Ayotunde Ojo Maps Interiority Under the Public Gaze

The article, a critic's guide review by Andrew Durbin, contrasts the US national pavilion presentation at an unspecified biennial with those of Britain and Germany. The US presentation is described as vacuous and lacking in meaning, while the British and German installations are praised for being incisive and moving. The review critically examines the thematic and conceptual approaches of each national pavilion, highlighting a disparity in artistic depth and engagement.

‘Afterimages’: What Does It Mean to See Through Overload?

Andrew Durbin reviews the national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The article critiques the lack of meaningful engagement in the US pavilion while praising the depth and emotional resonance of the British and German contributions.

Behind the 2026 Venice Issue Cover

Frieze magazine has published a critic's guide to the 2026 Venice Biennale, highlighting key installations and pavilions to see in the Arsenale and Giardini. Notable entries include fierce pussy’s posters welcoming LGBTQ+ visitors to Venice and Florentina Holzinger’s water-themed Austrian Pavilion. The article is part of Frieze's coverage of the 2026 Venice Biennale, offering curated recommendations for attendees.

National Pavilions Review: Porta-Potties, Porn and a Defiant Rave

Frieze critic Andrew Durbin reviews national pavilions at an unnamed biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The US pavilion is criticized for lacking meaning, while the British and German pavilions feature incisive and moving works, including a defiant rave and provocative content like porta-potties and porn.

National Pavilions Review: Who’s Afraid of Meaning?

Andrew Durbin reviews national pavilions at a major biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful content in the US pavilion while praising the depth and emotional resonance of the British and German contributions.

Open Call for Artists: Gallery A3’s 11th Annual Juried Show

Gallery A3 in Amherst, Massachusetts, has announced an open call for its 11th Annual Juried Show, scheduled for August 6–29, 2026. Submissions will be accepted online from May 10 to June 7, 2026, with an entry fee of $38 for three entries. The theme for this year's show is 'Everyday Sublime,' inviting artists to explore how awe and wonder manifest in daily life. The juror is Andrew S. Yang, a professor at the School of the Art Institute Chicago whose work has been exhibited internationally, including at the 14th Istanbul Biennial and the Museum of Contemporary Art Chicago.

Artist Yeesookyung Reimagines Works Through AI in Seoul-Jeju Exhibition

Artist Yeesookyung, known for her "Translated Vase" series that repairs broken ceramics with gold, has created new AI-driven video works for the exhibition "Fail Better," jointly held at Forum & Space in Seoul and Vido Gallery in Jeju through June 13. The two-person show, curated by Kim Yoon-kyung, also features media artist Yangachi and includes works like "Moonlight Crown," which uses real-time GPS and weather data to generate ever-changing forms, and "Oh, Rose!," a digitally bred rose series produced through an AI generative system.

Bvlgari enters the inner circle of the Venice Biennale

Bvlgari has become the first Exclusive Partner of La Biennale di Venezia, a landmark agreement that extends through 2030. The Roman jeweler will inaugurate its role at the 2026 Venice Biennale with two major initiatives: a newly created Bvlgari Pavilion at the Giardini featuring Canadian artist Lotus L. Kang, and an exhibition at the Biblioteca Nazionale Marciana curated by Fondazione Bvlgari, presenting works by Italian artists Lara Favaretto and Monia Ben Hamouda.

Meet the artist turning Venezuelan protest music into art

Nadia Hernández, a Venezuelan-born artist now based in Melbourne, has created a multidisciplinary installation titled "Para verte mejor, en todo tiempo" (To see you better, at all times) currently on view at the Art Gallery of New South Wales. The work traces the history of Venezuelan protest music, incorporating a textile collage, a soundscape, and a site-specific mural. Hernández, who won the Grace Cossington Smith Art Award in 2021 and was a finalist for the Ramsay Art Prize and Sulman Prize in 2023, began this project two years ago as an evolving archive of protest songs, building on earlier iterations shown at the Oslo Freedom Forum, TarraWarra Biennial, and Art Basel Hong Kong.

Summer Exhibitions Coming to Venues in East & South Texas

Summer exhibitions are opening across East and South Texas at venues including the Art Museum of Southeast Texas, the Beeville Art Museum, the Longview Museum of Fine Arts, the Museum of East Texas in Lufkin, and the Rockport Center for the Arts. Highlights include Janavi Mahimtura Folmsbee's 'Magic Water' at the Rockport Center for the Arts, a 2026 FotoFest Biennial Participating Space; Jennifer Arnold's 'A Layered Space: Coming Up For Air (v.6)'; Elena Rodz's 'Byways' as part of the Past Master Artists | Rockport Legends exhibition; Bill Pangburn's 'Printed Traces – A Neches River Journal' at the Art Museum of Southeast Texas; and Woody Gwyn's 'Skylight On Water, Trees, Rock and Road' at the Art Museum of South Texas.

The Bronx Museum of the Arts hosts Seventh AIM Biennial open house

The Bronx Museum of the Arts hosted its Seventh AIM Biennial Open House on April 18, a free family day that combined hands-on art-making activities with the ongoing biennial exhibition. Visitors participated in button-making, print-making, screen printing, and memory box creation, led by AIM artists including Skip Brea, Hedwig Brouckaert, Ricki Dwyer, Leekyung Kang, Juyon Lee, lauren mcavoy, Piero Penizzotto, Motohiro Takeda, and V Yeh. The day also featured a critique session with artist V Yeh and a panel discussion titled “Tender Monuments,” moderated by co-curator Nell Klugman, exploring themes of personal, communal, and environmental grief.

WHO ARE THE CURATORS THAT WILL LEAD THE NEXT BIENAL DE SAO PAULO

The Fundação Bienal de São Paulo has appointed Amanda Carneiro and Raphael Fonseca as chief curators for the 37th Bienal de São Paulo, scheduled for 2027 at the Pavilhão Ciccillo Matarazzo in Ibirapuera Park. Carneiro, a curator at MASP since 2018 and an artistic organizer for the 2024 Venice Biennale, and Fonseca, a visual arts curator at Culturgest and curator-at-large at the Denver Art Museum, will lead the largest visual arts event in Latin America.

Kazakhstan's creative industry accelerates. A new foundation supporting the art scene emerges

L’industria creativa del Kazakhstan accelera. Spunta una nuova fondazione che sostiene la scena artistica

A new private foundation called TOVA Foundation, based in Geneva, has been established to promote contemporary art from Central Asia, specifically focusing on Kazakhstan's art scene. The foundation debuted at the Venice Biennale with an exhibition titled "Trading Treasures" featuring Kazakh artists Saule Suleimenova and Sayan Baigaliyev at Casa dei Tre Oci. The initiative is backed by Togzhan Wertheimer, a Kazakh-born entrepreneur and philanthropist connected to the fashion industry through her husband David Wertheimer, and includes a board with figures like Tatiana de Pahlen and art consultant Jean-Olivier Despres. The foundation's curator is Vladislav Sludskiy, who previously worked at Ethan Cohen Gallery and co-founded the ARTBAT FEST and Eurasian Cultural Alliance.

The Craziest Venice Biennale Ever: One Week Before Opening, the Jury Resigns (The Public Will Decide the Lions!)

La Biennale di Venezia più pazza di sempre: a una settimana dall’apertura si dimette la giuria (I Leoni li deciderà il pubblico!)

The entire international jury of the 61st Venice Biennale has resigned en masse just one week before the opening. The jury, chaired by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had publicly announced they would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court—effectively excluding Russia and Israel from the Golden Lion competition. This decision came amid ongoing tensions between Italian Culture Minister Alessandro Giuli and Biennale President Pietrangelo Buttafuoco over Russia's participation, as well as controversy surrounding Israel's presence. After a meeting with Buttafuoco, the jury resigned, leaving the Biennale without a key body to award its top prizes.

Meet the Hawaiʻi creatives behind a workout video featured in a New York art exhibition

A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.

Art Gallery of Burlington opens vibrant spring exhibition you have to experience

The Art Gallery of Burlington (AGB) opens its spring exhibition "A material called Earth, Volume 1: The life of corners" on May 16th, featuring the immersive textile art of Argentinian artist Celina Eceiza. The installation transforms the main gallery with hand-dyed, stitched, and embroidered works, including sculptures ranging from palm-sized to near-monumental, and incorporates ceramics from the AGB's collection. A public opening on May 16th includes a talk and tour with curator Sylvie Fortin and the artist, plus free programming by artist Camila Salcedo and refreshments from local vendors.

Exhibition | Naomi Rincón Gallardo, 'Sonnet of Vermin' at Hayward Gallery, London, United Kingdom

Naomi Rincón Gallardo presents her first solo exhibition in London, 'Sonnet of Vermin,' at the Hayward Gallery. The show features her 2022 film following a group of animals from Mesoamerican myths—Bat, Snake, Scorpion, and a choir of frogs—as they navigate dystopian landscapes in Oaxaca, communicating via radio signals and calling for solidarity amid social and ecological devastation. Rincón Gallardo works across video, performance, drawing, and sculpture, weaving cuir/queer resistance, pre-colonial folklore, DIY aesthetics, music, and dance into surreal narratives that critique colonialism and exploitation.

Qatar's Pavilion at the Venice Biennale Is Not Yet Built. But It Takes Shape Under a Tent in the Giardini with a Rich Cultural Program

Il Padiglione del Qatar alla Biennale di Venezia ancora non c’è. Ma prende forma sotto una tenda ai Giardini con un ricco programma culturale

Qatar's national pavilion at the Venice Biennale, designed by architect Lina Ghotmeh, is still under construction in the Giardini. For the 2026 Venice Art Biennale, Qatar Museums and Rubaiya Qatar have commissioned artist Rirkrit Tiravanija to present "Untitled 2026 (a gathering of remarkable people)" under a tent structure on the site. The project, curated by Tom Eccles and Ruba Katrib, will feature a film by Sophia Al-Maria, live performances by Tarek Atoui, a culinary program by chef Fadi Kattan, and a large-scale sculpture by Alia Farid, bringing together artists, musicians, and chefs from the Arab world.

New art exhibition to open this summer as part of Glasgow International 2026

A new two-person exhibition titled "Painting, our mutual friend" will open at Glasgow Print Studio on June 4, 2026, as part of Glasgow International 2026. Featuring artists Lorna Robertson and Andrew Cranston, who are life partners, the show runs through August 1 and includes etchings, monoprints, watercolours, and oil paintings that explore their individual and shared experiences. The works were developed through experimental residencies at the studio between 2025 and 2026.

‘Africa in the Spotlight’ exhibition in Lisbon

An exhibition titled 'Africa in the Spotlight' has opened at the Lisbon Alliance Française, curated by Tatyana Jolivet. The show features seven contemporary African artists from Burkina Faso, Angola, and São Tomé e Príncipe, including Casimir Bationo (CasziB), SDZabila, Flore Kaboré, and Valdemar Dória. Jolivet, a Russian-born curator based in Lisbon who runs the online Jolie Art Gallery, organized the exhibition to promote cultural diversity and dialogue, highlighting the deep-rooted African presence in Portugal dating back five centuries.

Art Gallery Shows in Bangkok to Check Out in May

A roundup of art gallery exhibitions in Bangkok for May 2026 highlights four shows: 'The Fourth Decade of the Bualuang Paintings' at The Queen's Gallery, featuring 141 works by 52 Thai artists from the Bualuang painting contests; 'New Beginning' at ART Space by MOCA Four Seasons, a group show with artists from Japan and Thailand exploring renewal; 'Museum of Monsters' at River City Bangkok, a solo exhibition by artist FAHFAHS (Napath Kuntaruck) confronting hidden memories; and 'Beneath the Horizon Line' at Art Jewel Gallery, Siam.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

Sharjah Biennial 17 Assembles 109 Artists Across a Restless Global Landscape.

A sonic tribute to the act of speech on New York City’s Roosevelt Island

Sound artist Hans Rosenström has launched a site-specific sound installation titled "Out of Silence" at Four Freedoms Park on New York City's Roosevelt Island, running until 21 June. The multi-speaker work features layered voices sung by the Estonian choir Vox Clamantis, arranged across four sections of the park as an homage to Franklin D. Roosevelt's 1941 Four Freedoms speech. Rosenström, a Finnish artist based in Stockholm, developed the project during an International Studio & Curatorial Program residency in New York in 2024, after being approached by Latvian curator Alina Girshovich to mark the 90th birthday of composer Arvo Pärt. The park's memorial to FDR was designed by architect Louis Kahn, who was born in Estonia and benefited from New Deal programs.

Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

What Biennials Reveal About the Art World

Ben Davis and Jo Lawson-Tancred of Artnet News have published complementary projects analyzing global art biennials. Davis compiled data from major biennials including Istanbul, Gwangju, São Paulo, Sharjah, and Venice over the past four years, tracking which artists have been shown most frequently worldwide since the 2022 Venice Biennale. Lawson-Tancred examined the upcoming Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, comparing the demographics of its artists to previous editions to trace shifts in the global art conversation.

The LA Art World’s New Obsession Is a Theater Where Artists Run the Show

Calla Henkel and Max Pitegoff, former artistic directors of Berlin's Grüner Salon, launched New Theater Hollywood in 2024 as a nonprofit venue on Santa Monica Boulevard. The 49-seat theater specializes in genre-defying, multidisciplinary collaborations, staging works like Sophie Becker's ventriloquist act *Ronnie's Big Idea* and Diamond Stingily's *The Driver*. Every performance sells out, attracting a cult following of literary, art world, and pop culture figures who often linger to discuss shows.

Nasan Tur Collects Contributions for 'Archive of Feelings' for Manifesta 16

Nasan Tur sammelt Beiträge für "Archiv der Gefühle" zur Manifesta 16

Berlin-based artist Nasan Tur is calling on people from the Ruhr region and beyond to submit contributions to his "Archive of Feelings" via an online portal. The project is part of his commissioned work for the 16th edition of the nomadic biennial Manifesta, which opens on June 21 across several cities in the Ruhr area. Tur's installation, titled "Elevation," will be housed in St. Gertrud Church in Essen, where excerpts from anonymous submissions—expressing hopes, fears, wounds, ideas, wishes, and everyday observations—will be carved into old church pews.

Changes at Manifesta as Hedwig Fijen steps down

Hedwig Fijen, founding director of Manifesta, the European Nomadic Biennial, will step down on October 5. Emilia van Lynden and Catherine Nichols will succeed her as general director and artistic director respectively, as announced by the supervisory board of the International Foundation Manifesta. Fijen, who was commissioned by the Netherlands Office for Fine Arts in 1991 to develop a pan-European platform, has led Manifesta through editions in Palermo, Pristina, Barcelona, and the upcoming 2026 edition in the Ruhr region. Van Lynden has served as deputy director since 2019, while Nichols, a Berlin-based curator, contributed as creative mediator for the 2022 edition and artistic board member for 2026. The new leadership will begin with Manifesta 17 in Coimbra, Portugal, in 2028.

Israel’s Artist Said to Have Threatened Legal Action Before Venice Biennale Jury Resignation

Belu-Simion Fainaru, the artist representing Israel at the 2024 Venice Biennale, allegedly threatened legal action against Biennale officials, accusing them of “racial discrimination” and “antisemitism” after the international prize jury announced it would exclude countries whose leaders are charged with crimes against humanity—effectively barring Israel and Russia from awards. The jury, handpicked by late artistic director Koyo Kouoh, resigned en masse on April 30, citing their earlier statement of intent. Fainaru had previously opposed calls to exclude Israel over its military actions in Gaza, arguing for dialogue over boycotts.