New dealer-run fair aims to fill gap left by Design Miami

A group of 11 mostly French galleries, led by Charlotte Ketabi-Lebard of Parisian gallery Ketabi Bourdet, have launched Maze Design Basel, a new dealer-run design fair to fill the gap left by the cancellation of Design Miami Basel. The fair is held in the 19th-century Elisabethenkirche church next to Basel's Kunsthalle, with stands arranged throughout the nave, mezzanines, chancel, pulpit, and clerestory. The vernissage on June 16 was playful and relaxed, with sales reported by all exhibitors and about 1,000 guests attending the preview.

London Gallery Weekend 2025: must-see shows for digital art lovers

London Gallery Weekend (LGW) 2025 features a strong digital art focus, with must-see shows by artists including Auriea Harvey, Tyler Hobbs, Beeple, and Robert Alice. Highlights include Beeple's interactive video sculpture *Tree of Knowledge* at the first South By Southwest London festival, LoVid's 25-year exploration of video and hand-stitched textiles at Gazelli Art House, David Salle's AI-assisted paintings at Thaddaeus Ropac, and Máté Orr's digital-first folklore paintings at JD Malat Gallery. The festival, where *The Art Newspaper* moderated a panel, underscores London's emergence as a digital art capital.

Six Shows to See in Beijing This Month

Ocula's China team has selected six must-see exhibitions in Beijing during Gallery Weekend Beijing (23 May–1 June 2025), highlighting emerging to mid-career Chinese artists. The article profiles shows at galleries including White Space, Tabula Rasa Gallery, and others, featuring artists such as Tant Yunshu Zhong, Xinyi Cheng, Evelyn Taocheng Wang, and Li Shurui. The 2025 edition of Gallery Weekend Beijing removes the Visiting Sector, which previously hosted international galleries like Chantal Crousel, Gladstone, and Sprüth Magers, shifting focus to domestic talent.

Esther fair brings global galleries to Manhattan’s Estonian House

The Esther art fair, founded by Estonian dealers Olga Temnikova and Margot Samel, is holding its second edition at the Beaux-Arts Estonian House in Manhattan through May 10. The boutique fair features 25 galleries from the US, Europe, and Asia, including James Fuentes, Sargent’s Daughters, Pangée Gallery, Kogo Gallery, Ivan Gallery, Sophie Tappeiner, and Bank. New additions include on-site fashion designers Julia Heuer and Laivi creating custom t-shirts. Participation fees have risen from $1,500 to $2,500, allowing the founders to hire staff, but the fair remains vulnerable to global shifts such as US trade policies and immigration crackdowns that affect art shipping and artist travel.

Why the inaugural Art Week Riyadh was a fair in everything but name

The inaugural Art Week Riyadh (AWR), organized by Saudi Arabia's Visual Arts Commission, took place from April 6-13 in the Jax district of Diriyah. Though officially billed as a non-commercial curated exhibition, the event functioned much like an art fair, with 32 galleries displaying available works, price lists visible on stands, and sales conducted throughout the week. The main exhibition, titled "At The Edge," was curated by Vittoria Matarrese with associate curators Basma Harasani and Victoria Gandit Lelandais, featuring galleries from Saudi Arabia and the wider region. Standout presentations included works by Ayesha Sultana, Mohamed Bourouissa, Mohammed Al Resayes, and Miramar Al Nayyar, alongside a moving image section and a satellite program of open studios and gallery shows.

Canadian art museum gets $36m funding boost for expansion from provincial government

The Ontario provincial government has announced a C$50 million ($36 million) investment to expand and modernize the McMichael Canadian Art Collection in Kleinburg, Ontario. This is the first capital investment from the province in 43 years, and it will fund repairs, upgrades, and expansion of the 70-year-old building, increasing capacity for programs and events. The museum, founded in 1966, is Canada's largest publicly funded art museum focused exclusively on Canadian and Indigenous art, housing over 7,000 works including pieces by Tom Thomson, the Group of Seven, and First Nations, Métis, Inuit, and contemporary artists.

The AfD Rehearses the Seizure of Power

Die AfD probt die Machtergreifung

The article reports that in the German state of Saxony-Anhalt, the far-right party AfD could achieve an absolute majority in the upcoming September election—a first in postwar German history. The state government has preemptively introduced a cultural funding law to protect the arts. The AfD's platform includes a "new patriotic cultural policy" under the slogan "#deutschdenken," which explicitly targets the Bauhaus and modernist art as symbols of an "identity disorder" they promise to "heal."

"Geschichtspolitisch fatal und realitätsblind"

A German media roundup reports on a planned restructuring of the Stiftung Flucht, Vertreibung, Versöhnung (Foundation Flight, Expulsion, Reconciliation), which would shift its focus toward German expellees and reduce the influence of the Federal Government Commissioner for Culture and the Media. The reform, criticized by FAZ commentator Andreas Kilb as a fundamental cultural-political intervention, would detach the foundation from the German Historical Museum and give greater weight to the Federation of Expellees in its board. Separately, the roundup covers a review of a legal study on artistic freedom sparked by the antisemitism debate around Documenta Fifteen, and a speech by Culture Minister Wolfram Weimer warning of democratic backsliding and rising antisemitism.

Group "New Generation" Plans "Art Protest" on Wednesday

Gruppe "Neue Generation" plant "Kunstprotest" am Mittwoch

The activist group "Neue Generation" has announced a week of protests in Berlin under the theme "Revolution Days," promising creative and artistically designed actions. Their activities began with a "protest dance" on the steps of the Reichstag building, leading to three participants being investigated for trespassing. The group has scheduled a "Kunstprotest" (art protest) for Wednesday and a "revolutions attempt in the government district" for Thursday.

Where are the Louvre Jewels?

Wo sind die Louvre-Juwelen?

Six months after a high-profile heist at the Louvre, investigators remain in pursuit of stolen jewelry valued at approximately €88 million. While four suspects are currently in custody, the bulk of the Second Empire-era treasures remains missing, leading to fears that the pieces may have been dismantled or melted down. The investigation has shifted focus toward how the thieves obtained a sensitive 2018 security audit that detailed vulnerabilities in the museum's defenses.

Hong Kong show offers 'most comprehensive survey' of 21st-century Chinese art

Tai Kwun in Hong Kong is presenting a two-part exhibition titled 'Stay Connected: Art and China Since 2008,' aiming to be the most comprehensive survey of 21st-century Chinese art. The first part, 'Navigating the Cloud,' examined the early internet's influence, while the current second part, 'Supplying the Globe,' focuses on the physical world of labor and China's manufacturing supply chain. The show is structured thematically, exploring ecological footprints, reconfigured labor, networks of exchange, and global realignment.

In Shanghai, a spectacular spiral opera house designed by Snøhetta is revealed

À Shanghai, un spectaculaire opéra en spirale conçu par l’agence Snøhetta se dévoile

The Shanghai Grand Opera House, a massive 147,000-square-meter cultural landmark designed by the Norwegian architectural firm Snøhetta, has reached structural completion in the Houtan district. Inspired by the form of a traditional Chinese fan, the building features a dramatic white helical roof that doubles as a public walkway, connecting the urban landscape to the waterfront. The interior, which includes a 2,000-seat main hall and various modular spaces, is currently being finalized ahead of a scheduled opening in the second half of 2026.

National Assembly Unanimously Votes on Law for Restitution of Looted Colonial Works, but with Restrictions

L’Assemblée vote à l’unanimité la loi sur la restitution des œuvres pillées pendant la colonisation, mais avec des restrictions

The French National Assembly has unanimously passed a landmark law establishing a permanent legal framework for the restitution of cultural property looted during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new law allows the government to return artifacts via decree following consultations with scientific and parliamentary commissions. This shift fulfills a long-standing promise to simplify the return of African heritage currently held in French public collections.

At the Grand Palais, the Paris Book Festival Puts Comics in the Spotlight

Au Grand Palais, le Festival du livre de Paris met la bande dessinée à l’honneur

The Festival du livre de Paris returns to the Grand Palais from April 17 to 19, 2026, marking a continued transformation from a massive trade fair into a curated cultural event. This year’s edition features 450 publishers and places a significant emphasis on comic books (BD), highlighted by two thematic exhibitions on the Balcon d’Honneur and a dedicated youth village. The program also includes a culinary-themed nocturne and the "Cabaret Extra!" performance series produced in collaboration with the Centre Pompidou.

Meloni takes control of Italian museums

Meloni reprend en main les musées italiens

Italy’s culture ministry under Prime Minister Giorgia Meloni has appointed 14 new directors for so-called “second-tier” museums, reinforcing a shift away from the international “super-director” model introduced by the 2014 Franceschini reform. All appointees are Italian except for French director Axel Hémery, who was reappointed at the Pinacoteca di Siena due to his strong performance. The move follows the earlier ousting of foreign directors at top-tier museums, with only two foreign-born directors—Eike Schmidt and Gabriel Zuchtriegel—remaining, both of whom hold Italian citizenship.

How the State Supports Provenance Research

Comment l’État soutient la recherche de provenance

The French Ministry of Culture has created two specialized missions to assist museums in researching the provenance of their collections, addressing looted artworks, human remains, colonial acquisitions, and illicit trafficking. The Mission for Research and Restitution of Looted Cultural Property (M2RS), established in 2019, focuses on Nazi-era spoliations (1933-1945) with a budget of €220,000 annually, while the newer Mission "Provenance," launched in 2024 under curator Catherine Chevillot, covers human remains, colonial-era objects, and illicit goods with a €450,000 budget. These missions provide expertise, funding, and coordination with institutions like the Commission for the Restitution of Property and Compensation of Victims of Anti-Semitic Spoliation (CIVS), though most museums still only initiate provenance checks during acquisitions or donations.

Outsourcing Museum Reception: A Booming Model

Externaliser l’accueil dans les musées, un modèle en plein essor

French museums are increasingly outsourcing front-of-house services, including ticketing, reception, and crowd management, to specialized private firms. This trend, which gained momentum with the opening of the Musée du quai Branly in 2006, allows public institutions to focus internal resources on core missions like conservation and curation while utilizing flexible, external labor for high-traffic operations. The market for these cultural services in France is projected to reach approximately €50 million by 2025.

A young but already highly competitive profession

Un métier jeune mais déjà très concurrentiel

The museum visitor services sector in France is undergoing rapid professionalization as specialized outsourcing firms compete for lucrative contracts. Companies like Marianne International, Pénélope, and City One—originally rooted in corporate reception and event management—are now managing front-of-house operations for major institutions including the Palais de Tokyo, MuCEM, and the Musée d'Orsay. This shift reflects a broader trend of museums treating visitors as customers and seeking the high-volume staffing expertise found in the corporate world.

The Château de Breteuil upgrades its offering

Le château de Breteuil monte en gamme

François and Pauline de Breteuil, the son and daughter-in-law of the 10th Marquis de Breteuil, have initiated a strategic shift for the centuries-old Château de Breteuil in the Chevreuse Valley, one year after taking over the family estate. They are moving the château's positioning away from its previous focus on family tourism and Perrault's fairy tales toward a more museum-like and prestigious experience. This 'upgrading' includes the opening of a new on-site restaurant, the Café d'Achille, and the redecoration of four rooms by interior designer Jacques Garcia, creating period rooms dedicated to the 18th century, Marie Antoinette, and the Empire style.

Brooklyn Museum Plans $13 Million Overhaul for New African Art Galleries

The Brooklyn Museum has announced a $13 million renovation project to create new Arts of Africa galleries, set to open in Fall 2027. The 6,400-square-foot space on the museum's third floor will display 300 works from its 4,500-piece collection, spanning from antiquity to the present day. The project, led by architectural firm Peterson Rich Office, will repurpose latent storage space and reconnect galleries architecturally.

Historic Strike Disrupts Biennale as Thousands March in Venice

On May 8, 2026, artists and cultural workers staged the first strike in the 131-year history of the Venice Biennale, disrupting the pre-opening of the international exhibition. At least 27 of the 100 national pavilions were partially or fully shut down, and thousands marched through Venice to the Arsenale, which was barricaded by Italian riot police. The strike, organized by the Art Not Genocide Alliance (ANGA) and local activist groups, was a 24-hour action for Palestine and workers' rights, with some artists altering or draping their works in the main exhibition, "In Minor Keys."

Hundreds Protest Israel’s “Genocide Pavilion” at Venice Biennale

On May 6, 2026, the first day of previews at the Venice Biennale, hundreds of pro-Palestine activists led by the Art Not Genocide Alliance (ANGA) blocked the entrance to the Israeli pavilion, demanding its immediate closure. Protesters waved Palestine flags and banners reading "No Artwashing Genocide" and "No Genocide Pavilion at Biennale," chanting accusations of genocide against Israel. The demonstration temporarily shut down access to Belu-Simion Fainaru's exhibition "Rose of Nothingness" for about half an hour. The protest followed a letter signed by over 200 artists urging the Biennale to exclude Israel, which instead moved the pavilion to an alternative location in the Arsenale due to renovations. Separately, Pussy Riot and FEMEN rallied outside the Russian pavilion, which will only open during preview days due to sanctions. Venice cultural workers plan a 24-hour strike on May 8 in solidarity with Palestinians, potentially disrupting the Biennale's schedule.

The Mysterious Life of Fluxus Dame Alison Knowles

A new book, "Performing Chance: The Art of Alison Knowles In/Out of Fluxus" by art historian Nicole L. Woods, is the first major study of the late Fluxus artist Alison Knowles, who died last fall at age 92. The book focuses on the first two decades of her career (1958–1975), analyzing key works such as her 1962 performance "Proposition #2: Make a Salad" at London's Institute of Contemporary Arts, and her shift from painting to experimental, ephemeral art after being exiled to a basement by Josef Albers at Syracuse University.

Jan Staller Photographs the Nuts and Bolts of Manhattan's Urban Symphony

Photographer Jan Staller has released a new book titled "Manhattan Project," featuring photographs of construction materials—pipes, beams, rebar, and drill bits—suspended midair against white skies. The book marks a shift from his earlier moody night photography to a hard-edged focus on utilitarian objects, transforming New York City's construction sites into otherworldly, readymade-like visions. The book includes a foreword by Neil deGrasse Tyson and an essay by curator Brett Littman, with images spanning locations across the Upper West Side.

The Museum Breathing Life Into New York's Downtown Performance Scene

The Leslie-Lohman Museum of Art in SoHo has emerged as a vital hub for New York’s downtown performance scene through its intergenerational exhibition, "Sacred and Profane." Featuring a collaborative residency between poet Pamela Sneed and performance artist Carlos Martiel, the programming centers on themes of Black maternal grief, queer identity, and the exhumation of suppressed histories. Recent performances included Martiel’s "No Resurrection," a ritualistic piece involving his mother and a mound of earth, and Sneed’s readings that address the collective trauma and "urgent care" status of the LGBTQ+ community.

Seurat and the Sea Is Postcard Perfect

Seurat and the Sea Is Postcard Perfect

The Courtauld Gallery in London is hosting 'Seurat and the Sea,' the UK's first exhibition dedicated to Georges Seurat's seascapes. The show features over half of the artist's lifetime output of canvases, painted during summer trips to the Channel coast between 1885 and 1890, which he intended as visual cleansers from studio work. The exhibition highlights his pointillist technique, using contrasting dots of color to capture seaside light.

Thiago de Paula Souza Appointed Curator of Eighth Athens Biennale

Thiago de Paula Souza, a Brazilian-born curator and educator, has been appointed curator of the Eighth Athens Biennale, scheduled for spring 2026. De Paula Souza, based in São Paulo and a member of the artistic committee of NESR Art Foundation in Angola, is recognized for focusing on artistic practices involving transmutation through eroticism, gender nonconformity, and intimacy. He previously cocurated the 2025 Bienal de São Paulo, the 2024 Panorama da Arte Brasileira at MAM São Paulo, and the survey “Some May Work as Symbols: Art Made in Brazil, 1950s–70s” at Raven Row, London, and served on the curatorial team of the 2018 Berlin Biennale.

Art Fund Launches ‘Empowering Curators’ Program for Global Majority Professionals

Art Fund, a British charity, launched the Empowering Curators program, a five-year initiative creating twenty multi-year curatorial roles for senior to mid-career professionals from global majority backgrounds. Ten initial fellows have been announced, with placements at major institutions including Tate Liverpool, the Whitworth Art Gallery, and Royal Museums Greenwich, where they will develop exhibitions, installations, and academic programs.

“So Fun! An Exploration of Maximalism” opens at Vision Gallery

“So Fun! An Exploration of Maximalism” opens at Vision Gallery in Chandler, Arizona, from August 23 to November 2, 2025. The group exhibition features five artists—including Lex Gjurasic, Sarah Hurwitz, and Sofie Ramos—who use plush emoji bean bags, flowers, Perler beads, and other media to create sculptures, drawings, paintings, and site-specific installations that celebrate the aesthetic of excess. Curated by Hanley Ange, the show counters Minimalist traditions and embraces color, pattern, and repetition to foster storytelling, self-expression, and empowerment.

Meet the Art Market’s Most Bankable Artists

The article, part of the Artnet Intelligence Report 'The Year Ahead 2025,' identifies the most bankable artists across five market categories based on auction results. It highlights Jean-Siméon Chardin's *Le Melon entamé* (1760) as the top-priced European Old Masters work, Pablo Picasso's *La Statuaire* (1925) as third-highest in Impressionist and Modern, David Hockney's *A Lawn Being Sprinkled* (1967) as third-highest in Postwar, Yoshitomo Nara's *I Want to See the Bright Lights Tonight* (2017) as second-highest in Contemporary, and Jonas Wood's *Still Life with Cat and Fruit* (2020) as fifth-highest in Ultra-Contemporary.