filter_list Showing 267 results for "Biennial" close Clear
search
dashboard All 267 museum exhibitions 142article news 53rate_review review 18person people 18trending_up market 11article culture 7article local 7candle obituary 6article policy 4article event 1
date_range Range Today This Week This Month All
Subscribe

in venice, ukrainian artists reclaim joy with tender force

The article reports on 'Still Joy — From Ukraine Into the World,' a collateral exhibition at the 61st Venice Biennale presented by the Victor Pinchuk Foundation and PinchukArtCentre. The show features works by Ukrainian artists including Malashchuk & Khimei, Simone Post, and Zhanna Kadyrova, exploring themes of joy, survival, and resilience amid war. Highlights include a two-channel video juxtaposing a Kyiv rave before and after Russia's full-scale invasion, letters from Ukrainian soldiers printed on foam panels, and installations that transform everyday objects into meditations on sweetness and endurance.

Inside the UAE Pavilion at Venice Biennale, a whisper becomes a portrait of a nation

The UAE Pavilion at the 61st Venice Biennale presents 'Washwasha,' an exhibition curated by Bana Kattan with assistant curator Tala Nassar. The show features six artists—Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva—whose works explore the concept of whispering in Arabic, encompassing oral history, language, rumor, and daily noise. Installations include glass sculptures, sound-based pieces from barbershops and farms, and a reconstructed hammam installation by Al Malhi that plays recordings of wedding rituals. The exhibition runs until November 22.

How the Venice Biennale imploded over Israel

The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.

Turkish artist Nilbar Gures brings defiance to 61st Venice Biennale

Turkish artist Nilbar Güneş will represent Türkiye at the 61st Venice Biennale (May 9–November 22, 2026) with her exhibition "A Kiss on the Eyes" in the Arsenale's Türkiye Pavilion. Güneş, born in Istanbul in 1977 and educated at Marmara University, the Academy of Fine Arts Vienna, and the University of Applied Arts, works across photography, film, painting, performance, and mixed media. Her practice draws on personal biography to address societal issues, and she has shown internationally at venues including Osmos in New York and Vortic Art in London.

Filipa Ramos takes on 2027 Lofoten Festival

Filipa Ramos has been appointed curator of the 19th edition of the Lofoten International Art Festival, set to take place across the Norwegian arctic archipelago in June 2027. Ramos, a curator and writer who teaches at the Institute Art Gender Nature of the Academy of Art and Design FHNW in Basel, is known for ecologically-focused research that reimagines human-animal-environment relationships. She authored *The Artist as Ecologist* (2025) and is currently organizing the LOOP Festival in Barcelona and the symposia series *The Shape of a Circle in the Mind of a Fish*, created with Lucia Pietroiusti.

Iran’s Participation in the Venice Biennale Still Uncertain

Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.

Frieze Prize Winners at the 2026 Venice Biennale

Frieze has announced the winners of its prize program at the 2026 Venice Biennale. The prizes recognize outstanding contributions by artists and curators participating in the Biennale, with awards given across multiple categories including emerging talent and innovative exhibition practices. The winners were selected by a jury of international art professionals and will receive financial support and visibility through Frieze's platforms.

MONITOR YIN YANG ARGENTINA ARRIVES AT THE VENICE BIENNALE WITH AN OPEN CARTOGRAPHY

The Argentine Pavilion at the 61st Venice Biennale will feature a site-specific installation titled "Monitor Yin Yang" by artist Matías Duville. Curated by Josefina Barcia, the work uses salt and charcoal to create an unstable, walkable landscape that explores the coexistence of opposing forces such as light and shadow, waste and energy. The installation includes a sound composition developed with Centolla Society and Alvise Vidolin, integrating real-time environmental data from Venice. Duville's project was selected from 69 proposals in an open competition organized by Argentina's Ministry of Foreign Affairs, National Secretariat of Culture, and the Argentine Investment and Trade Agency.

Tra workshop, studio e incontri. Ecco il nuovo programma formativo di Triennale Milano assieme al Qatar Museum

Triennale Milano, in collaboration with Qatar Museums, has launched a new educational program for recent graduates from Qatari universities. The initiative began with a selection call overseen by representatives of Design Doha, followed by a residency in Milan starting April 20. Five graduates—Reema Abu Hassan, Abdulrahman Al Muftah, Adriane de Souza, Maryam Hashim, and Meryem Omerspahic—participated in workshops, studio activities, and meetings during Milan Design Week. An open discussion about their experience will be held at Triennale on May 15 at 6 PM, featuring the participants and the bootcamp team.

Review: The 82nd Whitney Biennial is weird, provocative, and leaves viewers wanting more

The 82nd Whitney Biennial has opened, drawing attention for its weird, provocative nature that leaves viewers wanting more. The exhibition, held at the Whitney Museum of American Art, features a range of contemporary works that challenge conventional boundaries and spark dialogue.

59th Carnegie International, titled ‘if the word we,’ set to open Saturday

The 59th Carnegie International, titled 'if the word we,' is set to open this Saturday at the Carnegie Museum of Art in Pittsburgh. The exhibition, one of the oldest and most prestigious surveys of contemporary art in North America, will feature works by a diverse group of international artists, curated around themes of collective identity and language.

Jury of the Venice Biennial resigns, Russia and Israel return to Award Contention

The five-member international jury of the 61st Venice Biennale, led by Brazilian curator Solange Farkas, has resigned effective April 30, 2026. The jury—comprising Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—announced their resignation in a written statement, referencing a prior Statement of Intention issued on April 22. In response, La Biennale di Venezia postponed the Awards Ceremony from May 9 to November 22, the final public day, and introduced two new "Visitors' Lions" awards—one for the Best Participant in the main exhibition "In Minor Keys" by Koyo Kouoh, and one for the Best National Participation—to be decided by ticket-holder vote.

Frieze New York Opens Strong, But the Real Test Is Just Beginning

Frieze New York has opened with strong early sales, particularly in the Focus section, which is dedicated to emerging and underrepresented artists. This year's Focus prize was awarded to W Galería for its presentation of Seba Calfuqueo, a Mapuche artist whose work addresses colonialism, environmentalism, and gender identity through ceramic sculptures and hair-based materials. Her pieces are priced between $8,000 and $40,000, reflecting the market's growing interest in politically engaged contemporary art.

Brushes at the ready: entries open for Redland Art Awards

Entries have opened for the 2026 Redland Art Awards, a biennial contemporary painting prize coordinated by Redland Art Gallery in Queensland, Australia. The competition is open to all Australian artists, offering a total prize pool of $30,500, including a $20,000 acquisitive first prize. The lead judge is curator and arts writer Alison Kubler. The awards, which began in 1981 as a local prize by Redland Yurara Art Society, will culminate in a finalist exhibition from November 2026 to January 2027.

Equatorial Guinea debuts at the Venice Biennale with Paraguayan artist Ingrid Seall and the theme of undergrowth

Equatorial Guinea makes its debut at the Venice Biennale with a national pavilion at Palazzo Donà dalle Rose, featuring Paraguayan artist Ingrid Seall and her work "Manar." The pavilion, titled "The Forest: The Undergrowth," runs from May 9 to November 22, 2026, and presents an immersive journey inspired by Equatorial Guinea's forests. Seall's piece uses materials like paper, cellulose, iron, and cassava paste to create a vertical, living organism that transforms waste into vital matter. The exhibition includes works by multiple international artists and is curated by Joan Abelló, with Brazilian commissioner Paulo Speller.

South Dakota Art Museum Guild Program: Rodger Ellingson | Events and Seasons: Painting in Living Color

The South Dakota Art Museum Guild will host a program on April 28, 2026, featuring Sioux Falls artist Rodger Ellingson. Ellingson will present “Events and Seasons: Painting in Living Color,” showcasing his plein air and studio works in watercolor and acrylic, with subjects drawn from the upper Midwest and northern Rockies. The event includes coffee and social time at 9:30 a.m., followed by the program at 10 a.m. at the South Dakota Art Museum in Brookings.

Exhibition for a good cause | Star News

Hōhepa Canterbury, a not-for-profit organization, will host its biennial Art and Sculptural Exhibition in Christchurch next month. The event features works from over 50 established and emerging New Zealand artists, including Renata Przynoga and Gwyn Hughes, alongside pieces created by Hōhepa residents. A VIP preview and auction will be held on May 22, followed by public exhibition days on May 23-24, with proceeds funding the organization's wellness and community programs.

The 2026 Venice Biennale, Explained

The 2026 Venice Biennale, the 61st edition of the world's oldest and most prestigious contemporary art biennial, will run from May 9th to November 22nd, with previews from May 6th to 8th. Its central curated exhibition is titled "In Minor Keys," and it will be accompanied by a series of national pavilions.

RISD Museum Puts Spotlight on Diversity

The RISD Museum in Providence is spotlighting diversity through a series of exhibitions and programs in spring 2026. Highlights include the third Black Biennial, titled "Please Catch Me When I Fall," organized by students Karma Johnson, Khalil McKnight, and King Meulens, featuring over 50 works by Black artists from the school and local community. Other exhibitions range from "A Shared Journey: The Barkan Contemporary Ceramic Collection" to "Natchiq | Onkeehq | Isuwiq: Indigenous Artists Honor the Seal" and "The Artistry and Reunion of Two Surimono Albums," alongside ongoing displays like "Shimmering Beauty: Kingfishers in Art and Poetry."

The church, the village, the park. FAI's 'Places of the Heart' returns to save ruins

La chiesa, il borgo, il parco. Tornano i Luoghi del Cuore del FAI per salvare i beni in rovina

The Fondo per l’Ambiente Italiano (FAI) has launched the 13th edition of its "Luoghi del Cuore" (Places of the Heart) initiative, a biennial census that invites Italians to vote for cultural heritage sites most in need of restoration. Since 2003, the campaign has collected over 13.5 million votes, with the 2024 edition alone receiving more than 2.3 million votes for over 41,000 sites across 6,508 municipalities. The initiative has funded 180 recovery projects, 40% of which involve churches, followed by environmental, architectural, and archaeological assets. Notable successes include the Church of San Pietro dei Samari in Gallipoli, the Oratorio del Sasso in Orasso, and the Complesso di Sant’Angelo Magno in Ascoli Piceno.

During the Venice Biennale there is also the Ibiza Pavilion, inside a takeaway pizzeria

Durante la Biennale di Venezia c’è anche il Padiglione Ibiza, dentro una pizzeria da asporto

During the Venice Art Biennale, an independent project called the Ibiza Pavilion opens from May 7 to 9, 2026, inside Pizza al Volo, a popular takeaway pizzeria in Campo Santa Margherita, Dorsoduro. Conceived and curated by Margherita Chiarva with support from Victoria Genzini and Gabriele Della Maddalena, the three-day initiative features a group exhibition, performances, collective embroidery, tarot readings, and somatic practices by international artists connected to Ibiza through experience or collaboration, including Noemi Manser, Beatrice Dettori, Liz Kueneke, COSIMA, and Maria Giulia Alvigini.

Here's what the much-talked-about Russian Pavilion at the Venice Biennale looks like. Photos and video

Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video

The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.

OPINION: How the biennial staff and faculty exhibition benefits art students

Western Washington University's Western Gallery is hosting its biennial faculty and staff exhibition, featuring 20 artists from the art department. The show includes diverse works such as interactive sensory pieces, weavings, and photographic rings, offering students a rare glimpse into their professors' professional art practices outside the classroom. Students like printmaker Myrie Murphy and faculty such as fiber professor Seiko Purdue emphasize how the exhibition demystifies the art world and humanizes instructors as practicing artists.

Artists’ Strike Closes Pavilions at Venice Biennale, Adding to Upheaval

Several national pavilions at the Venice Biennale were shut down after artists staged a strike, protesting working conditions, funding disparities, and the event's relationship with sponsors linked to geopolitical conflicts. The closures disrupted the opening week of the prestigious international exhibition, with participating artists and curators withdrawing their work or locking pavilion doors in solidarity.

Without Its Expert Jury, Venice Biennale Lets the Public Choose Its Prize Winners

The Venice Biennale has announced that for its 2026 edition, it will eliminate the traditional expert jury and instead allow the general public to vote for the prize winners. This marks a radical departure from the event's century-old practice of relying on a panel of art-world professionals to select the Golden Lion and other awards. The decision aims to democratize the selection process and engage a broader audience beyond the art establishment.

Venice Biennale jury excludes Russia and Israel from artist awards as EU threatens funding cut

The Venice Biennale jury has excluded Russia and Israel from eligibility for artist awards, following the EU's threat to cut funding over geopolitical concerns. The decision bars artists from these countries from being considered for official prizes at the prestigious international art exhibition.

Artcube 2R2 to Hold Oh Ji-yoon Solo Show in Seoul After Back-to-Back Venice Biennale Invitations

Seoul-based gallery Artcube 2R2 is launching a solo exhibition titled "Dignity: Accumulated Time" featuring the work of artist Oh Ji-yoon. The show focuses on her "Dignity" series, which utilizes a labor-intensive process of layering charcoal, gold, hanji paper, and pearls to explore themes of human existence and reflection. The exhibition is designed to coincide with the artist's consecutive invitations to the Venice Biennale, bringing the same body of work shown on the international stage to a domestic audience.