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Artist Maya Lin poses probing questions around New York City during Climate Week

Artist Maya Lin, in collaboration with the non-profit Art 2030, has launched a public art campaign titled "What If?" across New York City during Climate Week (21-28 September). The project features large-scale posters at the United Nations Headquarters Plaza and on JCDecaux-owned bus shelters, posing probing environmental questions and galvanizing answers to inspire curiosity and action. Additional activations include a mural by Amanda Phingbodhipakkiya at the Nest Climate Campus, a caption contest for Tom Toro's New Yorker cartoon at the Climate Museum, and new didactic interventions at the American Museum of Natural History's dioramas highlighting climate change threats.

Ai Weiwei's cat-mouflage takeover of New York City park

Chinese artist and activist Ai Weiwei has unveiled a public art installation titled *Camouflage* at the Franklin D. Roosevelt Four Freedoms State Park on Roosevelt Island, New York City. The installation, which opened on September 10, 2025, drapes the park's memorial to President Roosevelt in fabric patterned with cat silhouettes, reinterpreting military camouflage patterns. It coincides with the 80th session of the United Nations General Assembly, located across the East River. The work marks the launch of Art X Freedom, a new annual public art commissioning program by the Four Freedoms Park Conservancy, aimed at sparking dialogue around social justice. Inside the tent-like structure, LED lights display a Ukrainian proverb, and visitors can attach messages to the netting in collaboration with the artist-run organization For Freedoms.

Euan Uglow monograph offers a fresh perspective through memoirs, papers and contributions

Andrew Lambirth's new book, *The Uglow Papers*, takes an unconventional approach to the monograph on British painter Euan Uglow (1932-2000). Instead of a traditional narrative, Lambirth compiles around 30 personal memoirs, papers, and contributions from friends, students, and colleagues—gathered through interviews, phone calls, emails, and letters. These firsthand accounts, paired with a concise introduction and a glossary of names, offer intimate recollections of Uglow's rigorous studio practice, his teaching methods, and his social life, including details about his Sunday night open houses and shared meals. The book also traces Uglow's artistic development from his studies at Camberwell School of Arts and Crafts and the Slade School of Fine Art, through his mentorship under William Coldstream, to his own distinctive geometric and emotionally charged works like *The Diagonal* (1971-77) and *Pyramid* (1993-96).

Pro-Palestine mural boarded up overnight at University of North Carolina

A pro-Palestine mural at the University of North Carolina (UNC) in Chapel Hill was boarded over overnight on August 17 by university administration without warning to the art department. The mural, created by students and community members in a course taught by artist Hồng-An Trương, had been displayed in the Hanes Art Center lobby for over a year. It features collaged prints in the colors of the Palestinian flag and the text “I told you I loved you and I wanted genocide to stop.” University officials cited the need to remove the artwork after its one-year display period and to repair the wall, but faculty and students have condemned the action as censorship.

Di Rosa Center opens satellite museum in San Francisco with a celebration of Northern California artists.

The di Rosa Center for Contemporary Art has opened a new satellite museum, di Rosa San Francisco, at the Minnesota Street Project. The debut exhibition, 'Far Out: Northern California Art from the di Rosa Collection,' features works by artists including Michele Pred, Enrique Chagoya, Paul Kos, Roy De Forest, Ester Hernandez, and Joan Brown. The show is organized into three sections—Material Worlds; Piracy and Protest; and Tricksters, Scavengers, and Scamps—highlighting how Northern California artists experiment and push against mainstream conventions. The exhibition runs through October 4th.

The Sky High Farm Biennial Cultivates Something Special

The Sky High Farm Biennial, curated by former Downtown art star Dan Colen, opened in a cold storage warehouse in Germantown, N.Y., featuring over 160 works by 50 artists across two floors. The exhibition is loosely themed around humanity's relationship with the natural world, with immersive installations by Anne Imhof (a maze of cider crates) and Rudolf Stingel (a mirrored floor requiring paper booties). Highlights include works by Nan Goldin, Thiago Rocha Pitta, Stephen Lichty, Carrol Dunham, Pia Camil, and Ann Craven. The show balances informal and polished elements, offering a breezy summer experience while serving as a thesis on artist community.

Monarch Alumna to Lead Next Chapter for Art Museum

Alison Byrne, who began as an intern at the Virginia Museum of Contemporary Art (MOCA) in 2000, has been named the museum's executive director as of late September 2024. Over 25 years, she rose through roles including curator of education and deputy director, and was named Museum Art Educator of the Year by the Virginia Art Education Association in 2020. Byrne will lead the museum's relocation in 2026 to a new 35,000-square-foot facility at Virginia Wesleyan University, featuring a 21% increase in gallery space. The inaugural exhibition will showcase works by contemporary artist Nina Chanel Abney.

Cutting and Pasting: The Art of Collage on Display at Beverly Arts Center

The Beverly Arts Center in Chicago is hosting "RE-BOP! (Obstructions & Disruptions)," a group exhibition dedicated to the art of collage. Curated by Paloma Trecka and Todd Bartel, the show features nearly 60 artists from Ireland, Spain, the Netherlands, and across the U.S., including prominent local artist Tony Fitzpatrick, who originally conceived the exhibition. The works range from traditional cut-paper pieces to digital collages, with many exploring themes of improvisation, rhythm, and disruption. The exhibition was organized with help from the Beverly Arts Alliance and the participatory magazine Cut Me Up, which issued an open call that drew 150 submissions.

Capture the Senses: Attraction and Horror in Early Modern Art // Haggerty

The Haggerty Museum at Marquette University will present 'Capture the Senses: Attraction and Horror in Early Modern Art' from August 22 to December 20, 2025. The exhibition draws from the museum's own collection to explore how Early Modern artists combined aesthetic pleasure with terrifying subject matter, featuring works by Albrecht Dürer, Ferdinand Bol, Giovanni Battista Piranesi, and Francesco Solimena. Curated by Kirk Nickel, the show examines themes such as the end times, human sacrifice, imperial decay, and fate, using paintings, prints, and sculpture from Europe and the Americas between the Renaissance and the Industrial Revolution.

Prospect, New Orleans’ international art exhibition, cancels its next big show in 2027

Prospect, New Orleans' international art exhibition, has canceled its next planned show in 2027. The decision was announced by the organization's most recent director, Nick Stillman, who cited the current political climate and cuts to government arts funding as making the financial outlook for the multi-million-dollar event "ominous." Stillman has since left the organization. Instead of mounting another exhibition, Prospect will publish a book titled "20 Years of Prospect" and shift focus to exploring sustainable models for presenting global art discourse while archiving its past work.

Beyond The Mini-Bar: How Hotels Are Reimagining The Modern Art Gallery

Hotels are increasingly transforming their spaces into dynamic platforms for contemporary art, moving beyond generic decor to embed curation into their operational core. The article highlights 21c Museum Hotels, which operates nearly 80,000 square feet of free exhibition space across seven U.S. locations, featuring works by artists such as Xenobia Bailey, María Magdalena Campos-Pons, Natia Lemay, and Xavier Daniels. Chief Curator Alice Gray Stites emphasizes radical accessibility, removing barriers like ticket prices and elitism, and fostering partnerships with institutions like Artadia to support local artists.

Towering ambition: the Swiss artist Not Vital's Alpine playground

Swiss artist Not Vital, known for his multidisciplinary practice and SCARCH hybrids, owns Schloss Tarasp, an 11th-century castle in the Engadin region of Switzerland, which he bought in 2016. The castle is part of a foundation he established that also includes Parkin Sent, a sculpture park he acquired in 1998, and the 17th-century Planta House Ardez. Vital's installations in the park, such as "Punt dals asens (Donkey Bridge)" (2001) and "JOSÜJO (Disappearing House)" (2007), invite visitors to explore nature, while at the castle he installed "House to Watch the Sunset" (2018), a tower-like sculpture that challenges architectural logic.

This NY Art Exhibit Is Inspired by Lana Del Rey

Curator Eden Deering has organized a group exhibition titled “Hope is a dangerous thing” at P·P·O·W Gallery in New York, inspired by the final track of Lana Del Rey’s 2019 album *Norman F-cking Rockwell!*. The show features artists Kyle Dunn, Raque Ford, Paul Kopkau, Diane Severin Nguyen, Kayode Ojo, Marianna Simnett, and Robin F. Williams, who were encouraged to channel their most exaggerated, ambitious, and passionate selves. On view until July 11, the exhibition blends camp humor with emotive paintings, installations, and videos, exploring themes of vulnerability, performance, and the tension between genuine emotion and theatrical self-invention.

‘A dialogue about rationality and irrationality’: Ai Weiwei to present new installation in Ukraine

Chinese artist and activist Ai Weiwei will unveil a major new commission in Kyiv, Ukraine, this autumn. The installation, titled "Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White," is a site-specific response to global armed conflicts, housed in Pavilion 13, a renovated Soviet-era exposition hall. The work features three large spheres covered in camouflage uniforms painted white, inspired by Leonardo da Vinci's illustrations, and incorporates patterns based on rescued cats. The project is commissioned by RIBBON International and supported by the Pavilion of Culture.

This Historic Art Museum In Seattle Now Has Free Admission For All

Seattle's Henry Art Gallery, located on the University of Washington campus, has permanently waived its admission fee, making entry free for all visitors at any time. Previously, tickets cost between $6 and $10, with free admission limited to the first Thursday of each month and certain groups such as students, children, and military personnel. The museum, which opened in 1927 as Washington state's first public art museum, now spans 40,000 square feet and includes galleries, a cafe, a 154-seat auditorium, and the James Turrell Skyspace installation.

Eric Cantona and Ella Toone help meld football and art for Manchester festival

The Manchester International Festival presents "Football City, Art United," an exhibition that pairs 11 footballers with contemporary artists to create collaborative artworks. Highlights include a tunnel installation by artist Paul Pfeiffer and former Dutch footballer Edgar Davids, recreating pre-match tension; a piece by Eric Cantona and artist Ryan Gander exploring fame; and an interactive work by artist collective Keiken with England star Ella Toone. The exhibition is co-curated by Serpentine artistic director Hans Ulrich Obrist, Josh Willdigg, and former Manchester United midfielder Juan Mata, and takes place at Aviva Studios in Manchester.

'Black Gold: Stories Untold' art exhibit reclaims forgotten histories of Black Californians at Fort Point

A new immersive art exhibition titled 'Black Gold: Stories Untold' opens at Fort Point in San Francisco, featuring 25 commissioned works by 17 artists that uncover the overlooked histories of Black Californians from the Gold Rush through Reconstruction. Curated by FOR-SITE, a nonprofit focused on art and place, the exhibition transforms the Civil War-era military fort into a multi-sensory space with beaded portraits, video installations, sculptures, and a tent installation by artist Umar Rashid. Works include Cheryl Derricotte's tribute to Mary Ellen Pleasant, a formerly enslaved woman who became a wealthy abolitionist.

'So Happy You Came' new paintings by Diana Young

Diana Young, a nearly 90-year-old artist who has been painting for over 80 years, presents her new exhibition "So Happy You Came" at Gold/Smith Gallery in Boothbay Harbor, Maine, from June 18 to July 21. The show features her latest works in acrylic and tempera, which emphasize motion, line, and dynamic interlocking shapes rather than realism, inspired by outdoor locations and her profound sense of place. A reception will be held on June 21.

Taylor Swift's former neighbour pleads guilty to selling fake Basquiat, Warhol and Picasso works

Carter Reese, a 77-year-old Pennsylvania man and former neighbor of Taylor Swift, has pleaded guilty to wire fraud and mail fraud for selling forged artworks by Francis Bacon, Keith Haring, Jean Cocteau, Andy Warhol, Roy Lichtenstein, Pablo Picasso, and Jean-Michel Basquiat between February 2019 and March 2021. Reese misled buyers with false affidavits and signatures, claiming the forgeries came directly from the artists or from a deceased collector and a supplier using the alias "Ken James," who was later convicted of selling counterfeit art. Reese faces up to 40 years in prison, with sentencing set for September 12.

Italian art convinces, international art surprises

Sotheby's and Il Ponte held Modern and Contemporary art auctions in Milan at the end of May, achieving strong results for Italian 20th-century icons and international art. Sotheby's sale on 28 May featured 93 lots, 80 of which were auction debuts, and closed at approximately €11.4 million with a 90% sell-through rate. Top lots included Lucio Fontana's 'Concetto Spaziale, Attese' (1968), which sold for €1.56 million, and works by Giorgio de Chirico, Emilio Vedova, and Alighiero Boetti that far exceeded their high estimates. International highlights included Robert Indiana's 'Decade Autoportrait' selling for €245,000 and Willis Baumeister's 'Moby Dick' setting a record for the artist in Italy.

Annual art exhibit by incarcerated community raises $18K for scholarship

An annual art exhibition featuring works by incarcerated individuals in Arizona sold 200 pieces on May 16, raising over $18,000 for a scholarship at Arizona State University. The show, titled "{Ink}arcerated: Creativity within Confinement," displayed more than 400 artworks and drew approximately 600 visitors to a vacant retail space at the Arizona Center in downtown Phoenix. Organized by ASU criminology professor Kevin Wright, the event has raised a cumulative total of more than $70,000 since its launch in 2017, with this year's proceeds marking the largest single-show amount to date. A second public sale is scheduled for June 6 during Phoenix's First Fridays art walk.

Boston Public Art Triennial launches with more than a dozen projects across the city

The inaugural Boston Public Art Triennial launches on 22 May, bringing over a dozen site-specific installations, performances, and community-led activities to public spaces and cultural institutions across Boston through October. With a projected cost of $8 million, the free event features newly commissioned works by artists including Stephen Hamilton, Swoon, Nicholas Galanin, Beatriz Cortez, and Ekene Ijeoma, exploring themes such as Indigenous experience, trauma and healing, social justice, and humanity's relationship with nature.

Failed auction of $70M bronze bust stuns Sotheby’s bidders into silence

Sotheby's high-stakes Modern evening sale on Tuesday night ended in shock when Alberto Giacometti's bronze bust "Grand tête mince (Grand tête de Diego)," estimated at $70 million, failed to sell. Bidding stalled at $64.25 million, well below the reserve, and auctioneer Oliver Barker withdrew the lot. The consignment came from the Soloviev Foundation, the nonprofit arm of the late real estate mogul Sheldon Solow, who had declined an auction guarantee. The sale ultimately brought in only $152 million, far short of the $240 million low estimate, with the Giacometti representing nearly 30% of that target.

CCA Wattis Institute for Contemporary Arts announces touring exhibition Viaje a la luna (A trip to the moon)

CCA Wattis Institute for Contemporary Arts in San Francisco has announced a touring exhibition titled "Viaje a la luna (A trip to the moon)," inspired by the only screenplay ever written by Spanish poet Federico García Lorca. Curated by Diego Villalobos and Rodrigo Ortiz Monasterio, the exhibition runs from June 12 to October 11, 2025, before traveling to Centro Federico García Lorca in Granada starting October 30. It features historic and contemporary works that reconstruct Lorca's lost 1932 film, which was halted after his murder and later destroyed in a studio fire, leaving only a script and photographs.

How Javier Milei’s war on history is threatening art spaces in Argentina

Argentina's President Javier Milei has escalated his campaign to rewrite the history of the country's 1976-1983 dictatorship by closing art and human-rights spaces on the grounds of the ESMA Museum and Site of Memory in Buenos Aires, a former clandestine prison turned memorial and UNESCO World Heritage Site. In January, the Haroldo Conti Cultural Centre was shuttered for 'internal restructuring,' with 50 of its 87 employees fired; in early April, the government halted operations at Espacio Memoria, suspending salary payments and funding pending an audit. Both centres are public institutions managed by the Human Rights Secretariat, which has undergone mass layoffs and changes under Milei's administration.

Record-breaking female Surrealists spice up underwhelming Christie’s New York sales

Christie’s New York spring sales brought in a combined $489 million across two evening auctions, including the Leonard and Louise Riggio collection ($272 million) and a 20th-century evening sale ($216 million). While sell-through rates were high at 94%, bidding was shallow and several high-profile lots underperformed: a Mondrian estimated at $50 million sold for $47.6 million, a Magritte from the Empire of Light series matched its 2023 price at $34.9 million, and a Lucio Fontana canvas that sold for $14 million in 2017 fetched just $7.5 million. Andy Warhol’s Big Electric Chair was withdrawn last minute amid a reported $10 million gap between seller and buyer expectations. The sales were bolstered by third-party guarantees and came hours after news of a temporary US-China tariff détente.

“Living Archive” Converge+Vertex: Traversing the Minor Gesture of Timeliness concludes exhibition at Barrett Art Gallery

Barrett Art Gallery at Santa Monica College held a closing reception for "Converge+Vertex: Traversing the Minor Gesture of Timeliness" on May 6, featuring DJ sets by artist Leah King, dinner from Alta Adams, and works by Black artists from Los Angeles. Curator Cole James described the exhibition as a "living archive" exploring positive Black representation in a post-racial environment. The show, which had been delayed after a shooting at SMC's media campus, marked the first gallery display for artist Cassidy Everage, recipient of the Otis College Charles White scholarship.

A new ‘anti-biography’ rips apart the myth of Leonardo as a solitary genius

Stephen J. Campbell, a professor of art history at Johns Hopkins University, has published a new book titled *Leonardo da Vinci: An Untraceable Life*, which he frames as an "anti-biography." The book aims to dismantle the mythology surrounding Leonardo da Vinci, arguing that the fragmentary archival record has led to speculative and often outlandish theories that portray him as a solitary genius ahead of his time. Campbell repositions Leonardo within the artistic and intellectual context of late 15th- and early 16th-century Europe, critiquing how media, the art market, and popular culture have commercialized his legacy.

Young Artists Take the Spotlight at the Iris Gallery @ SOPAC

The South Orange Performing Arts Center (SOPAC) in New Jersey announced the return of the INSPIRED MINDS: Young Artist Exhibition, showcasing visual art by high school students from Essex County. The exhibition runs from May 15 to August 17, 2025, in the Herb + Milly Iris Gallery, with an opening reception on May 15. Over 1,000 submissions were received, with a jury selecting about 80 pieces. The opening will also feature the third annual Paul Bartick Emerging Artist Award, presented to Obenewaa Frimpomaa, a senior at Millburn High School recognized for her work on identity and empowerment.

Exploring Memory, Material, and Movement: Highlights From Third Week of Senior Art Studio Thesis Exhibition

The third week of the University's 2025 art studio senior thesis exhibitions opened on April 9, 2025, at the Ezra and Cecile Zilkha Gallery, featuring works by eight seniors: Kerri Bel, Beatrice Campomori Garuti, Olivia Gomez, Vicky Gong, Will Hardison, Aleah Hurwitz, Ava Liberace, and Alp Yücel. The exhibition spans diverse mediums and themes, including Vicky Gong's "Ether," which explores technology, intimacy, and alienation through material and affect; Will Hardison's "The Sand Remembers the Waves," a monotype series about memory and landscape; and Alp Yücel's "Obstructed View," a sculptural installation that challenges visual perception and physical movement through the gallery space.