German sculptor Cosima von Bonin transformed the Loewe Fall/Winter 2026 runway at Paris Fashion Week into a whimsical maritime environment. The presentation featured her signature oversized plush sea creatures—including whales, clams, and crabs—alongside a new series of canine sculptures titled "The Beaux," which referenced her recent survey at Mudam Luxembourg.
Billionaire retail magnate and prominent art collector Les Wexner provided a closed-door deposition to the House Oversight Committee regarding his past relationship with Jeffrey Epstein. During the testimony, Wexner characterized himself as "naive, foolish, and gullible" for trusting the disgraced financier, whom he labeled a con man. While Wexner denied any knowledge of or involvement in Epstein’s criminal activities, Democratic lawmakers noted that the 88-year-old offered few new details and frequently cited a lack of memory regarding key events.
President Donald Trump has initiated a controversial overhaul of the Kennedy Center in Washington, D.C., renaming it the 'Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts' and appointing himself chairman. Following the dismissal of long-time president Deborah Rutter and the installation of a board led by Richard Grenell, the institution has pivoted toward conservative programming, leading to a 93% to 57% drop in ticket sales and high-profile boycotts from artists like Philip Glass. The center is now slated for a two-year closure starting after July 4 for major renovations, a move that has sparked alarm among preservationists and political figures.
Emails released by the U.S. Department of Justice in January 2026 reveal that convicted sex offender Jeffrey Epstein boasted to associates about securing a private after-hours visit to the Musée d'Orsay in Paris with filmmaker Woody Allen on March 18, 2012. In the correspondence, Epstein wrote to a recipient identified only as 'junkermann' that the French government would open the museum for him and Allen, and later messaged others including former girlfriend Eva Dubin, who responded with a 'King of the castle' quip. Epstein also made crude sexual references in connection with the visit, mentioning Edgar Degas's depictions of nude women.
The Hammer Museum in Los Angeles has appointed Michael Wellen as its new chief curator and Regan Pro as chief of learning, engagement, and research. Wellen joins from Tate Modern, while Pro was previously at the Lucas Museum of Narrative Art. The appointments fill key leadership roles that had been vacant, with the chief curator position open since 2023.
Ian McKellen has signed on to star in a new BBC documentary about cult British painter L.S. Lowry, titled "L.S. Lowry: The Unheard Tapes." The film will focus on previously unheard audio recordings Lowry made in the final four years of his life, which contain what is described as the longest interview the artist ever gave. McKellen will lip-sync to Lowry's own words, bringing the artist back to life through his distinctive Lancastrian voice. The documentary is being produced by the BBC and has the support of Lowry's estate.
The New Museum in New York will reopen on March 21, 2026, after a two-year closure for a major expansion. Designed by OMA / Shohei Shigematsu and Rem Koolhaas, the project adds 60,000 square feet to the existing SANAA-designed building, bringing the total footprint to nearly 120,000 square feet. New features include expanded exhibition space, a 74-seat Forum, an enlarged Sky Room, artist commissions by Tschabalala Self, Klára Hosnedlová, and Sarah Lucas, a larger bookstore, and a restaurant by Henry Rich with executive chef Julia Sherman. The reopening weekend will offer free admission funded by trustee Charlotte Feng Ford, and the museum will debut the exhibition “New Humans: Memories of the Future,” featuring over 200 artists including Francis Bacon, Salvador Dalí, and contemporary figures like Meriem Bennani and Hito Steyerl.
The Mauritshuis museum in The Hague has announced that Johannes Vermeer's "Girl with a Pearl Earring" will be loaned to the Nakanoshima Museum of Art in Osaka, Japan, for a temporary exhibition this fall. The loan occurs while the Dutch museum undergoes renovations in August and September. The painting was last lent to the Rijksmuseum in Amsterdam for its 2023 Vermeer retrospective. The Asahi Shimbun Company is underwriting the presentation and will serve as a project partner to the Mauritshuis for four years, funding a new education center slated for 2028.
Johannes Vermeer's iconic painting *Girl with a Pearl Earring* will travel to Japan for the first time in over a decade, on view at the Nakanoshima Museum of Art in Osaka from August to September. The loan is necessitated by the closure of its permanent home, the Mauritshuis in The Hague, for renovations. The Mauritshuis had previously pledged not to lend the painting again after its 2012–2014 tour of Japan, Italy, and the U.S., making an exception only for the Rijksmuseum's 2023 Vermeer exhibition. Director Martine Gosselink called the trip a unique opportunity to share the work with the Japanese public, possibly for the last time.
The Diriyah Biennale Foundation has announced the artist list for the third edition of the Diriyah Contemporary Art Biennale, opening January 30 in the JAX District of Diriyah, near Riyadh. Titled “In Interludes and Transitions,” the biennale is curated by Nora Razian and Sabih Ahmed and features over 65 artists, including more than 20 new commissions. Participants range from historic figures like Pacita Abad and Etel Adnan to emerging voices such as Raven Chacon and Dineo Seshee Bopape, working across painting, installation, film, sound, architecture, and publishing.
Artnet News asked leading curators and museum directors to share their favorite artworks of all time. Connie Butler of MoMA PS1 chose David Hammons's "Bliz-aard Ball Sale" (1983), praising its connection from Duchamp to AI. Julieta Gonzalez of the Wexner Center selected Hans Holbein the Younger's "The Ambassadors" (1533), highlighting its anamorphic skull as a metaphor for viewing modernity from the margins. Madeleine Grynsztejn of MCA Chicago picked Francisco Goya's "A Pilgrimage to San Isidro" (1819–23) from his Black Paintings cycle, calling it a metaphor for fanaticism.
Frank Lloyd Wright, the renowned architect of New York's Solomon R. Guggenheim Museum, underwent bizarre medical treatments at the urging of Hilla Rebay, the artist and curator who commissioned him to design the museum. Rebay, a Prussian-born baroness and advisor to Solomon R. Guggenheim, convinced Wright to have all his teeth pulled and replaced with dentures within six weeks of their meeting, and also subjected him and his wife to leech bloodletting to drain 'old' blood. The Wrights stopped following her advice when she eyed their daughter's teeth.
The Musée d'Orsay has launched a landmark exhibition titled "Sargent: Dazzling Paris," marking the centenary of John Singer Sargent's death and focusing on his formative decade in 19th-century Paris. The show highlights Sargent's early friendships with artists like Monet and Rodin, his training under Carolus-Duran, and key portraits such as those of Fanny Watts and Madame X, the latter of which caused a scandal that drove him to London. The article also features five portraits that illuminate Sargent's artistic circles in Paris.
In 2025, a series of major art restorations unveiled transformative discoveries in masterpieces by Caravaggio, Raphael, and Artemisia Gentileschi, among others. Caravaggio's final work, *The Martyrdom of St. Ursula* (1610), owned by Intesa Sanpaolo, was cleaned ahead of Rome's "Caravaggio 2025" exhibition, revealing hidden faces and a soldier's helmet previously only visible by x-ray. At the Vatican Museums, a decade-long restoration of the Raphael Rooms concluded with the revelation that two allegorical figures in the Hall of Constantine were painted by Raphael himself, not just his assistants, rewriting art history. Meanwhile, Artemisia Gentileschi's *Hercules and Omphale* (ca. 1635–37), damaged in the Beirut explosion, underwent emergency conservation by the Getty.
Artist Cai Guo-Qiang sparked a major controversy on Chinese social media after staging a fireworks display titled "Rising Dragon" in the Himalayas near Shigatse, Tibet, on September 19, 2025. The event, co-organized with outdoor brand Arc'teryx, drew dozens of art insiders and influencers but was quickly condemned by netizens, environmental scientists, and activists for threatening the fragile Tibetan plateau ecosystem and showing cultural insensitivity toward sacred Buddhist mountains. Both Cai and Arc'teryx issued apologies, and state media outlets like CCTV and Xinhua condemned the performance, leading to an investigation by local authorities.
A 1976 Hippopotamus Bar by François-Xavier Lalanne sold for $31.4 million at Sotheby's after a 26-minute bidding war, setting a new auction record for the French artist. The hand-wrought copper, steel, and wood piece, commissioned by art patron Anne Schlumberger, is the only copper prototype from the series and features concealed compartments for bottle storage, ice bucket, and glassware. The sale was part of the Schlumberger collection, which also included a gold-patinated bronze armchair by Claude Lalanne that fetched $1 million and a pair of bronze gates that sold for $787,400.
The author recounts a visit to the Prado in Madrid, where his attempt to photograph a portrait by Alonso Sánchez Coello was blocked by a guard enforcing a strict no-photography policy. This experience leads him to reflect on the evolution of museum mementos, from postcards—which he used to buy and even had his children select as a curatorial exercise—to the role of social media in sharing art. He recalls his time as curator of the Thyssen-Bornemisza Collection, where postcard sales were a key revenue and popularity gauge, and notes that Instagram now serves as a virtual window into exhibitions and art fairs like Art Basel Miami.
Wafaa Bilal has been named the recipient of the 2025 ARTnews Award for Established Artist, recognizing his survey exhibition “Wafaa Bilal: Indulge Me” at the Museum of Contemporary Art, Chicago (February 1–October 19, 2025). The show is the first major retrospective for the Iraqi American artist, featuring works that put his body at risk, including the iconic performance *Domestic Tension* (2007), in which remote participants fired a paintball gun at him over the internet, and *Virtual Jihadi* (2008), a modified video game that blurs the lines between aggressor and victim. Curated by Bana Kattan, the exhibition restages elements of Bilal’s original performance and presents his ongoing critique of U.S. involvement in the Middle East, particularly the Iraq War and the use of drone warfare.
Pilar Tompkins Rivas, chief curator and deputy director of curatorial and collections at the Lucas Museum of Narrative Art in Los Angeles, has left her post, as first reported by the Los Angeles Times. Her departure is the latest in a series of leadership exits at the institution, which is set to open on September 22, 2026. The museum was founded by George Lucas and Mellody Hobson, and Rivas was one of six women of color appointed to high-ranking roles in 2020 by then director and CEO Sandra Jackson-Dumont, who left in February. The museum laid off 15 employees in May, and CEO duties are now held on an interim basis by Jim Gianopulos, while Lucas himself oversees curatorial content.
Qatar has unveiled a new museum dedicated entirely to the late Indian Modernist artist M.F. Husain, titled Lawh Wa Qalam: M.F. Husain Museum. Located in Doha's Education City, the museum houses over 150 artworks spanning from the 1950s to his death in 2011, including paintings, poetry, photography, tapestries, sculptures, and installations. The museum, opened on November 28 by the Qatar Foundation chaired by Sheikha Moza bint Nasser, fulfills a long-held dream of the artist, who was granted Qatari citizenship in 2010 after self-imposed exile from India. The building was designed by architect Martand Khosla based on a sketch Husain himself created for his envisioned museum.
The New York Botanical Garden's 34th annual "Holiday Train Show" features miniature replicas of New York landmarks crafted from natural materials by the botanical artists of Applied Imagination. This year's edition adds two new models: the recently renovated Delacorte Theater in Central Park and the Whitney Museum of American Art's Meatpacking District flagship, designed by Renzo Piano. The Whitney replica, built over three months by artist Ava Roberts and fabrication director Kaitlin Schmidt, uses a new two-way mirrored acrylic glass technique for the windows and incorporates materials like purple smoke bush branches, horse chestnut bark, and fallen Zelkova bark. The company, founded by Paul Busse in 1991 and now run by his daughter Laura Busse Dolan, creates whimsical versions of landmarks using leaves, sticks, fungi, and other dried plant materials.
A wave of exhibitions and projects is celebrating the 90th anniversary of the births of Christo and Jeanne-Claude, the late husband-and-wife duo known for monumental environmental installations. Their nephew Vladimir Yavachev, who directs their foundation, is overseeing the realization of their final permanent work, *The Mastaba* in Abu Dhabi, while temporary works like *The Gates* in Central Park are being revived through augmented reality. The anniversary also marks 30 years since *Wrapped Reichstag* and 20 years since *The Gates*.
Norman Rockwell's iconic painting "Freedom From Want" (1943), known as the quintessential Thanksgiving image, is examined through three lesser-known facts. The painting was part of a series responding to FDR's "Four Freedoms" speech, initially rejected by the military's Office of War Information before being embraced for a war bond campaign that raised over $132 million. Rockwell used friends and family as models, including his wife and the family cook, who actually prepared the turkey depicted. The work has recently returned to the spotlight: a four-panel Rockwell suite sold for $7.2 million at Heritage Auctions to the White House Historical Association, while Rockwell's family criticized the Department of Homeland Security for using his art in divisive social media posts.
A judge at London's Kingston Crown Court sentenced Larry Fraser to 13 months in jail for stealing a Banksy print of the iconic *Balloon Girl* image from Grove Gallery in September 2024. Fraser, who pleaded guilty, used a hammer to break a glass door and stole the print in 36 seconds, hoping to pay off a drug debt. The Metropolitan Police's Flying Squad recovered the artwork within days after Fraser and accomplice James Love stashed it on the Isle of Dogs. Love was acquitted by a jury, claiming he was unaware of the theft until after the fact.
Artist Friedrich Kunath, known for his sincere yet absurd paintings, discusses his unlikely friendship with tennis star Reilly Opelka, who is also an art collector. The two share a mutual obsession with each other's crafts—Kunath coaches Opelka in tennis, while Opelka seeks Kunath's insights on artists like Philip Guston. Kunath is preparing for his solo debut at Pace Gallery in New York this November, following his move from Blum Gallery, which closed shortly after. He reflects on the loneliness of both tennis and art, and his creative process, which draws heavily from music and film.
Artist George Condo has left Hauser & Wirth and will now be jointly represented by Sprüth Magers and Skarstedt, marking a return to galleries with which he had long-standing relationships. Condo first showed with Monika Sprüth in 1984 and was represented by Skarstedt from 2004 to 2019 before joining Hauser & Wirth in late 2019. Separately, a new BBC documentary titled *Turner: The Secret Sketchbooks* explores whether J. M. W. Turner's creative genius was shaped by childhood trauma and neurodivergence, featuring commentary from artists, actors, and a psychotherapist. The article also reports that Dana Awartani will represent Saudi Arabia at the 2026 Venice Biennale, and that the Trump administration has tightened H-1B visa rules, making it harder for arts institutions to hire foreign specialists.
The Philadelphia Art Museum (PAM) will mount an exhibition titled “Van Gogh’s Sunflowers: A Symphony in Blue and Yellow” from June 6 to October 11, 2026, bringing together two of Vincent van Gogh’s iconic “Sunflower” paintings: PAM’s own Sunflowers (1889) with a turquoise background and the National Gallery’s Sunflowers (1888) with a yellow background. The exhibition continues a collaboration between the two institutions, following a recent loan of PAM’s painting to the National Gallery’s “Van Gogh: Poets and Lovers” show, where the two works hung in a triptych with van Gogh’s Lullaby: Madame Augustine Roulin Rocking a Cradle (La Berceuse).
Zohran Mamdani won the New York City mayoral election, prompting a wave of reactions from the art world. Artists, curators, and critics expressed hope and joy, with figures like Siddartha Mitter calling it a "beacon of civic renewal," while others like Jerry Saltz offered cautious support. Artists such as Aria Dean, Martine Syms, and Salman Toor were involved in his campaign, and El Museo del Barrio was the only institution to officially endorse him. However, some voices, like the market-oriented account Jerry Gogosian, criticized his socialist policies as potentially harmful to the art market.
Artist and children's book illustrator Oliver Jeffers held a dip performance two days before the opening of his solo show at Praise Shadows gallery in Boston, where he destroyed a portrait of Japanese artist and cancer survivor Yuri Shimojo by submerging it in enamel paint. The invite-only audience watched in silence as the image disappeared, a ritual Jeffers describes as both a death and a birth, exploring themes of memory, loss, and hidden variables. His exhibition also features his "Disaster Paintings," which treat serious subjects like climate change and violence with absurdist humor.
British artist Rob Munday has filed a lawsuit against Chris Levine in the High Court, claiming he is the co-creator of two iconic holographic portraits of Queen Elizabeth II—Equanimity and Lightness of Being (2004). Munday alleges that Levine and his company Sphere 9 violated his moral rights by failing to credit him as a co-author, despite a 2005 agreement recognizing joint authorship. The works, commissioned by the Jersey Heritage Trust and held in London’s National Portrait Gallery, were created using holography technology. Levine denies the claims, calling Munday a "technical subcontractor," and says he will fiercely defend his sole authorship. The case follows a separate 2023 dispute between Levine and the trust over unauthorized copies, which was settled with a statement naming Levine as the sole artist commissioned.