Contemporary Art Gallery

The article reports on the decline of the traditional contemporary art gallery model, driven by rising rents, changing collector behavior, and the rise of new artist categories. Tim Blum closed his Blum & Poe galleries in Los Angeles and Tokyo, citing systemic issues rather than market conditions. Art Basel and UBS data show the art market shrank overall but the number of sales increased, indicating a shift toward mid-priced works. Collectors are moving away from "blue-chip" artists toward "red-chip" artists who gain value through viral hype and cultural relevance, exemplified by Olaolu Slawn's accessible solo show at Saatchi Yates. Celebrities like actor Adrien Brody are also entering the market, though his work has been criticized as derivative. Meanwhile, smaller galleries like Tiwa Gallery, Landdd, and Marta are thriving by focusing on genuine connection, and retail spaces like Gentle Monster and Dover Street Market are blending art with commerce.

Bollywood Star Sonam Kapoor on the Women Who Shaped Her Eye for South Asian Art

Bollywood star Sonam Kapoor discusses her evolution as an art collector, shaped by the women in her family—her mother Sunita Kapoor and aunt Kavita Singh, a Mumbai-based interior designer and art curator. Kapoor began collecting instinctively, drawn to South Asian modernists like Amrita Sher-Gil and Manjit Bawa, but has recently shifted toward contemporary works and underrepresented artists, especially women and those outside major art hubs. She sources art from galleries such as Jhaveri Contemporary, Chemould Prescott, and Nature Morte, as well as auction houses including Christie’s, Sotheby’s, and Saffronart. Kapoor was on the host committee for the Serpentine Summer Party in London, where she admired Arpita Singh’s first institutional solo show outside India.

CLEARING to close its New York and Los Angeles galleries after 14 years.

CLEARING, a New York-based gallery known for representing artists such as Marguerite Humeau, Korakrit Arunanondchai, and Harold Ancart, is closing its Manhattan and Los Angeles locations after 14 years. Founder Olivier Babin announced the closure on Instagram, citing no viable path forward due to rising overhead costs for rent, shipping, and art fairs, alongside declining revenues. The gallery opened in Brooklyn in 2011, later expanded to Brussels, and moved to a larger Bowery space in 2023 before the financial pressures became unsustainable. Its final exhibitions were solo shows by Coco Young in New York and Henry Curchod in Los Angeles.

Art’s new hybrid economy: who is making creative waves in a sector where analogue and digital media exist together?

The article examines how contemporary artists are navigating a hybrid art economy where analogue and digital media converge, particularly in the age of AI. It profiles Simon Denny, recently appointed a Member of the New Zealand Order of Merit, whose machine-assisted paintings at Kraupa-Tuskany Zeidler in Berlin address the illegibility of AI-generated images and the militarized rhetoric of Italian Futurism. Other artists featured include Sara Ludy, whose postdigital paintings at Smart Objects, Los Angeles, reflect screen-based perception, and Chris Dorland, whose exhibition at Nicoletti Contemporary, London, exposes the limits of technical systems through glitch aesthetics. Hito Steyerl's new book *Medium Hot: Images in the Age of Heat* (2025) is also discussed, questioning the role of images in an era of operational, nonhuman vision.

Meet Paris’s new art vanguard

The article profiles a new wave of artist-run spaces and independent art venues that have emerged in Paris over the past decade. It highlights collectives like Le Wonder, which began in 2013 and has moved through several post-industrial locations before settling in Bobigny in 2023, and DOC, founded by graduates of the École nationale supérieure d’art de Paris Cergy in 2015. Smaller initiatives such as Tonus, run by artist-graphic designers Jacent, and the bookstore-publisher After 8 Books, which grew out of the earlier space castillo/corrales, are also featured. The Anglo-French duo behind Goswell Road, Coralie Ruiz and Anthony Stephinson, round out the portrait of a decentralized, peer-driven ecosystem.