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Comment | Turner gets all the kudos, but it was Constable who was the truly radical painter

A commentary argues that John Constable, not J.M.W. Turner, was the truly radical painter, despite Turner receiving far greater public recognition through a museum, a prize, and a place on the £20 note. The article highlights a new exhibition, "Turner and Constable," opening at Tate Britain (until 12 April 2026), which recreates their 1831 Royal Academy display and contrasts Constable's English pastoral scenes with Turner's dramatic, un-British visions. It contends that Constable's full-size oil sketches, such as those at the Victoria and Albert Museum, had a deeper and more lasting effect on modern painting than Turner's work.

Spring 2026 Exhibitions Opening Celebration

The Wexner Center for the Arts at Ohio State University has announced its Spring 2026 exhibitions lineup, featuring works by Vitória Cribb, Ximena Garrido-Lecca, Eric N. Mack, Hew Locke, and Naeem Mohaiemen. Highlights include Cribb's 'echoes of a wet finger,' commissioned by Sharjah Art Biennial 16 and Mercosul Biennial 14, and solo presentations by Garrido-Lecca, Mack, and Locke, as well as Mohaiemen's film and video works. The season is supported by a range of funders including the American Electric Power Foundation, the Mellon Foundation, and the National Endowment for the Arts.

Frenemies or rivals? Tate Britain show explores Turner and Constable's turbulent relationship

Tate Britain will present "Turner and Constable," a major exhibition spanning 2025–2026 that explores the intertwined careers and rivalry of J.M.W. Turner (1775–1851) and John Constable (1776–1837). For the first time, a show is devoted to both artists, featuring historical reconstructions such as the famous 1831 Royal Academy Summer Exhibition pairing of Turner's *Caligula’s Palace and Bridge* (1831) and Constable's *Salisbury Cathedral from the Meadows* (1829–31). Curated by Amy Concannon, the exhibition includes loans from private collections and rarely seen works, including Turner's *The Burning of the Houses of Lords and Commons, 16 October 1834* (1835) from the Cleveland Museum of Art, on show in the UK for the first time since 1883.

Theaster Gates redeems discarded materials in Smart Museum’s ‘Unto Thee’

Theaster Gates's first solo exhibition in his hometown of Chicago, 'Unto Thee,' opens at the Smart Museum of Art, featuring materials collected over his career that are tied to the University of Chicago. The show includes slate from Rockefeller Chapel, glass lantern slides from the art history department, and the 4,500-volume archive of a late colleague, all transformed into sculptural installations that explore the changing meaning of objects.

France's Bonnat-Helleu museum reopens after 14-year renovation with new discoveries and 2,500 loans from the Louvre

The Musée Bonnat-Helleu in Bayonne, France, reopens on November 26 after a 14-year renovation and expansion. The project, led by French architecture firm BLP, doubled the display area to 3,000 square meters, restored the original building's glass roof and a mosaic by Giandomenico Facchina, and converted an adjacent school into a wing with a café, shop, research center, and study room. The museum now houses 7,000 works, including 2,500 long-term loans from the Louvre, and features discoveries such as autographs in El Greco paintings and pentimenti in Simon Vouet's work.

Picasso Museum Malaga undergoes transformation to revisit artist's relationship with his father

The Picasso Museum Malaga (MPM) has opened a major exhibition titled "Memory and Desire," featuring 112 works from museums across Europe and the United States. The show centers on Picasso's 1925 painting "Studio with Plaster Head," on loan from MoMA in New York, and aims to rehabilitate the reputation of José Ruiz Blasco, Picasso's father and first art teacher. Curated by Eugenio Carmona, the exhibition challenges the long-held critical view that the father-son relationship was stormy, instead tracing the profound artistic influence José had on Picasso, from early academic works to surrealist masterpieces.

‘This is how art history is built’: unprecedented Mumbai exhibition unites works of Indian and Arab Modernism

A new exhibition titled 'Resonant Histories' has opened at Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) museum, running until 16 February 2026. It is the first show to focus on the relationship between Indian and Arab Modernism, featuring over 40 works lent by the Sharjah-based Barjeel Art Foundation alongside pieces from Mumbai's Jehangir Nicholson Art Foundation (JNAF). The exhibition highlights visual and thematic resonances between artists from both regions, such as Syrian painter Marwan Kassab-Bachi and Indian master Francis Newton Souza, and addresses shared post-colonial struggles through works by artists like Chittaprosad Bhattacharya, Krishen Khanna, Abdul Qader Al Rais, and Naim Ismail. It also explores direct cultural exchanges, for example Egyptian artist Nazek Hamdi's adaptation of Bengali folk-art.

Frida Kahlo self-portrait sells for $54.7m at Sotheby's, breaking her auction record

Sotheby's held three back-to-back evening sales in New York on November 20, achieving a combined total of $252.9 million ($304.5 million with fees). The highlight was Frida Kahlo's self-portrait *El sueño (La cama)* (1940), which sold for $54.6 million with fees, setting a new auction record for the artist, for a Latin American artist, and for a female artist. The sales included 13 lots from the estate of Cindy and Jay Pritzker, a group of Surrealist works from an unnamed collection, and a multiple-owner Modern art sale featuring collections from the Bucksbaum family and Geri Brawerman.

Frieze lines up more than 95 exhibitors for next Los Angeles fair

Frieze Los Angeles will return to Santa Monica Airport from February 26 to March 1, 2026, for its seventh edition, featuring more than 95 galleries from 22 countries. The fair includes returning blue-chip participants like Gagosian, Hauser & Wirth, and David Zwirner, alongside a strong local Los Angeles gallery presence and more than a half-dozen first-time exhibitors. Special sectors include Sector for emerging artists, supported by Stone Island and curated by Essence Harden, and outdoor commissions organized with Art Production Fund. The Deutsche Bank Frieze Los Angeles Film Award and the Frieze Impact Prize, presented with Titus Kaphar’s Nxthvn incubator, will also return.

An Exhibition in Dallas Challenges the Traditional Notions of Jewelry

The Dallas Museum of Art has opened "Constellations: Contemporary Jewelry at the Dallas Museum of Art," its largest-ever exhibition of contemporary jewelry, featuring over 350 pieces by 233 artists spanning eight decades. Curated by Sarah Schleuning, the show emphasizes conceptual ideas over material value, with works made from unconventional materials like found objects, zinc, steel, and fair-trade gold. Highlights include pieces by Iris van Herpen, Andrea Branzi, Harry Bertoia, Ute Decker, Art Smith, and merry renk, displayed in a design by artist and architect Jarrod Beck. A 456-page catalog accompanies the exhibition, which runs through May 3, 2026.

What’s new this season at Stanford art museums

Stanford University's Cantor Arts Center and the Anderson Collection are opening a diverse slate of exhibitions for fall and winter. Highlights include "Shahzia Sikander: Collective Behavior," the first major solo show of the museum's Asian American Art Initiative, featuring 44 works spanning the Pakistani-American artist's 30-year career, including mosaics, paintings, sculptures, and a digital animation. The Anderson Collection presents Alteronce Gumby's first West Coast museum exhibition, showcasing nine mixed-media works that use paint, glass, and semi-precious stones to create cosmic perspectives. Other shows include "Edmonia Lewis: Indelible Impressions" and "Cunning Folk: Witchcraft, Magic and Occult Knowledge."

The Woman Question 1550–2025 The City of Women

The Museum of Modern Art in Warsaw (MSN Warsaw) will launch two concurrent exhibitions, "The Woman Question 1550–2025" and "The City of Women," running from November 21, 2025, to May 3, 2026. Featuring nearly 200 women artists from around the world—spanning from Artemisia Gentileschi and Frida Kahlo to Yoko Ono and Tala Madani—the shows aim to present five centuries of art by women, curated by Alison M. Gingeras and a team of researchers including Julia Bryan-Wilson, Michalina Sablik, Vera Zalutskaya, Karolina Gembara, and Wiktoria Szczupacka. The exhibitions include works borrowed from major international institutions such as the Uffizi Gallery, Mathaf: Arab Museum of Modern Art, and the Nasjonalmuseet.

Exhibition series launched to celebrate Sussex artistic talent

Hastings Contemporary has launched Sussex Spotlight, a new exhibition series celebrating artists with connections to the Sussex region. The inaugural show, running from November 19, 2025, to January 18, 2026, features St Leonards-based painter Alessandro Raho, known for his refined portraits and still-life works. The series is free to attend and supported by David and Sarah Kowitz.

Albuquerque exhibition depicts German art made during the tragic ascent of authoritarianism

The Albuquerque Museum has opened a landmark exhibition titled "Modern Art and Politics in Germany 1910–1945: Masterworks from the Neue Nationalgalerie, Berlin," featuring German and European art from the early 20th century. The show traces the trajectory from the German Empire through World War I, the Weimar Republic, Nazi rule, and World War II, including works by Max Beckmann, George Grosz, Hannah Höch, Ernst Ludwig Kirchner, Paul Klee, and others. Many pieces were originally condemned as "degenerate art" by the Nazis. The exhibition, which has three U.S. stops, is currently in Albuquerque after appearing at the Kimbell Art Museum in Fort Worth and will travel to the Minneapolis Institute of Art.

New Exhibition Reflects on “MAD” Magazine at the CAM

The Cincinnati Art Museum (CAM) will host "What, Me Worry? The Art and Humor of MAD Magazine," a traveling exhibition from the Norman Rockwell Museum in Stockbridge, Massachusetts, opening November 21. The show traces MAD's evolution from a satirical comic book launched in 1952 to a magazine format adopted in 1955 after clashes with the Comics Code Authority, featuring original covers, illustrations, interactive galleries, and thematic sections on mascot Alfred E. Newman, fold-ins, Spy vs. Spy, and spoofs of famous artworks.

Studio Museum reopens, the long-awaited Grand Egyptian Museum, Stanley Spencer in Suffolk—podcast

The Studio Museum in Harlem has opened its first-ever purpose-built space, designed by Adjaye Associates, with director Thelma Golden leading the institution into a new era. In Egypt, the long-awaited Grand Egyptian Museum (GEM) has finally opened in Cairo. Meanwhile, the exhibition "Love & Landscape: Stanley Spencer in Suffolk" is on view at Gainsborough's House in Sudbury, featuring the painting "Tree and Chicken Coops, Wangford" (1925) by Stanley Spencer, with co-curator Amy Lim discussing the work.

The Met Presents First Exhibition of Works by Finnish Painter Helene Schjerfbeck in a Major U.S. Museum

The Metropolitan Museum of Art in New York will present "Seeing Silence: The Paintings of Helene Schjerfbeck," the first major U.S. museum exhibition dedicated to the Finnish painter (1862–1946). Featuring nearly 60 works on canvas, including loans from the Finnish National Gallery / Ateneum Art Museum and private collections, the exhibition runs from December 5, 2025, to April 5, 2026. It traces Schjerfbeck's artistic evolution from early naturalist works to her spare, experimental style, highlighting her resilience amid civil war, world wars, and Finland's independence.

Ackland's new exhibit displays modern art from Robertson Scholarship founder's collection

Ackland Art Museum at UNC-Chapel Hill has opened a new exhibition, "Color Triumphant," featuring 54 modern artworks from the collection of Julian and Josie Robertson. Julian Robertson, a UNC alumnus and founder of the Robertson Scholars Leadership Program, died in 2022. The exhibition traces the evolution of modern art from the late 19th century to the present, displaying works by 33 artists including Pablo Picasso, Oscar-Claude Monet, and Frank Stella. It includes paintings, sculptures, and works on paper, and is part of a traveling exhibition that will also visit Salisbury, North Carolina; San Antonio, Texas; and Austin, Texas.

Dublin’s Monumental Picasso Exhibition Showcases 60 of the Artist’s Masterpieces

The National Gallery of Ireland, in partnership with the Musée national Picasso-Paris, has opened a major exhibition titled "Picasso: From the Studio," featuring 60 works by Pablo Picasso. The show spans five decades of the artist's career, including Cubist portraits, sculptures, still lifes, and rarely seen pieces, with immersive photographic and audio-visual elements that evoke his creative environments in Avignon and the Côte d'Azur. The exhibition runs until February 22, 2026.

At Art Basel Miami Beach, a new space reimagines art in the digital age

Art Basel Miami Beach will debut a new curated space called Zero 10, dedicated to digital and new media art, at its upcoming fair in the Miami Beach Convention Center. The centerpiece is an interactive installation by American artist Beeple featuring robot dogs with human heads modeled after public figures like Andy Warhol, Jeff Bezos, and Elon Musk, which will photograph fairgoers and offer NFTs. The space, curated by Eli Scheinman, includes works by pioneers such as Manfred Mohr and Larva Labs, alongside galleries like Pace Gallery and platforms like Art Blocks, exploring themes of AI, robotics, and generative systems. The name references Kazimir Malevich's 1915 exhibition '0,10', signaling a push into new artistic terrain.

‘A love letter to drawing’

Harvard Art Museums has opened a fall exhibition titled “Sketch, Shade, Smudge: Drawing from Gray to Black,” featuring around 120 works from the 19th to 21st centuries by artists including Pablo Picasso, John Singer Sargent, Edgar Degas, Piet Mondrian, and Georges Seurat. The show focuses on drawings in chalk, charcoal, graphite, and crayon, curated by conservator Penley Knipe and curator Miriam Stewart, who spent over a year selecting rarely seen pieces from the museum’s collection. Highlights include a fragile Degas charcoal drawing, “After the Bath, Woman Drying Herself,” which underwent conservation treatment, and a display of materials such as a box of vine charcoal owned by Sargent. The exhibition also features videos of the curators experimenting with historical techniques, like erasing with bread, and includes a hands-on drawing area styled after a 19th-century academic studio.

Camille Pissarro show at Denver Art Museum is both ambitious and exhaustive

The Denver Art Museum has opened "The Honest Eye: Camille Pissarro’s Impressionism," a comprehensive retrospective of the Impressionist painter featuring over 100 works from nearly 50 international museums and private collections. Co-organized with the Museum Barberini in Potsdam, Germany, the exhibition is the first major U.S. museum survey of Pissarro in 30 years, curated by Clarisse Fava-Piz, Claire Durand-Ruel, and Nerina Santorius.

MFA Boston returns work by enslaved artist David Drake to his heirs, Wifredo Lam, Ghirlandaio’s Adoration of the Magi—podcast

The Museum of Fine Arts (MFA) in Boston has agreed to return two 1857 works by the enslaved potter David Drake to his descendants. One vessel will remain on loan to the museum for at least two years, while the other, known as the "Poem Jar," has been purchased back by the museum for an undisclosed sum, now carrying a certificate of ethical ownership. The episode also covers the opening of the exhibition "Wifredo Lam: When I Don’t Sleep, I Dream" at the Museum of Modern Art in New York, featuring the modernist painter of African and Chinese descent, and discusses Domenico Ghirlandaio's "Adoration of the Magi" (1488) in the context of a new book on Renaissance foundlings.

4 notable art exhibitions opening around the world

Four major retrospective exhibitions are opening around the world in late 2025 and early 2026, celebrating the work of Robert Rauschenberg, Wes Anderson, Vivienne Westwood, Rei Kawakubo, and Wifredo Lam. At M+ in Hong Kong, "Robert Rauschenberg and Asia" explores the artist's collaborations with artisans in India, China, and Japan. The Design Museum in London presents "Wes Anderson: The Archives," featuring over 600 items from his film sets. The Museum of Modern Art in New York hosts "Wilfredo Lam: When I Don't Sleep, I Dream," the most extensive US retrospective of the Cuban-born artist. A creative conversation between designers Vivienne Westwood and Rei Kawakubo is also highlighted.

Amoako Boafo serves up a community tennis court in Ghana

Ghanaian artist Amoako Boafo has opened Backyard Community Club, a tennis training facility in Osu, Accra, featuring the country's first regulation clay court. Designed by Accra-based architecture firm DeRoche Projects, the court is enclosed by precast rammed-earth panels—also a first in Ghana—and includes shaded seating, changing rooms, and edible plants. The project offers free tennis lessons to local children, drawing on Boafo's own background as a ball boy and tennis player before his rise as a global art star.

National Gallery Singapore celebrates 10 years

National Gallery Singapore (NGS) celebrates its 10th anniversary with a weekend event on November 15-16, 2025, featuring extended hours, free exhibitions, a rave, a pop-up market, and food trucks. The gallery, housed in the restored Supreme Court and City Hall buildings, opened on November 24, 2015, after a delayed launch, and has since welcomed over 14 million visitors. Highlights include the blockbuster show "Into The Modern: Impressionism From The Museum Of Fine Arts, Boston," with works by Monet, Cézanne, and Degas never before shown in Singapore, plus exclusive merchandise from local brands.

Gauguin ‘fake’ is real, Mrinalini Mukherjee and her circle, Franz Xaver Messerschmidt’s head piece—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three main stories. Host Ben Luke discusses the authentication of Paul Gauguin's final self-portrait (1903) at the Kunstmuseum Basel, which was recently confirmed as genuine after being questioned earlier this year. He also interviews Tarini Malik, curator of 'A Story of South Asian Art: Mrinalini Mukherjee and Her Circle' at the Royal Academy of Arts in London, and speaks with Katharina Lovecky and Georg Lechner about the exhibition 'Franz Xaver Messerschmidt: More than Character Heads' at the Belvedere in Vienna, featuring Messerschmidt's Character Head No. 25 as the Work of the Week.

Seattle Art Museum exhibit explores France's food identity

The Seattle Art Museum has opened a new exhibition titled "Farm to Table: Food and Identity in the Age of Impressionism," featuring over 50 works by Impressionist artists such as Claude Monet and Paul Gauguin. The show explores how late 19th-century France, emerging from the Franco-Prussian War and social upheaval, turned to food imagery in art as a symbol of national pride and resilience. Curator Theresa Papanikolas highlights scenes of farmers, food workers, and markets like Les Halles, which also depict class interactions. The exhibition includes a dining table installation with prompt cards to encourage conversation, and Seattle is the final stop on its national tour, running through Jan. 18, 2026.

With the help of exhibitions, Jeanne Lanvin's eponymous fashion house is keeping her legacy alive

Jeanne Lanvin, a trailblazer in 20th-century French fashion and interiors, is being honored through exhibitions that explore her legacy. The article features a conversation between Peter Copping, Lanvin's current artistic director, and Olivier Gabet, director of the Department of Objets d'Art at the Musée du Louvre. Gabet curated the exhibition "Louvre Couture" featuring 99 looks from 45 fashion houses, while Copping has drawn inspiration from the Lanvin archive and the preserved rooms of Jeanne Lanvin's apartment now on permanent display at the Musée des Arts Décoratifs.

New York exhibition seeks to raise funds for LGBTQ+ youth centre

The Ali Forney Center (AFC), an LGBTQ+ youth organization facing a funding drop of over $400,000 from lost corporate sponsors, is holding a benefit exhibition titled "Toward the Light: Artists for the Ali Forney Center" at David Zwirner’s West 19th Street gallery in Chelsea from October 28 to November 1. Organized by art adviser Stephen Truax for the second year, the show features 38 works by artists including Doron Langberg, Jenna Gribbon, Jake Grewal, Ilana Savdie, Anthony Cudahy, Wolfgang Tillmans, Julie Mehretu, and Katherine Bradford, with proceeds supporting AFC’s housing and care for over 2,000 queer youth. Previous editions with Sotheby’s raised over $350,000 and $370,000 respectively.