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Don’t Miss These 14 Solo Shows (And One Duo) in New York Galleries This Month

This article highlights 14 solo shows and one duo exhibition currently on view in New York galleries, curated by CULTURED magazine. Featured artists include Aiza Ahmed, whose debut solo show "The Music Room" at Sargent's Daughters draws on Satyajit Ray's 1958 film; B. Wurtz at Garth Greenan, presenting assemblages of everyday objects; Ali Banisadr at Olney Gleason, with works responding to visual overload; Brock Enright at Club Rhubarb, showcasing eccentric mixed-media pieces; and Jay DeFeo at Paula Cooper, focusing on her 1980s paintings. Each entry includes location, closing date, and a brief curatorial rationale.

‘The government understands what is at stake’: Italian art world weighs in on tax cut at Artissima

The Italian parliament reduced VAT on art sales from 22% to 5%, the lowest rate in Europe, a move announced by Prime Minister Giorgia Meloni's government. The tax cut was celebrated at the 30th anniversary dinner of the Fondazione Sandretto Re Rebaudengo in Turin, where politician Federico Mollicone noted it had been over 30 years in the making. The contemporary art fair Artissima, holding its 32nd edition in Turin, became the first Italian fair to test the new tax policy. Italian dealers reported positive effects, including easier deal closures and increased sales to both Italian and European collectors, with some galleries experiencing their best opening day ever.

10 Art Shows to See in Los Angeles This November

This article highlights ten art shows to see in Los Angeles this November, featuring a diverse range of exhibitions. Key shows include Kathleen Ryan's bejeweled rotten fruit, Puppies Puppies's homage to freedom flags, and TJ Shin's bird songs. Historical perspectives are offered through a survey of prints by Robert Rauschenberg at Gemini G.E.L., rarely seen works by Mexican muralist Alfredo Ramos Martínez at Scripps College, and a tribute to the Brockman Gallery at the Vincent Price Art Museum. The two-venue exhibition 'Monuments' investigates how art reflects national narratives, while Puppies Puppies's dual shows use color and text to address contemporary liberation struggles.

An Exhibition of Silenced Artists Sends a Warning in New York City

An exhibition titled "Don’t Look Now: A Defense of Free Expression" has opened at Nathalie Karg Gallery in New York City, organized by the nonprofit Art at a Time Like This and co-founded by curator Barbara Pollack. The show features artworks by artists who have experienced censorship, including Danielle SeeWalker’s painting "G is for Genocide" (2024), which led to the revocation of her artist residency in Vail, Colorado, and Andil Gosine’s altered photograph "Magna Carta" (2025), which was removed from a planned exhibition at the Art Museum of the Americas. The works address suppression linked to President Trump’s crackdown on DEI, anti-Palestine sentiment, and other forms of censorship, with some institutions self-censoring due to funding cuts from entities like the National Endowment for the Arts.

‘Wear layers and chic waterproof shoes’: Cherry Cheng on the art she collects, the London food she loves and how she survives Frieze week

Cherry Cheng, an art collector and founder of the high-end perfume house Jouissance, discusses her art-buying habits, favorite London spots, and Frieze week plans in an interview. She studied at Sotheby's Institute of Art and Goldsmiths, worked for Gurr Johns, and now collects works by artists such as Tancredi di Carcaci and Anastasia Pavlou, while supporting institutions like the Serpentine, Studio Voltaire, and the Institute of Contemporary Arts.

‘Like a carefully choreographed performance’: meet the logistics professionals who bring art fairs to life

Art fairs appear serene on the surface, but behind the scenes, logistics professionals work frantically to ship, install, and present hundreds of artworks. The article shares dramatic installation tales from galleries and shippers, including Gianpietro Carlesso's heavy sculpture at Frieze Sculpture 2020, a Calder Stegosaurus transported for Art Basel Miami Beach 2013, and Mandy El-Sayegh's immersive booth installation at Frieze London 2023. These stories highlight the challenges of tight schedules, extreme weather, and complex installations that require structural engineers, cranes, and overnight work.

Monumental exhibition of works by Anselm Kiefer heads to the Saint Louis Art Museum

The Saint Louis Art Museum will host "Becoming the Sea," a monumental exhibition of works by German artist Anselm Kiefer, from October 18, 2025 through January 25, 2026. The show marks Kiefer's first U.S. retrospective in 20 years and features towering works up to 30 feet tall, including site-specific pieces inspired by the Mississippi and Rhine rivers. Curated by museum director Min Jung Kim and assistant curator Melissa Venator in direct collaboration with the 80-year-old artist, the exhibition will fill the museum's Sculpture Hall and contemporary galleries with over 30 loans from other collections, requiring custom installation systems and even the removal of a doorway to accommodate a large painting.

Comment | Museums can't get enough of anniversary exhibitions—but surely there's better ways to serve the public

The article critiques the growing trend of museums mounting anniversary exhibitions to celebrate the birth or death of famous artists, using the centennial of Robert Rauschenberg as a prime example. Nearly 100 organizations worldwide are participating in Rauschenberg-related shows, from the Menil Collection in Houston to the Grey Art Museum in New York. The author notes similar patterns in 2024 for James Ensor and in 2023 for Ellsworth Kelly and Pablo Picasso, with museums often resorting to highly specific or gimmicky themes to differentiate their offerings.

HOPE Outdoor Gallery Makes Its Long-Awaited Return

The HOPE Outdoor Gallery, a beloved open-air graffiti art space in Austin, is preparing to reopen after six years of closure. Founder Andi Scull announced that the new site, located on an 8-acre plot near Austin-Bergstrom International Airport, is purpose-built with four distinct sectors including a courtyard, a roofless circular structure, a garden, and a village of shipping containers. The layout is designed to spell out "HOPE" when viewed from planes landing or departing. The original location on Baylor Street closed in 2018, and the team has been working since then to secure a new home, with the goal of opening before the end of the year, pending permits.

$45 million Basquiat painting heads to auction for the first time.

Sotheby's will auction Jean-Michel Basquiat's painting *Crowns (Peso Neto)* (1981) in its contemporary evening sale in New York this November, with an estimate of $35–$45 million—the highest ever for a Basquiat work from 1981. The painting, making its auction debut, was featured in Basquiat's breakthrough solo show at Annina Nosei Gallery in 1982 and later exhibited at documenta 7 in 1983 and the artist's retrospective at Fondation Louis Vuitton in 2018. It will tour London and Paris before being presented at Sotheby's new New York headquarters in the historic Breuer building.

A brush with… Suzanne Jackson—podcast

This podcast episode features an in-depth conversation with artist Suzanne Jackson, who discusses her multifaceted career spanning drawing, painting, poetry, dance, and theatre. Born in 1944 in St. Louis and raised in San Francisco and Fairbanks, Alaska, Jackson draws on Native American and African American traditions to explore the spiritual connection between people and nature. She reflects on influences including Barbara Chase Riboud, Elizabeth Catlett, and Torkwase Dyson, and shares insights into her studio practice and her view on art's purpose. The episode also highlights her current survey exhibition "What is Love," which travels to SFMOMA, the Walker Art Center, and the Museum of Fine Arts, Boston through 2027.

The Disturbing Lessons of the 1937 ‘Degenerate Art’ Show

The article examines the historical context and enduring relevance of the 1937 Nazi-organized 'Degenerate Art Show' (Entartete Kunst) in Munich, which displayed hundreds of works by modern artists like George Grosz, Wassily Kandinsky, and Paul Klee as examples of moral and cultural corruption. It traces the concept's roots in 19th-century Social Darwinism, its adoption by Adolf Hitler and the Nazi Party to denigrate modern art, and the gradual escalation of cultural purification policies after Hitler seized power in 1933, including the firing of museum directors and the construction of the Haus der Deutschen Kunst.

Christian Marclay's ‘Doors’ marks opening of Brooklyn Museum's new video art gallery

Christian Marclay's video collage 'Doors' (2022) has opened at the Brooklyn Museum's newly constructed Moving Image Gallery, marking the institution's first dedicated space for time-based media. The 54-minute work, co-purchased by the Brooklyn Museum and the Smithsonian's Hirshhorn Museum and Sculpture Garden, splices hundreds of film clips showing characters entering and exiting doorways, building on the visual language of Marclay's acclaimed 24-hour film 'The Clock' (2010). The gallery was built to Marclay's specifications, offering a theatrical setting rather than a typical black-box presentation.

A Ballet Based on the Life of Josephine Baker Opens the Fall Season at Théâtre des Champs-Elysées, and Other News

The Théâtre des Champs-Elysées opened its fall season with *Josephine*, a ballet by Germaine Acogny based on the life of Josephine Baker, tracing her 1925 Paris debut, activism in the French Resistance, and civil rights advocacy. Costumes by Chanel's specialty atelier Paloma feature in the solo performance, which is paired with Pina Bausch's *The Rite of Spring*. In other news, London's National Gallery announced a new wing under its Project Domani initiative, funded by $502 million in private donations including record pledges from the families of Michael Moritz and Julia Rausing, set to open in the early 2030s. Phillips will auction a juvenile triceratops skeleton nicknamed "Cera" in its November modern and contemporary art sale, with a presale estimate of $2.5–3.5 million. Kelly Reichardt's art heist film *The Mastermind* will screen at the New York Film Festival, and Thomas Heatherwick discussed his role as general director of the Seoul Architecture Biennale.

25 of 2025: 5 Groundbreaking Fiber Artists You Need to Know

Artnet News profiles five groundbreaking fiber artists as part of its "25 of 2025" series, highlighting Diedrick Brackens and Melissa Joseph among them. Brackens, born in 1989, has seen his textile works exhibited at major institutions including the Museum of Modern Art, the National Gallery of Art, and LACMA, with a solo show "the shape of survival" at the SCAD Museum of Art and a U.K. debut at the Holburne Museum in 2025. Melissa Joseph, who only began working with felt in 2020, has rapidly gained attention through solo exhibitions and major public commissions, including a 2024 installation at Rockefeller Center and the 2025 UOVO Prize-winning work "Tender" at the Brooklyn Museum.

Director of Contemporary Istanbul urges Turkish art to remain ‘radical and clever’ in face of political tension

Contemporary Istanbul (CI) opened its 20th anniversary edition at the Tersane Istanbul complex, a restored Ottoman shipyard, bringing together 51 galleries from 16 countries. The fair coincided with the Istanbul Biennial, drawing a larger crowd of collectors and museum groups than the previous year. Works by leading Turkish artists such as Nil Yalter, Güneş Terkol, and Azade Köker were on view, with prices ranging from €1,000 for emerging artists to over €2m for a James Rosenquist painting. Despite high spirits, the fair unfolded against a backdrop of political tension following the arrest of Istanbul mayor Ekrem İmamoğlu, ongoing protests, and increasing censorship. Galleries displayed politically and socially engaged works, including Rasim Aksan's homoerotic triptych and Fatoş İrwen's prison-made fabric piece, while collectors sought discounts amid Turkey's high inflation and economic volatility.

Marina Abramović to have historic solo exhibition at Venice’s Galleria dell’Accademia in 2026

Marina Abramović will have a historic solo exhibition at Venice’s Galleria dell’Accademia in May 2026, during the art biennale. Titled "Transforming Energy," the show first debuted at the Modern Art Museum (MAM) Shanghai in 2024 and is inspired by her 1988 walk across the Great Wall of China with former partner Ulay. Abramović becomes the first living female artist to exhibit solo at the Accademia in its 250-year history, following her 2023 milestone as the first woman with a solo show at London’s Royal Academy of Arts and her 1997 Golden Lion win at the Venice Biennale. Curated by MAM artistic director Shai Baitel in collaboration with the artist, the exhibition will feature historic performances such as Rhythm 0 (1974) and Imponderabilia (1997), alongside newer works incorporating precious stones and a photograph of Pietà (with Ulay) (1983) displayed alongside Titian’s Pietà.

Ackland’s new exhibit adds splash of ‘Color’

The Ackland Art Museum at UNC-Chapel Hill has opened a new exhibition titled "Color Triumphant," featuring 54 modern paintings, sculptures, and works on paper from the collection of Julian and Josie Robertson. The show spans from the 1870s to the present, highlighting the liberation of color in modern art with works by Claude Monet, Camille Pissarro, Pablo Picasso, Frank Stella, and André Derain, whose painting "The Jetty at L'Estaque" serves as the flagship piece. Curated by deputy director Peter Nisbet, the exhibition was developed in collaboration with the Robertson Foundation after Julian Robertson's death in 2022, and includes student research support. It runs through January 4, with related lectures and film screenings, and a second iteration, "Color Concentrated: A Salon-Style Hang from the Robertson Collection," opening January 30.

25 of 2025: 5 Artists Transforming Time-Based Media

This article profiles five emerging artists who are transforming time-based media in 2025, focusing on Ayoung Kim and Meriem Bennani. Ayoung Kim, born in 1979 in Seoul, creates immersive works blending live-action footage, CGI, gaming technologies, and AI, with her piece "Delivery Dancer's Sphere" recently acquired by the Tate collection. Meriem Bennani, a Moroccan-born, Brooklyn-based artist, gained acclaim for her video installations and viral "2 Lizards" series, with works held by the Whitney Museum, MoMA, and Musée d'Art Moderne de la Ville de Paris.

13 Art Exhibitions You Don’t Want To Miss This Fall

This fall, galleries and museums across the United States are presenting a series of exhibitions centered on Black life, ranging from historic pioneers to contemporary voices. Highlights include Athi-Patra Ruga's immersive installation 'Lord, I gotta keep on (movin')' at the Leslie-Lohman Museum of Art, which imagines a queer Black nation called Azania; 'Edmonia Lewis: Indelible Impressions' at Stanford's Cantor Arts Center, showcasing the 19th-century sculptor's Neoclassical works; and 'Data Consciousness: Reframing Blackness in Contemporary Print' in New York, inspired by W. E. B. Du Bois's data visualizations. Other notable shows include 'A Taste of Beauty' at the Crocker Art Museum, featuring carved African spoons, and the reopening of the Studio Museum in Harlem, alongside the global energy of Art Basel Miami Beach.

Rediscovering Norman Zammitt, a 1960s Visionary of the Light and Space Movement

Karma gallery in New York has opened 'Norman Zammitt: A Degree of Light', the first New York exhibition in nearly 60 years dedicated to the late Light and Space movement artist. The show features two key bodies of work: his laminated-acrylic pole sculptures and hard-edge 'Band Paintings', reintroducing Zammitt's pioneering colorist practice to a contemporary audience. Zammitt, who died in 2007, was a Canadian-born artist of Mohawk and Italian descent who studied at Otis College of Art and Design and was represented by Felix Landau's gallery in Los Angeles.

Untitled Art Houston opens with a slew of four- and five-figure sales

Untitled Art Houston opened its inaugural edition on Thursday, September 18, with a VIP preview that generated uneven but promising sales. Lower-priced works sold well, with notable transactions including a $415,000 piece by Carlos Cruz-Diez at Sicardi Ayers Bacino, a $125,000 painting by John Alexander at McClain Gallery, and a $150,000 bronze sculpture by Clare Rojas at Jessica Silverman. Other galleries reported sales ranging from $2,000 to $55,000, with some dealers selling out their stands. The fair marks Houston's first new art fair in years, following the demise of the Houston Fine Art Fair and Texas Contemporary Art Fair.

Despite new autumn slot, Tokyo Gendai remains a largely local affair

Tokyo Gendai held its third edition from September 11-14, 2025, in Yokohama, shifting from its original July slot to an early autumn date to attract more international dealers and collectors. The fair reported mixed sales amid a slow economy, with local Japanese collectors making up the vast majority of buyers. Notable sales were reported by Pace Gallery, while other galleries like Anomaly noted a slower start but eventual sales. The fair also featured a new partnership with Art Busan, bringing Korean and Chinese galleries with subsidized booth fees.

5 Artists on Our Radar in September 2025

Artsy's September 2025 edition of 'Artists on Our Radar' highlights five emerging artists making waves in the art world. The featured artists are Alexandre Diop (b. 1995, Senegal), a Vienna-based mixed-media artist newly represented by Stephen Friedman Gallery with a solo exhibition opening September 19; Ahrong Kim (b. 1985, South Korea), a New Jersey-based ceramic sculptor with a solo show at LaiSun Keane in Boston through September 28; and Marlon Portales (b. 1991, Cuba), a Miami-based painter represented by Spinello Projects. The article profiles each artist's background, recent exhibitions, and notable works, drawing on Artsy's data and curatorial expertise.

Inaugural Brussels Art Week stakes a strong claim for the city's scene

The inaugural Brussels Art Week took place from September 5-8, organized by the non-profit RendezVous, co-founded by Evelyn Simons and Laure Decock. The event featured gallery openings, artist talks, institutional shows, performances, and offsite interventions across multiple neighborhoods, deliberately avoiding the traditional art fair model. A centerpiece was a commissioned social space by British artist Zoe Williams titled 'A Tip Inn,' a functioning bar and performance venue that hosted talks, readings, and DJ sets. Participating galleries included Xavier Hufkens (showing Charline von Heyl), Gladstone (Nicholas Bierk), and Mendes Wood DM (Julien Creuzet), while Damien & The Love Guru installed Sharon Van Overmeire's inflatable castle sculpture at Wiels garden.

Artists Jennifer Packer and Marie Watt receive $250,000 Heinz Awards

Artists Jennifer Packer and Marie Watt have been named winners of this year's Heinz Awards for the Arts, receiving an unrestricted cash prize of $250,000 each. The awards, now in their 30th edition, are bestowed by the Pittsburgh-based Heinz Family Foundation and honor individuals in the arts, economy, and environment. Packer, a painter known for boldly colorful figurative works, and Watt, whose practice spans steel sculpture and textiles rooted in Indigenous traditions, will be honored at a ceremony in Pittsburgh next month.

These 16 Artists Are the Biggest at U.S. Museums Right Now

This article presents a quarterly analysis of which living artists are most featured in temporary exhibitions across U.S. museums during September 2025. The author ranks artists based on the number and type of shows they appear in, prioritizing career retrospectives, dedicated exhibitions, and special commissions. The list is dominated by Black and Indigenous artists whose work addresses racism, colonialism, and nature, with Jeffrey Gibson topping the chart due to his Met facade commission, Broad show, and Venice Biennale U.S. Pavilion recreation. Other prominent artists include Firelei Báez, Rashid Johnson, Anila Quayyum Agha, and Ai Weiwei, the only non-U.S.-based artist on the list.

Sotheby’s secures $120m Pritzker and $400m Lauder collections, with works by Matisse, Munch and Van Gogh

Sotheby’s has secured two major private collections for its autumn New York sales: the Pritzker collection, estimated at $120 million, and the Lauder collection, valued at around $400 million. The Pritzker collection includes Vincent van Gogh’s *Romans Parisiens* (1887) with a $40 million estimate, while the Lauder collection features Gustav Klimt’s *Portrait of Elisabeth Lederer* (1914-16) estimated at over $150 million, along with works by Matisse, Munch, and Martin. The sales will take place at Sotheby’s new headquarters in the Breuer Building this November.

Alexander Calder finally gets hometown space in Philadelphia

Calder Gardens, a $70 million space dedicated to Alexander Calder, will open on September 21 in Philadelphia, the artist's hometown. Designed by Herzog & de Meuron, the complex features subterranean galleries and open-air pavilions surrounded by gardens, with no wall labels and rotating works from the Calder Foundation, MoMA, and the Whitney Museum. The project, led by Calder's grandson Alexander S. C. Rower and philanthropist Joseph Neubauer, revives a plan that stalled in the mid-2000s.

Rarely seen Walter Sickert painting to go on sale in London

A rarely seen Walter Sickert painting, *Ennui* (1913), will be offered for sale in a selling exhibition at Piano Nobile gallery in London on 26 September. The work, once owned by Hollywood actor Edward G. Robinson and later by collectors Herbert and Ann Lucas, has not been publicly exhibited since 2001. Priced around £750,000, it is one of five versions Sickert painted in the 1910s depicting a pub landlord and his wife; three are held by British institutions including the Royal Collection and the Ashmolean Museum. The sale also includes a Sickert pastel of a sex worker unseen since 1908, plus works from his Dieppe period.