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mohamed hamidi moroccan modernist painter obituary

Moroccan modernist painter Mohamed Hamidi has died at the age of 84, as announced by the Barjeel Art Foundation in Sharjah. Born in Casablanca in 1941, Hamidi studied at the School of Fine Arts of Casablanca and later at the École Nationale Supérieure des Beaux-Arts de Paris. A founding father of Moroccan modern art, he returned to Morocco in 1967 and taught at the Casablanca School, helping to democratize its curriculum. He participated in the landmark 1969 exhibition “Manifesto” in Marrakech and founded the Moroccan Association of Plastic Arts in 1972. His abstract, erotic paintings incorporated traditional Maghreb motifs and geometric shapes.

taylor swift fate of ophelia painting john everett millais

Taylor Swift's new album 'The Life of a Showgirl' includes a song titled 'The Fate of Ophelia,' which references the tragic character from Shakespeare's 'Hamlet.' The article draws a parallel between Swift's song and John Everett Millais's Pre-Raphaelite painting 'Ophelia' (1851–52), which depicts the character before her death. The Tate, which owns the painting, posted about the work to discuss the death of its model, Elizabeth Siddal, in 1862. Swift's album cover, showing her floating in water, has been compared to the Millais painting, but the song reimagines Ophelia's narrative with a happy ending tied to her relationship with Travis Kelce.

glenn lowry middle east podcast interview

Glenn Lowry, who stepped down last month after 30 years as director of the Museum of Modern Art, has given a wide-ranging interview on the podcast *The Art World: What If…?!* with Charlotte Burns. He discusses the Trump administration’s threats to museums’ tax-exempt status, his upcoming advisory roles for the Islamic Arts Biennale in Jeddah and the Kiran Nadar Museum of Art in Delhi, a prospective leadership campaign for Alice Walton’s Art Bridges Foundation, and a series of talks at the Louvre titled “I Want a Museum. I Need a Museum. I Imagine a Museum.”

marina xenofontos cyprus pavilion 2026 venice biennale

Athens-based artist Marina Xenofontos has been selected to represent Cyprus at the 2026 Venice Biennale with a pavilion titled “It rests to the bones.” Curated by Kyle Dancewicz, deputy director of SculptureCenter in New York, the exhibition will be housed at the Associazione Culturale Spiazzi near the Arsenale. Xenofontos, born in Limassol in 1988, works across sculpture, kinetic objects, and film, often exploring Cyprus’s history and British colonial legacy. Her proposal was chosen from 21 submissions via an open call organized by Cyprus’s Department of Contemporary Culture, with a five-person advisory committee praising its engagement with Cypriot micro-histories and global issues.

martin beck environments art

Martin Beck has created a new body of artwork inspired by the *Environments* series of LPs, which debuted in 1969 and featured long-duration nature sounds and aural abstractions. The works are on view at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, through October 5, and include wall works, video, and an exhibition design that explores how the records were marketed as lifestyle accessories and productivity aids. Beck first encountered the series through a friend's lecture at Columbia University and became fascinated by its blend of utopian vision and commercial hype.

thomas kinkade foundation responds dhs morning pledge post

The Thomas Kinkade Family Foundation has publicly condemned the Department of Homeland Security (DHS) for using Kinkade's painting *Morning Pledge* in a July 1 social media post on X that included the phrase “Protect the Homeland.” The foundation stated it did not authorize the use of the artwork and that the post promotes division and xenophobia, which is antithetical to its mission. It has requested the post's removal and is consulting legal counsel. This follows similar complaints from artist Morgan Weistling, whose painting *New Life in A New Land* was used by DHS without permission, and criticism over DHS's use of John Gast's *American Progress* (1872), owned by the Autry Museum of the American West.

is spains sistine chapel of romanesque art at risk

The Spanish Supreme Court has ordered the return of the Sijena Murals, 12th-century Romanesque frescoes known as the "Sistine Chapel of Romanesque Art," from the National Art Museum of Catalonia (MNAC) in Barcelona to their original monastery in Huesca, Aragon, by June 25. However, the MNAC is resisting the move, arguing that transporting the fragile, fire-damaged murals poses a "real risk of irreparable damage." The museum has requested more information about the destination and conditions at the Sijena monastery, and has suggested a longer timeline for the return of particularly delicate sections, while the Sijena City Council has proposed installing the works elsewhere if necessary.

100 massive elephant sculptures beverly hills

The Great Elephant Migration, a public art project featuring 100 life-size elephant sculptures, has concluded its cross-country journey in Beverly Hills, California. The sculptures, crafted by Indigenous artisans of the Coexistence Collective in India from the invasive lantana camara weed, represent real elephants from the Nilgiri Biosphere Reserve and the Sheldrick Wildlife Trust. The herd traveled 5,000 miles via electric trucks, making stops in Newport, New York, Miami, Houston, Jackson Hole, and Montana, before arriving at Beverly Gardens Park. The artworks are for sale, with prices ranging from $8,000 to $22,000, and sales have exceeded $3 million, with proceeds supporting 22 conservation NGOs.

raphael rooms restoration discovery

The Vatican Museums have completed the decade-long restoration of the Hall of Constantine, one of the Raphael Rooms, revealing that Renaissance master Raphael himself painted two figures—Justice and Friendship—in the hall, contrary to the long-held belief that the entire room was executed solely by his assistants after his death. Conservators identified Raphael's hand by his distinctive oil-on-resin technique, which differed from the traditional fresco methods used by his assistants Giulio Romano, Gianfrancesco Penni, and Raffaellino del Colle. The discovery was made during a meticulous restoration that began in March 2015 and finished in December 2024.

nagakin capsule tower moma

The Museum of Modern Art (MoMA) in New York has acquired and put on display a capsule from the demolished Nagakin Capsule Tower in Tokyo. The capsule, designated A1305, is the centerpiece of a year-long exhibition titled "The Many Lives of the Nakagin Capsule Tower," which also includes archival materials such as photographs, models, films, and recordings. The tower, designed by Kisho Kurokawa and completed in 1972, was a landmark of the Metabolism movement, featuring 140 prefabricated modules. After years of decline, it was demolished in 2022, but 23 capsules were salvaged, with 16 finding homes in institutions including MoMA.

posthumous kaari upson retrospective copehnagen louisiana museum denmark

Kaari Upson's posthumous retrospective "Dollhouse" has opened at the Louisiana Museum in Copenhagen, Denmark. The exhibition features works such as "Trespass" (2012), a simulated chain-link fence coated in flesh-toned acrylic, and "The Grotto" (2008-09), a faux-rock formation with water features and video projections of sex-doll-like figures. The show explores themes of voyeurism, transgression, and the blurring of public and private boundaries, drawing from Upson's acclaimed "Larry Project" (2005-12), which involved breaking into a neighbor's abandoned home.

my wifes lovers cat painting

Carl Kahler's 1891 painting *My Wife's Lovers*, a monumental portrait of 42 cats commissioned by San Francisco millionaire Kate Birdsall Johnson, has resurfaced in popularity thanks to social media and a record-breaking sale at Sotheby's in 2016, where it fetched $826,000—more than double its high estimate. The article details Kahler's background as a horse-racing painter from Austria, his three-year stay at Johnson's Buena Vista Castle sketching her feline menagerie, and the painting's debut at the 1893 Chicago World's Fair. Johnson, an eccentric art collector and philanthropist, owned hundreds of cats and named the work after her late husband's nickname for them.

khaled sabsabi reinstatement

Artist Khaled Sabsabi and curator Michael Dagostino have been reinstated to lead Australia’s pavilion at the 61st Venice Biennale, following an independent review of Creative Australia’s decision to drop them in February 2025. The initial removal came after right-wing politicians raised allegations of antisemitism against Sabsabi, whose work often addresses Islamophobia and Arab identity, particularly his 2007 video "You" featuring Hezbollah leader Hassan Nasrallah. The reversal follows resignations, boycotts, and widespread protests from the Australian arts community.

work of the week emily kam kngwarray

Artnet News's "Work of the Week" highlights Emily Kam Kngwarray's painting *Desert Storm* (1992), currently on view at Pace London as part of the exhibition "My Country." Painted midway through her career, the work marks a stylistic shift from intricate dotting to broader strokes and expansive color fields. The piece is priced between $1 million and $1.5 million, aligning with the artist's auction record of $1.3 million (AUD $2.1 million) for *Earth's Creation I* (1994), sold at Cooee Art Gallery in 2017. The exhibition is organized with D'Lan Contemporary, which has branches in New York, Melbourne, and Sydney, and 10 percent of proceeds will support the Utopia community, in addition to the Artist Resale Right returned to Kngwarray's estate.

fbi recovers paintings university new mexico harwood museum art

The FBI has recovered two paintings stolen 40 years ago from the University of New Mexico's Harwood Museum of Art in Taos. Victor Higgins's oil painting *Aspens* (c. 1932) and Joseph Henry Sharp's portrait *Oklahoma Cheyenne aka Indian Boy in Full Dress* (c. 1915) were taken in March 1985, when the building housed a public library with a museum on the second floor. The recovery was triggered by a late 2023 tip from investigative reporter Lou Schachter to museum executive director Juniper Leherissey, who then led an Art Recovery Task Force. The paintings had been sold in 2018 by the Scottsdale Auction House under altered titles, and were located, recovered, and returned to the museum on May 12, 2025, with a public unveiling on June 6.

artemisia gentileschi rediscovered works paris

A new exhibition in Paris, "Artemisia Gentileschi: Heroine of Art," at the Musée Jacquemart-André, presents around 40 paintings by the Italian Baroque painter, including four recently rediscovered works. Curator Patrizia Cavazzini deliberately shifts focus away from Gentileschi's rape and trial, instead highlighting her artistic development and achievements. Among the rediscovered pieces are "Virgin of the Annunciation" (c. 1609-10), one of her earliest known works, and a signed portrait of a Knight of the Order of Saint Stephen (c. 1619-20), previously misattributed to Justus Sustermans.

rachel ruyschs still lifes dutch toledo pinakothek munich mfa boston

The Toledo Museum of Art has opened the first major exhibition dedicated to Dutch Golden Age painter Rachel Ruysch, organized with the Alte Pinakothek in Munich and traveling next to the Museum of Fine Arts, Boston. The show features Ruysch's vibrant still lifes of fruits and flowers, often animated by insects, and places her work alongside that of her sister Anna Ruysch and other female scientific illustrators like Maria Sibylla Merian. Curator Robert Schindler's rediscovery of Anna Ruysch's work helped inspire the exhibition, which also draws on botanical research to catalog the global plant species Ruysch depicted, reflecting colonial trade networks.

severance dieter rams braun vitsoe

The article examines the use of two iconic minimalist designs—the Vitsœ 620 chair and a Braun wall-mounted hi-fi system—in the Apple TV+ series *Severance*. Both objects were designed by German industrial designer Dieter Rams in the 1960s and appear in the show's dystopian corporate setting, specifically in the lower levels of Lumon Industries where experimental subject Gemma undergoes tests. The production team intentionally selected these pieces to convey themes of power, control, and commerce.

uk museums defend corporate funding

A group of officials overseeing major UK cultural institutions, including the British Museum, the Victoria and Albert Museum, and the National Gallery, have signed a public letter defending corporate sponsorship. Published in the Financial Times, the letter calls for an end to "relentless negativity" around private sector partnerships and is backed by ten organizations, including the Science Museum Group. It follows protests over Baillie Gifford's sponsorship of literary festivals due to its ties to fossil fuels and Israel, which led nine festivals to end partnerships in 2023.

japanese sculptor kunimasa aoki wins 2025 loewe craft prize

Japanese sculptor Kunimasa Aoki won the 2025 Loewe Craft Prize on Thursday evening in Madrid, receiving a €50,000 cash prize. His anamorphic terracotta sculpture “Realm of Living Things 19” was selected by a 12-member jury from 30 shortlisted works on display at the Thyssen-Bornemisza National Museum. The jury praised the work's honest expression of the ancestral coil process and the raw, unfinished form of the material. Two special mentions were awarded: Nigerian artist Nifemi Marcus-Bello for “TM Bench with Bowl” and Studio Sumakshi Singh from India for “Monument.”

frieze seoul 2025 exhibitor list

Frieze Seoul 2025 will bring together 120 galleries from over 30 countries for its fourth edition, running September 4–6 at the COEX convention center with a preview day on September 3. The fair coincides with Kiaf Seoul and is split into three sections: the main Galleries section (90 exhibitors), Focus Asia (10 solo presentations of emerging artists), and Frieze Masters (20 booths covering works from the Middle Ages to the 20th century). Blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, and David Zwirner, alongside leading Korean galleries such as Gallery Hyundai and Kukje Gallery. Five galleries have graduated from Focus Asia to the main section, and 20 first-time participants join the main section.

art basel paris 2025 exhibitor list

Art Basel Paris has announced the 203 galleries participating in its 2025 edition, set to take place at the Grand Palais from October 24–26, with VIP previews on October 22–23. The fair is divided into three sections: the main Galeries section with 177 dealers, Emergence featuring 16 solo booths for emerging artists, and Premise with nine presentations from 10 galleries challenging the art historical canon. Notable blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, David Zwirner, and top Parisian galleries such as Balice Hertling, Galerie Chantal Crousel, and Mennour. The fair will also bring back its Oh La La! Initiative and public art exhibition in the Jardin des Tuileries.

op ed museums gender and pay

The article examines how gender pay disparities and the fear of a "pink-collar" profession persist in the art museum world, triggered by comments from Meta CEO Mark Zuckerberg about "masculine energy" in the workplace. It recounts a 2020 forum where National Gallery of Art director Kaywin Feldman expressed concern that art museums becoming predominantly female could lower salaries, a remark initially seen as sexist but later contextualized by the author's investigation into the origins of such fears. The author traces the concept to a 2016 New York Times article citing research on how female-dominated fields see pay drops, and explores how even progressive leaders like Feldman can inadvertently perpetuate gender bias.

artificial intelligence robot painting

Artist Gretta Louw reflects on her year-long residency with the e-David robotic painting lab at the University of Konstanz, part of the Embodied Agents of Contemporary Visual Arts (EACVA) research group. She describes how the public conversation around AI and robotics in art is inflated and imprecise, noting that terms like "AI painting" are often misapplied to digital outputs rather than physical, materially executed works. Louw details the limitations of robotic painting, including the inability of robots to perform basic tasks like stretching canvases or mixing paints, and argues that much of what is presented as robotic painting is actually pre-programmed performance art.

louise bonnet swiss institute site santa fe

Louise Bonnet, a Los Angeles-based painter known for her cartoonish yet sophisticated depictions of the female nude, discusses her latest work ahead of two major exhibitions. Her two-person show with Elizabeth King, titled "De Anima," opens at the Swiss Institute in New York, focusing on shared approaches to figuration that balance objecthood and liveliness. Bonnet also created a new series for the next edition of the SITE Santa Fe International biennial, opening in June. In an interview with ARTnews editor Emily Watlington, Bonnet explains her shift to tighter cropped compositions emphasizing routine gestures like tying shoelaces or fastening bras, inspired by World War II British spies and films like Rosemary's Baby.

protesters crash koch plaza opening at the met

The Metropolitan Museum of Art unveiled its new $65 million David H. Koch Plaza on Tuesday, featuring two 48-jet granite fountains, 106 newly planted trees, and shaded seating areas. The dedication ceremony included remarks from Met director Thomas Campbell, outgoing president Emily Rafferty, and trustee David Koch, who funded the project. However, the opening was disrupted by protesters criticizing Koch's climate change denial, leading to police clearing the plaza.

marsha p johnson biography art tourmaline tiny reparations

This excerpt from Tourmaline's forthcoming book "Marsha: the Joy and Defiance of Marsha P. Johnson" (Tiny Reparations, May 20) focuses on Marsha P. Johnson's use of hand-sewn banners and textile art as tools of activism and joy within the gay liberation movement. It describes her creation of banners reading "GAY POOOR PEOPLE" and "Gay Love," the latter borrowed by the Hot Peaches theater troupe, and her broader artistic practice spanning acting, performance, fashion, and songwriting. The text also notes artist Tuesday Smilie's 2018 recreation of Johnson's STAR banner for an exhibit at the Rose Art Museum.

bennett prize after deliberation first all women jury winner announced

Amy Werntz, a Dallas-based figurative painter, has won the fifth Bennett Prize, the largest art award for women working in figurative painting. The announcement was made at the Muskegon Museum of Art in Michigan, where an exhibition of finalists opened. Werntz, a previous finalist in 2021, received $50,000 and a solo show for her lifelike depictions of elderly people in everyday scenes. For the first time, the winner was chosen by an all-female jury, which included painter Margaret Bowland, artist Angela Fraleigh, and curator Gloria Groom. The runner-up, Nicole Santiago, won $10,000. The traveling exhibition will visit several museums across the United States through 2027.

hilmas ghost feminist witch collective

At the Armory Show in New York, psychic medium Sarah Potter is offering tarot card readings at the booth of Chicago's Carrie Secrist Gallery using a deck designed by the feminist art collective Hilma's Ghost. The collective, formed during lockdown by abstract artists Dannielle Tegeder and Sharmistha Ray, created "Abstract Futures Tarot," a series of 78 gouache, ink, and colored pencil paintings inspired by pioneering abstractionist Hilma af Klint and the Rider–Waite tarot deck by Pamela Colman Smith. The works, priced at $4,000 each, are the result of 500 hours of collaborative painting, and the deck is also sold in a limited edition of 300, with 215 already sold.

diller scofidio and renfro venice canal water coffee wins golden lion

Diller Scofidio and Renfro (DS+R) has won a Golden Lion at the 2025 Venice Architecture Biennale for "Canal Café," a project that brews espresso using water filtered from the Venetian lagoon. The installation, part of the biennale's exhibition "Intelligens. Natural. Artificial. Collective," uses a combination of biological filtration by salt-tolerant halophytes and artificial methods like reverse osmosis to purify the polluted canal water. Michelin-starred chef Davide Oldani selected the coffee blend, and the espresso is sold for €1.20. Originally conceived for the 2008 biennale but delayed due to permit issues, the project was realized with improved filtration technology and support from engineering firms Natural Systems Utilities and SODAI, as well as Webuild.