The feminist artist collective Slow War Against the Nuclear State (SWANS) presents the exhibition "Atomic Dragons" at Pitzer College Art Galleries. The show features works by seven intergenerational artist-academics, focusing on photography's historical role in developing atomic weapons and the enduring human and environmental costs of nuclear politics.
The Henry Street Settlement, a nonprofit social-service organization on New York's Lower East Side, lost its primary annual fundraiser when the Art Dealers Association of America canceled The Art Show in July 2025. After months of uncertainty, Henry Street has partnered with Independent, the art fair that recently relocated to Pier 36, to host its 37th gala preview on May 14, 2026. The collaboration was brokered by art dealer James Fuentes, a Henry Street board member and longtime Lower East Side gallerist. The gala had raised over $38 million since 1989, and the cancellation left a budget gap that forced the organization to launch a virtual campaign raising only $600,000—half the usual amount—while federal cuts compounded the financial strain.
Blanca de la Torre, director of the Institut Valencià d’Art Modern (IVAM), discusses her concept of the "Museo Anfibio" (Amphibious Museum) in an interview for Artishock Revista's series on Ibero-American museum leaders. She proposes reimagining the museum as a relational institution that mediates between physical and symbolic territories, communities, and ecosystems, structured around two axes: Territories-Earth and Aquatic Environments. The interview is part of a series leading up to International Museum Day, with previous entries including Nicolás Gómez Echeverri of the Banco de la República de Colombia.
Lucrecia Lionti, an Argentine textile artist from Tucumán, is the subject of a feature examining her solo exhibition "Grafismos desterrados" at Sorondo Projects in Barcelona (2026). The article details how Lionti's practice, spanning over fifteen years, merges modern art with craft, using textiles as a political and affective device. It highlights her involvement since 2018 with the feminist collective La Lola Mora – Trabajadoras de las Artes de Tucumán, and her recent exhibition at MALBA titled "Fabril la mirada." The show presents works where language becomes material—woven, knotted, and frayed—featuring illegible marks that blur writing and drawing, evoking loss and exile.
A new exhibition at Raven Row in London is dedicated to the work of American artist Christine Kozlov, a key but often overlooked figure in the early Conceptual Art movement. The show focuses on her contributions from the mid-1960s to the late 1970s, revealing the scope of her activity during this formative period.
Was macht Liebe politisch, Wynnie Mynerva?
Peruvian artist Wynnie Mynerva discusses her exhibition "Volveré y seré millones" at the Société gallery in Berlin, timed to coincide with Gallery Weekend. The artist explores Andean cosmologies, specifically the concept of 'Ayni' or collective reciprocity, as a counter-narrative to Western, capitalist structures of romantic love and individualism. Her work draws from her personal experience as a migrant in Europe and her observations of Berlin’s queer scene, questioning how care and survival function within modern political frameworks.
The Getty Foundation has awarded an additional $1.8 million to its Black Visual Arts Archives initiative, bringing total funding to $4.5 million across 20 awards. The program supports institutions in processing, digitizing, preserving, and activating archival collections related to Black artists and arts organizations in the US. Grantees include Afro Charities, the Auburn Avenue Research Library, Berkeley Art Museum and Pacific Film Archive, Charles H. Wright Museum, Morgan State University, the South Side Community Art Center, the University of Chicago’s South Side Home Movie Project, and the David C. Driskell Center. Notable discoveries include footage of the original Wall of Respect mural from the South Side Home Movie Project.
On 30 April, the Metropolitan Museum of Art announced a $23m pledge from the Rubio Butterfield Foundation, led by newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, to permanently endow the museum's internship program. The internships, offered for nearly 30 years with 100 participants annually, have only been paid since 2021. The article also explores broader trends in museum philanthropy, featuring insights from former directors Gary Vikan, Gary Tinterow, and Maxwell Anderson on how donors are often guided to fund endowments for curatorial positions, operations, or awards rather than art acquisitions.
The United States military has been dropping propaganda leaflets in psychological operations (psyops) for over a century, from World War I through the Gulf War and the wars in Iraq and Afghanistan. A new interactive exhibit at Pioneer Works in Brooklyn, organized by the digital archive group Khajistan, displays hundreds of these leaflets, including those dropped on Japan during World War II and in more recent conflicts. However, declassified internal documents, such as a 1971 US Air Force report, reveal that leaflets were often used as toilet paper, cigarette rolling paper, or souvenirs by enemy soldiers, undermining the official narrative of their effectiveness.
Brendan Fernandes, a Chicago-based visual and performing artist, has created an evolving dance work titled *Score for the Murphy Auditorium* as part of his nearly year-long exhibition *In the Round* at the Driehaus Museum's newly acquired Murphy Auditorium. The piece features seven dancers moving around a 12-sided mirrored bench, with choreography inspired by the 1960s Judson Dance Theater, and includes textile works from the Fabric Workshop and Museum and a sound installation by Alex Inglizian. The auditorium, built in 1926 and designated a Chicago landmark in 2024, underwent renovation after being acquired by the Driehaus Museum in 2022.
Scope Art Show is positioning itself as a site of encounters and experiences rather than purely sales driven during Miami Art Week 2025, with the theme 'Be Here Now.' The fair features a program of musical performances, wellness events, new technology, and hospitality, alongside installations and gallery presentations that invite visitors to focus on the present moment. Highlights include Connor Tingley's 'Nun Series' with Ori Gallery, MCSK's human-A.I. collaborative installation 'Replicatio: States of Collapse' at Pirovino, Desmond Beach's exploration of Black American experience at Richard Beavers Gallery, Yohannes Yamassee's ceremonial installation 'One Turtle Island' curated by Virginia Shore and Leah Kolb, and the returning Blue Floor Project showcasing 20 artists from Fuze Caribbean Art Fair.
American artist Lisa Sanditz presents a suite of nine new works in her solo exhibition “Big Boy” at Huxley-Parlour in London, on view through May 31, 2025. The show, her third with the gallery, explores power dynamics within families and across generations through formal devices such as exaggerated scale, vibrant color, and playful imagery. Key works like "Big Boy/Big Gulp" (2025) and "Big Cat" (2025) use a hierarchy of scale rooted in medieval and ancient art traditions to reflect emotional and psychological tensions, while also commenting on broader societal and political shifts in America amid climate change.
Joe Brainard's work is currently on view at Chris Sharp Gallery in an exhibition documented with 68 images and no videos. The show presents the artist's pieces, though no text descriptions accompany the images on the page.
The Fondazione Donnaregina per le arti contemporanee – museo Madre in Naples presents "Untitled (I love you)," the first retrospective in an Italian museum dedicated to American artist Uri Aran (born Jerusalem, 1977). Curated by museum director Eva Fabbris, the exhibition opens on Thursday, February 12, at 6 pm, with President Angela Tecce and the director in attendance.
The Martha Invitational returns for its second edition on May 29–30, 2026, at RULE Gallery in Marfa, Texas. Originally conceived in 2023 by Marfa-based artists Martha Hughes, Diana Simard, and Leslie Wilkes as a small, self-organized, low-budget exhibition in Hughes' studio, the event expands this year to include a fourth artist, Bettina Landgrebe. The show features works by all four artists, with Hughes presenting selections from her Garden series, Landgrebe showing her Strange Bloom assemblages, Simard offering landscape-inspired paintings and prints, and Wilkes exhibiting geometric paintings. The opening reception takes place Friday evening from 5–7 PM, with artists present both days.
The Cedars Union, a nonprofit arts incubator in Dallas, has opened applications for its sixth cohort of artists. The 18-month program offers affordable studio spaces (64–200 sq ft at $1.60/sq ft), 24/7 access to communal workspaces with woodworking, printing, and textile equipment, plus critiques, workshops, lectures, and exhibitions. The jury includes Emily Budd, Thomas Feulmer, Christina Hahn, Ade Omotosho, and Ahava Silkey-Jones. Applications close June 12, 2026, with the cohort running September 1, 2026 to February 29, 2028.
Mosaic ArtSpace in Long Island City, NY, presents Antonia Papatzanaki: Unseen Brought to Light, a solo exhibition running from May 22 to September 30, 2025. The show features Papatzanaki's stainless steel light sculptures, inspired by microscopic imagery such as cellular formations and plant tissues, creating immersive environments that blend art, science, and technology. The opening reception is on May 22, 5-8 PM.
Harper's Bangkok, a new outpost of the New York-based gallery group founded by Harper Levine, opened in late March 2026 on the ground floor of the Siam Pathumwan House building. Its debut exhibition, 'Lost and Found', is a solo show by American artist Joel Mesler featuring 18 new vibrantly colored works, marking his first presentation in Southeast Asia. The gallery is the first major Western commercial gallery to establish a permanent space in Bangkok, joining a rapidly maturing local art ecosystem.
A roundup of current art exhibitions and calls for work in Taos, New Mexico, highlights shows such as "Nicolai Fechin: Figures, Nature, and Expression" at the Taos Art Museum, "Taos Reimagined: Modernist Experiments in the High Desert," and "Rag Made Quilts" at the Taos Public Library. Other featured venues include 203 Fine Art, Stables Gallery, Revolt Gallery, and the Wheaton Museum of World Artifacts, with openings and deadlines spanning through fall 2026.
Two solo exhibitions by artists Josefina Auslender and Billy Gerard Frank are on view in Woolwich and Portland, Maine, through mid-May. Auslender's "La Chimera de Oro (The Golden Chimera)" at Sarah Bouchard gallery features new ink-on-paper drawings exploring themes of artistic truth and the seductive danger of commercial success, while Frank's show at the Institute of Contemporary Art at Maine College of Art & Design (ICA at MECA&D) addresses the legacy of slavery through multimedia installations.
Memphis is undergoing a significant transformation of its cultural landscape as the city's major art institutions evolve to meet modern community needs. The Memphis Brooks Museum of Art is preparing for a landmark move to a new riverfront location where it will be renamed the Memphis Art Museum, offering 50 percent more gallery space. This expansion follows decades of growth for the city's "big three" institutions—the Brooks, the Dixon Gallery & Gardens, and the Metal Museum—which have anchored the local scene since the mid-1970s.
The William Havu Gallery in Denver is hosting "Sea Change," the 11th solo exhibition by artist Amy Metier. The show features a new body of work consisting of paintings on panel and works on paper that utilize abstraction to reference landscapes, still lifes, and architectural forms. Metier, a seasoned artist with a significant international residency history, continues her long-standing relationship with the gallery through this latest collection.
The National Gallery of Art in Washington, D.C. hosted its popular 'NGA Nights' series, featuring a 'Garden Party' theme that blended paper flower crafting with after-hours gallery access. The upcoming April event, 'United We Create,' shifts focus to the West Building to highlight five centuries of American creativity as part of the 'Celebrating American Art' exhibition and the broader America250 celebrations.
Sixteen artists have been commissioned to create original works for "Forged," a group exhibition at Drummond Studio Gallery honoring the legacy of Philip Simmons. Simmons was a master ironworker and blacksmith whose ornamental gates and balconies are definitive features of Charleston’s architectural landscape. The exhibition, which opens March 6, features local artists including Demetrius Bing, Riivo Kruuk, and Jonathan Green, and aims to highlight the cultural significance of the Simmons home and workshop.
Nashville International Airport (BNA) has launched its Winter/Spring installment of the Flying Solo exhibition series, featuring works by Nashville-based artists Amber Lelli, Kymberlee Stanley, Yanira Vissepó, and David Wilson. The seasonal installation, on display through April 19, 2026, includes mixed media, oil paintings, acrylics, and collages across airport concourses, with Lelli's "Rest in Pieces" on Concourse D and Stanley's "Windows of Wonder" near Gate D2. The exhibition is part of BNA's Arts at the Airport program, established in 1988, which rotates local artists and arts organizations to engage travelers.
Egypt's visual arts scene in 2025 saw significant growth, marked by the opening of new galleries and a surge in diversity of artistic approaches, aesthetics, and techniques, according to Ehab Ellaban, director of the Arts Complex in Zamalek, and artist Samir Abdelghany. The year featured major exhibitions honoring both established masters and emerging talents, including Mohamed Abla's participation in the 4th–7th Generation exhibition at Al Masar Gallery and his solo show In the Glow of the City, Ahmed Shiha's Egyptian Spirit at Picasso East Gallery, Salah Bisar's Glee at Ubuntu Art Gallery, and retrospectives for Esmat Dawestashy, Salah Abdel Kerim, Chafik Charobim, and Inji Efflatoun. Katherine Bakhoum's Between Sea and Sky at Safarkhan Gallery also highlighted the enduring relevance of Egyptian-French artists.
Pittsburgh's visual artists are transforming the city into a sprawling winter carnival throughout December 2025, with a packed calendar of exhibitions and events. Highlights include Sharmistha Ray's three-channel animation "Emergent Realities" at Wood Street Galleries (Dec. 12–July 5, 2026), featuring a commissioned soundtrack by Grammy-winning composer Arooj Aftab; Mary Mazziotti's satirical textile series "Thank You for Your Attention to This Matter" at BE Galleries (Dec. 6–Jan. 31, 2026); and Offroute Art's "Crisis of Empathy // Limit of Empathy" showcasing eight young artists. Wood Street Galleries also partners with Visual AIDS for Day With(out) Art 2025 on Dec. 3, presenting videos exploring drug users and HIV crisis. The month kicks off with holiday markets and arcades, and includes a Neapolitan nativity scene exhibit and an art battle in Sharpsburg.
Llyn Foulkes, the iconoclastic Los Angeles artist known for his defiantly independent and multidisciplinary practice, died on 20 November at age 91. A painter, jazz musician, and provocateur, Foulkes resisted commercial commodification throughout his career, creating work that ranged from Pop Art-inflected paintings to political assemblages incorporating Mickey Mouse imagery. His death was announced by Kent Fine Art, a New York gallery that had published several books on his work.
The 51st Annual Juried UW Student Exhibition is taking place, featuring works selected by juror Lindsay Metivier, a photographer, educator, curator, and gallerist based in Carrboro, North Carolina. Metivier holds degrees from Massachusetts College of Art and Design and UNC Chapel Hill, and has operated Aviary Gallery in Boston and Peel Gallery + Photo Lab in Carrboro.
Art Toronto, Canada’s largest art fair, returns for its 26th edition (23–26 October) at the Metro Toronto Convention Centre with over 100 galleries. It debuts Arte Sur, a new curated section focused on Latin American art, organized by Mexico City-based curator and gallerist Karen Huber. The section features 11 galleries from across the Americas, including first-time participants from New York, Mexico City, Argentina, and Chile, showcasing more than 30 artists primarily from Mexico, Costa Rica, Argentina, Chile, and Peru.