Paul Grimstad, a Yale humanities professor known for his roles in films by Paul Thomas Anderson and Josh Safdie, is featured in Cultured's 2026 CULT100 honorees. The article presents a Q&A where Grimstad discusses his upcoming debut novel "Cold Fusion," his experimental music and film scoring, and his views on the art industry, including a desire for more wide-open experimentation and less careerism.
New York curator Lumi Tan has organized the 2026 Converge 45 triennial in Portland, Oregon, titled "Here, To You, Now." Running from August 27 across more than 15 venues, the triennial prioritizes performances and time-based artworks over traditional gallery exhibitions, featuring both local and visiting artists. Tan, whose background includes stints at the Kitchen, Luna Luna, and Frieze New York, selected five standout artists: Lex Brown (presenting an operatic video and installation), Trisha Baga (a 3D video installation about AI and parenting), Rose Salane (archival works involving Princess Diana’s shoes), and Linda K. Johnson (a choreographer mapping Portland’s dance network).
The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.
On April 20, 2026, the Italy-Mozambique project "A Bridge Made in Art" launched in Maputo, Mozambique, running until June 2027. Sponsored by Italy's Ministry of Culture and the National Museums of Perugia, the initiative includes workshops, exhibitions, and training in contemporary art, involving Mozambican institutions such as Universidade Eduardo Mondlane, Fundação Leite Couto, and Núcleo de Arte. The program is part of the Mattei Plan for Africa, aiming to redefine Italy-Africa relations through cultural cooperation.
The article is a promotional statement from an art advisory or media platform, describing its business model and services. It partners with leading galleries through a vetted membership process and positions itself as a leader in art advisory with high-level access to galleries, collectors, and auction houses. It also states a mission to celebrate contemporary art through editorial content.
The Wadsworth Atheneum Museum of Art in Hartford is launching a series of major exhibitions to commemorate the 250th anniversary of the United States. Key highlights include the "Radical Roots" exhibition, which explores Connecticut’s pivotal role in the development of American democracy, and a collaborative project with the Amistad Center for Art and Culture titled "Framing American Democracy." These showcases utilize the museum's vast collection of 50,000 works to trace the nation's history from the 1600s to the present day.
The Musée des Tissus (Museum of Fabrics) has opened its doors, marking the return of a specialized textile museum in Paris. The article also covers several other art-world developments: American Rousseau works returning to Paris, the outsourcing of museum reception services as a growing model, the New Museum's expansion, and Art Brussels adapting to contemporary trends.
À Venise, le Musée Wagner change de statut
The Wagner Museum in Venice, currently a discreet institution housed within the Casino di Venezia in the Ca' Vendramin Calergi palace on the Grand Canal, is set to join the network of the Fondazione dei Musei Civici di Venezia (MUVE) by 2027. An agreement signed in March 2025, after thirty years of discussions, between MUVE, the Casino, and the Richard Wagner Association will make the museum the fourteenth institution under MUVE's management, alongside the Museo Correr, Ca' Pesaro, and the Museo Fortuny. The museum, established in 1995 in the rooms where Richard Wagner stayed and died in 1883, holds significant collections including the Josef Lienhart and Walter Just collections, making it one of the most important private Wagnerian collections outside Bayreuth, Germany.
Externaliser un service n’est pas interdit, diriger les salariés du prestataire l’est
A wave of legal complaints has been filed against several major French cultural institutions, including the Louvre, the Pinault Collection, and the MuCEM, alleging illegal labor practices. Labor unions Sud-Culture, SUD-PTT, and Solidaires claim these museums are engaging in "illicit lending of labor" and "bargaining" by exercising direct authority over outsourced staff from third-party agencies like Marianne International and Pénélope. While outsourcing services like ticketing and reception is legal in France, the lawsuits argue that museums are illegally managing these external employees' daily schedules, rotations, and disciplinary actions as if they were their own staff.
Real estate giant Cushman & Wakefield has filed a lawsuit against Sotheby’s, alleging the auction house failed to pay a $10.2 million commission following the $510 million sale of its New York headquarters. The dispute centers on the building at 1334 York Avenue, which was sold to Weill Cornell Medicine in late 2025 after the medical institution initially leased several floors through a deal brokered by the real estate firm.
More than 200 works by the elusive British street artist Banksy will go on display in Austin, Texas, this summer. The traveling exhibition, titled "The Art of Banksy Without Limits," opens at Fair Market on May 29 and runs through September 7. It features certified original prints, photos, sculptures, and reproduced murals, along with video mapping, an infinity room, and a hologram installation. A portion of ticket sales will support the Banksy-founded Louise Michel organization, which operates a rescue vessel in the Mediterranean.
The New Museum in Manhattan has officially unveiled its $82 million expansion, a transformative project designed by architects Rem Koolhaas and Shohei Shigematsu. The renovation has doubled the institution's footprint, adding three levels of gallery space and a new 'public spine' featuring an atrium staircase. To mark the reopening, the museum launched 'New Humans: Memories of the Future,' a massive 732-object survey curated by Massimiliano Gioni that explores the intersection of art, visual culture, and emerging technologies like AI.
The Earlville Opera House Art Galleries in Earlville, New York, will open the second round of 2026 visual artist exhibitions on Saturday, May 9, from 1 to 3 p.m. The series features three artists: Bruce E. Webster with his retrospective "A Legacy in Wood" showcasing over 40 years of fine wood furniture; Linda Kays-Biviano with "From Clay to Character: Featuring Woodland Spirits," hand-sculpted fantasy figures in polymer clay and resin; and Lawrence Kinney. The exhibits run through July 2, with free admission and an Artist Talk at 1:45 p.m. on opening day.
A Milano rivive Wagner. Non solo a teatro ma anche in queste due mostre
Two exhibitions dedicated to Richard Wagner's Ring cycle have opened at Milan's Teatro alla Scala, coinciding with a new production of the Ring des Nibelungen and the centenary of the first Scala staging of the tetralogy in 1926. The Museo Teatrale alla Scala presents "La rivoluzione del Ring – Visconti Ronconi Chéreau," curated by Giovanni Agosti with design by Studio Margherita Palli, while the Ridotto dei palchi "A. Toscanini" hosts "Risonanze Wagner – Visioni intorno al Ring," curated by Gianluigi Colin and Mattia Palma, featuring contemporary paintings by four women artists—Antonella Benanzato, Flaminia Veronesi, Chiara Calore, and Federica Perazzoli—each reinterpreting one of the four operas.
Maine Art Collective's (MAC) Gallery in Portland, Maine, has added five new artists to its roster for the 2026 season: Ann Tracy, Bill Elinoff, Sheri Oliva, donnersmith, and Tracy Hehmeyer. The gallery, which transitioned from a pop-up to a full-time space about a year ago, now features 17 artists total. Founder Susan Vittner, an artist herself, emphasizes the gallery's mission to support emerging artists through a cooperative model where artists retain most of their profits.
Trapezium Gallery, a volunteer-run art space in Bradford city centre, is closing on June 18 after nearly eight years. Its closure is a direct result of the redevelopment of the Kirkgate Shopping Centre, where it has occupied three different shop units since its founding in 2018.
Artist Lizzie Zelter has installed a new large-scale mural titled "Southeast Exchange" in La Jolla, California, as part of the Murals of La Jolla public art initiative. The composition is based on the artist's observations of a discount store in Brownsville, Texas, featuring a dense array of consumer goods and reflective surfaces that explore themes of domestic arrangement and cultural artifacts. The work is designed to be read from right to left, mimicking the flow of pedestrian traffic and challenging traditional visual perspectives.
Gallery Weekend Berlin 2026 features over 50 galleries across the city, with a strong emphasis on painting. The event, founded in 2005 by a cooperative of local gallerists as an alternative to traditional art fairs, this year confirms the lasting power of painting despite its original anti-painting ethos.
"Wir mussten schwierige Entscheidungen treffen"
Investor Andrew E. Wolff has stepped down as CEO of Artnet after orchestrating a merger of the company's US operations with Artsy, another major art market platform he recently acquired. Jeffrey Yin, previously the interim head of Artsy, has been appointed as the permanent CEO of the combined entity. The restructuring involves significant layoffs, the closure of Artnet's Berlin office, and a consolidation of management teams, though both brands will continue to operate with distinct editorial voices.
33 Contemporary Gallery has officially closed its pop-up location at the Promenade at Coconut Creek following a successful run that began last fall. Operated by husband-and-wife duo Sergio and Yanina Gomez, the 1,600-square-foot space featured a global selection of paintings and sculptures, often highlighted by live painting demonstrations from Sergio Gomez himself. While the physical storefront has shuttered, the owners have confirmed plans to relocate to a new, yet-to-be-announced space.
Italy presented 337 cultural artifacts repatriated from the United States at the Caserma "La Marmora" in Rome, following operations between December 2025 and April 2026. The objects span from the 5th century BCE to the 3rd century CE, including Roman sculptures, bronze works, pottery, jewelry, coins, and architectural fragments. Among the notable pieces is a marble head attributed to Alexander the Great, stolen from a Roman museum in 1960, and a bronze sculpture looted from Herculaneum. The recovery involved the Manhattan District Attorney's office, the FBI, Homeland Security Investigations, and Christie's New York, with 221 items seized through the DA's collaboration and 116 returned in April.
On April 29, Italy's carabinieri dedicated to cultural heritage protection announced the recovery of 337 looted or stolen artworks and objects repatriated from the United States between December 2025 and April 2026. The haul includes archaeological artifacts, archival documents, and other artworks, such as a marble head of Alexander the Great from the 1st century AD, a bronze sculpture stolen from Herculaneum, and two Egyptian basalt sculptures. The objects were dispersed through international markets using forged provenance documents, and their return involved U.S. agencies including the FBI.
Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.
Artist Margaret Bremner is presenting a solo exhibition titled "Shapes Shifting" at the Art 10 Gallery in Nanaimo, British Columbia. The showcase features Bremner’s mixed media works, which utilize paint pens, colored pencils, collage, and ink to explore geometric structures like ogees, triangles, and circles. The artist emphasizes a process that begins with random smears or washes before imposing order through intricate patterning and varied fills.
Yoann Cormier curates 'In Mali, When Animals Dance' at the Musée des Confluences, an exhibition dedicated to sogo bò, a Malian performance tradition blending theater, dance, music, and community. Rejecting static displays, Cormier uses immersive scenography—light, sound, film footage from the early 2000s by Sonia and Albert Loeb, and reconstructed masks made with the Lyon Opera costume workshop—to evoke the festive atmosphere of sogo bò, moving visitors through a simulated Malian day from afternoon to night.
The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.
The Hungarian Academy of Arts (MMA) and the Hall of Art (Műcsarnok) have opened an outdoor panel exhibition in front of the Műcsarnok building on Bajza Street to celebrate the 130th anniversary of the institution's opening. Designed by Albert Schickedanz, the building was completed in 1896 for the Millennium alongside Heroes' Square and the Museum of Fine Arts. The exhibition, which will be on view until November 22, looks back on the Műcsarnok's 130-year history, and a fall anniversary exhibition is also planned.
The Lawrence Art Guild held the fourth annual Art Spaces Studio Tours on Saturday, with studios open again Sunday from noon to 6 p.m. Featured artist Nick Schmiedeler, a forklift operator who creates assemblage sculptures from found metal and wood, opened his studio at 710 Missouri St. Muralist Dave Loewenstein and his 8-year-old son Andrés hosted guests at their alleyway studio, where Andrés performed live drawing demonstrations. The tour also included Art Emergency, a collective studio space at 721 E. Ninth St. housing artists working in painting, photography, textiles, and mixed media.
The Fort Myers Beach Art Association (FMBAA) is hosting a First Friday Art Walk event at its gallery on McGregor Blvd in Fort Myers, Florida, on May 1st from 4-6pm. The gallery, operated by local SWFL artists, will offer complimentary wine and cheese to visitors, who can meet member artists including outdoor painters. The event is part of a larger art walk that continues to other venues such as the Alliance for the Arts and DAAS Co-op, culminating in downtown Fort Myers.
On The Edge Gallery, an artist-run collective in Old Town Scottsdale's Arts District, has been named one of the top 10 galleries in the Phoenix metropolitan area by Modern Luxury Magazine. The gallery operates as a co-op where local Arizona artists create the work, set their own prices, and often work on-site, allowing visitors to interact directly with the creators.