New York Art Week Will Test the Market’s Momentum

New York Art Week is set to test the art market's momentum with half a dozen fairs and major auctions. Frieze New York opens at the Shed on May 13 with 68 galleries, while Sotheby's leads auction sales starting May 14, featuring a Mark Rothko painting estimated at $70–$100 million from Robert Mnuchin's collection. The total low estimate for Sotheby's week is $690.4 million, roughly 70% higher than last year's hammer total. Alternative fair Esther, co-founded by Margot Samel and Olga Temnikova, kicks off May 12 at the Estonian House for its third and final edition, emphasizing intentionality and community over scale.

Is This What “Made in America” Looks Like?

Christopher Payne's exhibition "Made in America: The Industrial Photography of Christopher Payne" at the Cooper Hewitt, Smithsonian Design Museum showcases 72 large-format photographs documenting active American factories and manufacturing processes. The trained architect turned photographer spent a decade visiting dozens of production sites across the United States, from the New York Times printing plant in Queens to the Bollman Hat Company in Pennsylvania, capturing workers' craftsmanship and the intricate steps involved in making everything from Peeps candies to jet engines. The exhibition is organized into three sections—traditional handcraft, large-scale production, and cutting-edge technologies—and coincides with the Smithsonian's celebration of the nation's 250th anniversary.

I’ve Got the Post-Duchamp Blues

The article is a review of the Marcel Duchamp retrospective at the Museum of Modern Art (MoMA) in New York, the first such show since 1973. Featuring around 300 works from Duchamp's six-decade career, the exhibition includes his iconic readymades like "Fountain" (1917) and early paintings such as "Nude Descending a Staircase, No. 2" (1912). Co-curated by MoMA's Ann Temkin and Michelle Kuo along with Matthew Affron of the Philadelphia Museum of Art, the show runs through August 22, 2026, before traveling to Philadelphia.

Gearing Up for Venice

The 2026 Venice Biennale's awards jury has announced it will not consider artists from countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically naming Israel and Russia. In other news, satellite imagery confirms Azerbaijan demolished an Armenian church in Artsakh, the World Press Photo of the Year was awarded to Carol Guzy for an image of ICE detaining a father, and Argentine abstract painter Ides Kihlen died at age 108. Hyperallergic also published a guide to the Biennale by Hrag Vartanian and reported on Lynda Roscoe Hartigan's appointment as director of the Smithsonian American Art Museum.

Christie's and the Arts Council Collection to present Close Encounters celebrating 80 years of the Arts Council Collection - Christie's

Christie's London will host 'Close Encounters: Figuration, Painting and Landscape in the Arts Council Collection' from 3 to 23 June 2026, in partnership with the Arts Council Collection to mark its 80th anniversary. The exhibition brings together historical works by artists such as David Hockney, Sonia Boyce, Peter Doig, Lynette Yiadom-Boakye, Michael Armitage, and Claudette Johnson alongside new acquisitions by Christina Kimeze and Vanessa Raw, exploring themes of gender, sexuality, landscape, and Black British women's representation.

Why the New Orleans Museum of Art Is One of the City’s Must-visit Cultural Gems

The New Orleans Museum of Art (NOMA), housed in a Beaux-Arts building within City Park, is profiled as a cultural cornerstone of the city. Founded in 1911 as the Isaac Delgado Museum of Art, it now holds over 50,000 works spanning global artifacts, Japanese ceramics, Egyptian relics, and modern pieces by artists such as Pablo Picasso, Edgar Degas, and Wangechi Mutu. The museum also features the Sydney and Walda Besthoff Sculpture Garden, a 12-acre free-admission outdoor space with works by Rodin, Moore, and Oldenburg. Upcoming 2026 programming includes Japan Fest, an Edo-period Rinpa exhibition, and a long-term show of French porcelain from the Thomas B. Lemann collection.

34 Of The Best London Art Exhibitions To See In May 2026

The article highlights 34 of the best London art exhibitions to see in May 2026, focusing on three major shows: the V&A's 'Schiaparelli: Fashion Becomes Art', the first UK exhibition dedicated to designer Elsa Schiaparelli; Tate Modern's 'Tracey Emin: A Second Life', the largest retrospective of the YBA artist's 40-year career; and the Design Museum's 'NIGO: From Japan with Love', a retrospective of Japanese creative NIGO spanning over 700 objects. These exhibitions showcase fashion, contemporary art, and street culture, with the V&A show running until November, Tate Modern until August, and the Design Museum until October.

Künstler Harald Metzkes ist tot

German painter Harald Metzkes has died at the age of 97 in Wegendorf, Brandenburg, surrounded by his family. His son, sculptor Robert Metzkes, confirmed the news to the German Press Agency. Metzkes, who grew up in East Germany, was a leading figure of the Berlin School of painting and resisted the official doctrine of socialist realism, instead creating a personal "world theatre" of harlequins, circus scenes, and theatrical figures inspired by Rembrandt, Velázquez, and Paul Cézanne. His best-known work includes "Der Abtransport der sechsarmigen Göttin." After training as a stonemason and studying at the Dresden Academy of Fine Arts, he worked as a freelance artist in Berlin, supporting himself with book illustrations. His work gained international attention when one of his paintings was sent to the Venice Biennale in 1984, and after the fall of the Berlin Wall he built connections with Western collectors.

Was in den Museen läuft

Munich's art festival "Various Others" kicks off this week with major city museums participating. The Pinakothek der Moderne presents "Reflexion," a group show of 100 works across fine art, architecture, graphic design, and design by artists including Isa Genzken, Ludwig Mies van der Rohe, Piet Zwart, and Ettore Sottsass. The Alexander-Tutsek-Stiftung celebrates its 25th anniversary with a glass-focused exhibition featuring Monica Bonvicini, Tony Cragg, and Laure Prouvost. The Villa Stuck reopens after renovation with four shows: Philipp Messner's sculptures, Ilit Azoulay's macro-film installation, a returning Franz von Stuck painting, and Delschad Numan Khorschid and Jan-Hendrik Pelz's migration-themed "Zehn Leben." The Lenbachhaus presents "Ein Ferngespräch. Szenen aus der Weimarer Republik" with works by Jeanne Mammen, Gabriele Münter, and Christian Schad. Museum Brandhorst's "Carrying" addresses the history of the Maxvorstadt art district, once site of a military barracks built by Ottoman prisoners. The Eres Stiftung continues "Seeing the Unseen" on quantum physics. The Flux meeting space, designed by Morag Myerscough, moves indoors at the Pinakothek der Moderne.

La nature morte : une exposition novatrice

Le Journal des Arts reports on a new exhibition titled "La nature morte" (Still Life), presented by a gallery as a continuation of its previous monographic shows on Boetti and Burri and the thematic exhibition "On Fire." The exhibition focuses on the classical genre of still life, positioning it as a field of experimentation that accompanies the renewal of painting in the 20th century. It brings together three artists—Picasso, Morandi, and Parmiggiani—who, though not from the same school or direct lineage, each explore the subject through distinct artistic languages: Picasso asserts the presence of the object, Morandi delves into its meditative and silent dimension, and Parmiggiani pushes the reflection toward a form of disappearance. The show is curated by Cécile Debray, president of the Musée national Picasso-Paris, and involves collaborations with institutions such as the Museo Morandi.

Cécile Debray : « Une proposition poétique de dialogue entre trois œuvres pour une délectation esthétique »

Cécile Debray, president of the Musée national Picasso-Paris, discusses a rare collaboration with galleries to present a three-artist exhibition in Venice during the Biennale. The show brings together Pablo Picasso, Giorgio Morandi, and Claudio Parmiggiani around the theme of the object and still life, highlighting unexpected philosophical and poetic connections. Debray explains how the selection of 14 Picasso works balances iconic pieces with lesser-known ones, including sculptures, to create a dialogue with Morandi's rigorous, serial approach and Parmiggiani's metaphysical art.

Vanités contemporaines

The article explores the enduring relevance of still life and vanitas in contemporary art, tracing their evolution from the biblical proclamation "Vanity of vanities; all is vanity" through modern masters like Paul Cézanne, Pablo Picasso, and Giorgio Morandi to contemporary practitioners such as Claudio Parmiggiani. It highlights how artists continue to use everyday objects—compotes, skulls, pitchers, apples—as vehicles for formal experimentation and philosophical reflection, with still life serving as a minimalist device that allows infinite plastic research.

Opening of Berlin Modern postponed to 2030

L’ouverture du Berlin Modern repoussée à 2030

The opening of the Berlin Modern museum has been delayed to 2030 due to construction setbacks and cost overruns. According to German media outlet Monopol, the project has been plagued by humidity issues, including mold, algae, and bacteria on new surfaces, caused by winter dampness, concrete sensitivity, and faulty ventilation. Originally launched in 2019 with a planned opening in mid-2020, the museum's completion has been repeatedly pushed back, with costs soaring from an initial €200 million to over €500 million, making it the most expensive museum ever built in Germany. The building, designed by Swiss firm Herzog & de Meuron, is located at the Kulturforum and will house 20th-century art collections from the Nationalgalerie, the Marx Collection, the Pietzsch Collection, and holdings from the Kupferstichkabinett and the Kunstbibliothek.

5 secret jewels to discover in Europe

5 joyaux secrets à découvrir en Europe

L'Œil magazine has curated a list of five European cities rich in art historical treasures, highlighting hidden gems for cultural getaways. The first city profiled is Mainz, Germany, featuring the Romanesque-Gothic Mainzer Dom (Imperial Cathedral of St. Martin), the Gutenberg Museum showcasing the 42-line Bible as a landmark of printing history, and the Church of St. Stephen with its iconic blue stained-glass windows designed by Marc Chagall. The second city is Plovdiv, Bulgaria, where the old town blends ancient Roman ruins (a stadium, forum, odeon, and theater from the 2nd century) with 19th-century Bulgarian National Revival houses, such as the Balabanov, Hindliyan, and Kuyumdzhioglu houses, now converted into museums.

Venice Art Biennale: The Time of Nuances

Biennale d’art de Venise : le temps des nuances

The 61st Venice Biennale, titled "In Minor Keys," opened under the artistic direction of the late Swiss-Cameroonian curator Koyo Kouoh. The exhibition features 111 artists and collectives, presenting a more subdued, poetic, and experiential approach compared to the previous edition's explicit decolonial program. It navigates contemporary political tensions, including the participation of Israel and the reopening of the Russian pavilion, while aiming for a radical return to art's own environment and its place in society.

New Art Center and Hidden Gems: A Weekend Full of Surprises in Bruges

Nouveau centre d’art et pépites cachées : un week-end plein de surprises à Bruges

Bruges, the Flemish city known for its medieval charm and UNESCO World Heritage status, has inaugurated a new art center called BRUSK in spring 2026. Located in the museum district, the building designed by Robbrecht en Daem and Olivier Salens features a monumental 350-square-meter fresco by French artist Laure Prouvost titled "The Whispering Walls Rêve," which references the city's past and present. The center also includes a conservation and research facility, with free access to the ground floor. The article proposes a weekend itinerary starting at the Grand-Place (Markt) and highlights Bruges as a hub for contemporary creation alongside its historic treasures.

Sofiane Pamart: 'With my piano, I sculpt sound matter'

Sofiane Pamart : « Avec mon piano, je sculpte la matière sonore »

French pianist Sofiane Pamart discusses his creative process in an interview with Beaux Arts Magazine, explaining how his music is inspired by contemplative cinema, particularly the films of Takeshi Kitano and Wong Kar-wai. He describes his approach to composition as sculpting sound, drawing parallels to impressionist painting and the works of sculptors Auguste Rodin and Camille Claudel. Pamart also expresses a preference for art that interacts with nature, citing the open-air museum of sculptor Anachar Basbous in Lebanon as an example.

Alain Passard's Art Recipe: Monet's Sublime 'Water Lilies' Invade the Plate

La recette d’art d’Alain Passard : les sublimes « Nymphéas » de Monet s’invitent dans l’assiette

Chef Alain Passard shares a recipe inspired by Claude Monet's "Nymphéas" (Water Lilies) series, connecting the painter's obsessive depictions of his Giverny water garden to a spring consommé decorated with flower petals. The article recounts Monet's move to Giverny in 1883, his creation of a water garden, and his decades-long focus on painting the pond's surface, light, and reflections—culminating in the immersive panoramic panels gifted to France in 1918 and now housed at the Musée de l'Orangerie in Paris.

« Le jardin anglais incarne une vision de la société » : une expo à Versailles explore cette passion de l’Europe des Lumières

The article explores an exhibition at the Grand Trianon in Versailles dedicated to the English garden, a style that emerged in 18th-century Europe as a deliberate contrast to the rigid symmetry of the formal French garden. Curator Élisabeth Maisonnier and museum director Laurent Salomé explain how these gardens, with their winding paths, irregular flowerbeds, and surprise features like grottoes and pagodas, were carefully constructed to imitate and amplify nature's complexity, drawing on influences from antiquity, the Middle Ages, and China.

The Best and Worst of the Stars at the 2026 Met Gala Inspired by Art History

Le meilleur et le pire des stars au Met Gala 2026 inspiré par l’histoire de l’art

On May 4, 2026, the Met Gala brought together 450 guests at the Metropolitan Museum of Art in New York under the theme "Fashion is Art," tied to the exhibition "Costume Art." Attendees were asked to draw inspiration from specific artworks, resulting in standout looks: Madonna channeled Leonora Carrington's "The Temptation of Saint Anthony" (1945) in a Saint Laurent gown, Kim Kardashian wore a custom piece by Allen Jones extending his "Cover Story 4/4" (2021), Hunter Schafer embodied Gustav Klimt's portrait "Mäda Primavesi" (1912-1913) in Prada, and Tessa Thompson referenced Yves Klein's "Anthropométries" in Valentino. Gracie Abrams also paid homage to Klimt's "The Kiss."

Au musée Marmottan Monet, la peinture de Giovanni Segantini hisse la modernité au sommet des Alpes

The Musée Marmottan Monet in Paris is hosting the first retrospective in France of Giovanni Segantini (1858–1899), a major but little-known figure of Symbolism. The exhibition traces his career through the lens of his geographical ascent into the Alps, from his early success with "Ave Maria à la traversée" (1886–1888) to his final triptych "La Vie, La Nature, La Mort," which he was working on when he died at age 41. Segantini's divisionist technique, which Vassily Kandinsky considered a precursor to abstraction, is highlighted as a means of expressing a dematerialized vision of the world.

Immersive exhibitions and visits not to miss from spring to summer in France

Les expos et visites immersives à ne pas rater du printemps à l’été en France

The article from Beaux Arts Magazine highlights a selection of immersive art exhibitions and experiences across France for spring and summer 2026. Featured attractions include "Passion Japon" at Parc de la Villette in Paris, a journey through Japanese culture with Hokusai and Hiroshige projections; "L'Odyssée Céleste" at Église Saint-Eustache, a 3D light spectacle with live choral music; "Frissons" at the Musée d'Orsay, an interactive light installation by artist Adrien M responding to visitors' movements; and a Picasso immersive experience at Les Baux-de-Provence.

British artist says the Met ‘should take responsibility’ for dress copyright dispute

British artist Anouska Samms has publicly criticized the Metropolitan Museum of Art in New York over a copyright dispute involving a dress displayed in the Met Gala opening exhibition. Samms claims the museum included a garment called the Nervina Hair Dress, which she says is a copy of her collaborative work Hair Dress, created with fashion designer Yoav Hadari during their residency at the Sarabande Foundation. The Met had expressed interest in acquiring the original dress for its Costume Art exhibition but shelved those plans in December. Samms says she was not credited or paid, while Hadari acknowledges her IP rights over the textile but asserts the design and construction are his own. The Met has declined to comment, directing the artists to resolve the matter themselves.

Artist Alleges Hair Dress in the Met’s ‘Costume Art’ Show Copies Her Design

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute and curator Andrew Bolton of displaying a garment in the spring 2026 exhibition "Costume Art" that she claims is a counterfeit of her collaborative work. Samms says the piece, titled Corpus Nervina 0.0, was inspired by a 2023 hair dress she co-created with fashion designer Yoav Hadari for his label Psycheangelic. Despite a contract giving Samms sole ownership of the hair-based textile's intellectual property, the museum's wall label credits only Hadari and states Samms's textile was not used. Samms's lawyer, Jon Sharples, says the museum initially expressed interest in acquiring the original dress but later shifted to a remake after Hadari reported water damage, then stalled entirely before the exhibition opened.

‘It’s a tiny bit of joy!’ How trinket swapping is making the world a happier place, one china sheep at a time

Trinket exchange boxes, where people swap small items like pins, stickers, and ceramic animals, are rapidly spreading across the UK and US. The phenomenon, which began in Philadelphia in autumn 2024, has grown from 800 to nearly 1,500 installations in two months, according to Portland-based artist Rachael Harms Mahlandt, who tracks them on a world map. In Edinburgh, pet-sitter Sam Stevens runs a popular pink box outside Argonaut Books, inspired by a San Francisco exchange, and has seen her follower count jump overnight as locals trade trinkets for fun.

'I wanted to catch the desperation': Dries Verhoeven on turning the Dutch pavilion into a bunker for the Venice Biennale

Artist Dries Verhoeven has transformed the Dutch pavilion at the Venice Biennale into a bunker-like space by covering its iconic glass-and-steel structure with metal shutters. Inside, visitors experience a gradually darkening environment and a raw vocal performance by 13 rotating performers, intended to evoke desperation and confusion about contemporary global crises. The work critiques the modernist ideals of openness and optimism embodied by the pavilion, designed by Gerrit Rietveld in 1953.

The Devil Wears Prada 2 to Lenny Henry: your complete entertainment guide to the week ahead

The Guardian's weekly entertainment guide highlights two major art exhibitions opening in May 2025: 'Aleksandra Kasuba' at Tate St Ives (2 May to 4 October) and 'Zurbarán' at the National Gallery, London (2 May to 23 August). The Kasuba show is the first UK presentation of the Lithuanian American artist's proto-immersive 'spatial environments,' featuring early paintings, mosaics, and installations focused on utopian social harmony. The Zurbarán exhibition presents a blockbuster survey of the 17th-century Spanish Baroque master, known for his intense religious subjects and dramatic chiaroscuro.

Art Basel’s Swiss Fair Will Include a New Initiative Where Galleries Will Withhold Works from Their PDF Previews

Art Basel has announced a new initiative called "Basel Exclusive" for its upcoming Swiss fair, running June 18–21 with VIP previews June 16–17. Under the program, participating galleries will withhold at least one artwork—or even their entire booth—from the PDF previews sent to clients ahead of the fair, encouraging collectors to visit in person. So far, 170 of 232 exhibitors (nearly 75%) have signed on, including major galleries like Gagosian, Hauser & Wirth, Pace Gallery, David Zwirner, Gladstone, Lehmann Maupin, Lisson, Matthew Marks, Paula Cooper, Thaddaeus Ropac, and White Cube, as well as secondary-market dealers such as Galerie 1900-2000, Helly Nahmad, Landau, Mayoral, Pace Di Donna Schrader, and Van de Weghe. Art Basel’s chief artistic officer Vincenzo de Bellis described it as a "gallery-led process" developed from conversations with exhibitors, formalized during Art Basel Hong Kong.

Barber and Osgerby: The Best of London Design Arrives in Exhibition in Milan

Barber e Osgerby: il meglio del design londinese arriva in mostra a Milano

Designers Edward Barber and Jay Osgerby have opened a major exhibition, 'Edward Barber | Jay Osgerby. Alphabet,' at the Triennale di Milano. The show presents a chronological survey of their work from the mid-1990s to 2022, featuring furniture, objects, and prototypes displayed on large plinths, alongside an archival section revealing their creative process.

Fair Warning Bets Big on a Banksy That Could Realize $18 Million

Fair Warning, the members-only online sales platform founded by former Christie's rainmaker Loïc Gouzer, is staging a rare live auction on May 20 at Tiffany & Co.'s flagship store in New York. The centerpiece is Banksy's *Girl and Balloon on Found Landscape* (2012), a work from the artist's 'Crude Oils' series that has never been publicly exhibited. Consigned by a private collector, the painting carries an ambitious estimate of $13 million–$18 million, one of the highest ever for a Banksy. Gouzer argues that Banksy is among the most consequential artists of our time, comparing his trajectory to Jean-Michel Basquiat, and sees this sale as a landmark moment for the artist's market.