Gallery Chang is hosting a solo exhibition titled "A Bold Attention" by South Korean artist Suh Yongsun at its New York location from April 9 to May 2, 2026. The exhibition features fifteen works, including self-portraits, historical scenes such as those involving King Danjong, and contemporary urban observations of New York locations like Rockefeller Center and Brooklyn.
Khaled Sabsabi has achieved a historic milestone as the first Australian artist to be selected for both a national pavilion and the Venice Biennale’s main international exhibition. After a tumultuous period in which his appointment to the Australia Pavilion was cancelled and then reinstated following political controversy, Sabsabi will now present his work 'conference of one’s self' in the Giardini alongside a separate contribution to the central show. Both projects are deeply rooted in Tasawwuf (Sufism) and themes of spiritual enlightenment and communal unity.
UK-based Clarendon Fine Art is opening a new gallery in Wellesley Square, Massachusetts, at 25 Central St., the former location of Laurel Grove. The business, which operates dozens of galleries in the UK and one in Westport, Connecticut, specializes in international, contemporary, and modern art. Clarendon is scheduled to meet with the Wellesley Design Review Board regarding minor construction and a sign review, including making the entrance ADA compliant. Separately, Wellesley Books has renewed its lease at 82 Central St. for another five years, ensuring the independent bookstore remains a community fixture.
A group exhibition titled "Magnum O-Pspsps" at Cornell University’s Olive Tjaden Gallery in Ithaca, New York, features over 40 artists paying tribute to cats through paintings, sculptures, and mixed-media works. Curated by Cornell MFA students Michael Morgan and Elina Ansary, the salon-style show runs for 10 days through September 25, drawing inspiration from Edward Anthony's 1922 fairytale "The Pussycat Princess" and illustrator Louis Wain's anthropomorphic cat drawings. The exhibition includes works by artists such as Lisa Lebofsky, Tatiana Tatum, Steve Keister, Erika Ranee, Juan Hinojosa, Emily Weiskopf, and Leeza Meksin, with some pieces serving as memorials for deceased feline companions.
Southwest Florida's art centers are hosting 29 exhibitions in August, spanning venues from Sarasota to Marco Island. Highlights include Art Center Sarasota's juried show 'Vice and Virtue' exploring morality, Jacob Z. Wan's LGBTQ+ intimacy-themed mixed media installation 'Me, Myself and I, Vol. 3', a youth exhibition 'INK: Quilt of Identity' by ALSO Youth, and Dorothea (D') Calvert's ceramic series 'Praxis'.
Mashonda Tifrere, an art collector, musician, and founder of two art-based nonprofits, has launched two new projects in San Diego. She created a mindfulness audio tour titled "Inscape: Art and Collection at the Stuart Collection" for the Stuart Collection at UC San Diego, guiding listeners through 22 site-specific artworks. She also curated a group exhibition called "Somewhere in Between" at Quint Gallery in La Jolla, featuring works by artists including Taylor Chapin, Megan Gabrielle, and Nathan Wong.
A roundup of artist-run galleries in Kansas City highlights the rise of spaces like Vulpes Bastille and 100,000,000, which are reshaping the local art scene. These venues, operated by artists and volunteers, offer exhibition opportunities, studios, and community support, exemplified by Andrew Johnson's intimate multimedia installation "In The Presence of an Absence" at Vulpes Bastille.
Praise Shadows art gallery in Brookline's Coolidge Corner is among five venues offering free art exhibitions this summer. The gallery presents "Pigment Spells," a solo show by Boston-based artist and Boston University professor Lucy Kim, featuring resin casts of found objects covered in oil paint. Other exhibitions include David Weinberg's "Explorations" at Gallery 93 in the Brookline Senior Center, which combines photo montages with medieval manuscripts, and Gateway Arts' "Artists Assortment," a tribute to current and former artists with disabilities featuring celebrity portraits. The roundup also highlights the accessibility of these spaces, which welcome visitors without admission fees.
Artist Tammy Nguyen presents her new exhibition "A Comedy for Mortals: Paradiso" at Lehmann Maupin New York, running from June 5 to August 15. The show is the final installment of a three-part series inspired by Dante's Divine Comedy, following earlier presentations in Seoul (Inferno) and London (Purgatory). Nguyen, a 40-year-old painter, professor at Wesleyan, and founder of Passenger Pigeon Press, creates dense, polymathic canvases that weave together imagery from Dante's celestial journey with contemporary references, including Frankenstein, President Eisenhower's military-industrial complex warning, and drones. The exhibition explores paradise as a journey of endless knowledge, while also delving into darker historical events like the 1815 Mount Tambora eruption.
The Photography Show, presented by the Association of International Photography Art Dealers (AIPAD), returned to New York’s Park Avenue Armory for its second consecutive year from 23-27 April, featuring 64 exhibitors. The fair set a new attendance record with nearly 15,000 visitors, driven by strong foot traffic and a buzz around the iconic venue. Executive director Lydia Melamed Johnson noted the optimism surrounding the fair, which also highlighted Indigenous women photographers such as Jessica Eaton, Cara Romero, and Shelley Niro.
Notre-Dame : le mensonge sur le respect de la lumière de Viollet-le-Duc
The article criticizes the planned replacement of the stained-glass windows in Notre-Dame Cathedral, designed by Claire Tabouret, arguing that the public establishment behind the project has made false claims about respecting the original light and colors of Eugène Viollet-le-Duc's 19th-century windows. The author compares the existing and proposed windows baie by baie, asserting that the new designs do not match the chromatic balance or light quality, and calls the official justification a lie. It also highlights two additional alleged falsehoods: that the law for Notre-Dame's restoration deliberately omitted the Venice Charter (when the culture minister said it was unnecessary because the charter was already binding), and that the National Commission for Heritage and Architecture had approved the window replacement (which the author claims is contradicted by the commission's own minutes and multiple members).
La réouverture attendue du Musée Bonnat
After fifteen years of closure, the Musée Bonnat (now renamed Bonnat-Helleu) in Bayonne, France, has finally reopened. The closure was initially due to structural problems, including collapsing skylights and leaks, and even before that, much of the collection had been inaccessible. The renovated museum now features a new extension built from a former school, housing the public reception area, an exhibition space, a courtyard with a café terrace, and storage. The galleries display the museum's full holdings, including Rubens sketches, terracottas from the Paul Cailleux collection, and works by Léon Bonnat himself.
Vu[e]s de dos. Une figure sans portrait
The exhibition "Vu[e]s de dos. Une figure sans portrait" at Les Franciscaines in Deauville, running from February 28 to May 31, 2026, explores the artistic motif of figures seen from behind. Curated by director Annie Madet-Vache, the show was inspired by a small painting from the museum's own collection, André Hambourg's *L'Enterrement de Poincaré*. Unable to secure loans of iconic works such as those by Friedrich, Delacroix, Ingres, or Vermeer, Madet-Vache instead displays large black-and-white reproductions of these masterpieces alongside contemporary works they inspired, turning the absence of the originals into a conceptual strength.
Vitraux de Notre-Dame : le combat continue !
The French government has authorized the removal and replacement of the 19th-century stained-glass windows designed by Eugène Viollet-le-Duc in Notre-Dame Cathedral with new windows by contemporary artist Claire Tabouret. This decision, posted as a work permit on the cathedral, is being challenged in court by the heritage association Sites & Monuments, which argues the replacement is not a legitimate act of conservation or restoration.
Un dessin de Toulouse-Lautrec pour Albi
The Musée Toulouse-Lautrec in Albi has acquired a rare drawing by Henri de Toulouse-Lautrec, depicting the intimate daily lives of women in a Parisian brothel. The work, created during the artist's frequent visits to the establishment on Rue des Moulins, captures a candid, non-judgmental moment of modern life, reflecting the artist's commitment to Baudelairian realism.
The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.
The article reviews "Criminal: An Untold Story of Homelessness, Resistance and Survival," an installation at London's Museum of Homelessness. The show features works by Romany Gypsy poet and artist Gemma Lees, including a caravan installation with china decorated with hostile Sun newspaper headlines about Gypsy and Traveller encampments, and festive bunting printed with historical state proscriptions against nomadic communities dating from the Egyptians Act of 1530 to the 2022 Police, Crime, Sentencing and Courts Act. The exhibition, set largely in the garden of the museum's new home at Finsbury Park's Manor House Lodge, explores how homeless people and nomadic communities have been criminalized over 400 years.
A community arts charity, Helix Arts, and George King Architects have won a public vote to create 'The People's Tree', a multimedia artwork using preserved wood from the illegally felled Sycamore Gap tree in Northumberland. The National Trust commission, announced in September 2025, will transform the tree into a 'living archive' featuring participatory storytelling, a national sound archive, seed pods for digital recordings, a soundscape from growth rings, and a sound sculpture near the original site. The project is expected to begin public engagement in summer 2026 and be completed by autumn 2027.
U.S. officials formally returned 337 looted antiquities, archival materials, and artworks to Italy during a ceremony at Rome’s La Marmora barracks. The objects, spanning from the Villanovan era (900–700 B.C.E.) through the Hellenistic period (323–31 B.C.E.), include Etruscan, Greek, Italic, and Egyptian artifacts. The repatriation was coordinated by Italy’s Carabinieri Command for the Protection of Cultural Heritage, the U.S. Federal Bureau of Investigation, the Department of Homeland Security, and the office of Manhattan District Attorney Alvin Bragg Jr. Key items include a marble head of Alexander the Great, a bronze sculpture from Herculaneum, and Egyptian basalt sculptures. Some 221 objects were recovered via the Manhattan DA, while the remaining 116 were secured with help from Christie’s.
The State Library of NSW is celebrating its 200th anniversary with a new exhibition featuring 200 objects from its collection of 6 million items. Lead curator Elise Edmonds and her team selected highlights including a lock of Mary Shelley's hair, the smallest book in the library's collection (measuring 6mm by 6mm), bread wrappers from the 1960s, a colonial sketchbook from 1817, a Dharawal Indigenous language wordlist, Australia's oldest surviving political cartoon from 1808, and a contemporary artwork by Wiradjuri artist Karla Dickens. The objects span literature, colonial history, Indigenous culture, sport, and everyday life.
A crowd crush at Haiti's historic Citadelle Laferrière fortress on April 11 resulted in at least 25 deaths, including a pregnant woman and children. The tragedy occurred during an unauthorized event promoted by TikTok influencers, which drew over 3,000 people to the site. Heavy rain and a stampede at the narrow entrance exacerbated the overcrowding.
Australian photographer Elle Leontiev has been named the Open Photographer of the Year at the 2026 Sony World Photography Awards. Her winning image, titled 'Barefoot Volcanologist,' features Phillip Yamah standing on a lava bomb at Mount Yasur in Vanuatu. Leontiev captured the surreal portrait under challenging technical conditions, relying entirely on autofocus beeps after her camera screens shorted out due to volcanic activity.
The Guardian’s picture editors have curated a selection of global photographs capturing significant moments from Thursday, April 9, 2026. The collection spans a wide range of subjects, including a dramatic sunset at Milk Beach in Sydney, environmental concerns over a widening faultline in the Swiss Alps, and political activities involving leaders in Scotland and Italy. It also documents somber events, such as the funeral of Al Jazeera correspondent Mohammed Wishah in Gaza.
Archaeological research from Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. These two-sided "binary lots," found at Folsom-period sites in Wyoming, Colorado, and New Mexico, predate the earliest known Old World dice by more than 6,000 years. The study reclassifies artifacts previously overlooked or misidentified, highlighting that these objects were the only decorated, non-utilitarian items found at these late-Pleistocene sites.
Colorado legislators are considering a bipartisan bill to establish the nation's first Artist Corporation (A-Corp), a specialized limited liability company exclusively for artists. This legal framework aims to simplify incorporation, protect intellectual property rights, and allow artists to secure investors without ceding ownership of their creative output.
A major 25-year conservation project at Haiti's Citadelle Laferrière, the largest fortress in the Americas and a UNESCO World Heritage Site, is nearing completion. The project, involving the World Monuments Fund, UNESCO, and the Haitian Institute for the Protection of National Heritage, has focused on earthquake reinforcement, waterproofing, and improving visitor access, using traditional 19th-century techniques and local labor.
The Banff Centre is accepting applications for two thematic visual arts residencies in late 2026 and early 2027. The first, "On Other Archives," focuses on reinterpreting archival methods and will be led by artists Deanna Bowen and Krista Belle Stewart with curator Tarah Hogue. The second, "Future Figurations," explores speculative futures and world-building under the guidance of artists Rajni Perera and Marigold Santos.
The Haystack Mountain School of Crafts, supported by the Windgate Foundation, has announced the eight recipients of its inaugural Artist Grant Initiative. Each emerging artist received an unrestricted $10,000 grant and participated in an online mentorship program with artists Vivian Chiu and Cedric Mitchell. The 2025 cohort, selected by jurors Curtis Arima and Annie Evelyn, includes Aminata Conteh, David Gutierrez, Payton Harris-Woodard, Celina Hernandez, Jason McDonald, Alex Paat, David Vuong, and Tzyy Yi (Amy) Young.
uk government ai copyright rules decision
The UK government is currently navigating a contentious legal overhaul of intellectual property laws regarding artificial intelligence and copyright. A controversial proposal that would allow AI firms like OpenAI to train models on copyrighted material without creator consent has sparked fierce backlash from artists, MPs, and the House of Lords. While a formal update is expected in mid-March, reports suggest the government may delay a final decision for another year to gather further evidence.