Is Berlin not over yet?

Ist Berlin doch noch nicht over?

Çağla Ilk, who curated the German Pavilion at the Venice Biennale two years ago, has presented her plans as the new artistic director of the Maxim Gorki Theater in Berlin. Her program reimagines theater from the perspective of visual art, signaling a major shift in the city's theater landscape. The announcement comes amid broader reforms in Berlin's theater scene, including Matthias Lilienthal's upcoming takeover of the Volksbühne, and was met with both anticipation and anxiety, reminiscent of Chris Dercon's failed tenure at the Volksbühne in 2017.

I'm a punk artist, I don't give a damn

"Ich bin Punk-Künstlerin, ich geb einen Scheiß drauf"

During the opening week of the Venice Biennale, the Russian activist and Pussy Riot member Nadya Tolokonnikova staged a protest against the Russian pavilion, wearing pink balaclavas and chanting slogans like "Blood is Russia's Art." Meanwhile, Florentina Holzinger's Austrian pavilion, subtitled "I Live in Your Piss," drew massive crowds with its scatological installations and extreme performances, causing wait times of up to two and a half hours. German media critics have widely covered the Biennale's heightened political tone, with debates over boycotts of Russia and Israel, and the tension between art and activism.

The Biennale of Quiet Tones

Die Biennale der leisen Töne

The 61st Venice Biennale's main exhibition, titled "Gardens, Processions, Art as Expression of Lived Realities," places humanity at its center. Curators revealed minimal biographical details for the 111 participating artists, only noting the oldest (Marcel Duchamp, born 1887) and youngest (Mohammed Z Rahman, born 1997), signaling a deliberate shift away from individual fame toward collective experience.

The Future Will Be Neither Good Nor Bad, But Strange

"Die Zukunft wird nicht gut oder schlecht, sondern seltsam"

Mike Winkelmann, known as Beeple, has brought his "Regular Animals" series to the Neue Nationalgalerie in Berlin. The works feature digital creatures that blend pop-culture figures like Mark Zuckerberg with art-historical references such as Picasso, continuing Beeple's signature style of satirical, software-generated imagery. The exhibition marks a significant institutional debut for the artist, who rose to fame by selling the most expensive NFT ever and posting daily digital art online.

"Eine Idee, die gut ist, kann fast alles verändern"

Henrike Naumann's final major artistic project, the German Pavilion at the Venice Biennale, is completed posthumously by friends after her death from cancer at age 41. Meanwhile, the sudden death of curator Koyo Kouoh at 57 has left her team to finish the central exhibition "In Minor Keys" for the Biennale, opening May 9. The US Pavilion is openly crowdfunding for its 2026 presentation by sculptor Alma Allen, citing opaque funding under the Trump administration. Israel's foreign ministry has accused the Venice Biennale jury of boycotting its artist Belu-Simion Fainaru by excluding countries whose leaders face International Criminal Court charges.

Einatmen – Ausatmen

Lee Ufan, the renowned Korean artist known for his meditative single brushstroke paintings, is the subject of a feature article in Monopol. The piece visits his home in Kamakura, Japan, where he lives and works in a simple wooden cube house, reflecting the minimalist philosophy that defines his art. The article explores how Lee finds the entire universe in a single brushstroke, and how the art world is increasingly captivated by his serene, contemplative works.

"We are among those in the crowd who are overjoyed"

"Wir gehören zu denjenigen in der Menge, die überglücklich sind"

The Hungarian art scene is celebrating a major political shift following Péter Magyar’s electoral victory over Viktor Orbán, ending 16 years of restrictive cultural policies. Local figures, including gallerist Margit Valkó and artist János Sugár, express immense relief and hope for a future defined by institutional autonomy and international engagement after years of state-led hostility toward contemporary art.

Kunsthalle Mainz Facing the End?

Kunsthalle Mainz vor dem Aus?

The Kunsthalle Mainz is facing potential closure by the end of the year following the withdrawal of funding by the Mainzer Stadtwerke. The crisis is compounded by the departure of director Stefanie Böttcher, who is moving to the Kunsthalle Kiel, and the fact that her position has not been advertised for replacement. Despite its international reputation and successful recent exhibitions, such as the current Britta Marakatt-Labba retrospective, the institution lacks a secured financial future and a leadership succession plan.

What is Art Allowed to Do?

Was darf die Kunst?

German Minister of State for Culture Wolfram Weimer has sparked a heated debate over artistic freedom after excluding three bookstores from the German Bookstore Prize due to undisclosed intelligence reports. The controversy has escalated into a broader confrontation with cultural institutions, highlighted by the Berlin Volksbühne's public criticism and Weimer's subsequent refusal to participate in a scheduled panel discussion. This incident follows a string of high-profile disputes regarding political expression in the arts, particularly concerning the Berlinale and documenta fifteen.

Choreography Instead of Cartography

Choreografie statt Kartografie

The third edition of the Diriyah Contemporary Art Biennale, titled "In Interludes and Transitions," has opened in the JAX District of Diriyah, Saudi Arabia. Featuring works by approximately 70 artists across five converted warehouses, the exhibition is curated by Nora Razian and Sabih Ahmed with a scenography designed by Formafantasma. Despite regional geopolitical tensions, the event showcases major installations by international artists such as Petrit Halilaj and Thao Nguyen Phan, emphasizing a "choreographic" rather than cartographic approach to global art.

Stories in Copper and Vinyl

Geschichten in Kupfer und Vinyl

The UCCA Center for Contemporary Art in Beijing is hosting "Hundreds and Thousands," the first institutional retrospective of the late American conceptual artist Rutherford Chang. The exhibition showcases Chang’s career-long obsession with collecting and cataloging mass-produced objects, most notably featuring his collection of over 3,700 first-pressings of the Beatles’ "White Album." Other significant works include a 31-kilogram copper cube created from 10,000 pre-1982 pennies and a digital archive of over 2,000 of the artist's own Game Boy Tetris sessions.

99 Variations of a Volcano

99 Variationen eines Vulkans

Julian Charrière has released a new artist's book titled "After the Smoke Cradle," documenting a series of 99 lithographs originally exhibited at the Verein für Originalgraphik in Zurich. The project features 33 variations of three different volcanoes, created using a unique process where the artist transformed collected lava, ash, obsidian, and sulfur into printing pigments. This material-focused approach ensures that the physical essence of the volcanic sites is literally embedded into the photographic imagery.

Israel Criticizes Venice Biennale Jury over Pavilion’s Exclusion

The international jury of the 61st Venice Biennale has excluded the Israeli and Russian pavilions from consideration for official prizes, citing that countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible. Israel’s foreign ministry condemned the decision as a political boycott, and Israeli representative Belu-Simion Fainaru called it a hostile act that exceeds the jury’s mandate. The Biennale’s president, Pietrangelo Buttafuoco, has distanced the institution from the jury’s action, insisting the exhibition remain open to all nations recognized by Italy.

« Le monde entier semble s’être mis en mouvement, animé par une soif d’expériences culturelles »

The article explores the transformation of cultural travel for artists and art lovers, contrasting the arduous, unknown journeys of historical figures like Eugène Delacroix, Paul Gauguin, and Ella Maillart with today's accessible, curated experiences. It describes how contemporary artists such as Ólafur Elíasson, JR, and Marina Abramović now use travel itself as a medium, creating works that engage with climate change, social issues, and presence. Destinations like the Venice Biennale, AlUla in Saudi Arabia, Naoshima in Japan, and Le Voyage à Nantes are highlighted as hubs where art and travel merge into immersive, sensory experiences.

Theater in Paris: Studio Hébertot brings to life the companions of Pablo Picasso, from Fernande Olivier to Françoise Gilot

Théâtre à Paris : le Studio Hébertot fait revivre les compagnes de Pablo Picasso, de Fernande Olivier à Françoise Gilot

A theatrical production titled 'Les Amours de Pablo' is being staged at the Studio Hébertot in Paris until the end of May 2026. The play, created by the Compagnie Bille en Tête, focuses on the intimate and tumultuous relationships of Pablo Picasso, but primarily aims to give voice and substance to seven of his romantic partners, portraying them as complex individuals and artists in their own right.

The Fruitful Dialogue Between AI, Knowledge, and Creation in a Free Festival at the BnF

Le dialogue fécond entre IA, savoir et création dans un festival gratuit à la BnF

The Bibliothèque nationale de France (BnF) is hosting the inaugural edition of "Noûs," a free festival exploring the intersection of artificial intelligence, archival knowledge, and artistic creation. Located in the hall of the François-Mitterrand site, the event features eight artistic projects that utilize the library's vast catalog to reveal hidden histories rather than generate falsehoods. Highlights include Audrey Large’s 3D-printed sculptures exploring suppressed female knowledge, Justine Emard’s immersive digital cave of AI-generated sirens, and the collective Obvious’s speculative botanical frescoes based on historical scientific plates.

Who is Prune Delon, the 24-year-old fashion designer selected for a residency at the Villa Medici?

Qui est Prune Delon, cette créatrice de mode de 24 ans sélectionnée pour une résidence à la Villa Médicis ?

Prune Delon, a 24-year-old fashion designer and Institut français de la mode graduate, has been awarded a prestigious one-month research residency at the Villa Medici in Rome. Moving away from traditional ready-to-wear collections, Delon is using the residency to develop a multidisciplinary project that blends textile art with sculptural installation. Her work at the historic site draws inspiration from the villa's mineral architecture and classical sculptures, as well as her formative experiences studying traditional embroidery and natural dyeing techniques in India.

Venice Biennale, no prize for Russia or Israel

Biennale de Venise, pas de prix pour la Russie ou Israël

The Venice Biennale has announced that neither Russia nor Israel will receive awards at this year's edition. The decision reflects ongoing geopolitical tensions and controversies surrounding the participation of these nations in the prestigious international art exhibition.

The Fantasy of the Femme Fatale

Le fantasme de la femme fatale

A documentary titled "Le fantasme de la femme fatale" (The Fantasy of the Femme Fatale), directed by Susanne Brand, is available on Arte.tv. The film traces the visual history of the femme fatale, a seductive and dangerous figure prevalent in centuries of figurative painting by male artists like Gustave Moreau and Franz Von Stuck, often depicted as Salome or languid nymphs.

In the Shadow of Geniuses

Dans l’ombre des génies

A podcast episode from France Culture's "Affinités Culturelles" series, titled "Ces femmes d'artistes à l'ombre de l'histoire de l'art," examines the lives and artistic contributions of women who were partners to 20th-century masters Edward Hopper and Pablo Picasso. It focuses on figures like Joséphine Hopper, Françoise Gilot, and Dora Maar, exploring how they were often relegated to the roles of muses and models, with some sacrificing their own creative careers for their relationships.

WURUS – Light catches before form does.

Artist Caroline Gueye presents 'WURUS', a new installation for the Senegal Pavilion at the 61st Venice Biennale. Curated by Massamba Mbaye, the work is a shifting field of brass and polymer bronze elements, using mirrors and light to create an environment where perception is contingent on the viewer's movement and position. The title invokes gold, opening onto histories of extraction, but the work deliberately resists singular meaning.

US SCULPTURES AMID CONTROVERSY AT THE VENICE BIENNALE

The United States Pavilion at the 61st Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," which opened with no clear funding just ten days prior. Unlike previous pavilions supported by major foundations like Ford and Mellon, Allen's show relies on a $375,000 US government contribution and public donations via the American Arts Conservancy. The selection process was unconventional: the State Department, which took over after Trump's NEA budget cuts, imposed restrictions on DEI policies and required proposals promoting "American exceptionalism." Curator Jeffrey Uslip directly approached Allen without a formal proposal, leading the artist's two galleries—Olney Gleason and Mendes Wood DM—to drop him when he accepted the commission.

6 Artworks That Define the 2026 Venice Biennale’s Main Exhibition

The 2026 Venice Biennale's main exhibition opens this week, curated by Koyo Kouoh—the first African woman to hold the role—who was announced in 2024 but passed away suddenly in 2025. The article highlights six artworks that define her curatorial vision, which connected the international art world to artists and institutions from Africa and the Global South.

architecture frida escobedo serpentine pompidou

Frida Escobedo, a Mexican architect who founded her Mexico City studio at age 23, is profiled as part of Cultured's 2026 CULT100 honorees. She became the youngest architect to win the Serpentine Pavilion commission and is set to debut her biggest project yet in 2030: the Metropolitan Museum of Art's new modern and contemporary wing. The article presents a Q&A format covering her influences, including architect Lebbeus Woods, her views on patience and imagination, and her reflections on career challenges such as protecting her time.

art olivia walton crystal bridges

Olivia Walton, former TV journalist and current board chair of the Crystal Bridges Museum of American Art in Bentonville, Arkansas, discusses her leadership and vision in an interview for Cultured's 2026 CULT100 honorees. She took over from founder Alice Walton, her husband's aunt, in 2021 and has championed free admission and expanded access. The museum is set to open a major expansion in May, doubling its public space and celebrating its 15th anniversary alongside America's 250th birthday.

Marieta Chirulescu, Fred Sandback at Galerie Thomas Schulte

Galerie Thomas Schulte in Berlin is presenting a two-person exhibition featuring works by Marieta Chirulescu and Fred Sandback. The show, titled "Phase," runs from February 28 to April 18, 2026, and includes 17 documented images of the installation.

art exhibition biennials this year curators

In 2026, a rare alignment of major biennial exhibitions will take place globally, including the Venice Biennale (opening May 9, curated by Koyo Kouoh), MoMA PS1's Greater New York, the Whitney Biennial, and the Bronx Museum's AIM Biennial, alongside events in Toronto, Pittsburgh, Gwangju, Sydney, Diriyah, and Busan. CULTURED interviewed curators from four of these shows—such as Marcela Guerrero and Drew Sawyer of the Whitney Biennial—to explore how these sprawling group exhibitions come together, revealing a trend toward smaller, internally organized shows with less declarative themes.

parties raouls jennifer lawrence chloe sevigny 50th anniversary

A dinner and party at Raoul's, the iconic SoHo French bistro, celebrated its 50th anniversary in partnership with Moda Operandi. The event drew a crowd of regulars and celebrities including Chloë Sevigny, Jennifer Lawrence, Amy Sedaris, and Dave Gahan, who reflected on the restaurant's history as a haven for artists and its role in the neighborhood's transformation from a gritty gallery hub to a tourist destination. Karim Raoul, the founder's son, spoke about the restaurant's enduring family-run ethos.

art alice bucknell young artist

Alice Bucknell, a 32-year-old artist based in Los Angeles, is featured in CULTURED's 2025 Young Artists list. Bucknell creates video games and films that explore ecological and political themes, such as a recent work examining Los Angeles from the perspective of its rivers and non-human inhabitants to critique drought politics. They have held residencies at CERN and the New Museum's NEW INC, and founded New Mystics, a digital platform blending magic and technology. Upcoming projects include the game "Earth Engine" and its film component "Ground Truthing," which uses climate data to shape an evolving game world where Earth is the main player.

ART CRITICISM: CLARITY OR MORAL AUTHORITARIANISM?

CRÍTICA DE ARTE: ¿CLARIDAD O AUTORITARISMO MORAL?

The article is a critical essay examining the state of contemporary art production in Mexico, arguing it has become a privatized field designed to please wealthy elites and foreign collectors. It contends that art has shifted from being partly publicly funded to being driven by the market and private initiative, leading to a culture of self-censorship, precarity, and a desperate ambition for visibility and sales.