Untitled Art, the contemporary art fair, is returning to Houston for its second edition this October. To kick off plans, the fair has commissioned two artist projects that will be unveiled at the city's 39th annual Art Car Parade.
Bottega Veneta's creative director Louise Trotter has launched 'Bottega Veneta for the Arts,' a new collaborative series aimed at connecting the fashion house with the art world. The inaugural project features British photographer Peter Fraser, who documented Trotter's debut collection in Italy's Veneto region, the brand's birthplace. This follows previous art collaborations with photographer Duane Michals and painter Poppy Jones.
The Peabody Essex Museum (PEM) in Salem is highlighting the work of its curatorial team, specifically focusing on how Lydia Peabody, Lan Morgan, and Ruthie Dibble are revitalizing the institution's collections. A primary focus is the exhibition 'Edmonia Lewis: Said in Stone,' where Peabody integrated contemporary photography and video by artist Gisella Torres to create a dialogue with Lewis’s 19th-century neoclassical marble sculptures. Other initiatives include Lan Morgan’s 'Beyond the Broom' project, which uses short films to showcase a community-focused perspective of Salem beyond its 'witch city' reputation.
The Princeton University Art Museum has unveiled "Photography as a Way of Life," a major exhibition running from April 19 through September 7. The show examines the interconnected careers of Minor White, Aaron Siskind, and Harry Callahan, three titans of mid-20th-century American photography. Drawing heavily from the museum’s Minor White Archive, the exhibition features unpublished color and black-and-white prints, archival documents, and a reconstruction of White’s slide projection piece, "Slow Dance."
Glasstire has announced the second installment of its "Talking Texas Art" panel series, scheduled for April 23, 2026, at the Louise Hopkins Underwood Center for the Arts (LHUCA) in Lubbock. Part of the publication’s 25th-anniversary celebrations, the event focuses on the Texas Panhandle's creative landscape. The panel features prominent regional figures including Judy Tedford Deaton of The Grace Museum, Jon Revett and Amy Von Lintel of West Texas A&M University, and Charles Adams of CASP, moderated by Glasstire’s William Sarradet.
Denver’s art scene is currently highlighting several intimate yet impactful exhibitions during the transitional spring season. Key highlights include a multi-venue celebration of Colorado artist Ana María Hernando with solo shows at the Museum of Contemporary Art Denver and the Colorado Springs Fine Arts Center, alongside a group showing at Robischon Gallery. Additionally, the Denver Art Museum is showcasing its textile and photography archives through two distinct exhibitions: "Conversation Pieces," featuring high-fashion acquisitions from Chanel to McQueen, and "What We’ve Been Up To: People," a survey of portrait photography spanning from the 19th century to the present.
One Art Space in Tribeca presented “The Space Between Us,” a group exhibition curated by Mitchell Rodbell featuring 13 artists including Rodbell, Miyuki Fuji, Madhu Powar Garg, Marietta Gavaris, and others. The weeklong show ran from January 12 to January 18, 2026, with many works sold during the VIP opening night. Notable attendees included co-owner MaryAnn Giella McCulloh, Dr. Robi Ludwig, Melanie Goodreaux, and Bruce Morrow.
Pilar Ordovas opens an exhibition at her Mayfair gallery titled *Dialogues: European, American, African and Oceanic Art from the 20th and 21st Centuries*, running from 9 October to 12 December. The show is a collaboration with Jean Fritts, former international chairman of African & Oceanic Art at Sotheby’s, and Pierre Mollfulleda, formerly head of Sotheby’s African & Oceanic Art department in Paris. It pairs Modern and contemporary Western works with African and Oceanic objects that inspired them, including pieces from the landmark 1984 MoMA exhibition "Primitivism" in 20th Century Art.
The Los Angeles County Museum of Art (Lacma) has acquired 112 objects through six new acquisitions made during its 39th Collectors Committee Weekend, which raised over $2.5 million from 62 members. Highlights include a rediscovered self-portrait by Virginia Vezzi (1600-38), a long-overlooked female Old Master; works by Japanese American artists Chiura Obata, Tokio Ueyama, and Mine Okubo created during the Exclusion Era; colonial-era paintings from Mexico by Manuel de Arellano; a photographic triptych by Hiroshi Sugimoto; and the Mary Hunt Kahlenberg Collection of 101 Indonesian textiles dating to the early 15th century.
This weekly roundup from ArtAsiaPacific covers four major developments in the art and architecture world. Chinese architects Wang Shu and Lu Wenyu have announced the theme for the 2027 Venice Architecture Biennale, titled “Do Architecture – For the Possibility of Coexistence Facing a Real Reality,” emphasizing hands-on, context-driven design. The 2026 Sovereign Asian Art Prize winners were revealed, with Balinese artist Citra Sasmita winning the Grand Prize for her work "Poetry of the Fountain" (2025). Dubai announced plans for the Museum of Digital Art (MODA), a new institution dedicated to new media and immersive technologies, as part of a major district expansion. Finally, the Asian Cultural Council (ACC) named 70 grantees for its 2026 cycle, awarding over USD 1.6 million to support cultural exchange between the US and Asia.
American artist Alma Allen is presenting his bronze and marble sculptures at the Venice Biennale, placing his work on an international stage. The sculptures, though made of heavy materials, are described as ethereal and airy in effect.
A new exhibition in Rome offers fresh insight into the haunting and influential work of American photographer Francesca Woodman, who died by suicide at age 22. The show presents her ethereal, often unsettling self-portraits and other images, exploring the depth and enduring power of her brief but prolific career.
Grant Wood's 1926 mural "Corn Room" has been restored and will serve as the centerpiece of a centennial exhibition at the Sioux City Art Center in Iowa. The mural, created by the painter best known for "American Gothic," depicts a vibrant interior scene dominated by corn motifs, reflecting Wood's regionalist style and his deep connection to the American Midwest.
Art historians and curators are re-evaluating the legacy of Frederic Church, arguing that his contributions extend far beyond his traditional classification as a Hudson River School landscape painter. New research highlights his sophisticated engagement with 19th-century science, his architectural achievements at his estate, Olana, and his role as a global traveler who captured the spirit of the Andes and the Arctic.
Le primitivisme pour réinventer l’art
Philippe Dagen has published the third and final volume of his series on primitivism, covering the period from World War II to the late 1970s. The book traces how Western artists, from Barnett Newman and Jackson Pollock to members of the CoBrA movement and figures like Jean Dubuffet, Lucio Fontana, and Yayoi Kusama, engaged with so-called "primitive" art from Africa, Oceania, and the Americas, often as a means of rejecting or redefining modern civilization. Dagen also examines the intellectual debates surrounding primitivism, including the critiques of colonized peoples who refused the label "primitive," and the shifting attitudes of thinkers like Claude Lévi-Strauss, Michel Leiris, and Aimé Césaire.
The American Arts Conservancy (AAC), an organization founded last year by the Trump administration, has launched a crowdfunding campaign to support the United States Pavilion at the Venice Biennale. This comes amid widespread controversy and calls to exclude the US, Russia, and Israel from the event. The AAC website solicits donations starting at $100, claiming a "once-in-a-generation opportunity" to restore America's artistic presence abroad. The US government has already contributed $375,000, but the State Department says the total exhibition cost far exceeds that amount. This year's pavilion will feature sculptor Alma Allen, after Barbara Chase-Riboud and William Eggleston declined to participate.
A father-daughter duo from New Jersey, Erwin Bankowski (50) and Karolina Bankowska (26), pleaded guilty to creating and selling over 200 counterfeit artworks falsely attributed to artists including Andy Warhol, Pablo Picasso, Fritz Scholder, and Banksy. They admitted to wire fraud conspiracy and misrepresentation of Native American-produced goods, defrauding buyers out of at least $2 million. The pair fabricated provenances and collection histories, forged gallery stamps, and attempted to auction the works for up to $160,000 each. They each face up to 20 years in prison.
The Frist Art Museum is presenting a new exhibition that spans 100 years of contemporary Indigenous art, featuring works from both established elders and emerging makers. The show aims to highlight the continuity and evolution of Indigenous artistic practices across generations.
Telfair Museums will present "Impressionism and Modernity: French and American Painting" at the Jepson Center for the Arts from May 15 through August 16, 2026. Organized for the museum's 140th anniversary, the exhibition brings together Telfair's collection of American Impressionist works with key French Impressionist paintings from the National Gallery of Art, Washington, D.C., featuring artists such as Edgar Degas, Alfred Sisley, and Vincent van Gogh. The show explores Impressionism's origins in France, its transatlantic influence, and its impact on American art and identity, with works addressing themes of modern life, leisure, the city, and nostalgia for nature.
BTS member RM (Kim Namjoon) will present his personal collection of modern Korean art in an exhibition at the San Francisco Museum of Modern Art (SFMOMA) from October 3 to February 7. The show, titled "RM x SFMOMA," will feature approximately 200 works from both his holdings and the museum's collection, including pieces by Korean artists like Yun Hyong-keun, Park Rehyun, and Kim Whan-ki, alongside works by Western artists such as Mark Rothko and Agnes Martin.
필라델피아미술관 '라이징업: 록키와 기념비 제작(Rising Up: Rocky and the Making of Monuments, 4/25-8/2)' - Lounge
The Philadelphia Museum of Art has announced a major exhibition titled "Rising Up: Rocky and the Making of Monuments," scheduled to open in April 2026. Curated by Paul Farber of Monument Lab, the show will feature over 150 works by more than 50 artists, including Keith Haring, Kara Walker, and Andy Warhol. The exhibition uses the iconic Rocky statue—a fictional character that has become one of the city's most visited landmarks—as a focal point to explore the history, mythology, and evolving role of public monuments from antiquity to the present day.
The Baltimore Museum of Art (BMA) has achieved a historic milestone with its exhibition 'Amy Sherald: American Sublime,' which drew 84,000 visitors between October 2025 and March 2026. This figure more than doubled the museum's initial projections and set a new record for the highest attendance of any exhibition at the institution in the 21st century. The show featured 45 large-scale portraits by the Baltimore-born artist, focusing on themes of identity and representation.
The article highlights six local art exhibitions taking place across various Chicago neighborhoods in April, moving beyond the city's major art fair. It details shows in areas like Pilsen, Logan Square, and West Town, featuring a mix of emerging and established artists working in diverse mediums.
The White House has launched a comprehensive internal review of the Smithsonian Institution, targeting eight of its museums including the National Museum of American History, National Museum of African American History and Culture, and the Hirshhorn Museum. A letter signed by senior White House officials Lindsey Halligan, Vince Haley, and Russ Vought demands extensive documentation, curatorial materials, and exhibition schedules within 30-, 75-, and 120-day deadlines, with the stated goal of aligning programming with President Donald Trump's directive to "celebrate American exceptionalism" and remove "divisive or partisan narratives." The review follows Trump's March executive order reshaping the Smithsonian, which had already led to the resignation of National Portrait Gallery director Kim Sajet and the cancellation of artist Amy Sherald's traveling exhibition after the museum allegedly sought to remove her painting of a non-binary transgender person.
Somalia's first-ever national pavilion at the 61st Venice Biennale has sparked controversy, with local cultural organizations accusing organizers of excluding Somalia-based artists. The pavilion, titled SADDEXLEEY, features only diaspora artists—Somali-Swedish painter Ayan Farfah, Somali-Danish poet Asmaa Jama, and Somali-British poet Warsan Shire—while the Somalia Arts Foundation (SAF) and queer collective Warbixinta Cidda have denounced the appointment of Italian co-curator Fabio Scrivanti, citing colonial tensions. SAF founder Sagal Ali and others allege that artists in Somalia were not meaningfully consulted, and that organizers used intimidation tactics against critics. The pavilion's organizers claim it includes Mogadishu-based painter 4C and will host accompanying events, but details remain unconfirmed.
Artist Raque Ford discusses her recent exhibitions, "The Barkeeper’s Friend" at Greene Naftali and "Cry Baby" at Kunstverein Gartenhaus, highlighting her unique approach to language and materiality. Ford utilizes industrial materials like reflective acrylic, Mylar, and thermal printers to transform pop lyrics, overheard speech, and diaristic fragments into physical installations. Her work explores the tension between public performance and private interiority, often using scale to manipulate the viewer's emotional response to text.
Frieze New York 2026 offers a selection of artworks priced under $10,000 in its online Viewing Room, making the fair more accessible to a broader range of collectors. Featured works include Esther Pearl Watson's UFO-themed paintings of rural America and Nobuyoshi Araki's intimate photographs of his cat, among other affordable pieces from various galleries.
A roundup article highlights current and upcoming art and cultural exhibitions across Central Illinois, featuring venues such as the McLean County Museum of History, Krannert Art Museum, Prairie Aviation Museum, Peoria Riverfront Museum, Eaton Studio Gallery, Illinois Art Station, Illinois State Museum, McLean County Arts Center, Main Gallery 404, Abraham Lincoln Presidential Library and Museum, Dickson Mounds Museum, and David Davis Mansion State Historic Site. Specific shows mentioned include "Material Memory" fiber arts show at Brandt Gallery, "Goya's Ghosts" at Armstrong Gallery, "Arts Alive!" auction at Dolan Gallery, "Lincoln: Sight, Sound & Touch" at the Abraham Lincoln Presidential Library and Museum, "Ken Kashian Botanical Photography Exhibit" at IAA Credit Union, and "Kelly Pile Pyrography Pop-up Sale" at Main Gallery 404.
Crystal Bridges Museum of American Art in Bentonville, Arkansas, will host a series of events celebrating the completion of its multiyear expansion, which began in early 2022. The celebration kicks off on May 29 with a conversation featuring founder Alice Walton, chairperson Olivia Walton, and architect Moshe Safdie, moderated by Vanity Fair correspondent Nate Freeman. The 114,000-square-foot expansion brings the museum's total size to 314,000 square feet, adding a café, educational spaces, galleries, studios, and an outdoor plaza. The official public opening on June 6–7 will include dance performances, live music, hands-on art activities, and the debut of two temporary exhibitions: "Keith Haring in 3D" and "Do Ho Suh and Children: Artland."
The Brooklyn Museum will present the North American debut of "Iris van Herpen: Sculpting the Senses" from May 16 to December 6, 2026. The exhibition features over 140 haute couture creations by Dutch fashion designer Iris van Herpen, displayed alongside contemporary art, design objects, and scientific artifacts. It explores her fusion of traditional craftsmanship with cutting-edge technology, sustainability, and themes from nature and science. The show first opened at the Musée des Arts Décoratifs in Paris in 2023 and has traveled to QAGOMA, ArtScience Museum Singapore, and Kunsthal Rotterdam. The Brooklyn presentation coincides with the museum's annual Brooklyn Artists Ball, where Van Herpen will be honored.