A group of Louisiana artists from Orleans Gallery on Julia Street in New Orleans is preparing to travel to the Venice Biennale, the world's oldest, largest, and most prestigious art exhibition, which has been held since 1895. The artists, led by coach Cayman Clevenger, will show their work at the Biennale from May through November, marking a major milestone for the gallery, which has been open for less than a year.
The Spruill Center for the Arts is expanding its footprint by converting the former Chamblee City Hall into a new creative hub called Spruill Studios. Scheduled to open in June 2026, the 6,796-square-foot facility will house 15 affordable artist studios and a dedicated exhibition space. The project is the result of a strategic partnership with the City of Chamblee, which is leasing the 2002 building to the nonprofit for just $1 per year.
The Fort Smith Museum of History will open two new exhibitions on May 15. 'The Art of the Brick' features large-scale sculptures by contemporary artist Nathan Sawaya, built entirely from LEGO bricks, while 'The Art of Native American Basketry' showcases a collection of woven baskets from regional tribes.
ShanghART Singapore presents 'Simplified', a solo exhibition by Chinese artist Tang Maohong opening on 16 May 2026. The show features paintings developed over the past two years since his relocation to Kuala Lumpur, Malaysia, and marks his return to Singapore after a 2019 solo exhibition and twenty years since his participation in the first Singapore Biennale. Tang's new works explore a technique of mixing colors directly on the painting surface rather than using a palette, collapsing the image and the palette into a single pictorial space.
The Trapezium Art Gallery in Bradford city centre, a volunteer-run space that has hosted over 70 exhibitions by local artists and community groups over the past eight years, is being forced to close due to the redevelopment of the Kirkgate Shopping Centre site. Its final exhibition celebrates the volunteers who kept the gallery thriving, showcasing a diverse range of artwork including printmaking, painting, digital art, photography, collages, and textiles, and runs until May 30.
The New Media Gallery in New Westminster’s Anvil Centre, which operated from 2014 to 2024 showcasing technology-based art, is set to be refreshed and reopened after being paused following the departure of director-curators Sarah Joyce and Gordon Duggan. A 10-year review of the Anvil Centre identified the gallery as a key cultural asset, and city council approved recruitment for a new single director-curator position to lead the renewal, with an annual budget of about $650,000 for the gallery and adjacent Art & Technology LAB.
Syrian visual artist Ismail Nasra has opened a new exhibition at Zawaya Art Gallery in Damascus, featuring 28 medium- and large-scale works that mark a departure from his earlier dense, colorful style. The paintings, created over three years on aged and weathered fabrics, employ muted palettes, abstraction, and negative space to explore themes of silence, absence, and emotional solitude. Solitary female figures and recurring bird motifs—symbols of freedom and escape—dominate the compositions, with the natural textures and cracks of the fabric becoming integral to the artwork.
Yelena Popova's solo exhibition 'Moments of Grace' opens at Osnova gallery's new space in Valencia, Spain, marking a decade of collaboration between the artist and the gallery. The show brings together works from several of Popova's major series, including 'Painting Installations' (2012-2017), 'Evaporating Paintings', 'Post-Petrochemical Paintings', and three jacquard-woven tapestries, tracing her practice over the past fifteen years. Popova approaches each project as part of an interconnected body of work, comparing her logic to garden cultivation—a layered, cyclical process. Her cross-disciplinary research focuses on the material conditions of painting, exploring temporal transformations like evaporation, oxidation, and decay, as well as the dynamics between image, surface, and space.
The African Diaspora Art Museum of Atlanta (ADAMA) has opened a new exhibition revisiting W.E.B. Du Bois' groundbreaking "Exhibit of American Negroes" from the 1900 Paris World's Fair. Developed in partnership with The Atlanta Journal-Constitution (AJC), the show builds on a Black History Month project by reporter Mirtha Donastorg and photographer Natrice Miller, who revisited Du Bois' original data and photographs. The exhibition features contemporary portraits of Black Atlantans alongside historical images, asking what has changed and what has endured in Black American life over the past century.
A solo exhibition titled "Beyond Imagination" by Canadian artist Jack Lockhart is on view at the Alex Dufresne Art Gallery in Callander. The show features roughly 35 paintings spanning 60 years of Lockhart's career, highlighting his evolution from traditional watercolour, acrylic, and oil painting to innovative 3D works created using ChromaDepth glasses.
Trapezium Gallery, a volunteer-run art space in Bradford city centre, is closing on June 18 after nearly eight years. Its closure is a direct result of the redevelopment of the Kirkgate Shopping Centre, where it has occupied three different shop units since its founding in 2018.
Artist Michael Twery is set to open Art Life, a new hybrid gallery and retail space located at 2912 Old Forest Road in Lynchburg. The grand opening is scheduled for April 19, 2026, featuring a diverse collection that spans fine art, handmade crafts, and unique collectibles.
The Contemporary Art Museum of Indianapolis (CAMi) is set to open its doors from May 1-3 in a renovated 125-year-old dairy barn in Garfield Park. Managed by the Big Car Collaborative, the 40,000-square-foot facility features six exhibition spaces, 18 artist studios, and various community hubs including a cafe and storefronts for local creative businesses. The opening weekend will feature the main exhibition “Campo de Resonancia” by Puerto Rican painter Ivelisse Jiménez, alongside sound installations and experimental documentaries.
The Cassino Art Gallery is launching a new exhibition titled "Country Life," featuring over 140 artworks that explore rural existence in New South Wales. Scheduled to coincide with the region's Beef Week celebrations, the show includes a diverse range of entries from local artists and a significant contribution from students through the Youth Creative Project.
Stained glass artists Kurt and Lorraine Wendling have officially opened The Gallery on Gambier in downtown Mount Vernon, Ohio. The new creative hub serves as the permanent home for their business, Wendling Glass Creations, while also showcasing the work of approximately 20 other artists specializing in mediums ranging from photography to oil painting. The space is designed as a multi-functional venue, incorporating a retail gallery, a custom framing center, and a dedicated classroom for art instruction.
Boholano mixed-media artist Joseph “Jjawzip” Ingking has launched his debut physical solo exhibition, “April’s Fool,” at Dajon Art Studio & Gallery in Baclayon, Bohol. The showcase features a series of paired paintings and toy sculptures that explore the recurring character "Energy Kid," a figure shaped by the artist’s personal history. Utilizing vibrant colors and recycled materials, the works—such as “Fragile Freedom” and “Radiance Reimagined”—blend fantasy with social commentary on themes ranging from the fragility of peace to the vitality of creative discovery.
Artist Lucy Bailey is presenting a solo exhibition titled "Roots and Wings" at the Aiken Center for the Arts, running through April 29. The show features nearly 50 mixed-media works created on vintage early 20th-century infant gowns, exploring the complex origins of human identity through themes of genetics, genealogy, community, and nature. Bailey utilizes diverse materials—ranging from DNA-inspired patterns and family photographs to resin-dipped cicada wings—to symbolize the foundational "roots" of selfhood and the "wings" of individual expression.
Sienna Art Gallery & Gifts has officially opened at 129 S. Gay Street in Knoxville’s downtown Arts District. Founded by watercolorist Gayla Seale, fiber artist Judi Gaston, and painter Blanche Nicoll, the space serves as both a working studio and a retail gallery. The venue debuted during a recent First Friday event, featuring original works, architectural cityscapes, handwoven garments, and guest artist rotations, including pieces by Cynthia Markert.
Chiang Mai’s art scene is hosting a diverse range of exhibitions this April, anchored by a major retrospective of Araya Rasdjarmrearnsook at the MAIIAM Contemporary Art Museum. The survey, curated by Kittima Chareeprasit and Roger Nelson, spans four decades of the artist's provocative video and installation works. Other highlights include Myrtille Tibayrenc’s installation of 108 Buddha paintings at the Museum of Something (MOS), Chatchai Notananda’s process-oriented solo show at Haan Studio, and Houda Bakkali’s digital compositions at Alliance Française.
The University of Wisconsin-Stevens Point is hosting a textile art exhibition on its campus, which is open to the public and will remain on view until April 17. The show features contemporary works created with fabric, thread, and other fiber-based materials.
The historic Rototāwai homestead in South Wairarapa, New Zealand, has officially opened a new public art gallery and cultural space. Facilitated by the Anna Bidwill Foundation, the site features Bidwill’s extensive private art collection housed within her restored childhood home. The opening ceremony, which included a traditional pōwhiri and an address by Minister for Arts, Culture and Heritage Paul Goldsmith, marks the culmination of a four-year restoration project since Bidwill repurchased the estate in 2020.
The Atkinson in Southport, England, is hosting the Sefton Open 2026 exhibition, featuring nearly 700 artworks by local artists from the Sefton borough. The exhibition is a major showcase of painting, sculpture, photography, and ceramics, selected from over 1,000 submissions by a panel of judges.
The DownEast National Juried Sculpture Exhibition is celebrating its 20th anniversary with a significant expansion of its public art footprint across Pitt County, North Carolina. Artist Jessica Bradsher took first place for her steel sculpture "Capriole," which will be displayed outside Wahl-Coates Elementary School of the Arts. The exhibition features both an indoor showcase at the Emerge Gallery and Arts Center and an outdoor component that has grown to 20 locations, including new sites in Ayden, Farmville, Winterville, and north of the Tar River.
St. John's University opened the group exhibition "Debugging the Earth" at its Yeh Art Gallery on February 5. The show, organized by Queens-based artist Michael Assiff, features works by seven artists including André Magaña, Carly Mandel, Catherine Telford Keogh, Jan Mun, Kahlil Robert Irving, and Serena Chang, who explore themes of environment and production through repurposed everyday objects.
A new contemporary art gallery, Casa Batlló Contemporary, has opened on the previously closed second floor of Antoni Gaudí's iconic Casa Batlló building in Barcelona. The inaugural exhibition, "Beyond the Facade," is by the London-based art practice United Visual Artists, founded by Matt Clark, and runs until May 17.
Holly Johnson Gallery in Dallas permanently closed in mid-2025, quietly shutting its doors after 20 years of operation. The closure followed concurrent solo exhibitions by artists Randy Twaddle and David Aylsworth that ended in December 2024. No public announcement was made; the final social media post appeared on November 15, 2024. Artists including Margo Sawyer, Dornith Doherty, and Liz Ward expressed sadness, praising Johnson as a dedicated dealer who worked alongside artists, mounted beautiful exhibitions, and fostered community through her founding role in the Contemporary Art Dealers of Dallas.
Staatssekretär im Streit um Fördermittel entlassen
Berlin's culture administration has dismissed State Secretary Oliver Friederici, who was responsible for distributing funds for projects combating antisemitism. The move follows a prolonged controversy over the allocation of millions of euros in grants, with allegations of unclear criteria and potential political influence from the CDU party.
The Mildred Lane Kemper Art Museum at Washington University in St. Louis is hosting a public tour on May 14, 2026, as part of its Graduation Weekend programming. The tour will explore the exhibition "Looking Back Toward the Future: Contemporary Photography from China," which features over forty large-scale photographs by fourteen Chinese artists created between 1993 and 2006. The exhibition is organized into three thematic sections—The Presence of the Past, East and West, and Performance and the Body—examining how artists used photography and performance to critique China's post-1989 sociopolitical and cultural shifts. This is the first time these works are on view at the museum, and they represent a significant recent addition to its contemporary Chinese art collection.
The Mennello Museum in Loch Haven, Orlando, has launched the fourth edition of its 'Our Orlando' group exhibition, featuring three local artists: Tasanee Durrett, Mado Smith, and Martha Jo Mahoney. The show, curated by museum director Shannon Fitzgerald and co-curator Flynn Dobbs, includes four works each by Durrett and Mahoney and two by Smith, drawn from studio visits. The exhibition runs through late August with an opening reception on Friday.
Pavlina Vagioni's exhibition *Oikeiōsis*, presented by the Hellenic Diaspora Foundation at the Venice Biennale, takes its name from a Stoic concept about recognizing belonging and expanding care outward. The show is structured in two rooms: the first, named Neikos (strife), features a fragmented plexiglass cube that reflects visitors in multiplied form, evoking separation. The second, Philotes (harmony), contains warm rock-salt seats and a layered vocal soundscape that activates the Tartini effect—a psychoacoustic phenomenon where two frequencies produce a phantom third tone, symbolizing collective kinship. The salt seats will physically change over the Biennale's six-month run, accumulating the memory of each visitor.