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Thieves stole gold worth approximately €600,000 ($700,000) from the Natural History Museum in Paris's Fifth Arrondissement, using an angle grinder and blowtorch to break in during the night. The robbery was detected on Tuesday morning, and the museum's mineralogy gallery closed afterward. Separately, five members of the punk art collective Pussy Riot were sentenced in absentia by a Moscow court to 8–13 years for spreading false information about the Russian military, linked to a 2022 antiwar video. Other news includes the identification of manganese blue in a Jackson Pollock painting, a protest banner at Windsor Castle, new acquisitions at the Norton Museum, an upcoming Victoria and Albert Museum exhibition on Marie Antoinette, a gallery move in New York, and a preview of Calder Gardens in Philadelphia.

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The inaugural AIR festival took place in Aspen as part of Aspen Art Week, featuring a mix of talks, performances, and a closed-door retreat for artists, writers, scientists, and theorists. Highlights included a pack of panting huskies, a psychoanalysis talk in a psychedelic chapel, an artist conversing with his AI doppelganger, and a whispery musical performance on a museum rooftop. The festival kicked off with a film by Apichatpong Weerasethakul accompanied by composer Rafiq Bhatia, followed by discussions on dreaming and catastrophe, and site-responsive works by Jota Mombaça and Paul Chan.

museo dolores set for controversial reopening no charges yet over british museum thefts christies seeks potential in trumps big bill and more morning links for july 17 2025 1234747676

Mexico City’s Museo Dolores Olmedo, home to the world’s largest collection of Frida Kahlo and Diego Rivera works, is set to reopen in 2026 after being closed since 2020 due to the pandemic. However, controversy surrounds the potential relocation of its collection to Parque Aztlán in Chapultepec, a move that nearly 100 prominent cultural figures have opposed in a letter to Mexico’s culture ministry, arguing it defies founder Dolores Olmedo’s wish that the collection remain in Xochimilco. Separately, former British Museum curator Peter Higgs, accused of stealing artifacts, has not been formally charged, though the museum has dismissed him and is pursuing a civil case; a mock trial organized by Roger Michel highlighted museums’ failure to adopt modern collection-tracking technologies. Meanwhile, Christie’s is looking to provisions in Donald Trump’s tax bill to boost the struggling art market, and global auction sales at Christie’s, Sotheby’s, and Phillips fell only 6.2% in the first half of 2025.

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The Bronx Museum of the Arts has appointed Shamim M. Momin as its next director and chief curator, effective early September. Momin succeeds Klaudio Rodriguez, who left last September to lead the Museum of Fine Arts, St. Petersburg, Florida. Most recently director of curatorial affairs at the Henry Art Gallery in Seattle (2018–2024), Momin curated the group exhibition “In Plain Sight” and oversaw commissions by artists including Tala Madani, Gary Simmons, and Hank Willis Thomas. She also cofounded LAND (Los Angeles Nomadic Division) in 2009, curating over 100 public art commissions, and previously served as an associate curator at the Whitney Museum and branch director of its now-closed Midtown outpost, where she organized more than 50 projects. She co-curated the 2004 and 2008 Whitney Biennials.

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Justin Vivian Bond, a multidisciplinary artist and performer, is profiled in ARTnews as part of their Newsmakers series. Bond, who received a MacArthur Foundation “genius grant” in 2024, discusses their upcoming performances at Joe’s Pub in New York, including a show titled “Well, Well, Well” inspired by lesbian singer-songwriters and the novel *The Well of Loneliness*. They also mention resurrecting their duo Kiki & Herb in London, and reflect on their 2017 exhibition at the New Museum, “Trigger: Gender as a Tool and a Weapon,” whose wallpaper is now installed at the V&A East Storehouse.

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Design Miami has announced its 2025 programming for its 20th anniversary year, including a new initiative called Design Miami.In Situ. The schedule features a one-day event in Aspen in July, a 14-day exhibition in Seoul in September, the third edition of its Paris fair in October, and the 21st edition of its flagship fair in Miami Beach in December. The Seoul exhibition, curated by Hyeyoung Cho and held at the Dongdaemun Design Plaza, is a collaboration with the Seoul Design Foundation focusing on Korean collectible design. CEO Jen Roberts described this as the organization's largest global expansion and most ambitious program to date.

kennedy center audience boos trump french carpenters sentenced for selling fake 18th century chairs moca stays closed morning links for june 12 2025 1234745004

The Museum of Contemporary Art Los Angeles (MOCA) has extended the closure of its Geffen Contemporary space through the weekend as National Guard troops continue to confront anti-ICE protesters nearby. The museum cited safety concerns for staff and visitors, and also halted Pussy Riot member Nadya Tolokonnikova's durational performance 'POLICE STATE,' which had continued even after the initial shutdown on June 8. In other news, two Frenchmen—expert Bill Pallot and carpenter Bruno Desnous—were sentenced to suspended prison sentences and fines for selling fake 18th-century furniture, including chairs falsely attributed to Queen Marie Antoinette, duping the Château de Versailles and a Qatari prince. Meanwhile, President Donald Trump was booed by the audience at a Kennedy Center performance of Les Misérables, and Tamara de Lempicka's painting 'La Belle Rafaëla' (1927) is headed to auction at Sotheby's London with a high estimate of £9 million.

smithsonian stands up to trump moca closes its geffen branch amid protests is putins daughter dealing art morning links for june 10 2025 1234744759

The Smithsonian Institution publicly affirmed its independence from the Trump administration after President Donald Trump attempted to fire National Portrait Gallery director Kim Sajet, citing her perceived criticism of him. Sajet has continued reporting to work, and the Smithsonian's Board of Regents backed Secretary Lonnie G. Bunch's authority over personnel decisions, while also directing him to ensure exhibits remain nonpartisan. Separately, Los Angeles's Museum of Contemporary Art (MOCA) closed its Geffen branch early on June 8 as National Guard troops clashed with anti-ICE protesters, though Russian artist Nadya Tolokonnikova continued her durational performance "Police State" inside the closed museum. The protests unfolded in front of Barbara Kruger's 1990 mural "Questions," which Kruger said was a prophetic commentary on the current political moment.

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A Sotheby's single-owner sale of 55 Old Masters works from the collection of Jordan and Thomas A. Saunders III on May 21 achieved $64.7 million, falling well short of the $80–120 million estimate. The evening sale had a 58.5% sell-through rate, with 17 lots unsold and two withdrawn; a subsequent day sale on May 22 saw a similar 58.3% rate. Top lots included Francesco Guardi's Venetian views at $10.5 million, a record $8.8 million for Jan Davidsz. de Heem, and a record $7.37 million for Frans Post. Despite these highlights, the overall performance was dampened by high estimates, shifting collector tastes, and the prevalence of guarantees.

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A new museum dedicated to Frida Kahlo will open in Mexico City's Coyoacán district this September, housed in the Casa Roja, a private residence purchased by Kahlo's parents and passed down through the family. The property was gifted by the artist's grandniece Mara Romeo Kahlo, and the museum was designed by the New York–based Rockwell Group. Adán García Fajardo has been appointed director, and the project is funded by the newly established nonprofit Fundación Kahlo, chaired by public relations veteran Rick Miramontez. The museum will explore Kahlo's early life, inspirations, and cultural influences, and will feature rotating contemporary art exhibitions focused on Mexican, Latin American, and women artists.

christies in new york sees records for female artists the met is gifted 6500 artworks paris cultural center short changed over migrant occupation morning links for may 15 2025 1234742326

Christie's 21st century evening sale in New York on May 14 achieved $96.4 million, with strong performances by women artists. Marlene Dumas's *Miss January* (1997) set a new auction record for a living woman artist at $13.6 million, while Simone Leigh's bronze sculpture *Sentinel* (2020) sold for $5.7 million, breaking her previous record. Other highlights included Jean-Michel Basquiat's *Baby Boom* (1982) at $23.4 million. Separately, a painting by Henry Scott Tuke long held by the National Trust was identified as a portrait of Lawrence of Arabia, and the Metropolitan Museum of Art received a major gift of over 6,500 photographs from collector Artur Walther and the Walther Family Foundation.

The curator awakens: Lucas Museum of Narrative Art reveals inaugural exhibition lineup

The Lucas Museum of Narrative Art, founded by George Lucas and Mellody Hobson, will open in Los Angeles on 22 September with 18 inaugural exhibitions featuring over 1,200 objects. Curated by Lucas himself, the shows span media like photography, architecture, and cinema, as well as genres such as manga, anime, comics, and children's stories. Six solo exhibitions will highlight American artists including Thomas Hart Benton, Frank Frazetta, and Norman Rockwell. The museum's collection now exceeds 40,000 works, including the Separate Cinema Archive and Lucas Archives of film memorabilia.

Harmony Korine Makes Sense of His Shape-Shifting Art: ‘It’s Really One Whole Work’

Harmony Korine's first-ever U.S. retrospective, titled "Perfect Nonsense," has opened at the Institute of Contemporary Art, Miami. The exhibition gathers over 50 pieces spanning his career, including adolescent writings, zines, collages from the 1990s, figurative paintings, and recent works using game engines. Korine, known for transgressive films like *Gummo* (1997) and *Spring Breakers* (2012), also founded EDGLRD, a studio producing experimental content with cutting-edge tech, such as his 2023 project *AGGRO DR1FT*, which premiered at the Venice International Film Festival.

How Lillian Bassman Pushed Fashion Photography to the Edge of Abstraction

A new exhibition at the Metropolitan Museum of Art, "Lillian Bassman: Harper's Bazaar and Beyond," highlights the pioneering work of fashion photographer Lillian Bassman. The show reveals how Bassman, through darkroom experimentation like selective exposure and blowing cigarette smoke under the enlarger, created moody, abstract images that often reduced clothing to mere suggestion, pushing the boundaries of commercial fashion photography in the 1940s and 1950s.

Awards, Prussian Porcelain, Techno, Cabaret! Inside Berlin’s First-Ever Art Gala

Berlin's Hamburger Bahnhof museum held its first-ever gala to celebrate its 30th anniversary. The event featured a curated program of performances, including a participatory installation by artist duo Elmgreen and Dragset titled "Performing Yourself" and a mirrored neon work by Monica Bonvicini. High-profile guests like Cate Blanchett, Matt Dillon, Wim Wenders, and Nina Hoss attended the evening, which blended traditional gala elements with Berlin-specific cultural touchstones like techno, cabaret, and performances by artists such as Ellen Allien and Alice Sara Ott.

Never-Before-Seen Paintings Reveal Anthony Van Dyck’s Formative Italian Period

A major new exhibition at Genoa's Palazzo Ducale, "Van Dyck: The European. The Journey of a Genius from Antwerp to Genoa and London," presents a comprehensive survey of Anthony van Dyck's formative years in Italy. Featuring around 60 works, including loans from the Louvre, Prado, and National Gallery, the show reveals how his six-year Italian sojourn was a period of intense experimentation and emancipation from his master Rubens, leading to his signature theatrical portrait style.

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The global art landscape is set for a significant transformation in 2025 with the opening of several high-profile museum projects. These range from the long-awaited reopening of New York’s Frick Collection and the Studio Museum in Harlem to ambitious international debuts like the PoMo museum in Norway and the Fenix Museum of Migration Stories in Rotterdam. These projects feature designs by world-renowned architects including Annabelle Selldorf, India Mahdavi, and MAD Architects, often repurposing historic structures with bold contemporary additions.

Tino Sehgal at Museo de Arte de Zapopan

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Renowned performance artist Tino Sehgal has launched a major self-titled exhibition at the Museo de Arte de Zapopan (MAZ) in Guadalajara, Mexico. The show’s centerpiece is 'Andador 20 de Noviembre,' a site-specific adaptation of his acclaimed 2012 work 'These Associations.' Staged on a historic pedestrian thoroughfare, the performance involves a 'hive mind' of participants who transition from slow-motion movements to jogging and engaging the public with intimate personal vignettes, creating an immersive experience that blurs the line between audience and performer.

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The Brooklyn Academy of Music (BAM) is hosting a revival of the postmodern dance masterpiece "Set and Reset" as part of the ongoing Robert Rauschenberg Centenary celebrations. This landmark 1983 collaboration features choreography by Trisha Brown, a synth-driven score by Laurie Anderson, and extensive visual design by Rauschenberg, including a sculptural projection structure and silkscreened costumes. The program, titled "Dancing with Bob," also includes a rare performance of the 1977 work "Travelogue," a collaboration between Rauschenberg and Merce Cunningham that has not been staged by a professional company in over four decades.

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Mexico City is renowned for its immense concentration of museums, with estimates ranging from 150 to 200 institutions. The city's art scene has been further amplified by the rise of Zona Maco, which has established a major international Art Week each February, drawing collectors and galleries. The article highlights five must-see museums, beginning with the Museo Anahuacalli, a unique museum built by Diego Rivera and architect Juan O'Gorman to house Rivera's vast collection of pre-Hispanic artifacts.

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Berlin's Hamburger Bahnhof museum, facing budget cuts of up to 12% and shifting government spending priorities in Germany, is planning its first-ever gala to mark its 30th anniversary. Co-directors Sam Bardouil and Till Fellrath are spearheading the event, set for March, which will feature cultural figures including Cate Blanchett, Matt Dillon, Elmgreen & Dragset, and the Berlin Philharmonic. The museum has also launched the Chanel Commission and the International Companions philanthropy circle to diversify funding sources.

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The Musée d'Orsay has launched a landmark exhibition titled "Sargent: Dazzling Paris," marking the centenary of John Singer Sargent's death and focusing on his formative decade in 19th-century Paris. The show highlights Sargent's early friendships with artists like Monet and Rodin, his training under Carolus-Duran, and key portraits such as those of Fanny Watts and Madame X, the latter of which caused a scandal that drove him to London. The article also features five portraits that illuminate Sargent's artistic circles in Paris.

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In 2025, a series of major art restorations unveiled transformative discoveries in masterpieces by Caravaggio, Raphael, and Artemisia Gentileschi, among others. Caravaggio's final work, *The Martyrdom of St. Ursula* (1610), owned by Intesa Sanpaolo, was cleaned ahead of Rome's "Caravaggio 2025" exhibition, revealing hidden faces and a soldier's helmet previously only visible by x-ray. At the Vatican Museums, a decade-long restoration of the Raphael Rooms concluded with the revelation that two allegorical figures in the Hall of Constantine were painted by Raphael himself, not just his assistants, rewriting art history. Meanwhile, Artemisia Gentileschi's *Hercules and Omphale* (ca. 1635–37), damaged in the Beirut explosion, underwent emergency conservation by the Getty.

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René Magritte’s *L’empire des lumières* series, comprising 17 oil paintings and 10 gouaches created between the late 1940s and early 1960s, juxtaposes a nocturnal street scene with a bright daytime sky. The article explores the origins, meaning, and market performance of these works, noting that they were inspired by a line from André Breton’s poem *L’Aigrette* and reflect Magritte’s own Brussels neighborhood. Recent auction sales have shattered records, including a 1954 version that sold for $121.2 million at Christie’s New York in November 2024, making it the most expensive Surrealist artwork ever sold at auction.

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Museums worldwide are urgently searching for new financial models as government funding declines, wealthy patrons pull back, and corporate sponsors face pressure. A global study published in January by the International Research Alliance on Public Funding for Museums found that in 37 percent of responding countries, 71 to 100 percent of museums now receive most funding from private sources. Institutions are exploring endowments, new revenue streams, and collaborative approaches, with the Louvre becoming the first French museum to create an endowment fund in 2009, raising €175 million. The $85 trillion Great Wealth Transfer offers hope, but next-generation donors prioritize transparency and meaningful engagement over prestige.

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The Whitney Museum of American Art is launching a new program called "Open Plan" in its fifth-floor galleries from February 26 to May 14, 2016. The program will feature a series of solo projects by artists including Andrea Fraser, Lucy Dodd, Michael Heizer, Cecil Taylor, and Steve McQueen, each presenting work for a short duration in the museum's largest column-free gallery space. The initiative aims to showcase the newly opened Renzo Piano-designed building's full potential and encourage repeat visits.

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London's summer sales season opened with subdued results, totaling just $134.2 million across Christie's, Sotheby's, and Phillips—a 78% drop from the equivalent sales in 2015. A standout lot was Jenny Saville's painting *Mirror* (2011–12), which sold for £2.1 million at Sotheby's on June 24. Meanwhile, a group of art-world power players have launched a new advisory firm called New Perspectives Art Partners, and France has announced a $316 million international architectural competition to expand the Louvre and address chronic overcrowding.

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Xiaowen Zhu, director of Esea Contemporary in Manchester, discusses her journey and the evolving representation of Asian artists in the global art world. Born in Shanghai, Zhu reflects on her formative encounter with Ai Weiwei's *Fairytale* at Documenta 12 in 2007, which shaped her understanding of diaspora and belonging. She now leads the UK's only non-profit art center dedicated to East and Southeast Asian (ESEA) artists, and serves on the British Council’s Arts and Creative Economy Advisory Group.

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A rediscovered oil painting by J.M.W. Turner, titled *The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol*, sold for £1.9 million ($2.6 million) at Sotheby’s Old Masters and 19th Century Paintings evening auction in London—more than six times its high estimate. The work, painted in 1792 when Turner was 17, had been misattributed and sold for just $506 at a Dreweatts auction the previous year. After cleaning revealed Turner’s signature, scholars confirmed its authenticity, and it was identified as Turner’s first publicly exhibited oil painting, exhibited at the Royal Academy in 1793. The winning bidder was a private collector in the U.K., outbidding Bristol Museum and Art Gallery, which had raised over £100,000 from donors in a failed attempt to acquire the work.

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Performance Space New York is auctioning naming rights to the stalls in its fourth-floor unisex restroom as a fundraising campaign. Artist Bailey Hikawa will create custom resin toilet seats and commemorative plaques for each stall, collaborating with donors to reflect their personal aesthetics. One stall remains available and will be auctioned online this summer. The campaign coincides with a sound installation by Kevin Beasley that transforms the restroom into an immersive acoustic environment. Senior director Pati Hertling produced a promotional video using AI tools, featuring a synthetic newscaster announcing the fundraiser.