Musée Postal
The Musée de la Poste in Paris is currently hosting a series of diverse exhibitions and cultural programs, ranging from a focused look at Henri Matisse's vibrant painterly style to an exploration of how design has integrated into national heritage. The institution is also featuring the chaotic architectural installations of Tadashi Kawamata and a deep dive into the historical and cultural construction of the 'witch' archetype.
Cluny approfondit le mythe de la licorne
The Musée de Cluny in Paris has opened a new exhibition, "Cluny approfondit le mythe de la licorne," which delves deeper into the symbolism of the unicorn. Building on a 2018 show, this iteration presents a more extensive and scholarly selection of artworks, including prestigious loans facilitated by a partnership with the Museum Barberini in Potsdam. The exhibition showcases the creature's diverse representations across cultures, from medieval tapestries to scientific illustrations.
The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.
Archaeologists conducting salvage work for a new passenger train line between Querétaro and Mexico City have unearthed a 1,000-year-old Toltec stone altar. Located within the Tula Archaeological Monument Zone in Hidalgo, the three-level structure was found alongside four human skulls, long bones, a black ceramic bowl, and obsidian blades. Preliminary assessments by the National Institute of Anthropology and History (INAH) suggest the remains belong to individuals offered as ritual sacrifices.
Crystal Bridges Museum of American Art has unveiled a monumental Tiffany Studios window, "Mountain Landscape (Root Memorial Window)," which was previously housed in a San Antonio church. The 1917 stained-glass masterpiece, designed by Agnes Northrup, had been roped off for a decade due to insurance liabilities before the church sought a public institution to ensure its preservation and display. Following a meticulous conservation process, the nine-foot-tall window is now a centerpiece of the museum’s Visions of America Galleries.
Archaeologists from Mexico’s National Institute of Anthropology and History (INAH) have discovered a 1,000-year-old Toltec altar during salvage work for a new high-speed rail line between Mexico City and Querétaro. The stone structure, known as a momoztli, dates back to AD 900-1150 and was found with four human skulls and leg bones arranged at its base, suggesting ritual or sacrificial use. Located near the ancient site of Tula Chico, the find also included ceramic objects and obsidian artifacts within a compound likely belonging to the local elite.
Blenheim Palace is nearing the completion of a £12m conservation project, the most extensive in the 300-year history of the UNESCO World Heritage site. Led by Donald Insall Associates, the initiative involved a massive logistical effort, including the construction of 31 miles of scaffolding and a one-acre protective tent to repair rotting timbers, crumbling stonework, and leaking roofs. The restoration also addressed the palace's iconic Baroque skyline, featuring statues of gods, emperors, and a 30-tonne marble bust of Louis XIV.
Bergen Kunsthall has launched "Iter Subterraneum," a group exhibition inspired by Ludvig Holberg’s 1741 satirical novel about a man who falls through a cave in Bergen into a subterranean world. The show features ten international artists, including Robert Gabris, Anicka Yi, and Cecilia Fiona, whose works span video, sculpture, and performance. By pairing historical editions of Holberg’s book with contemporary installations, the exhibition explores themes of displacement, collective existence, and the blurring of lines between human and non-human life.
Prominent figures in Black British music, including Goldie, Estelle, and Dennis Bovell, reflect on iconic photographs and visual artifacts that define the history of their genre. The article highlights specific works such as Eddie Otchere’s portrait of drum and bass pioneers Kemistry and Storm, Janette Beckman’s photography of Slick Rick, and Adrian Boot’s documentation of the Race Today offices in Brixton.
Angela de la Cruz's solo exhibition "Upright" at Birmingham's Ikon gallery presents a collection of broken and mended artworks. Her canvases are crumpled, folded, and snapped, while sculptures are assembled from precarious junk like a three-legged chair on a stool and a piano stacked atop another. The works, though appearing on the verge of collapse, are all repaired and propped back up, reflecting a state of post-collapse resilience.
The Centre Pompidou Hanwha is set to open in Seoul this June, housed in a renovated four-story former aquarium in the Yeouido district. Designed by French architect Jean-Michel Wilmotte, the new outpost is the result of a four-year partnership between the Hanwha Foundation of Culture and the Parisian institution. The museum will launch with the exhibition "The Cubists: Inventing Modern Vision," which explores the evolution of Cubism and its specific intersections with Korean art history.
The Repatriates Collective has launched 'Tide of Returns' at Ocean Space in Venice, an exhibition that redefines repatriation as a continuous process of spiritual and communal repair rather than a singular legal transaction. Set within the historic Church of San Lorenzo, the installation features immersive works such as 'From My Mother’s Country,' which utilizes thousands of handmade dolls from Namibia, and Verena Melgarejo Weinandt’s textile and video works exploring the symbolic power of water and braiding.
Marcel Duchamp transformed the trajectory of 20th-century art by introducing the 'Readymade,' a concept where mass-produced, everyday objects are elevated to the status of art through the artist's selection rather than manual craft. Beginning with a bicycle wheel in 1913 and a bottle rack in 1914, Duchamp eventually formalized the term during a 1915 stay in New York, where the city's industrial modernity and lack of rigid class structures inspired him to challenge traditional definitions of creativity.
A rare 1929 Patek Philippe wristwatch, originally owned by Paul Starrett—the chairman of the corporation behind the Empire State Building—is headed to auction at Phillips in New York. The Tiffany & Co. signed timepiece was purchased by Starrett during the construction of the iconic skyscraper and features unique floral engravings alongside his initials. It is expected to fetch between $15,000 and $30,000 during the June sale.
A collection of over 100 photographs by German photographer Albert Scopin, taken while he lived at New York's legendary Chelsea Hotel from 1969 to 1971, has been rediscovered and published in a new book. The images, long thought lost after being sent to a German magazine in the 1970s, were unexpectedly recovered by a gallerist in 2016 and capture the hotel's eclectic residents and vibrant countercultural scene.
Art21 hosted an advance screening of Sophie Calle's segment from the upcoming Season 12 of "Art in the Twenty-First Century" at the SAG-AFTRA Robin Williams Center in New York. Following the first public showing of the documentary, which follows Calle preparing exhibitions in Paris, Arles, and Minneapolis, the artist participated in a conversation with filmmaker Bette Gordon. They discussed the influence of 1980s New York and themes of identity and vulnerability in her work.
Historic Architecture Emerges from Stone in Matthew Simmonds Ethereal Sculptures
Sculptor Matthew Simmonds meticulously carves miniature, hyper-realistic architectural interiors—including gothic cathedral arches, vaulted ceilings, and stairwells—directly into hunks of Carrara marble and limestone. His recent works, often based on real sites like Bamberg Cathedral or Tuscan cities, reveal ornate, smooth interiors that contrast with the stone's raw exterior, and he is currently using a quieter period to experiment with how light and space within the sculptures can express a sacred quality.
A new memoir by Fred Brathwaite, known as Fab 5 Freddy, chronicles his life as a pivotal figure connecting the emerging hip-hop and graffiti scenes of 1970s and 80s Brooklyn with the downtown Manhattan art world. The book, "Everybody's Fly: A Life of Art, Music, and Changing the Culture," serves as an all-access pass to a transformative era, featuring encounters with icons like Jean-Michel Basquiat, Keith Haring, Andy Warhol, and Debbie Harry.
The article presents a curated collection of 33 photographs deemed to have caused public scandal, ranging from political and royal controversies to celebrity missteps and historical moments of defiance. It analyzes how these images, from Prince Andrew with Virginia Giuffre to Lee Miller in Hitler's bathtub, have exposed hidden truths, shattered carefully managed public images, and sometimes altered public perception or the course of events.
The Aya Kese, a massive 16th-century northern European brass basin, is currently on display at the British Museum while its complex history remains under scrutiny. Looted by British officer Robert Baden-Powell in 1896 from the Asante kingdom’s royal mausoleum in present-day Ghana, the object was long sensationalized by colonial accounts as a vessel for human sacrifice. Recent scholarship and historical records from Asante King Prempeh I contest these claims, asserting the basin’s sacred role as a spiritual repository for the souls of the Asante people.
The art collective MSCHF saved a cow named Angus from slaughter after a two-year project called 'Our Cow Angus'. The project allowed fans to preorder burgers or a leather bag made from Angus, but also provided a 'Remorse Token' to cancel orders. If 50% of tokens were used by the deadline, Angus would be spared and sent to a sanctuary. With ten hours remaining, the threshold was met, and the cow's life was saved.
The American Folk Art Museum has launched "Self-Made: A Century of Inventing Artists," an exhibition exploring the work of self-taught creators who operated outside traditional institutional frameworks. Featuring a diverse array of drawings, paintings, and sculptures by figures such as Henry Darger, Bill Traylor, and Sister Gertrude Morgan, the show examines how these artists used their practice to construct identities and narratives in environments that often offered little formal recognition.
The Peabody Essex Museum (PEM) in Salem is highlighting the work of its curatorial team, specifically focusing on how Lydia Peabody, Lan Morgan, and Ruthie Dibble are revitalizing the institution's collections. A primary focus is the exhibition 'Edmonia Lewis: Said in Stone,' where Peabody integrated contemporary photography and video by artist Gisella Torres to create a dialogue with Lewis’s 19th-century neoclassical marble sculptures. Other initiatives include Lan Morgan’s 'Beyond the Broom' project, which uses short films to showcase a community-focused perspective of Salem beyond its 'witch city' reputation.
The Art Gallery of Ontario (AGO) has launched a dedicated exhibition to rediscover the work of Edna Taçon, a mid-century abstract artist who was once a prominent figure in the New York and Toronto art scenes. Curated by Renée van der Avoird, the show features collages, drawings, and paintings from the 1940s, a period when Taçon exhibited alongside Lawren Harris and was championed by Hilla Rebay at the Museum of Non-Objective Painting (now the Guggenheim). The exhibition was sparked by the discovery of a single work in the AGO’s holdings and a subsequent connection with the artist's grandson, sculptor Carl Taçon.
Glasstire has announced the second installment of its "Talking Texas Art" panel series, scheduled for April 23, 2026, at the Louise Hopkins Underwood Center for the Arts (LHUCA) in Lubbock. Part of the publication’s 25th-anniversary celebrations, the event focuses on the Texas Panhandle's creative landscape. The panel features prominent regional figures including Judy Tedford Deaton of The Grace Museum, Jon Revett and Amy Von Lintel of West Texas A&M University, and Charles Adams of CASP, moderated by Glasstire’s William Sarradet.
Acclaimed Norwegian artist and writer Lars Elling is set to debut his first South African exhibition, "Dreams of Reason," at the Everard Read Gallery in Franschhoek on April 11, 2026. The collection features works created during his annual five-month residencies at the De Rust farm in Elgin, home of Paul Clüver Family Wines. The exhibition marks a significant shift in Elling’s palette, moving from the muted greys of Norway to the vibrant ochres and blues of the Western Cape, while exploring the liminal psychological space between sleep and wakefulness.
The Louvre Museum is hosting a major retrospective dedicated to Martin Schongauer, a pivotal German artist of the late 15th century, running from April 8 to July 20, 2026. Titled "Martin Schongauer: Le bel immortel," the exhibition features approximately one hundred works, including his world-renowned engravings, rare paintings like the "Virgin in the Rose Garden," and intricate drawings. Curated by Pantxika Béguerie de Paepe and Hélène Grollemund, the show traces Schongauer’s evolution from a goldsmith’s son in Colmar to a master who bridged the gap between Gothic tradition and Renaissance innovation.
Julie Mehretu has established herself as a preeminent voice in contemporary abstraction by creating dense, multilayered canvases that synthesize architectural drawings, maps, and media imagery. Her work is characterized by a meticulous accumulation of marks that transform sociopolitical data and historical events into ethereal, gestural compositions. By layering information until it reaches a point of abstraction, she explores how individual and collective identities are shaped by the built environment and global shifts.
Chicago-based artist Carlos Rolón has debuted a new solo exhibition titled "The Division Street Riots" at 65Grand gallery. Moving away from his signature high-gloss aesthetic of Swarovski crystals and gold, Rolón presents a series of restrained graphite and charcoal drawings and dye sublimation prints based on archival imagery. The works document the 1966 uprising in Chicago's Humboldt Park, which was sparked by the police shooting of a young Puerto Rican man, Arcelis Cruz, following the city's first Puerto Rican Day Parade.
Chicago-based artist Carlos Rolón has unveiled a new body of work at 65Grand titled 'The Division Street Riots,' which explores the 1966 Puerto Rican uprising in Humboldt Park. Moving away from his signature vibrant, crystal-embellished installations, Rolón utilizes graphite, charcoal, and dye sublimation prints to interpret archival imagery of the three-day unrest sparked by a police shooting. The exhibition marks a stylistic shift toward a more somber, documentary-style realism that emphasizes historical witnessing over spectacle.