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The Phillips Collection in Washington, D.C., is proceeding with plans to auction major works by Georgia O'Keeffe, Arthur Dove, and Georges Seurat at Sotheby's on November 20, despite sharp backlash from former curators, members of the Phillips family, and the museum's non-governing members body. The works—including O'Keeffe's *Large Dark Red Leaves on White* (estimate $6–8 million), Seurat's conté crayon drawing ($3–5 million), and Dove's *Rose and Locust Stump* ($1.2–1.8 million)—are considered central to founder Duncan Phillips's vision. Director and CEO Jonathan Binstock argues the proceeds will fund a permanently restricted endowment for commissioning new work by living artists, acquisitions, and collection care, aligning with Duncan Phillips's belief in supporting contemporary practitioners.

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Employees at the Detroit Institute of Arts (DIA) announced plans to unionize on November 4, joining a growing wave of labor organizing at U.S. cultural institutions. The staff, organizing as DIA Workers United, are seeking recognition under AFSCME Cultural Workers United (AFSCME Michigan), which already represents workers at major museums including the Metropolitan Museum of Art, Art Institute of Chicago, and Philadelphia Museum of Art. The DIA acknowledged the request and stated it respects employees' legal rights to organize. The announcement follows recent unionization efforts at the Los Angeles County Museum of Art (LACMA) and a broader trend that began with the New Museum in 2019.

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Canal Projects, a nonprofit art space in New York's Tribeca neighborhood, announced it will close its physical location on May 23, 2026, after just four years of operation. The organization will pivot to a grant-making model, allocating $3 million over three years to support arts projects, including Ayoung Kim's upcoming exhibition at MoMA PS1. The decision was driven by the high costs of maintaining an outdated building and a desire to redirect resources toward direct financial support for artists. The space, launched in 2022 by the YS Kim Foundation, hosted notable shows by artists such as Karimah Ashadu, Sin Wai Kin, Candice Lin, Geumhyung Jeong, and Seung-taek Lee. Artistic director and curator Summer Guthery departed at the end of March 2025. The final exhibition will feature Jakkai Siributr, opening January 30, 2026.

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Issy Wood, a rising British artist known for her figurative paintings of luxury objects and body parts, created the cover for Vanity Fair's first art-themed issue in nearly two decades. The cover features a portrait of pop star Charli XCX titled *Charli 2* (2025), painted in oil on velvet with gauzy stars and white forms. Wood cited their shared Britishness and the singer's career longevity as inspiration, while the article draws parallels between Wood's subject matter and the 'Brat universe.'

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The Smithsonian Institution has been forced to close its 21 museums in Washington, D.C., indefinitely due to a continuing U.S. government shutdown that began on October 1. The National Gallery of Art had already closed the previous weekend. The Smithsonian had initially used its own funds to stay open, first planning to close on October 6 and then extending operations through October 11, but the ongoing shutdown—stemming from disagreements between Democrats and Republicans over health care policy—has now made closure unavoidable. The shutdown also threatens upcoming programming, including a planned Grandma Moses survey at the Smithsonian American Art Museum and a portraiture competition exhibition at the National Portrait Gallery, which has already been postponed.

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The National Portrait Gallery has postponed opening events for its upcoming exhibition “The Outwin 2025: American Portraiture Today,” originally scheduled for October 16–17, due to the ongoing U.S. government shutdown. The decision was communicated in a letter from acting director Elliot Gruber on October 7, citing the shutdown as the reason for the cancellation. The exhibition, which features 35 portraits by 36 artists selected from over 3,300 entries, is part of the museum’s seventh triennial Outwin Boochever Portrait Competition and is still set to open to the public on October 18, pending the resolution of lapsed funding.

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Sotheby's Upper East Side headquarters at 1334 York Avenue faces financial uncertainty after its tenant, Weill Cornell Medicine, scaled back plans for a research center due to federal healthcare budget cuts. The National Institutes of Health funding freeze has reduced Weill Cornell's projected grants from over $300 million in 2024 to $130 million this year, leading to potential layoffs and halted construction. S&P Global estimates the building has lost nearly half its value since 2020, now worth $443 million, and has assigned Sotheby's a speculative B- credit rating amid declining global art sales. Separately, Italy's culture minister Alessandro Giuli demanded historian Ernesto Galli della Loggia resign from the Council of National Committees after he criticized the government's cultural policies, sparking a public feud. Art Basel Miami Beach announced 285 exhibitors for its 2025 edition, and a UK report showed only one percent of artworks with deferred export licenses were acquired by museums in 2024-25, a sharp decline from previous years.

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German artist Katharina Grosse, known for her immersive spray-painted installations, will create a monumental painting titled "CHOIR" across the entire Messeplatz in Basel during Art Basel. The project, curated by Natalia Graboska, involves spray-painting the 53,800-square-foot pedestrian precinct in shades of magenta, marking the first time a painter has been commissioned to take over the entire square. In an interview with ARTnews, Grosse discusses her evolution from early experiments with spray guns in Marseille to key works like "Untitled" (1998) at Kunsthalle Bern and "The Bedroom" (2004), and her upcoming 2026 show at the Munch Museum in Oslo.

US National Gallery of Art gifted more than 1,200 Mitch Epstein photographs

The National Gallery of Art in Washington, D.C., has received a gift of 1,261 photographs from artist Mitch Epstein and his wife, Susan Bell. The donation, the largest institutional collection of Epstein's work, spans his five-decade career and includes major series such as 'American Power,' 'Property Rights,' and 'New York Arbor.'

Marcel Duchamp at MoMA, Dorothea Tanning book, Leonora Carrington at the Freud Museum, London—podcast

The Museum of Modern Art in New York is launching the first major U.S. survey of Marcel Duchamp’s entire career in over fifty years, a landmark exhibition that will later travel to Philadelphia. Accompanying this resurgence of interest in avant-garde pioneers are two significant projects focused on women of the Surrealist movement: the publication of Alyce Mahon’s comprehensive new book on Dorothea Tanning and a specialized exhibition at London’s Freud Museum featuring Leonora Carrington’s 1940 painting 'Down Below'.

A book exploring the evolution of J.M.W. Turner’s positions on slavery

Art historian Sam Smiles has released a comprehensive new book examining J.M.W. Turner’s complex relationship with the slave trade, expanding on his 2007 discovery of the artist's personal investment in a Jamaican cattle farm that utilized enslaved labor. The research traces Turner’s financial ties from his early patronage by wealthy plantation owners to his own speculative ventures, challenging the long-held perception of the artist as a straightforward abolitionist.

Two Renoir exhibitions at Musée d’Orsay explore the joy of human connection

Two Renoir exhibitions at Musée d’Orsay explore the joy of human connection

The Musée d’Orsay in Paris is opening two concurrent exhibitions dedicated to Pierre-Auguste Renoir, titled 'Renoir and Love: A Joyful Modernity (1865-85)' and 'Renoir Drawings'. The shows focus on the first two decades of his career, featuring major works like 'Luncheon of the Boating Party' and rarely seen pieces from private collections, such as 'Confidence'. The exhibitions will later travel to the National Gallery in London and the Museum of Fine Arts in Boston.

Harmony Korine Makes Sense of His Shape-Shifting Art: ‘It’s Really One Whole Work’

Harmony Korine's first-ever U.S. retrospective, titled "Perfect Nonsense," has opened at the Institute of Contemporary Art, Miami. The exhibition gathers over 50 pieces spanning his career, including adolescent writings, zines, collages from the 1990s, figurative paintings, and recent works using game engines. Korine, known for transgressive films like *Gummo* (1997) and *Spring Breakers* (2012), also founded EDGLRD, a studio producing experimental content with cutting-edge tech, such as his 2023 project *AGGRO DR1FT*, which premiered at the Venice International Film Festival.

Never-Before-Seen Calder Sculpture Emerges on the Auction Block in Paris

A previously unknown sculpture by Alexander Calder, titled 'Stabile-mobile' (1974), will be auctioned by Oger – Blanchet at Hôtel Drouot in Paris on May 22. The small, kinetic work, estimated to sell for €80,000–€120,000, was a gift from the artist to an archivist at the French National Museum of Modern Art and has remained with her family for 50 years.

Pioneering Modernist Fahrelnissa Zeid Returns to the Spotlight in London

The Turkish-Jordanian modernist Fahrelnissa Zeid is the subject of a new solo exhibition titled "Immersion" at Dirimart London, curated by art historian Adila Laïdi-Hanieh. This marks the artist's first gallery solo show in the United Kingdom this century, featuring several works from her estate that have never been publicly exhibited. The selection spans various periods of her career, highlighting her transition from monumental geometric abstractions to her late-career expressionist portraits.

Unseen George Condo Works Arrive at Auction From Anna Condo’s Collection

Anna Condo, the former wife of American painter George Condo, is bringing 27 previously unseen works from her private collection to auction at Christie’s. The collection, which includes paintings, drawings, and sculptures acquired during their 28-year marriage, will be featured in the Post-War and Contemporary Art day sale on May 21. These works have never been exhibited or sold publicly, offering a rare glimpse into the artist's private creative output between 1988 and 2017.

Never-Before-Seen Paintings Reveal Anthony Van Dyck’s Formative Italian Period

A major new exhibition at Genoa's Palazzo Ducale, "Van Dyck: The European. The Journey of a Genius from Antwerp to Genoa and London," presents a comprehensive survey of Anthony van Dyck's formative years in Italy. Featuring around 60 works, including loans from the Louvre, Prado, and National Gallery, the show reveals how his six-year Italian sojourn was a period of intense experimentation and emancipation from his master Rubens, leading to his signature theatrical portrait style.

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The activist collective Halt Action Group (HAG) organized a second 'Dear Ivanka' protest in New York City as Ivanka Trump prepared to move to Washington, D.C. Protesters marched from Grand Army Plaza to Trump’s Park Avenue residence, carrying symbolic moving boxes labeled with social and political concerns such as women's rights, affordable healthcare, and freedom of the press. The event featured prominent art world figures and utilized visual metaphors, including a disavowed Richard Prince artwork, to urge Trump to act as a moderate influence on her father’s administration.

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Gallerist Ron Mandos reflects on the enduring legacy of the late Dutch photographer Erwin Olaf, whose work blended fine art, fashion, and activism. Following Olaf’s death in 2023, Galerie Ron Mandos has continued to champion his career, most recently through the exhibition “Tender Fury,” which places Olaf’s provocative imagery in dialogue with conceptual artist Kendell Geers. The partnership between Mandos and Olaf began in earnest in 2020, a period during which the artist committed to a decade of total creative freedom, resulting in significant series like “Im Wald.”

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London gallery Archeus / Post-Modern has organized a by-appointment presentation titled "Bridget Riley: Sixties. The Complete Black and White Graphic Works." The exhibition brings together a rare, complete suite of seven prints on paper and seven companion works on Plexiglas, known as *Fragments*, all created by the English Op Art pioneer in the early-to-mid 1960s.

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The Smithsonian’s National Air and Space Museum will reopen its newly renovated Flight and Arts Center in July 2026 with a major exhibition devoted to Robert Rauschenberg. Titled “The Ascent of Rauschenberg: Reinventing the Art of Flight,” the show features 30 works by the American Pop artist, some never before exhibited, tracing how aviation and space exploration themes permeated his six-decade career. Highlights include his lithograph *Sky Garden (Stoned Moon)*, inspired by the Apollo 11 mission, and works from his “Combines” series. The exhibition draws loans from the Hirshhorn Museum, the Smithsonian American Art Museum, the National Gallery of Art, and the Robert Rauschenberg Foundation.

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Magdalene Odundo, the 75-year-old Kenyan-born British ceramic artist, discusses her lifelong practice and the cultural and spiritual significance of the ceramic vessel in a recent interview at her studio in Farnham, England. Her career has reached new heights following a record auction result this past summer, when an untitled 1990 piece sold for £723,900 ($995,462) at Sotheby's London, nearly tripling its estimate. This milestone coincides with her debut solo exhibition at Xavier Hufkens in Brussels, running until January 24, featuring works including the large-scale installation Transition II (2014) with 1,001 miniature glass vessels.

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Artnet News has published a preview of major European museum exhibitions opening in early 2026. Highlights include a monographic show on Paul Cézanne at Fondation Beyeler (January 25–May 25), featuring 80 works from his late career; “Yellow. Beyond Van Gogh’s Favourite Colour” at the Van Gogh Museum, Amsterdam (February 13–May 17), exploring the color yellow across art, fashion, and literature; a solo exhibition by conceptual artist Danh Vo at the Stedelijk Museum (February 14–August 2); and “The First Homosexuals” at Kunstmuseum Basel (March 7–August 2), examining the intersection of emerging homosexual identity and the arts in the late 19th century.

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Artnet News has published its annual roundup of art world figures who died in 2025, honoring a diverse range of individuals including museum directors, painters, curators, philanthropists, and an archaeologist. Among those remembered are Julia Alexander, former director of the Yale Center for British Art; Sylvain Amic, recently appointed to lead the Musée d'Orsay; philanthropist Wallis Annenberg; abstract painters Timothy App and Jo Baer; curator Leonid Bazhanov; and Tony Bechara, painter and former director of El Museo del Barrio.

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Hazel Knapp, a self-taught artist with Charcot-Marie-Tooth disease, painted Vermont landscapes from her wheelchair between the 1930s and 1940s, often with her mother Elsie by her side describing the terrain. Knapp exhibited at the 1939 Museum of Modern Art show alongside Grandma Moses and Morris Hirshfield, was profiled in Sidney Janis's book *They Taught Themselves*, and sold ten paintings to Gertrude Stein, who planned an unrealized Paris exhibition. Despite this promising start, Knapp fell into obscurity after her mother's death.

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The Musée d'Orsay has launched a landmark exhibition titled "Sargent: Dazzling Paris," marking the centenary of John Singer Sargent's death and focusing on his formative decade in 19th-century Paris. The show highlights Sargent's early friendships with artists like Monet and Rodin, his training under Carolus-Duran, and key portraits such as those of Fanny Watts and Madame X, the latter of which caused a scandal that drove him to London. The article also features five portraits that illuminate Sargent's artistic circles in Paris.

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In 2025, a series of major art restorations unveiled transformative discoveries in masterpieces by Caravaggio, Raphael, and Artemisia Gentileschi, among others. Caravaggio's final work, *The Martyrdom of St. Ursula* (1610), owned by Intesa Sanpaolo, was cleaned ahead of Rome's "Caravaggio 2025" exhibition, revealing hidden faces and a soldier's helmet previously only visible by x-ray. At the Vatican Museums, a decade-long restoration of the Raphael Rooms concluded with the revelation that two allegorical figures in the Hall of Constantine were painted by Raphael himself, not just his assistants, rewriting art history. Meanwhile, Artemisia Gentileschi's *Hercules and Omphale* (ca. 1635–37), damaged in the Beirut explosion, underwent emergency conservation by the Getty.

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The private collection of Hollywood icons Kathryn and Bing Crosby sold at Sotheby's for $6.7 million on December 18. The white-glove auction, held at Sotheby's new Breuer Building location on Manhattan's Upper East Side, surpassed its pre-sale high estimate of $6.3 million, with two-thirds of the lots exceeding their high estimates. The nearly 200-lot sale featured fine art, furnishings, and collectibles, with the top lot being Alfred James Munnings' painting *On the Moors* (1914), which sold for $1.2 million. Other highlights included works by Charles Marion Russell, Pierre-Auguste Renoir, and Corot, as well as nearly 50 lots of Fabergé items that achieved $2 million in sales.

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The Museum of Contemporary Art Denver has organized the first exhibition dedicated to conceptual artist Roni Horn's long-standing engagement with water. Titled "Roni Horn: Water, Water on the Wall, You're the Fairest of Them All," the show spans sculpture, photography, drawing, and bookmaking, exploring water's mutability, ecological resonance, and paradoxical purity. Horn, who has received a Ford Foundation grant, Guggenheim Fellowship, and three NEA fellowships, has shown at major institutions including the Menil Collection, Louisiana Museum of Modern Art, Whitney Museum, and Tate Modern, and is represented by Hauser and Wirth.

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At Sotheby’s Modern evening auction, René Magritte’s 1942 painting *Le Jockey perdu*—which the artist considered a turning point in his career—sold for over $12.3 million, exceeding its high estimate. The work was part of a group of ten consignments from the estate of shopping mall magnate Matthew Bucksbaum and his wife Carolyn “Kay” Bucksbaum, influential collectors and philanthropists who met on a blind date in 1952. Alongside works by Salvador Dalí, Jean Dubuffet, Paul Klee, and Joan Miró, the evening sale netted more than $25 million, with remaining pieces appearing in subsequent day sales.