Michael Armitage and the Feverish Memory of Images

Michael Armitage und das fiebrige Gedächtnis der Bilder

The British-Kenyan painter Michael Armitage is the subject of a major solo exhibition at the Palazzo Grassi in Venice, part of the Pinault Collection. The showcase features new works, including the titular painting "52,000 Years," which references prehistoric cave art while weaving together themes of political unrest, the refugee crisis, and lush landscapes. Armitage’s technique is noted for its use of Lubugo bark cloth, a traditional Ugandan material that adds a tactile, irregular dimension to his complex figurative compositions.

‘It’s like a Ouija board – I listen to the painting’: the supernatural art of Sanya Kantarovsky

Russian-born, New York-based artist Sanya Kantarovsky presents his new exhibition "Basic Failure" at Venice's Institute of Sciences, Letters and Arts, timed to coincide with the Venice Biennale. The show features his signature dishevelled, otherworldly figures—including a pallid boy with a cigarette, a child spinning in innocence, and a glass bust of a young boy with a dead spider under its eye—that explore tension, alienation, and the supernatural. Kantarovsky describes his process as listening to the painting like a Ouija board, and the exhibition includes works that confound narrative expectations, such as a scruffy toy panda and a recreation of Antonello Gagini's 16th-century sculpture.

Political Fallout Rocks Venice Biennale Prize System

Dozens of artists participating in the 2026 Venice Biennale have withdrawn from consideration for the newly created Visitor Lion awards, replacing the traditional Gold and Silver Lion prizes. A total of 57 artists from the main exhibition and 22 national pavilions signed a statement published on e-flux on May 9, acting in solidarity with the five-person prize jury that resigned on April 30 over the continued participation of Russia and Israel. The jury had objected to awarding prizes to artists from countries whose leaders face International Criminal Court charges, including Russian president Vladimir Putin and Israeli prime minister Benjamin Netanyahu. In response, the Biennale organizers postponed the awards ceremony to November 22 and introduced visitor voting, a move they described as consistent with openness and dialogue. Meanwhile, the Russian Pavilion, which returned after lending its space to Bolivia in 2024, faced protests, closure after previews, and a €2 million funding pull by the European Union for the 2028 Biennale.

‘It’s a world heritage site, but it’s my home’: the last resident of Casa Milà on life in Gaudí’s masterwork

Ana Viladomiu, a 70-year-old writer, is the last remaining tenant of Antoni Gaudí’s Casa Milà (La Pedrera) in Barcelona, a UNESCO World Heritage site that receives about a million visitors annually. She has lived in the luminous apartment since 1988, originally moving in with her then-husband Fernando Amat, owner of the iconic design store Vinçon. Viladomiu holds a rare renta antigua (fixed-rent contract) that allows her to stay until she or Amat dies, after which the not-for-profit foundation managing the building will take ownership. The rest of the building now houses offices and cultural event spaces.

Sharjah Biennial Lines Up 109 Artists for 2027 Edition, Titled ‘What Remains, Sits Restive’

The Wonderful World that Almost Was by Andrew Durbin review – the queer artists who shaped New York cool

Andrew Durbin's new book, 'The Wonderful World that Almost Was,' is a double biography of painter and sculptor Paul Thek and photographer Peter Hujar. It chronicles their artistic maturation, their open and unapologetic gay relationship, and their central role in defining the 'cool' of the New York creative scene from the 1950s to the mid-1970s, before their deaths from AIDS.

Artists, clowns, runaways: a stay at the Chelsea Hotel – in pictures

Photographer Albert Scopin has released a new book through Kerber Verlag documenting his residency at New York’s iconic Chelsea Hotel between 1969 and 1971. The collection features rare, intimate portraits of the hotel's legendary inhabitants, including a young Patti Smith and Robert Mapplethorpe before their rise to global fame, alongside long-time manager Stanley Bard and avant-garde figures like Vali Myers and Holly Woodlawn. Scopin’s lens captures the 'creative chaos' of the era, from the art-filled lobby to the eccentric private quarters of residents like composer George Kleinsinger.

nadya tolokonnikova interview police state la moca

Nadya Tolokonnikova, cofounder of Pussy Riot, has created a performance installation titled "Police State" (2025) at the Museum of Contemporary Art in Los Angeles (LA MOCA). The work recreates a Russian jail cell where Tolokonnikova performs daily activities—making music, creating art, and resting—observed by visitors via security camera footage and peepholes. The installation also features artworks by current and former political prisoners from Russia, Belarus, and the United States, curated through Tolokonnikova's Art Action Foundation and the Artistic Freedom Initiative. Originally scheduled for June 5–14, the show was extended due to the museum's closure amid anti-ICE protests and National Guard deployment.

Art Gallery of NSW to unveil landmark exhibition exploring the many forms of Vishnu

The Art Gallery of New South Wales will open 'Avatar: Forms of Vishnu' in June, its largest exhibition of South and Southeast Asian art in over two decades. Featuring more than 200 works spanning 1,500 years, the show includes ancient sculptures, paintings, textiles, photography, and contemporary installations from institutions such as the British Museum, Ashmolean Museum, and National Museum of Cambodia. Curated by Melanie Eastburn and Chaitanya Sambrani, the exhibition explores artistic interpretations of Vishnu and his avatars across cultural, political, and spiritual contexts, with new commissions by Desmond Lazaro and Sumakshi Singh, and works by Nalini Malani, Pushpamala N, Gulammohammed Sheikh, and Jumaadi.

On View: 'Nigerian Modernism' at Tate Modern Charts Artistic Revolution Against Backdrop of Political and Cultural Rebellion

Tate Modern in London has opened 'Nigerian Modernism,' a major exhibition tracing the modern art movement in Nigeria from the 1940s through the post-independence era. Spanning 50 years, the show features over 250 works by more than 50 artists, including Jimo Akolo, El Anatsui, Nike Davies-Okundaye, Uzo Egonu, Ibrahim El-Salahi, Ben Enwonwu, Ladi Kwali, Aina Onabolu, Bruce Onobrakpeya, Uche Okeke, and Obiora Udechukwu. Curated by Osei Bonsu and Bilal Akkouche, the exhibition draws from Tate’s holdings and public and private collections across Africa, the United States, and Europe, and runs from October 8, 2025 to May 10, 2026.

Tyler’s reimagined Pyramid Club gallery enters final exhibition month

Tyler School of Art and Architecture at Temple University opened an archive exhibition at the Tyler Contemporary Art Gallery on September 5, reimagining the historic Pyramid Club, a cultural hub for Black professionals in North Philadelphia from 1937 to 1963. Curated by Matthew Jordan-Miller Kenyatta, the show features 34 paintings and 35 photographs by John Mosely, alongside works by contemporary artists like Shawn Theodore, and draws from archives by William Dodd, Leslie Willis-Lowry, and the Charles L. Blockson Afro-American Collection. The exhibition runs through its final month, with events drawing over 200 attendees.

Where to see art in Houston now: 9 fun new exhibits opening in July

Nine new art exhibitions are opening in Houston in July, spanning traditional paintings, sculptures, high-tech immersive shows, and textile works. Highlights include Nick Vaughan and Jake Margolin's "Town Meeting 1978-2028" at Art League Houston, which uses wind-drawing techniques to explore pre-Stonewall queer histories; Jeffly Gabriela Molina's "Fragmentos de un sueño que yo también soñé," focusing on immigrant experiences of home and memory; and Lin Qiqing's "Every Fiber of Their Bodies," weaving narratives of gender, immigration, and human relationships. The Menil Collection also re-installs René Magritte paintings after their return from a major retrospective in Sydney.

Venice Biennale Jury Bars Israel and Russia from Official Prizes

The international jury of the 61st Venice Biennale announced on April 23 that it will not consider the Israeli and Russian pavilions for official prizes, including the Golden Lion for national participation. The five-member, all-women panel—comprising Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—said it would exclude countries whose leaders are currently charged with crimes against humanity by the International Criminal Court, a criterion that applies to Israel and Russia due to ICC arrest warrants for Benjamin Netanyahu and Vladimir Putin. The decision comes amid mounting controversy over the Biennale's decision to host both pavilions, with Russia returning after its artists withdrew in 2022 over the Ukraine invasion and Israel reopening after its 2024 pavilion remained closed pending a Gaza ceasefire. The European Commission had also threatened to suspend a €2 million grant over the Russian pavilion's reopening.

Sharjah Biennial announces theme and artists

Sharjah Art Foundation Announces 2027 Biennial Programming

Frist Art Museum Presents Exhibition Spanning 100 Years of Contemporary Indigenous Art, Highlighting a Continuum of Elders and Emerging Makers

The Frist Art Museum is presenting a new exhibition that spans 100 years of contemporary Indigenous art, featuring works from both established elders and emerging makers. The show aims to highlight the continuity and evolution of Indigenous artistic practices across generations.

An Urgent Call From Artists and Curators of the 61st International Art Exhibition of La Biennale di Venezia 2026

A group of seventy-four artists and curators participating in the 61st Venice Biennale have issued an urgent letter to the institution's leadership, including director Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition, "In Minor Keys," which was conceived by the late curator Koyo Kouoh. The group argues that this relocation violates Kouoh’s curatorial vision of radical solidarity and introduces a threatening military and police presence into the exhibition space.

After a turbulent period of reorganisation, the 18th Istanbul Biennial favours futurity over futility

The 18th Istanbul Biennial, titled "The Three-Legged Cat," has opened after a turbulent period of reorganization. Curated by Christine Tohmé, the biennial unfolds over three years instead of the usual two, featuring 47 artists—only six from Turkey, with many from the Middle East. The exhibition spans eight venues, including a former cone factory and a French orphanage, and includes works such as Naomi Rincón-Gallardo's video installation on opossum resilience and Khalil Rabah's site-specific intervention with oil barrels and saplings. The biennial's budget was raised from €2m to €6.5m, mostly funded by Koç Holdings, following controversy over the initial appointment of curator Defne Ayas, which was rejected by the Istanbul Foundation for Culture and Arts (IKSV), leading to Tohmé's eventual selection.

In Pictures: The Highlights of the 2026 Venice Biennale

En images : les grands moments de la Biennale de Venise 2026

The 2026 Venice Biennale, titled "In Minor Keys" and curated by Koyo Kouoh, opened on May 9, 2026, at the Arsenale and Giardini venues. Kouoh, who died suddenly in May 2025 at age 57, conceived the event as a counterpoint to global noise and fury, inviting visitors to slow down and tune into minor tonalities. The exhibition features works addressing colonial memory, slavery, and Gaza, with a team of four curators executing her vision. Highlights include Maria Magdalena Campos-Pons's tribute to Kouoh and Toni Morrison, Hala Schoukair's installation, and Gabrielle Goliath's "Elegy," alongside collateral shows like the Dries van Noten Foundation at Palazzo Pisani Moretta and the Victor Pinchuk Foundation's "Still Joy – from Ukraine into the World."

À Marseille, la nouvelle saison culturelle Méditerranée s’ouvre avec deux semaines de festivités

France's new cultural season, "Saison Méditerranée," launches on May 15, 2026, in Marseille with two weeks of festivities running through May 24. Organized by the Institut français and announced by President Emmanuel Macron in 2023, it is the first season to focus on an entire region—the Mediterranean and its 21 bordering countries—rather than a single nation. The program includes exhibitions at venues like the [mac], the Vieille Charité, and the Friche la Belle de Mai, featuring artists such as Louisa Babari, Adrien Vescovi, Zineb Sedira, Mona Benyamin, and Abdessamad El Montassir. Highlights also include the inauguration of the transformed Citadelle de Marseille with works by Saber Zammouri and Hugo Mir-Valette, a performance by Mohamed El Khatib at the Mucem, and a concert by Sofiane Saidi and Camélia Jordana. The season continues across France until October, with a major project by Mohamed Bourouissa at the Grand Palais in Paris.

Fondation Cartier’s Latest Museum Invents New Ways of Displaying Art

The Fondation Cartier for Contemporary Art has opened a new building in Paris, designed by architect Jean Nouvel, after ten years of planning and construction. Located near the Louvre in the former Grand Hotel du Louvre, the 8,500-square-meter space features transformable architecture with movable walls and floors, conceived as a "machine" for flexible exhibitions. The opening show, "Exposition Générale," curated by Grazia Quaroni and Béatrice Grenier and designed by Formafantasma, highlights the building's structural innovations and features works from the foundation's permanent collection, including pieces by Cai Guo-Qiang, Joan Mitchell, James Turrell, and Malick Sidibé.

lebanese palestinian artist gabrielle bejani israel bombings lebanon

Gabrielle Bejani, a Lebanese Palestinian artist based in South London, created a new series of works in response to the November 2024 ceasefire between Israel and Lebanon that was quickly broken. The series, exhibited as "Deliberate Dreams" at Beirut's Saleh Barakat Gallery in July 2025, uses painting, drawing, and collage to process grief, anger, and guilt over the violence. Bejani incorporates everyday cultural items like bougainvillea and 20th-century Lebanese postage stamps to explore themes of land, identity, and resistance, reclaiming darkness as a source of empowerment rather than a metaphor for evil.

Here Are the Seven Booths We’re Beelining to at NADA’s 2026 New York Edition

The 12th edition of NADA New York is now open through May 17 at the Starrett-Lehigh building in Chelsea, featuring 120 galleries and nonprofit spaces from around the world. The fair emphasizes intimacy and scale, with presentations ranging from wrestling-scene paintings by Ursula Dilley to miniature landscapes stitched onto shirt cuffs by Chang Suyung, alongside collaborations rooted in regional craft traditions and psychedelic excess. Cultured magazine highlights seven must-see booths, including solo shows by Douglas Rieger and Loucia Carlier, and a transatlantic dialogue between Saenger Galería and COHJU.

sanya kantarovsky chloe dzubilo rosemarie trockel

Two new art critics join the fold at Cultured, with Johanna Fateman reviewing Sanya Kantarovsky's first New York solo show since 2019, "Scarecrow," at Michael Werner Gallery's two Upper East Side locations. The exhibition features paintings, monotypes, and a glazed stoneware vase centered on Hera, a whippet belonging to artists Mark Dion and Dana Sherwood, alongside works like *Stage (Watteau)* that engage with historical painting. Mary Simpson covers Rosemarie Trockel's acerbic conceptualism, and Jeanette Bisschops reviews a posthumous exhibition of Chloe Dzubilo's intimate and irate drawings, "The Prince George Drawings," at Participant Inc., curated by Alex Fleming and Nia Nottage.

Solidarity and shared optimism take centre stage at 1-54 fair in London

The 1-54 Contemporary African Art Fair in London, held at Somerset House until 19 October, showcases a wide range of African and diaspora artists. Galleries from Nigeria, Kenya, Zambia, and beyond present works that highlight both historical and contemporary practices, with notable sales and institutional interest already reported. The fair coincides with Tate Modern's Nigerian Modernism exhibition and the opening of the Museum of West African Art (MOWAA) in Benin City, creating a moment of heightened global attention on African art.

Venice Biennale’s jury resigns

The entire jury of the 61st Venice Biennale, presided by Brazilian curator Solange Farkas and comprising four other curators, resigned just nine days before the exhibition's scheduled opening on 9 May 2026. The jury had announced it would not award prizes to countries whose leaders are charged with crimes against humanity by the International Criminal Court, a move widely understood to target Israel and Russia. In response, the Biennale's organisers cancelled the prize-giving ceremony and will instead award Golden Lions via a popular vote among ticketholders. The row escalated further when the Israeli representative, sculptor Belu-Simion Fainaru, accused the jury of discrimination and threatened legal action, prompting intervention from Italy's culture ministry.

Venice Biennale 2026 Roundup

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opened in May 2026 amid significant turmoil. The Austrian Pavilion features Florentina Holzinger's performance piece "Seaworld Venice," centered on a giant bell that chimes hourly. The biennale has been marked by the death of its curator, the resignation of the international jury over the inclusion of Russia and Israel, protests by Pussy Riot and the Art Not Genocide Alliance, and the cancellation of the South African Pavilion over Gabrielle Goliath's "Elegy," which honors murdered women including a Palestinian poet. The US Pavilion's state-sponsored offerings have also drawn criticism.

In Minor Keys A Cacophony At 61st Venice Biennale – Miranda Carroll

The 61st Venice Biennale, titled 'In Minor Keys,' opened with a central exhibition curated by the late Koyo Kouoh, who died in 2025. The show features 110 artists and collectives, realized by a team of five curators known as 'la squadra di Koyo.' The exhibition spans the Giardini and Arsenale venues, with works including Otobong Nkanga's living facade installation, Theo Eshetu's dying olive tree, and Nick Cave's vibrant sculptures. Poems and quotes by Refaat al-Areer, Etel Adnan, Toni Morrison, and Ben Okri punctuate the spaces, encouraging visitors to pause and reflect.

Virginia Museum of Fine Arts receives major gift of photography

The Virginia Museum of Fine Arts (VMFA) announced a major gift of 1,986 photographs from Joy of Giving Something, Inc. (JGS), a nonprofit founded by financier Howard Stein. The donation includes works by over 450 artists, spanning the 19th century to the present, with highlights such as rare daguerreotypes by Joseph-Philibert Girault de Prangey, prints by Gustave Le Gray and Eugène Atget, and significant holdings in American documentary photography from figures like Dorothea Lange and Walker Evans. The gift follows an earlier 2023 donation of portfolios and series, and positions VMFA to open five new photography galleries in 2027 as part of its expansion.

“Edmonia Lewis: Said in Stone” Reconstructs a Life Across Fragments

Boston Art Review (BAR) has published an article titled “Edmonia Lewis: Said in Stone” that reconstructs the life of the 19th-century sculptor Edmonia Lewis across fragmented historical records. The piece examines Lewis’s career, her neoclassical marble works, and the challenges of piecing together her biography due to limited archival materials.