Zurbarán: a ‘magnificently choreographed’ showing of the Spanish ‘genius’

The article reviews the first-ever British exhibition dedicated to Spanish Baroque painter Francisco de Zurbarán, held at the National Gallery in London. The show brings together 40 works from collections spanning Seville to San Diego, featuring his hyper-real religious paintings and radiant still lifes, described as a 'magnificently choreographed' trawl through his oeuvre. Critics praise the exhibition for its dramatic lighting and revelatory presentation, though some note uneven quality in his later works.

Lauder heir hands gallery and $135mn Klimt to New York’s Metropolitan Museum

The Metropolitan Museum of Art in New York has received a major donation from the Lauder family: a historic townhouse gallery on the Upper East Side and Gustav Klimt's 1907 portrait "Adele Bloch-Bauer II," valued at $135 million. The gift comes from the estate of Estée Lauder heir Ronald S. Lauder, a longtime museum trustee and collector, and includes the former Neue Galerie building at 1048 Fifth Avenue, which will be renovated to expand the Met's modern and contemporary art exhibition space.

Arshile Gorky Exhibition at Armenian Museum of America Extended through September

The Armenian Museum of America in Watertown has extended the exhibition “Arshile Gorky: Redrawing Community and Connections” through September 27 due to overwhelming interest and positive reviews from publications including Boston Art Review and Artscope magazine. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show brings together works from private collectors and institutions such as the Whitney Museum of American Art, the Housatonic Museum of Art, and Yale University Art Gallery, and was highlighted as a top pick by the Boston Globe and GBH Arts Editor Jared Bowen.

Exhibition at the Sarasota Art Museum uses shadows to explore the way identity changes based on experiences

Sarasota Art Museum presents 'Penumbra,' a solo exhibition by textile artist Maria A. Guzman Capron. The show features 10 works, including traditional wall hangings and a suspended 15-foot textile sculpture titled 'Sombra,' all exploring how identity shifts based on context and experience. Curator Lacie Barbour explains that the title refers to the penumbra—a liminal space between light and dark—serving as a metaphor for the multiplicity of identities. Capron, who was born in Milan to Peruvian and Colombian parents and later moved to Texas, draws on her own cross-cultural experiences, using hand-dyed, painted, and screen-printed fabrics to create layered portraits of multi-faceted figures.

Boxing News: WBC Honors Rocky Exhibition & Joe Frazier Legacy At Philadelphia Museum Of Art » May 13, 2026

The World Boxing Council (WBC) presented two commemorative championship belts at the Philadelphia Museum of Art in connection with the exhibition "Rising Up: Rocky and the Making of Monuments," which marks the 50th anniversary of the film "Rocky." On April 23, 2026, Rasheen Farlow of the WBC gave a belt to the family of Joe Frazier, accepted by his daughter Jacquelyn Frazier-Lyde. The following evening, a second belt was presented to the exhibition itself, accepted by guest curator Paul Farber. The belts honor boxing figures Joe Frazier, Muhammad Ali, and Jose Sulaiman, and one also features the film character Rocky.

Ali Banisadr: Temple of the Mind | Solo exhibition at Buffalo AKG Art Museum

The Buffalo AKG Art Museum will present "Ali Banisadr: Temple of the Mind," a solo exhibition running from June 26 to November 8, 2026. The show occupies the Hemicycle Gallery and, for the first time, the Wilmers Galleries, where Banisadr's works will be installed alongside Surrealist and Abstract Expressionist pieces from the museum's permanent collection. The exhibition includes an installation exploring the artist's influences, featuring works by Andō Hiroshige and Francisco de Goya, as well as studio materials, a new etching created with Mirabo Press, and an audio journey narrated by Banisadr.

There's still a time to catch Matisse's "Jazz" at the Art Institute of Chicago

The Art Institute of Chicago is currently hosting "Matisse's Jazz: Rhythms in Color," an exhibition centered on Henri Matisse's 1947 artist's book "Jazz." The show, on view until June 1, features the iconic cut-paper works Matisse created after a 1941 surgery left him unable to paint. Visitors enter directly into the "Jazz" gallery before backtracking through earlier works, offering a chronological journey that culminates in the cut-paper technique. Wait times can exceed 90 minutes, but the museum recommends joining a virtual queue and exploring other galleries in the meantime.

Interview. Max Goelitz

In an interview marking the sixth anniversary of his gallery, Max Goelitz reflects on the founding and evolution of his two-location operation in Munich and Berlin. He discusses how his decade at Häusler Contemporary, where he served as director, prepared him for the unpredictable nature of running his own gallery. The COVID-19 pandemic forced a strategic pivot from international ambitions to a focus on the local German market, which proved unexpectedly sustainable. Goelitz also addresses the current challenges facing galleries, including generational shifts and a more difficult art market, while advocating for an "old-school" reconsideration of what defines a gallery in times of transition.

WeWork (oralmoral)

The article reviews "WeWork (oralmoral)," a temporary exhibition at The Gallery in Crown Heights, Brooklyn, curated by artist-turned-curator Florian Meisenberg. The show transforms a former office space into a free-form, non-hierarchical environment where works by over a dozen artists are placed unpredictably—in trash bins, closets, ventilation shafts, and on whiteboards left by the previous tenant. Artists span three generations, from Post-Minimal figures like B. Wurtz and David Humphrey to younger digital-savvy artists such as Lucas Blalock and Anna K.E., whose sound piece "Tamada" greets visitors. The exhibition runs from April 10 to May 18, 2026.

200 Years of Afro-Cuban Art at the Lowe Art Museum | Lowe Art Museum | Things to do in Miami

The Lowe Art Museum at the University of Miami is presenting two simultaneous exhibitions that together form the most comprehensive survey of Afro-Cuban art ever assembled. "El Pasado Mio/My Own Past," organized by Harvard's Afro-Latin American Research Institute, features over 81 works by 44 Cuban artists of African descent spanning two centuries, including nine paintings by Wifredo Lam and works by eleven female artists shown together for the first time. The companion exhibition, "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection," examines the cultural movement of the 1930s when artists began centering Cuba's African roots despite widespread societal suppression. The shows run through September 12 with free general admission.

Art as Collective Responsibility: Hestia Artistic Journey Grant Programme Winners

The Hestia Artistic Journey National Grant Programme (Artystyczna Podróż Hestii) has announced the winners of its third edition, selecting eight projects from nearly 200 applications across Poland. The programme, subtitled "Opening Time" (Czas otwarcia), supports artists and cultural institutions planning exhibitions that address collective responsibility for global issues. Winners include "Ślady pamięci" by Fundacja Szałfynster in Katowice, exploring memory and dementia; "Głodne drzewa/Thirsty Trees" by Przemek Branas at the Central Museum of Textiles in Łódź, critiquing human greed through eucalyptus metaphors; and "Tymczasowa pława" by Norbert Delman at the State Art Gallery in Sopot, an installation on ecocide using a sunken fishing boat and amber. Each project will present an exhibition between July 2026 and the last quarter of 2027, with increased funding due to exceptional submissions.

Cleveland Museum of Art hosting ‘France in the Time of Manet and Morisot’

The Cleveland Museum of Art (CMA) has opened a free companion exhibition titled "France in the Time of Manet and Morisot," running through August 23 in the Mark Schwartz and Bettina Katz Photography Galleries. The show features 50 photographs from the museum's holdings of mid-1800s France, including works by Charles Marville and Édouard Baldus, who were commissioned by Emperor Napoleon III and the Louvre to document historic monuments and new architectural projects. Curated by Barbara Tannenbaum, CMA chair of prints, drawings, and photographs, the exhibition complements the museum's ticketed show "Manet & Morisot," which explores the artistic exchange between Édouard Manet and Berthe Morisot. Highlights include André-Adolphe-Eugène Disdéri's 1861 portrait "Monsieur Merlen," which is noted as an early precursor to the selfie, and a photograph of the Arc de Triomphe under construction.

Exhibition | Carol Rama, 'I See You You See Me' at Hauser & Wirth, New York, 22nd Street

Hauser & Wirth’s New York gallery on 22nd Street has opened ‘I See You You See Me’, its first exhibition dedicated to the radical Italian artist Carol Rama (1918–2015). Organized by Carlo Knoell, the show presents key works spanning six decades—from 1947 to 1998—across paint, textile, sculpture, and bricolage, highlighting Rama’s wildly original and non-conformist experimentation.

American Miners Photo Exhibition 'Beneath the Surface' Tour: National Gallery (DC)-Milwaukee Art Museum-Amon Carter Museum (Fort Worth, TX)

미국의 광부들 사진전 'Beneath the Surface' 순회: 내셔널 갤러리(DC)-밀워키미술관-에이먼카터미술관(포트워스, TX)

The National Gallery of Art in Washington, D.C., will present 'Beneath the Surface: Mining and American Photography' from May 23 to August 23, 2026, the first exhibition to focus exclusively on the relationship between resource extraction and American photography. Featuring 150 photographs by over 100 artists—including Richard Avedon, Walker Evans, Lewis Hine, LaToya Ruby Frazier, Dorothea Lange, and Gordon Parks—the show spans nearly 200 years, from early daguerreotypes of the California Gold Rush to contemporary large-scale works. After its Washington run, the exhibition will travel to the Milwaukee Art Museum (October 23, 2026–January 18, 2027) and the Amon Carter Museum of American Art in Fort Worth, Texas (February 14–May 9, 2027).

Cleveland Museum of Art presents 19th-century photo exhibit 'France in the Time of Manet and Morisot'

The Cleveland Museum of Art (CMA) has opened a new photography exhibition, "France in the Time of Manet and Morisot," running through August 23 in the Mark Schwartz and Bettina Katz Photography Galleries. The free show features 50 photographs from CMA's holdings of mid-1800s France, complementing the museum's ticketed Impressionist display "Manet & Morisot." Curator Barbara Tannenbaum selected works by photographers such as Charles Marville, Édouard Baldus, and André-Adolphe-Eugène Disdéri, including Disdéri's 1861 portrait "Monsieur Merlen," which is noted as an early precursor to the modern selfie. The photographs document historic monuments, new architecture, and figures like Sarah Bernhardt, offering a visual context for the era of painters Édouard Manet and Berthe Morisot.

Best Products lives on as art in new Branch Museum exhibit

The Branch Museum of Design in Richmond, Virginia, has opened a new exhibition titled “Imagining Best Products,” which revisits the radical architectural and graphic designs of the defunct catalog showroom retailer Best Products. Founded in 1957 by Frances and Sydney Lewis, the company commissioned experimental storefronts from architect James Wines and the firm SITE, creating iconic “anti-buildings” that challenged commercial architecture. The show features architectural drawings, models, photographs, sketches, and printed materials, and runs through June 21, 2026.

Art as survival: US artists' anti-war artefacts exhibited in Tehran

An anti-war exhibition titled "Art and War" has opened at a top museum in Tehran, featuring works by American pop artists Roy Lichtenstein, Robert Indiana, and James Rosenquist. The pieces, including Rosenquist's "F-111" and Lichtenstein's "Brattata," were selected for their anti-war themes and come from the museum's major collection of American and European modern art, acquired in the 1970s by former Empress Farah Pahlavi and largely kept from public view since the 1979 Islamic Revolution. The exhibition opened amid ongoing tensions and a recent ceasefire in the Middle East, with the museum director stating it was a deliberate response to current events.

"Freedom Dreams" on view through August 9 at the Barnes Foundation

The Barnes Foundation in Philadelphia presents "Freedom Dreams," an exhibition exploring Black freedom through moving images, curated by Maori Karmael Holmes and James Claiborne. The show features five works by intergenerational artists including David Hartt, Ja'Tovia Gary, Garrett Bradley, Tourmaline, and Arthur Jafa, with pieces that draw on historical films, literature, and activism to examine Black identity, joy, and radical imagination. The exhibition runs through August 9, 2026.

Outdoor chandeliers and a thought chamber: Must-see satellite exhibitions beyond the Venice Biennale

The 61st Venice Biennale is accompanied by a wide array of satellite exhibitions across the city, from noble palazzi to canals. Highlights include a showcase of Pichwai textile art at Palazzo Barbaro, curated by Pooja Singhal; a return of Dale Chihuly with outdoor glass chandeliers along the Grand Canal; and Nalini Malani's "Of Woman Born" at Magazzini del Sale, a multimedia installation exploring myth and conflict.

BlackBook Art Gallery Rewrites the Rules

BlackBook Art Gallery announces its 2026 season in Southampton, featuring two major exhibitions: "The Lost Generation: Then and Now," which pairs New York School legends like Jackson Pollock and Lee Krasner with contemporary artists Julie Mehretu and Rashid Johnson, and "Summer Figuration," showcasing Amy Sherald, Kerry James Marshall, and Toyin Ojih Odutola. Founder Evanly Schindler frames the season around the concept of "urgency," drawing parallels between the postwar abstract expressionist era and today's climate of war, digital saturation, and political polarization. The gallery also plans to open a new location in Detroit's Eastern Market in fall 2026, with the Detroit Salon following in 2028.

Spring brings two new exhibits to Banff's Whyte Museum

Two new exhibitions have opened at the Whyte Museum of the Canadian Rockies in Banff: "Thick as Thieves," a touring show from the MacKenzie Art Gallery in Regina, and "When our eyes touch," drawn from the museum's own collection. "Thick as Thieves" explores themes of power, secrecy, and trust through works spanning from Auguste Rodin sculptures to contemporary pieces by August Klintberg and Amanda Strong, curated by Crystal Mowry. "When our eyes touch" focuses on portraiture by museum founders Peter Whyte and Catharine Robb Whyte, featuring paintings from their time at art school in Boston and later portraits of Stoney Nakoda community members, curated by Dagny Dubois and Christina Cuthbertson. Both exhibitions run until November 8.

High Museum opens sweeping Isamu Noguchi exhibition with an Atlanta connection

The High Museum of Art in Atlanta is presenting a major exhibition titled "Isamu Noguchi: 'I am not a designer'" running from April 10 to August 2, 2026. The show spans Noguchi's career across sculpture, design, and functional objects, and includes a model of Piedmont Park's Playscapes—the only playground Noguchi saw built in the U.S. during his lifetime, giving the exhibition a direct Atlanta connection. Curator Monica Obniski organized the landmark display.

Not-to-miss exhibitions in Italy — May 2026

May 2026 brings a packed calendar of exhibitions across Italy, ranging from independent galleries to major museums. Highlights include Igor Grubić's early works at Laveronica Gallery in Modica, a photographic exhibition by Lisetta Carmi at Galleria Nazionale dell'Umbria in Perugia, thematic investigations into Ettore Sottsass in Pistoia, Larry Nederlof's solo show at Extra Factory in Livorno, and an archaeological exhibition titled "Parthenope. The Siren and the City" at the National Archaeological Museum. The article also provides practical tips for visitors, such as checking opening times, booking tickets online, and planning transport.

Lowe Art Museum to host two major exhibitions on Afro-Cuban art curated by Alejandro de la Fuente

The Lowe Art Museum at the University of Miami will present two complementary exhibitions on Afro-Cuban art from May 1 to Sept. 12, 2025, both guest-curated by Alejandro de la Fuente, director of the Afro-Latin American Research Institute at Harvard University. "El Pasado Mío/My Own Past" features 43 Afro-Cuban artists from the 1820s to the present in an amplified version with 83 works, while "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection" focuses on early 20th-century Afrocubanista works, including pieces by Wifredo Lam.

Patricia Li: An Art And Design Guide To Venice

Patricia Li, writing for Vogue Circle, shares a curated guide to art and design destinations in Venice beyond the main venues of the Venice Biennale. Her recommendations include the Peggy Guggenheim Collection, Gallerie dell’Accademia, Palazzo Grassi and Punta della Dogana (part of the Pinault Collection), the newly opened Fondazione Dries Van Noten, and Fondazione Prada, each hosting special exhibitions timed to the Biennale.

Woody De Othello Celebrates First Major Solo Public Exhibition in New York with Public Art Fund

Woody De Othello's first major solo public exhibition in New York, titled "Guardian Spirit," has opened at Brooklyn Bridge Park, presented by Public Art Fund. The exhibition features monumental redwood totems standing 20 to 22 feet tall, carved with chainsaws and grinders, alongside bronze sculptures created between 2021 and 2025. The works explore themes of ritual, spirituality, and the elemental forces of wind and water, drawing inspiration from nkisi, ritual objects from Western and Central Africa. The exhibition runs from May 5, 2026, to March 8, 2027, with sculptures installed at Pier 1 and the Manhattan Bridge View.

De Pont Director Maria Schnyder On Why Financial Independence Is a Museum’s Greatest Asset

Maria Schnyder, who has served as deputy director of the De Pont Museum of Contemporary Art in Tilburg, Netherlands, since 2021, has been appointed as its new director, succeeding Martijn van Nieuwenhuyzen. In an interview, Schnyder discusses the advantages of rising from within, emphasizing continuity and deep knowledge of the institution's artist-first ethos. The museum, housed in a former woolen mill with 7,000 square meters of exhibition space, operates with only 18 full-time employees and is financially independent, allowing it to prioritize artistic vision over audience-driven agendas.

The Clark presents exhibition of Giorgio Griffa

The Clark Art Institute in Williamstown, Massachusetts, presents "Giorgio Griffa: Paths in the Forest," the first solo museum exhibition in the United States dedicated to the Italian artist Giorgio Griffa (born 1936). On view from June 13 to October 12 at the Lunder Center at Stone Hill, the exhibition features works spanning nearly six decades, including highlights such as "Sessanta frammenti" (1980), "Rosa" (1968), and "Narciso" (1986). Griffa is known for his use of diluted acrylics on unstretched, unprimed canvases, and his practice emphasizes the intelligence of materials and an ecological ethic. The exhibition is curated by Robert Wiesenberger, John and Barbara Vogelstein Senior Curator of Contemporary Art at the Brooklyn Museum and former curator of contemporary projects at the Clark.

Our chief art critic’s nine best UK museums — you may be surprised

Laura Freeman, chief art critic for The Times, shares her personal list of nine favorite UK museums and galleries, ranging from London institutions like Sir John Soane’s Museum and the V&A to smaller venues such as Pallant House in Chichester and Kettle’s Yard in Cambridge. She emphasizes character and collection over flashy renovations, noting that her picks are based on decades of visits, family outings, and emotional resonance.

This Museum Show Will Make You Question Whether You’re Still Human

The New Museum in New York has opened "New Humans: Memories of the Future," an exhibition curated by Chief Curator Massimiliano Gioni that explores a century of art predicting the fusion of humans and machines. The show features works by artists including Anicka Yi, Francis Picabia, Constantin Brancusi, and Marcel Duchamp, alongside robots and technological artifacts that blur the boundaries between bodies and technology. The exhibition is housed within OMA's newly expanded museum space on the Bowery.